Sulky Adolescent is a cute handwritten font that has a rather neat and simple vibe. It will add an incredibly joyful touch to your designs. Add this beautiful typeface to each of your creative ideas and notice how it makes them stand out!

Fox Spring is a cute and colorful display font. It embodies playfulness and authenticity and is the perfect choice for any children activity or school project. Add this chunky lettered font to your designs and notice how it makes them come alive!

Zombie Mummy is a bold, quirky, and incredibly spooky display font. Add this font to your favorite Halloween-themed ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the glyphs.

Wolf Fangs is an incredibly unique and chunky lettered display font with graffiti basic feel, its suitable for logotype, design grafics, e-sport, apparel, wall art, etc. Add this font to your favorite creative ideas and notice how it makes them come alive!

A chunky, laid-back typeface inspired by a hand-painted notice on the doors of a mechanic's workshop in Plymouth, Tobago. Two different mostly-uppercase alphabets in one font help to keep things loose. 'Liming'? hanging out, drinking rum, shooting the breeze...

Flower Park is a sweet and playful display font. This font is perfect for the autumn theme, floral design, and nature theme, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

The OpenType version of Farmer contains two sets of slightly different upper-case letters. The alternate version is accessible as Titling Caps in OpenType feature enabled software. Mixed and matched they create a strong and persuasive headline, logo or For Sale notice.

Hallo Witch is a cool and spooky decorative font. Add it to each of your Halloween related designs and notice how easily they stand out. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Smile Yellow is is a cute and colorful display font. It embodies playfulness and authenticity and is the perfect choice for any children activity or school project. Add this chunky lettered font to your designs and notice how it makes them come alive!

TT Octosquares useful links: Specimen | Graphic presentation | Customization options TT Octosquares is a fresh, revised, expanded, and significantly improved version of our first commercial typeface TT Squares and its narrow version TT Squares Condensed. With all our love for the original font family, it felt there was a lack of functionality, character composition, features, and design freshness, which prompted us to the idea of a complete restart. Now TT Octosquares can be safely called a superfamily consisting of 4 widths (Compressed, Condensed, Standard, Expanded), 72 faces (18 in each width), and 1 incredible variable font in which variability works jointly on three axes. In addition to working on the contours themselves and their design, we completely revised the composition of the typeface. First, we added two completely new widths: Compressed and Expanded. Secondly, we increased the number of weights in each of the subfamilies—while in the old versions there were 5 weights, now in each of the subfamilies there are 9 weights. At the stage of working with the contours of characters, we revised the roundings, changed the forms of shoulder and stem crossings, added noticeable shelves at the letters, removed the sharpness from the triangular characters and cut off all sharp endings. From the very beginning of work on TT Octosquares, we planned to make a variable 3-axis version of it sewn into 1 font file. This means that by installing just one variable font file, you get access to three axial adjustment of the font: by thickness, width and inclination. Thanks to this flexibility in settings, you can always choose a custom combination of thickness, width or inclination that best suits your tasks. Due to the increased language support and the appearance of a bunch of useful OpenType features, the number of glyphs in the typeface has increased from 480 to 825 in each style. Now you can use stylistic alternates, standard and discretionary ligatures, or use old-style figures, numbers in circles and even slashed zeros in your design. Full list of features: aalt, mark, mkmk, ccmp, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, case, zero, dlig, liga, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, calt, locl. To use the variable font with three variable axes on Mac you will need MacOS 10.14 or higher. For other software and browsers, you can check the support status here: v-fonts.com/support/.

FineArt OT is a casual typeface, created by brush, as an emulation of a conventional typography, however, comes with alternative FineArt Opentype OT for exploring other radical forms of expression. Thus FineArt offers 4 styles in a single font.

A new script label typeface named Spicy Taste. This typeface contents caps and small letters, numbers, punctuation signs and some alternates for small letters. This is a handwritten brush font with authentic dry brush strokes like drawn on paper.

Miscellany JNL collects numerous images of various genres into one dingbat font. There are vintage stencil patterns, old-time ad cuts and decorations, line spacers [number keys 1 through 7], conversation balloons, parking lot symbols and other assorted goodies.

Basalt is a hard, black volcanic rock with less than about 52 weight percent silica. Because of basalt's low silica content, it has a low viscosity (resistance to flow). Basalt is erupted at temperatures between 1100 to 1250° C.

Aeron started with a no-nonsense geometric sans-serif structure that grew into a functional semi-serif family of fonts. Half-rounded slabs mix with curvy and squared-off terminals for a personable yet structured family that works in all sizes.

The thinking behind Fairway was to create a relatively conventional soft sans with a certain amount of movement at the top of the x-height line. The face is casual and quirky but can still be used as a text face.

Myglaos is a lovely elegant font for branding and logo design. This typeface includes a massive selection of ligatures, making it perfect for a variety of creative projects such as branding, logo design, content creation, packaging designs, stationery & so much more.

Inspired by the basic letter concept of Walter Huxley's 1935 gem Huxley Vertical, Dining Room JNL is a completely re-drawn typeface, adding even more of an Art Deco feel to an already classic Deco-era letter form consisting of condensed, rounded letters. Thick vertical lines balance against lighter weight ones, giving a dramatic contrast so typical of the Streamline Era of design concepts. This font marks another milestone in the Jeff Levine library of retro-inspired type faces. Beginning in 2006 with only ten designs, the collection has grown steadily with Dining Room JNL being the 750th font in the library.

Avonick is a beautiful condensed font family with an elegant touch. Avonick has a sophisticated and professional look, its clean and elegant letters make it perfect for sleek and professional projects. Avonick comes in four weights, Light, Regular, Semibold and Bold. Each font weight has an oblique version. Avonick has a stylish design which makes it very versatile, the font can cover a wide range of projects such as: branding, mastheads, magazines, logos, banners, wedding invitations, websites, blog posts, pull quotes, editorials, packaging, social media posts, advertisements and much more. We hope you enjoy using the Avonick font family.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Franklin Stone is a organic hand drawn typeface inspired by vintage type with hand drawn feel. Comes with regular, condensed and stamp. This typefaces is perfect for people looking for vintage aesthetic. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc You may not use the fonts in templates or for sale/free or on template websites. ( web/print/app ) We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Rotundus is an elegant sans serif typeface based on geometric shapes. Precise lines and accurate curves with sharp corners are the main characteristics of this fresh and modern font family. While unconventional letterforms give Rotundus its distinctive appearance, a tall x-height and a condensed width provide good legibility and nice readability even at smaller sizes. With its contemporary feel, Rotundus is suitable for almost any type of analogue and digital application. A rounded sibling of Rotundus is available as Rotundus Rounded. The Rotundus font family includes unique letterforms, exclusive ligatures and extensive OpenType features. Rotundus comes in six weights with matching italics.

Kaleidos Rough lining is a brush script. It has two versions; Kaleidos Rough and Kaleidos Textured. The rough version has rough edges to mimic authentic brush strokes. The textured version also has those rough edges and in addition it has a brush stroke texture to mimic dry ink. Both versions are sketched and drawn with a pointed brush pen. Kaleidos Rough has plenty of alternates, ligatures and swashes so you can build interesting-looking words and headlines. Although Kaleidos Rough is condensed and quite tightly spaced it is clear and legible. Also check out Kaleidos Smooth, a clean and smooth version of Kaleidos.

The Droid Serif Pro Family (4 fonts) is a contemporary serif typeface family designed for comfortable reading on screen. The font is slightly condensed to maximize the amount of text displayed on small screens. Vertical stress, sturdy serifs and open forms contribute to the readability of Droid Serif while its proportion and overall design complement its companion Droid Sans. The fonts were designed by Steve Matteson, the Type Director at Ascender Corporation. The Droid Serif Pro Family (4 fonts) includes Latin 1 and WGL character sets, along with Old Style Figures (requires an application that support advanced OpenType typographic features).

“Marne” is a new font inspired by letter designs from the 80's but updated. Standing out for its condensation, its angular touch, its slight slant and its thick and thin lines, “Marne” is the perfect mix of elegance and informality. Open Type features include a full complement of international characters, alternatives and ligatures. With all this, the text will look alive and dynamic, without the monotony of repeated letterforms. “Marne” can be the choice to create titles, logos and posters for branding and packaging, invitations, greeting cards, magazine and book covers, children's material, fashion, and wherever you want!

Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version , ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.

Norman Variable contains all the weights in between Norman Regular and Norman Fat. Get to know Norman, elegant and fashion forward. This new condensed and high contrast serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Proudly presents, Novita Signora Font Duo, beautiful pairs of condensed sans and signature. A modern, stylish combination. With a minimalist style and natural hand-drawn script that looks strong to stand on its own. You can use this font combination separately as a logo, logotype, or heading, or mix and match it as an editorial, quotes, gorgeous wedding invitation, and more! Novita Signora is PUA Encoded so that you can access the characters without any special software. Equipped with lots of alternates characters to beautify your design! What you'll get : Uppercase Lowercase Numbers & punctuations Stylistic alternates Ligatures Accented characters.

The story begin from Condensed, Standard & Expanded style. Saint Regus built and designed with a super family typeface in mind. Its still growing and growing by uniquely bold charismatic persona. The family itself have total 8148 glyphs with a standard glyphs and multilingual context.The possibilities are have a huge prospect in various design project, digital and print. Saint Regus development tried to explore the impact by its proportional display form. The project started from a Standard weights (Roman) and then it become a big families with 21 styles that you can use for a large design assets in any kind of design works.

Monospasz means mono-fun in English. It's spelled with 'sz' instead of 'ß' for all you english speaking folks out there who always mistake it with a 'B'. Monospaced fonts keep on drawing attention to them because their proportions stand out from the canon of common fonts. "Yuck. Look at the condensed little m. Isn't that ludicrous?" But Monospasz isn't copycatting traditional typewriters, the most popular of monospaced fonts. It's completely manually ink-written and hand crafted. Monospasz has been designed and first used for the third incarnation of our annual Weimar based typography symposium dubbed "TypograVieh lebt" in the summer 2006.

Squickt was the first script I designed. The name is an atrocity, I don't remember what was on my mind, when I decided on that name, but after 25 years it is to late to change, so I have to stick with it. I have recently gone over the script and changed a little stroke here, a curve there and I added Small-Caps. The font is very useful for all kinds of signs, that have to look spontaneous. You can even condense or extend it without me going berserk; Squickt is very robust. Your scribe Gert Wiescher

Mollen is sans serif font family that designed to be functional. Each glyphs are shaped by geometrical form with specific visual structure: Simple and clean form with low contrast stroke, rounded 'o' in the normal width, mix diagonal and straight cuts on terminals and finials. Low capitals, with flat top and low descenders. With this personality, Mollen meant be fit for modern, contemporary and technological nuance. Mollen consist of 48 font with 8 weight: From Thin to ExtraBold and 3 width: Condensed, Narrow and Normal. With each matching Italics. It also contain 425 glyphs and several opentype features.

Pina is a typefaced based on Italian signage, incorporating simplified shapes for the letters and unique characters. The barebones S and the perfectly circular O are examples of the type of lettering you'd likely see on awnings. These letters have a thin footprint, and are quite condensed apart from certain letters like O and Q, which gives the font a unique bounce. It includes plenty of alternates, to letters like O, S, Q, R, K, and special ligatures for specific pairs. This font is named after my grandmother from Italy, Josephine, who was a wonderful figure in my life.

Get to know Norman Fat a new version of our best seller Norman, elegant and fashion forward. This new condensed high contrast and heavy weight serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman Fat is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display.

Dimensions is redesigned font family based on Blackout font released as free font in 2005. The original blackout has been used especially for company or brand logo of fashion and music label in the world. In 2011, Blackout had evolved into this Dimensions font family of seven weights with roman and italics. They are one of the most condensed, black and skinny font in the world. All weights and italics have upper and lower cases, accented characters and small capital glyphs that can be used with OpenType smcp feature. There is high contrast version called Speedometer.

It had to happen: we reached into the future and returned with the ultimate hyper-wide hyper-condensed hyper-thin hyper-bold font: HYPERSPACE RACE! It boldly goes where no sci-fi font has gone before, with WARP SPEED MODE (149 custom connecting letter pairs), alternate letters without connections, Variable Font for unlimited adjustment of Weight, Width & Slant, and character support for 211 European and Asian languages, including Russian, Serbian/Macedonian, Ukranian & Vietnamese. See the Variable and Opentype features in action as I re-create 15 familiar sci-fi logos in under two minutes with the Variable Font!