10,000 search results (0.053 seconds)
  1. "TRASHED" by Last Soundtrack is a captivating display of creative chaos, intricately designed to bring a rugged, edgy feel to the table. At first glance, the font boldly defies traditional typographi...
  2. The VTKS FLOWERS IN OUR SOUL font, created by Douglas Vitkauskas, is a distinctive typeface that embodies a blend of artistic flourish and emotional expression. Its design captures the essence of spo...
  3. The "Always Forever" font, created by the talented designer Brittney Murphy, embodies a sense of intimacy and enduring elegance that resonates through its design. At its essence, "Always Forever" is ...
  4. "Night Club 70s" by Jambo! is an evocative and captivating typeface that immediately transports you into the heart of the 1970s disco era. This unique font perfectly encapsulates the vibrant, high-en...
  5. Gabardina is a distinctive font that exudes a blend of classic charm and contemporary flair, conceptualized and designed by deFharo, a Spanish typographic designer known for his unique and wide-rangi...
  6. Prognostic, a distinctive font created by the talented type designer Måns Grebäck, builds a strong visual presence through its unique characteristics and detailed craftsmanship. This font beautifully...
  7. Amerika, designed by Apostrophic Labs, is a distinctive font that captures the essence of innovation and creativity. It embodies a blend of modernity and tradition, presenting itself through an excit...
  8. As a creation of Tattoo Woo, the Quasari font is an exquisite display of the artistic finesse and bold creativity that defines the designer's portfolio. It is imbued with a sense of fluid motion and ...
  9. The 1543 Humane Jenson font, designed by Gilles Le Corre, is a tribute to the rich history of typography, blending meticulous craft and historical homage. This font is intricately designed to echo th...
  10. DS Thompson, crafted by the talented Nikolay Dubina, is a font that radiates a distinctive blend of charm, functionality, and historical resonance. Imbued with an aura of nostalgia and elegance, this...
  11. Waterhole by MouserFonts is a distinctive font that embodies a spirit of adventure and creativity. At its heart, Waterhole encompasses the essence of natural beauty and rugged simplicity, designed to...
  12. SF Espresso Shack Condensed by ShyFoundry is a distinctive font that captures the essence of modern café culture with a nod to vintage aesthetics. This typeface embodies a unique blend of casual char...
  13. SchilderGrotesk is an intriguing font that captures the attention of design enthusiasts and typographers alike. Crafted by Uwe Borchert, a designer with a meticulous eye for the balance and character...
  14. Kerater, a font meticulously crafted by the renowned font designer Måns Grebäck, is a striking embodiment of craftsmanship and artistry in the realm of typography. Its design is a harmonious blend of...
  15. Husky Stash, a distinctive font created by the renowned type designer Ray Larabie, is a vivid embodiment of creativity and flair. This typeface exudes a playful yet sophisticated spirit, making it a ...
  16. Corporate HQ, designed by the talented Vic Fieger, is a font that embodies a unique blend of professionalism and creativity. Reflecting the essence of corporate identity with a twist of individuality...
  17. The KR Leafy font, created by the talented Kat Rakos, beautifully captures the essence of nature in its design, making it a distinctive choice for a wide array of creative projects. Its uniqueness li...
  18. The LT Oksana font, designed by Nymphont, is a delightful typeface that radiates charm and elegance. At first glance, LT Oksana captivates with its smooth, rounded serifs and a playful yet sophistica...
  19. JBCursive stands as an exquisite exemplification of artistry harmonized with utility, a font that transcends mere text to become a visual melody. With its roots deeply entrenched in the tradition of ...
  20. Konfuciuz, a unique typeface developed by Apostrophic Labs, stands out for its distinctive blend of modern and traditional elements that conjure the essence of wisdom and ancient philosophy, subtly h...
  21. Union Agrochem, designed by Polenimschaufenster, is an intriguing font that captures the essence of its unique branding. Its design is a noteworthy fusion of industrial robustness and agricultural ea...
  22. The Nadejda font, crafted by the talented designer Nikolay Dubina, is a testament to the graceful marriage of artistry and typography. This typeface stands out for its distinct personality, which str...
  23. The ZARAUTZ font, designed by Pedro Pan, can be depicted as an encapsulation of modern elegance and versatility. This font distinguishes itself with a balanced blend of classic and contemporary eleme...
  24. The "Crimson Petal" font by SpideRaYsfoNtS is a unique and artistic typeface that evokes a delicate yet striking aesthetic. As its name suggests, the font design is inspired by the imagery of a crims...
  25. Enlighten, as envisioned by the talented typeface designer Måns Grebäck, is a font that effortlessly combines artistic flair with timeless elegance. This signature creation by Grebäck showcases his a...
  26. The Mutlu font, with its name meaning "happy" in Turkish, is a script font that exudes joy and exuberance. A distinguishing feature of Mutlu is its flowing, ornate characteristics that mimic the flui...
  27. The PaddingtonSC font is a distinctive typeface that instantly communicates an aura of charm and sophistication. It falls within the script category, characterized by its elegant, flowing letters tha...
  28. Barnard by Manfred Klein is a compelling and meticulously designed font that showcases the unique artistry and innovation synonymous with Klein's work. This font embodies a creative blend of modernit...
  29. Alright, imagine stepping into a world where the past and present merge stylishly, where the grandeur of ancient empires is reborn in modern design. That's the essence of ImperatorBronze, a font craf...
  30. Pea Jane In A Hurry is a font that truly captures the essence of spontaneity and movement. Created by Fonts For Peas, this typeface stands out for its hand-drawn, casual style that appears to have be...
  31. Yorktown is a distinctive font created by Dieter Steffmann, a renowned German typographer known for his prolific contribution to the realm of digital typography. With a keen eye for historical font s...
  32. CloseCall, designed by the talented Simon Schmidt, is a captivating font that stands out for its distinct personality and versatile usability. It is a typeface that encapsulates a balance between mod...
  33. Dot.com Outline by Iconian Fonts emerges as a captivating and dynamic typeface, radiating a sense of modernity and innovation. This font unifies the essence of the digital age with the timeless appea...
  34. AHDN is a unique and engaging font that captures the essence of vintage charm mixed with modern sophistication. Named with a nod to nostalgia, AHDN evokes memories of the past while fitting seamlessl...
  35. Rasstapp 1.0 is a captivating font that immediately draws you in with its unique blend of modern and retro vibes, reminiscent of both futuristic aspirations and a nod to nostalgic script styles. Its ...
  36. The Occoluchi Minicaps font, carefully crafted by GemFonts | Graham Meade, stands out as a testament to the playful yet functional aspect of type design. This font encapsulates a whimsical spirit whi...
  37. Ankora, crafted by the creative minds at Apostrophic Labs, embodies a unique blend of artistry and functionality in its design. Apostrophic Labs, known for their innovative and free-spirited approach...
  38. SCR-N by URW Type Foundry, $39.99
    SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).
  39. SCR-I by URW Type Foundry, $39.99
    SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).
  40. PeaceNow Basic is a distinctive font that exudes a serene and harmonious essence, perfectly mirroring the ideals of peace and unity that its name suggests. Its design is a blend of soft curves and cl...
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