A title font that looks better as larger the font size. First of all, it is designed for use in the upper-case format. Feature style: futurism, space, modernism, glyph variety (uniqueness (minimum automatic generation)). A kind of „s‟ in the lower-case format sets the tone and emphasizes the character, formed in the Prime Numbers Nebula — they determined its appearance, and influenced the style as a whole. Particular attention is paid to the kern: the kern table is formed manually, taking into account absolutely all the glyphs included in the font-family. Two types of stress (grave, acute) for all letter glyphs. The font contains basic Latin and several additional tables, as well as three types of quotation marks, a non-breaking space and a hyphen, a short, medium, and long dash. For a set of mathematical expressions there are centrifugal signs: equal, minus (not a hyphen or minus-hyphen), plus, multiplication (X-shaped and dot), plus-minus, division. The font was made for 3 years.

The Adelle family continues its stylistic expansion with the release of Adelle Mono and Adelle Mono Flex by Veronika Burian and José Scaglione. Monospaced typefaces are the default choice for developers and programmers and are also an aesthetic choice for many designers and communicators. The Adelle Mono font family has two widths to serve both breeds and a variable font for the flexible spectrum in between. Monospaced typefaces are born of necessity rather than purely aesthetic values. Each glyph is constrained to a strict box, making the naturally smaller ones the same width as the naturally wider ones. While this serves the functional purpose of keeping text aligned in vertical and horizontal rows, it is completely unnatural in terms of readability. A monospaced ‘l, i’ are overblown compromises while ‘m, w’ become compressed mutations. The Adelle Mono family was therefore designed with both the developer and the aesthete in mind. Adelle Mono respects its necessary constraints while still being visually appealing and easily read. Activate it for use in Sublime, Swift, Terminal, or your IDE of choice and see how well it performs. Clarity will lead to less developer mistakes, and its aesthetic appeal will make your work enjoyable. Adelle Mono Flex is the proportional width version that works for any kind of normal text reading or a design intended to invoke “system or information aesthetics”. Opposite the demands of the monospace family, Flex is reader friendly and intended for branding, annual reports, paragraphs, UI, logos, posters, screens, tables, captions, and more. Employ the Mono version where monospace is needed and the Flex version where reading or coherence is priority. Adelle Mono’s experimental 20-style design explores the space between proportional and monospaced types. It boosts creativity and coherence by providing flexible options in the same family, including italics and the variable font format with an axis of weight and a spectrum axis between multi-width and monospaced characters. Combining Adelle Mono with either Adelle or Adelle Sans adds more layers and adaptability to your work.

Introducing Hirosaki Japanese Typeface Style inspired by Japanese letters, which have uniqueness and very thick characteristics that make all designs look unique and have a modern Japanese feel. Hirosaki has its charm, so it will be very suitable to be combined with any style. Have ligatures to add an excellent interactive feel to each design. Hirosaki is also equipped with multilingual support and is very easy to use. Hirosaki is exciting to use in formats such as books, film posters, logos, branding, business cards, and many more that can be combined with Hirosaki. Supports languages: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Igbo, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Metaʼ, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Wolof, Yoruba, Zulu Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you, and have a nice day

Mono-Spec is a monospaced family of sans-serif type. At least in default settings, all characters across the typeface share a common width. That fixed setting is condensed, and the aesthetic style of Mono-Spec’s letterforms is very industrial. A sister family, called Mono-Spec Stencil, is also available. Its design strays away from the mechanical nature of Mono-Spec, and it channels the spirit of resistance and street culture. Mono-Spec ships in two different formats. Depending on your preference, you can install the typeface as a single Variable Font or use the family’s five static OpenType font files instead. Those weights run from Light through Bold. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The Mono-Spec Variable Font’s weight axis allows users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. Whatever format you choose, the Mono-Spec fonts are equipped with several OpenType features. The most striking of these can be activated via a Stylistic Set. That will replace several letters – like “B”, “E”, “F”, “H”, and “I” with double-width alternates. Those alternates take up as much space as two characters placed next to each other otherwise word. The effect of Mono-Spec’s double-width alternates is striking, and their use strikes a strong chord in any display typography applying them.

The Sanggria Calligraphic Font is a beautifully crafted typeface that exudes elegance and sophistication. With its graceful, flowing letterforms and intricate details, this font adds a touch of timeless beauty to your designs, making it perfect for wedding invitations, formal correspondence, branding, and other projects that require a sense of refinement and artistry. Features: Calligraphic Elegance: The Sanggria Font is designed in a classic calligraphic style that embodies grace and sophistication. Its flowing, cursive letterforms create an aura of timeless beauty, making it ideal for projects that require an elegant and artistic touch. Intricate Details: The font's intricate details and delicate flourishes add an extra layer of artistry to your typography. It captures the essence of traditional calligraphy, bringing a sense of craftsmanship and refinement to your designs. Versatile Application: This font is versatile and well-suited for various design projects that aim to evoke a sense of elegance and style. Use it in wedding invitations, formal documents, branding materials, packaging, and more to infuse your designs with a touch of classic beauty. Uppercase and Lowercase Letters: The font includes both uppercase and lowercase letters, providing flexibility and creative freedom in your designs. Mix and match the cases to create visually appealing and harmonious typography. Ligatures , Stylistic Alternates and Swashes: The Sanggria Font offers a selection of ligatures, stylistic alternates and Swashes that enhance the visual interest of your text. These special characters create unique connections between letters and alternate forms, allowing you to create sophisticated and personalized typography. Punctuation and Symbols: In addition to the alphabet, the Sanggria Font includes a comprehensive set of punctuation marks, numerals, and common symbols. This ensures consistency and ease of use when incorporating the font into your design projects. Easy to Use: Installing and utilizing the Sanggria Calligraphic Font is hassle-free. It is compatible with both Windows and Mac operating systems and seamlessly integrates into popular design software such as Adobe Photoshop, Illustrator, and InDesign. This ensures a smooth and efficient design workflow. Elevate your designs with the timeless beauty of the Sanggria Calligraphic Font. Let its graceful, flowing letterforms and intricate details bring an aura of elegance and sophistication to your wedding invitations, formal documents, and branding materials. Embrace the artistry of this font and create designs that exude classic beauty and refinement.

Straight from the beauty product ads of the 1960's comes Montez Pro, full of sweeping strokes which lend to a feeling of joy and elegance throughout its letterforms. It is the ideal font for display uses that require a little drama, "joie de vivre" or Joy of Life. The stylings of the standard typeset Montez Pro lend itself to holiday and celebration designs most effectively. And while it is usually a typographic no-no to set a script in all capitals, Montez Pro contains a small caps feature that has specially redesigned capitals that allow an appealing all capitals setting. Montez Pro is loaded with features to give you plenty of customisation options: - Stylistic Alternates offer variations of the L, t, and w-smallcap characters - Small Caps offer tailored back and normalized short capitals - 44 Ligatures to make typesetting more interesting - A Full set of Inferiors and Superiors for Limitless Fractions - Proportional and Oldstyle numeral sets

Hua type family is a sans-serif with very humanist details to represent the essence of nature. It features 14 weights from the very thin to the very bold, generously covering a wide range of the natural spectrum. Aiming to represent the soft and elegant side of nature, Hua features very unique italics that have their own take on the identity. The letterforms of the italic fonts are inspired by the lineage of both traditional calligraphic approaches for serifs and much simpler forms for sans-serifs. Hua provides very crisp performances on screens and its large x-height combined with fine-tuned proportions help it retain legibility very well on smaller sizes.  Features: • Support for 200+ Latin languages • Double & single storie “a” & “g” • Unique italic letterforms • Low contrast with unique details • Small caps with symbols • Arbitrary and defined fractions • Support for superscript & subscript in normal & scientific alignments • Proportional lining, proportional old-style, tabular lining, tabular old-style