Glorify SH is a Modern vintage serif typeface with Unique alternative , multilingual support with perfect kerning. This typeface is perfect for an elegant & luxury logo , classy editorial design, women's magazine, fashion brand , cosmetic brand, fashion promotion , modern advertising design, invitation card, art quote, home decoration , book/cover titles, special events, Tote bag, T-shirt, Advertising and much more. Glorify SH Features: · 4 Weights font (Regular, Italic, Outline, Semi Bold) · Uppercase And Lowercase · Alternates · Numerals & Punctuation · Accented characters · Multilingual Support · Unicode PUA Encoded If you need another format of this font, such as TTF, WOFF and WOFF2, please contact me. While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day .

Giggle Laugh - A Groovy Display Font is a font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature. Multilingual Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu. There it is. I really hope you enjoy it. Comments & likes are always welcome and accepted.

Doodler - A Handwritten Script Font : Doodler is a carefully crafted display font. It has Extended Latin and Cyrillic characters. It created for poster, web, brand and social media designs. It supports 97 Languages. Including: Belarusian, Russian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu and more..

Dixplay, a typeface based on a pixel grid, is available in two weights: regular and black. Inspired by video game aesthetics of the 80s, was originally intended for display applications, but it works fine on paper as well. The font has been conceived in 20 px size allowing more freedom to manipulate it and making a big difference with other fonts of its kind, this difference it’s more evident in Dixplay Black. As a result, it’s optimized for screen use at 20 px and its multiples. Spacing is one of the most outstanding aspects of Dixplay. While pixel fonts doesn't have kerning pairs, Dixplay offers more than 300 manually done that fit perfectly to the grid. It is available in Open Type format and supports Western European Languages that uses the Latin alphabet. For more details see the PDF.

Pretty Holiday - Playful Display Font is a font with distinctive handwritten characters perfect for branding projects, logos, wedding designs, media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery, and any project who need handwritten dishes. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature. Multilingual Support : Afrikans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Chiga, Cornish, Danish, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu. There it is. I really hope you enjoy it. Comments & likes are always welcome and accepted.

Neuropol Nova is more than just a typeface, it’s a portal to a world of hard sci-fi design. Inspired by Neuropol X, this typeface transports us to a chilling and distant future, one where letterforms are stripped down to their most essential components. The stark, almost clinical aesthetic of Neuropol Nova is reminiscent of a high-tech laboratory or the sterile environment of a spaceship’s bridge. Neuropol Nova pushes the boundaries of letterform recognition to levels that are truly ultra-futuristic. The sparsely connected patterns that make up the letters evoke a sense of ancient cuneiform markings, or perhaps even the language of a highly advanced alien civilization from a distant, unknown future. The choice of three widths, three weights, and italics only adds to the versatility of this incredible typeface. With its strategic overtones, Neuropol Nova is ideal for any designer looking to create a design that screams of a dystopian future. Whether you’re working on a sci-fi novel cover or a video game interface, Neuropol Nova is the perfect typeface to transport your audience to a world of cutting-edge design. In conclusion, Neuropol Nova is more than just a typeface, it’s a masterful creation that seamlessly blends the past, present, and future of typography. So if you’re looking for a font that will truly set your design apart, look no further than Neuropol Nova. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Bill Corporate is a geometric typeface with generous capitals. A modern classic, based on Max Bill’s lettering work, its straightforward and uncompromising construction can be both edgy and sublime. With minimalist letterforms, pointy apexes instead of flat ones, and archetypal proportions, this font family doesn’t follow any trends but strives to achieve a timeless formal vocabulary. The skeleton of its letters is based heavily on the famous primary shapes of the Bauhaus: square, circle, and triangle. This makes for quite wide uppercase and much narrower lowercase letters. The contrast between uppercase and lowercase benefits inexperienced users, who will be able to get appealing results quickly. At the same time, it’s a powerful tool for seasoned designers, who can employ either case selectively to set the desired typographic course. Bill Corporate Medium’s 16 styles (including a set of eight lighter-than-light fonts from “Two” to “ExtraLight”) are an excellent choice for editorial design, branding, headlines, and even short to mid-length copy in a wide range of applications and industries. The uppercase letters in particular—with their varied widths and lavish dimensions—are suitable for cosmopolitan and stylish logotypes and wordmarks. Whenever a timeless, staid, and classy look is demanded, choose Bill Corporate.

This typeface finds a perfect balance between technical excellence, careful design of letter forms for extended reading, and a measured dose of charm and personality. Its informal feel allows for successfully typesetting a wide range of applications, from magazines and fiction books to advertising and websites. Calligraphy, be it done with the broad-edge pen, brush, or other tools, has been fundamental in the development of Pollen. Its influence is clearly visible in the construction of the top serifs contrasting the curved bottom serifs and the fluid aspect of terminals and tails, such as on “g” and “r”. The shapes of the diagonal letters are based on a less formal calligraphic model, but still uses the broad edge pen. ­The letters were then subject to a further process of pencil drawing and digital re-interpretation, which gave them the final shape. The designs of “e” and “c” are derived from drawings made with only one continuous line, with the pencil always touching the paper. The letters “g” and “y” express the intention to bring informal elements to a typeface intended for long text reading, usually characteristic of casual writing. Pollen consists of 3 basic styles with an extended OpenType Pro character set and large language support, perfectly serving the most common typographic needs.

Presenting the 🗯️💬CHOPIC Comic Typeface💬🗯️ by alitdesign. The CHOPIC Comic Typeface is inspired by the style of letters in comics that have less serious and fun characters. The lettering of CHOPIC Comic Typeface is a sans serif with display font characters which gives a fun and design impression for retro pop art. The CHOPIC Comic Typeface has 2 style font regular and brushed style and has 2 characters solid and 3D. The CHOPIC Comic Typeface is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The CHOPIC Comic Typeface also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The CHOPIC Comic Typeface creating a Comic and non formal themed design is very quick and easy. The CHOPIC Comic Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The CHOPIC Comic Typeface contains 565 + 230 bonus glyphs with many unique and interesting alternative

Font is the most important design element to increase your branding. However, it may be tricky and take quite a while to figure out the perfect font for your design. Resting is a perfect display serif font for any of your design projects. Serif font is a font type with sticky small lines on the letters’ edges expressing formal, classic nuances and more aesthetic, creative touches due to the display font combinations. This display font has thick, high contrast lines perfect for catching attention and creating firm impressions. In addition, use this font for big text sizes for a legibility reason and make use of the other interesting features to beautify your designs. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Resting fits best for various design projects, such as brandings, posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Characterized by quickness, lightness, and ease of movement, Bird Script is a font which challenges many aspects of type-design: every single stroke, comes directly from the author’s hand and tries to reflect not only the tool used, but also his feelings at the moment of writing. Bird Script is a font filled up with the energic gestures of what it’s called gestural calligraphy, a not very explored field in typography, where hardly ever a letter comes the same way two times: When manipulating the pen, the letterer seeks for the beauty of the differences and the grace of a confident execution. Originally done with a flat speedball pen nib nº5 and retouched with pencil for the bolder elements, it turned into a very pleasant to the eyes font which dances between the formal rules of typography and the artistic look of calligraphy. Bird Script Pro and Bird Script Light Pro come with many ligatures, alternates and ornaments. Into the standard ligatures we find lots of pairs of two and three ligated letters so when they are activated the font seems alive. However if none of them are activated, the font gives a really particular text pattern, specially in smaller sizes. Get Bird Script, add rhythm to your work.

Presenting the 🗯️💬CHOMOXI Comic Typeface💬🗯️ by alitdesign. The CHOMOXI Comic Typeface is inspired by the style of letters in comics that have less serious and fun characters. The lettering of CHOMOXI Comic Typeface is a serif with display font characters which gives a fun and design impression for retro pop art. The CHOMOXI Comic Typeface has 2 style font regular and brushed style and has 2 characters solid and 3D. The CHOMOXI Comic Typeface is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The CHOMOXI Comic Typeface also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The CHOMOXI Comic Typeface creating a Comic and non formal themed design is very quick and easy. The CHOMOXI Comic Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The CHOMOXI Comic Typeface contains 579 + 230 bonus glyphs with many unique and interesting alternative options.

It can be a time-consuming, difficult process to find an elegant font to present classic impressions to your audience despite the abundant options available for you. Moreover, it takes the risks to disappoint and to leave bad impressions to your audience without having the right font. Therefore, let us introduce you to our serif font, Recolor. It is a capitalized serif font to help you create elegant, classic nuances on your designs. Our serif font has tiny lines to add formal, professional touches on each quality, consistent letter to ease the reading process. However, such capitalized font designs are eligible to apply for big text sizes for a legibility reason. Additionally, you can enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Recolor fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Skema Pro is a versatile system of 6 serif typefaces - each bearing a distinct character and purpose. Together they form a huge superfamily of 84 fonts to fit any imaginable task. Skema Pro Livro is a low contrast, low x-height typeface with inclined axis. It is designed to work in books, where long ascenders and descenders along with increased line-spacing aid comfortable reading. Skema Pro Text has low contrast, medium x-height, and slightly tilted axis. Its neutrality along with modern feel makes it default choice for long texts of any nature. Skema Pro Omni features medium contrast, medium x-height, and slightly inclined axis. Being a more contrasted version of Skema Pro Text, it shares its intent of usage, however, creates a different texture with more formal look. Skema Pro News is a low contrast, large x-height typeface with vertical axis. Works best in newspapers and in screen applications. Skema Pro Title has medium contrast, large x-height, and vertical axis. Designed to work in larger text sizes, it offers contemporary detailing for pull-quotes and subheadings. Skema Pro Display is a typeface with high contrast, large x-height, and vertical axis. It shows its features in large text sizes, such as editorial headings.

Agatized Informal is a rough-edged stencil typeface with chunky letterforms and tight spacing. Designed primarily for display use, it’s ideal for posters, logos, advertising, book cover designs or small chunks of text such as pull-out quotes. The design is something of an enigma, a curious mish-mash of genres – imagine splicing Uncle Buck and Deadpool into a horror movie – it’s big, bold and funny although has a dark side. But what really makes this typeface a joy to drive is its boot full of alternative characters and ligatures. There is a saying: Use sparingly. Not on this street! Make your Glyphs palette burn rubber. Set your OpenType to full throttle: crank up your style and get those liga-tyres screeching. Agatized is a souped-up old campervan spinning doughnuts on the beach. The design started life as a piece of lettering for a book design that didn’t progress past the sketch stage. I liked the rough, dense character shapes, so during some down time I started drawing more characters and the lure of a new typeface pulled me in from there. Although this is a single-weight typeface it has a younger sibling, Agatized Formal, a neater, more dapper brother, smoother round the chops and smartly dressed – certainly no less fun though.

Presenting the 🗯️💬CHOMIKU Typeface💬🗯️ by alitdesign. The CHOMIKU Typeface is inspired by the style of letters in comics that have less serious and fun characters. The lettering of CHOMIKU Typeface is a serif with display font characters which gives a fun and design impression for retro pop art. The CHOMIKU Typeface has 2 style font regular and italic and has 3 characters solid, line and 3D. The CHOMIKU Typeface is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The CHOMIKU Typeface also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The CHOMIKU Typeface creating a Comic and non formal themed design is very quick and easy. The CHOMIKU Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The CHOMIKU Typeface contains 559 + 230 bonus glyphs with many unique and interesting alternative options.

Presenting the 🗯️💬CHOMIQY Typeface💬🗯️ by alitdesign. The CHOMIQY Typeface is inspired by the style of letters in comics that have less serious and fun characters. The lettering of CHOMIQY Typeface is a serif with display font characters which gives a fun and design impression for retro pop art. The CHOMIQY Typeface has 2 style font regular and italic and has 3 characters solid, line and 3D. The CHOMIQY Typeface is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The CHOMIQY Typeface also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The CHOMIQY Typeface creating a Comic and non formal themed design is very quick and easy. The CHOMIQY Typeface is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The CHOMIQY Typeface contains 560 + 230 bonus glyphs with many unique and interesting alternative options.

Peleguer typeface is the reinterpretation of the characters that the valencias goldsmiths Peleguer Manuel, father and son had opened and merged between 1779 and 1783 on behalf of the Royal Economic Society of Friends of the Land of Valencia “in order to create a Factory letters. Then during that time, reached 6 degrees of open letters (small pica, pica, gross pica, text, great primer and double pica). It appears that the letters never were done, and were themselves Manuel Peleguer who kept the punches and dies, leading to create a foundry-printing which only came out 5 or 6 books or documents for the single year of 1784 . One of these books, “Praise in the solemn funeral service …” made ​​with the degree of “gross pica” samples were selected to take the characters for subsequent drawings on the following parameters for the unity and a contemporary look to the source: Keep the proportions of the original source (but unifying the shapes of the serifs, as these were different according to repose at baseline or in descending order). Match the counterforms and match the fallen traces from the cursive. En short, “catch” the formal essence of the source and following update current typographic design criteria to achieve a source with good legibility and subtle personality.

Introducing The Clover, a stunning duo font that combines the timeless elegance of a serif typeface with the fluid grace of calligraphy. This versatile font set includes two complementary styles that work together seamlessly to add sophistication and charm to your design projects. The serif font is a classic and refined typeface that exudes elegance and professionalism. Its clean lines and sharp angles create a sense of precision and authority, making it perfect for formal documents, headlines, and branding materials. In contrast, the calligraphy font is a more decorative and ornate style that evokes a sense of fluidity and movement. Its graceful curves and flowing lines create a sense of beauty and grace, making it ideal for invitations, wedding materials, and other special occasions. When used together, the serif and calligraphy fonts complement each other perfectly to create a stunning visual contrast that captures attention and creates a lasting impression. Whether you're designing a logo, brochure, or wedding invitation, The Clover is the perfect choice for adding a touch of sophistication and style. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

Remember when a coyote was a light-boned rangy member of the canine family and not the name (spelled C-A-O-T-I) of your neighbor's four year old daughter? When a cricket was a leaping, chirping insect and not the name (spelled K-R-I-Q-U-I-T-T-E) of your purple-haired, pierced-tongued waitress? When Madison and Austin were cities, when brie was a variety of cheese, when radon and alar were hazardous substances and NOT FIRST NAMES? Burghal Design remembers the good old days, when people were not named Whisper, Zandren, Skylar or Dakota but were called Eleanor, Arthur, Edward and Irene. In the spirit of these classic monikers, we give you Mildred, a script font family for proud and simple folk: the down to earth Mildred Plain, hearty Mildred Stout, the barely-there Mildred Scrawn,and the barfly Mildred Cocktail. There's also the slightly more formal (but still all-purpose) Mildred Fancy, bolder Mildred Strong, and the wisp of Mildred Mild. Rounding out the family is Mildred Ornaments, a collection of symbols that can be used for snowflakes, for bullets, or just for fun. Mildred: just an old-fashioned, hard working font.

Change Serif is a typeface family designed as a part of Mateusz Machalski's PhD project, carried out in 2015-2021. The main goal was to create a typeface allowing for the typesetting of complex humanistic texts, containing many historical letterforms. The starting point was the preparation of most of the glyphs provided in unicode for Latin, Cyrillic and Greek. From the formal point of view, the Change family is based on Renaissance proportions with contemporary details. Classic upright version is paired with expressive and calligraphic italics, inspired by the works of Robert Granjon. Each of the styles contains about 4,000 characters, allowing for a broad range of typesetting capabilities – multiscript publications, historical translations, and texts transcription. The crucial aspect was to treat all scripts equally. All OpenType features, such as swashes, final forms, decorative ligatures, can be found in Latin, Cyrillic and also Greek. The name of the typeface refers to the design process in which there are constant changes and corrections. On the other hand, it means to convey how this project influenced my perception of typography and allowed me to embrace it as a medium of artistic expression. Due to its similar proportions, Change works perfectly with the Gaultier typeface.

Saint Bartogenia is a handscript font that elegantly bridges the gap between handwriting and formality. Exuding a beautiful and lovely aura, this font is a perfect choice for wedding invitations and other elegant stationery. Its script form is both classy and fine, mirroring the artistry of traditional calligraphy with a modern twist. The thin, delicate lines of Saint Bartogenia create a sense of sophistication and grace, making each character swirl across the page like a light wind. Use underscore _ anywhere in a word to make a swash. Example: Ele_gant Use multiple underscores to make longer underlines. Example: Wonder___world The font is built with advanced OpenType functionality and guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more automatic and manual features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Saint Bartogenia is a manifestation of Mans Greback's commitment to combining aesthetic beauty with practical usability, making it a go-to choice for designers seeking to infuse their projects with a touch of finesse.

NEW UPDATED! OKTOBER 16, 2023 (Guthen Bloots Monoline) Presenting Guthen Bloots! A Smooth Marker Font with stylish alternates. This font is made with the perfect combination of each character. Mix and match to get a unique combination of letters. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing connections. This font can be used at any time and in any project. So, Guthen Bloots can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, logotype, product packaging, etc. Guthen Bloots multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and more. Check Other Fonts: Greatest Richmond - an authentic brush font with 3 alternates and 36 swashes Blastone - a brush font with 2 versions, alternates, and extra Ever Looser - a wild brush font with a distinct texture Alingtone Font Duo - a display font with 2 versions, alternates, and extra Bones Stone - a bold script font with more than 9 alternates and extra Journey Signature - an authentic script font crafted carefully Stylish Classy - a fashionable handwritten script font Authentic Photography - a stunning handwritten font WHAT'S INCLUDED? 1. Guthen Bloots Basic • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Huge Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, Azeri, Croatian, Czech, Esperanto, Filipino, West Frisian, Hungaria, Irish, Latvian, Lithuanian, Polish, Romanian, Serbian, Bosnian, Slovak, Slovenian, Turkish, Dutch (Netherlands), Estonian, Finnish (Suomi), Francais, Bokmal (Norsk), Welsh (Cymraeg), Somalia, Belarusian (Latin), Moldovan, and Many More). 2. Guthen Bloots Alt1 • The second version comes with Uppercase and Lowercase. 3. Guthen Bloots Alt2 • The third version comes with Uppercase and Lowercase. 4. Guthen Bloots Slant • The Italic version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Huge Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, Azeri, Croatian, Czech, Esperanto, Filipino, West Frisian, Hungaria, Irish, Latvian, Lithuanian, Polish, Romanian, Serbian, Bosnian, Slovak, Slovenian, Turkish, Dutch (Netherlands), Estonian, Finnish (Suomi), Francais, Bokmal (Norsk), Welsh (Cymraeg), Somalia, Belarusian (Latin), Moldovan, and Many More). Also Included All Alternates. 5. Guthen Bloots Swash • This version comes with 52 underline swashes. Just type A-Z and a-z to feature all. 6. Guthen Bloots Monoline • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Huge Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, Azeri, Croatian, Czech, Esperanto, Filipino, West Frisian, Hungaria, Irish, Latvian, Lithuanian, Polish, Romanian, Serbian, Bosnian, Slovak, Slovenian, Turkish, Dutch (Netherlands), Estonian, Finnish (Suomi), Francais, Bokmal (Norsk), Welsh (Cymraeg), Somalia, Belarusian (Latin), Moldovan, and Many More). Enjoy the Font! Azetype Studio www.azetypestudios.com

I wanted to create a "handwriting" font which could be used professionally. I have often needed such a font with a variety of weights and styles for a particular project and have had to resort to mixing fonts, creating a rather messy, amateur job. Camy is named for a little village in South West France where I did much of the initial work on this font. Camy is ideal for contemporary display work, comes in ten styles, and has a contemporary appeal with its casual, easy to read letters. Camy was designed as a total professional package for designers looking for a handwritten font suitable for all kinds of contemporary display work: the idea being that once you have the Camy Professional Pack you don't have to waste time searching for other handwritten fonts. The Family: LIGHT -- NARROW - light weight, condensed width, delicate line -- MEDIUM - light weight, delicate line -- WIDE - light weight, expanded width, delicate line NORMAL WEIGHT -- NARROW - of medium weight and condensed width - perfect for limited space -- MEDIUM - of medium weight -- WIDE - of medium weight and expanded width BLACK - for best readability -- NARROW - condensed width for bolder statements in small areas without losing legibility -- MEDIUM - for bolder statements -- WIDE - expanded width for bolder statements FAT -- WIDE - for maximum impact Use a combination of styles for product branding, book covers, invitations, greeting cards. The Camy combination works well for both headings and body text. Camy contains over 250 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

Trinidad Neue™️ is a geohumanistic typeface developed by the Chilean Type Design Studio Sudaca. The origin of this work lies in an exercise of comparing classic Roman proportions (Trajan Columns) with the capital letter set of Futura by Paul Renner. I wanted to create my own Sans Serif interpretation of classic proportions. I started working with letters A, H, N, O, R and S. When I finished the uppercase set, this exercise transformed itself into a project. I started to develop a set of lowercase letters choosing as direct references Futura and Kabel by Rudolph Koch; always having in mind that the objective was to find a balance between the humanist and the rational or geometric. Here is when this group is formed, giving its name and identity to this family: Paul, Rudolph & Alexis. The result is a typeface with an elegant, modern and versatile aspect. Its seven stylistic sets make Trinidad Neue™️ into a Swiss army knife to compose short and medium texts for editorial design, branding, exhibitions, motion graphics, etc. The family consists of nine weight variants and its corresponding oblique versions. It counts with many OpenType characteristics in each variant, including small caps, seven stylistic sets that can be combined, standard ligatures and discretionals ligatures, proportional numerals, tabular numbers, fractions, superscript, subscript, normal punctuation and also aligned to small caps and capital letters, arrows, emojis and more. With more than 1000 glyphs, this typeface has a wide idiomatic range that includes more than 190 Latin languages. Trinidad Neue™ is the new and alternative version of LC Trinidad™.