Introducing this very simple sans serif font that is Hazelnut Milk Tea font. I created this font with the inspiration of simplicity and it is very friendly to look at, with four versions, namely regular, italic, bold, bold italic. Very suitable to be applied in various aspects of design, Also it’s perfect for logo, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Hazelnut Milk Tea Regular ( Uppercase, Lowercase ) Hazelnut Milk Tea Regular Italic ( Uppercase, Lowercase ) Hazelnut Milk Tea Bold ( Uppercase, Lowercase ) Hazelnut Milk Tea Bold Italic ( Uppercase, Lowercase ) Symbols multilingual support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Random But Perfect is Nice Bold Script Font - A stylish and quirky new bold script. Random But Perfect font was created to look as close to a readable bold script as possible by including over a lot ligatures, titling, and swash. This font is for those who want to show something strong and modern. You may use this font if you want to attract modern buyers. The font design seems to show that you have a passion in the business and give your love to the products and services you are offered to customers. Because it is an eye-catching bold script font, you can use it for a variety of purposes including design, branding, signature, logo, poster, and many more.

The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks. - The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good. - The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans. - The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's. The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).

proudly presents Royale Imogen the bold romantic vintage font. Royale Imogen is an elegant and magical serif font. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationery art, eye-catching social media posts, Cover, Magazine, Sticker, Clothes, Quotes and more! Royale imogen has 4 different weights from Thin, Regular, Bold, and Ultra Bold. which makes this font very suitable for any design, apart from being given a different size Royale imogen is also equipped with beautiful alternates and ligatures which are very suitable for a design with a romantic feel, if you want a bold design you just need to turn off the opentype feature. Royale Imogen features: standard capital and lowercase alternate decorations beautiful ligature international character

Celestial Planet, a truly stylized and minimalist font. Perfect placements of glyphs and ascenders/descenders. This font includes all characters and glyph alternates (Included) to bring more charm and style into your designs. The idea of generating this font was for storytelling purposes, each character brings an individual impact in a story & posts. The complete font bucket includes; Regular, Italic, Light, Light Italic, Bold, Bold Italic, Ultra Bold & Ultra Bold Italic which will confidently bring a chic style touch to your designs and websites, the font is designed so easily be read & bring the minimalist effect to any kind of design. Kufic Studio is a platform that provides professional and high-quality designs & fonts to fill the gap that has been missing in the market.

Wild Flowers is a unique and modern bold serif font that seamlessly blends traditional elements with contemporary style. Its bold and confident lines give it a strong presence, while the decorative serifs add a touch of elegance and sophistication. This font is perfect for a wide range of design projects, including branding, editorial, packaging, and headlines. Its versatility allows it to work well in both print and digital mediums, making it an ideal choice for both body text and larger display uses. One of the key benefits of "Wild Flowers" is its legibility. The clear, well-defined letterforms make it easy to read, even at smaller sizes, while its boldness and character make it ideal for designers looking to make an impact with their typography. In summary, "Wild Flowers" is a modern and unique serif font that will add a touch of sophistication and style to any design. Its blend of traditional and modern styles makes it a versatile font that will work well in a wide range of projects, and its legibility ensures that it will be easy to read no matter the application. What are you getting? - Special Ligatures & Alternates - Numbers & Punctuation - Multilingual Support Works onMac PC & Mobile - Simple Installations

London Boutique is a bold and cute script font that combines rustic charm and fine art elegance. Its cursive strokes and handwriting style give it a personalized touch that is perfect for adding a decorative flair to your designs. Designed with a focus on independent shop usage, London Boutique features fine swashes that add a touch of sophistication to any project. Whether you're creating logos, branding, or social media posts, this font is versatile enough to handle it all. London Boutique comes in four styles: Regular, Italic, Bold, and Bold Italic. This range of styles provides flexibility and allows for dynamic and creative designs. Use underscore _ anywhere in a word to make a swash. Example: Luxure_Shops Use multiple underscores to make different swashes. Example: Angel___Stars Use # before or after any letter to make an initial or finishing swash. Example: #loveletter# The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

As mentioned on previous released font Axeo (freeform serif), now, the original sanserif font is released with similar name, Axeo Sans. Axeo was release first when Axeo sans is still in minimal glyphs and font weights. However, Axeo sans is released with more fonts, 7 font in roman and 7 in italic/oblique versions, instead of semi condensed. 7 fonts is in roman form of weight: Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black; and 7 fonts in italic/oblique versions of its weight, respectively. This font weight offers the user to use the best fit to the usage. Axeo sans is neutral typeface, designed for general use. This font has also more glyphs variations and OpenType features. More than 700 glyphs for each cut. While the OpenType is equipped with: Large unmarked Basic Latin caps (ss02-ss05); normal character variation for some letters (ss01); Small caps (c2sc and smcp); superscript for 1, 2, and 3; ordinals for a and o; 5 basic fractions; standard and discretionary ligature; kerning; case sensitive and ornaments. Large Caps is unique setting, additional letters for font variations lover/user, applicable for first letter of paragraph, sentences, for design mean, just for fun or other usage.

Say hello to new serif font, Retro Monkey! Retro Monkey is a display serif font that delivers a classic retro feel with strength and boldness. Characterized by striking bold letters, Retro Monkey exudes elegance and uniqueness in every detail. Its retro-inspired design evokes nostalgia and conveys a strong and charming style. Retro Monkey's lettering proportions are audacious in their clarity and legibility. With bold lines and strong contours, each letter looks tough while retaining the elegance of a retro aesthetic. Consistent letter thickness provides an appealing visual appeal and is easily recognizable. Retro Monkey is suitable for use in various design projects that want a strong retro classic impression. This font makes a perfect choice for headlines, titles, posters, merchandise designs, and more. In any context, Retro Monkey carries an impressive presence, inviting the audience to feel nostalgia for a different era. Here's what you get: Retro Monkey Regular, Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Thank you!

Caupako is a display font. Inspired by the shape of the axe. Nostalgia on the legendary old action film. A young man armed with a deadly axe. Comes in two font styles, regular and oblique. Caupako comes with 400+ glyphs, which also include multilingual languages. It's perfect for headlines, branding, and many more.

This is a stylized blackletter font with many OpenType features and 403 characters -- many of which are presently unknown for blackletter fonts: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on. The idea is a modern blackletter that is readable and usable for the American eye.

One of the type samples showcased in the 1907 Barnhart Brothers & Spindler specimen book was named “Sterling”; a spurred serif Art Nouveau design. This is now available digitally as Millinery JNL in both regular and oblique versions. An old fashioned term for a once plentiful business, ‘millinery’ is a women’s hat shop.

Livery Stable is a revival of an old classic font from the 1800s. Much research was done to recreate the original versions of Livery Stable which include regular, black, condensed and shadow lined versions of this font. Also look for the Horse Head symbol placed on the Less-Than and Greater-Than keys.

Egyptian Ornamented is a decorative font based on the shapes found in a French Clarendon. Serifs are chunky and bifurcated, and “spurs” have been added to the strokes. This font emits the feeling of Old West wanted posters, rodeo broadsides, etc. It was first introduced by William H. Page & Company in 1870.

FF Real is a convincing re-interpretation of the German grotesque style from between 1998 and 1908, but with much more warmth and improved legibility as well as a hint towards the warmer American grotesques. Later on, not just slanted styles, but a “proper” italic version was added inspired by the way Roman and Italic are distinguished in traditional serif faces. NEW: a specially created set of obliques were added in 2018 to give designers more design flexibility, for those looking for a less calligraphic look. In 2020 the family was extended with matching condensed weights. FF Real was originally conceived by Erik Spiekermann as one text weight and one headline weight to be used as the only faces in his biography ‘Hello I am Erik’, edited by Johannes Erler, published in 2014. While Spiekermann drew the alphabets, he passed on the font data to Ralph du Carrois and Anja Meiners who cleaned it up and completed it. In the meantime, FF Real has been extended to a family of two styles and 65 weights each. The design of FF Real is rooted in early static grotesques from the turn of the century. Several German type foundries – among them the Berlin-based foundries Theinhardt and H. Berthold AG – released such designs between 1898 and 1908. The semi-bold weight of a poster-size typeface that was lighter than most of the according semi-bolds in metal type at the time, gave the impetus to FF Real’s regular weight. In the words of Spiekermann, the historical example is “the real, non-fake version, as it were, the royal sans serif face“, thus giving his new typeface the name “Real” (which is also in keeping with his four-letter names, i.e. FF Meta, FF Unit). FF Real is a convincing re-interpretation of the German grotesque style, but with much more warmth and improved legibility. With a hint towards the warmer American grotesques, Spiekermann added those typical Anglo-American features such as a three-story ‘g’ and an ‘8’ with a more defined loop. To better distinguish characters in small text sizes, FF Real Text comes in old style figures, ‘f’ and ‘t’ are wider, the capital ‘I’ is equipped with serifs, as is the lowercase ‘l’. What’s more, i-dots and all punctuation are round.

FF Real is a convincing re-interpretation of the German grotesque style from between 1998 and 1908, but with much more warmth and improved legibility as well as a hint towards the warmer American grotesques. Later on, not just slanted styles, but a “proper” italic version was added inspired by the way Roman and Italic are distinguished in traditional serif faces. NEW: a specially created set of obliques were added in 2018 to give designers more design flexibility, for those looking for a less calligraphic look. In 2020 the family was extended with matching condensed weights. FF Real was originally conceived by Erik Spiekermann as one text weight and one headline weight to be used as the only faces in his biography ‘Hello I am Erik’, edited by Johannes Erler, published in 2014. While Spiekermann drew the alphabets, he passed on the font data to Ralph du Carrois and Anja Meiners who cleaned it up and completed it. In the meantime, FF Real has been extended to a family of two styles and 65 weights each. The design of FF Real is rooted in early static grotesques from the turn of the century. Several German type foundries – among them the Berlin-based foundries Theinhardt and H. Berthold AG – released such designs between 1898 and 1908. The semi-bold weight of a poster-size typeface that was lighter than most of the according semi-bolds in metal type at the time, gave the impetus to FF Real’s regular weight. In the words of Spiekermann, the historical example is “the real, non-fake version, as it were, the royal sans serif face“, thus giving his new typeface the name “Real” (which is also in keeping with his four-letter names, i.e. FF Meta, FF Unit). FF Real is a convincing re-interpretation of the German grotesque style, but with much more warmth and improved legibility. With a hint towards the warmer American grotesques, Spiekermann added those typical Anglo-American features such as a three-story ‘g’ and an ‘8’ with a more defined loop. To better distinguish characters in small text sizes, FF Real Text comes in old style figures, ‘f’ and ‘t’ are wider, the capital ‘I’ is equipped with serifs, as is the lowercase ‘l’. What’s more, i-dots and all punctuation are round.

Bluebell is a modern script type family in the style of copperplate calligraphy. It comes with six weights from extra light to extra bold, all of them maintaining the distinct high contrast. Rich with Open Type features, Bluebell includes Swash & Stylistic alternates, automatic ligatures, old style figures and small caps that work as stand-alone font as well. Each font also comes with a set of ornaments that are found in the glyph palette. Bluebell makes for an elegant, iconic display letter for packaging, books, posters and the like.

Introducing Barlock a strong display font, inspired by sports design and old school typography. Carefully designed with the curve-less of the letterform but not cubistic, and has a bold weight that suitable for an elegant-strong design. Barlock is an all-caps font equipped with a bunch of alternates characters that you can mix and match to your design concept. A perfect choice for logo, posters, apparel, labels, jersey, headline, quotes, books, packaging, and many more! Fonts featured : Uppercase Smallcaps Numbers Symbols & punctuation Multilingual PUA Encoded Stylistic set 01-03

Bughia is an elegant and bold serif font. Fall in love with its incredibly versatile style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! Bughia is an upper and lowercase serif font with balanced curves. This font is inspired by writing from the good old days, but still has a strong modern look. A variety of stylistic alternatives that allow for versatile design options and work perfectly for headlines, logos, posters, packaging, T-shirts, postcards, and more.

Add some sweet flavor to your next project with Toffee, the newest release from Font Kitchen. Sweet and sophisticated in 9 different weights, all with true italics. Toffee’s handcrafted glyphs and sharp serifs bring an old-fashioned flavor with a modern twist. We’ve slow-cooked Toffee with the finest ingredients, including stylistic alternates, fractions, ligatures, tabular/proportional figures, and more. Whether you need a bold, playful weight or something more light and elegant, Toffee is a great way to add a warm, inviting personality to your next project with a handmade feel.

Take inspiration from the old-fashioned era. The Brughler typeface gives a vintage aesthetic. With it's unique & distinct characteristics, it stands out from the rest, while also keeping a timeless appeal. Brughler comes with 3 different styles of the font: Regular, Rough, and Stamp. Brughler's Rough & Stamp versions allow you to create a printed look without using 3rd party effects, removing a step in the creation of your final product. It is perfect for packaging, posters, and branding projects that need a bold impact. Features: Uppercase Numerals & Punctuation Alternates Multilanguage Supports 60+ Latin based languages

Monasterka refers to the preservation of ancient traditions and the right orthodox faith. It is a bold, archaic typeface in two styles especially designed for printing purposes. It is a powerfull, expressive typeface inspired by old cyrillic writing and may do a great job for brochures and publications designs that has to do with religious or historical thematic, mostly as headlines and titles with great impact and personality. This family has an extended language coverage for many languages including latin, cyrillic and greek alphabets and comes in two styles.

Racon Font Family comes in two weights as regular and bold with seven styles. You can create unique and great designs with its classy, legible, elegant look and most preferred texture and clean styles. You can enrich your designs by using Racon Fonts with its clean and old styled extra figures. You can reach the keyboard codes of the extras as a pdf file from the "Gallery". It would be a perfect choice for designing posters, affiches, logos, invitation cards, t-shirt and magazine prints, eye-pleasing typographic designs and more. Enjoy!

Introducing our new font Killarney. A bold and heavy display font that inspired by the vintage/classic letterforms used in old-advertisements. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its square and blocky letterforms make Killarney a great for headlines and space killer. Packed with 500+ glyphs, Killarney composed of slanted version, standard upper/lower case characters, numerals, punctuations, some multilingual letters, alternate characters, stylistic sets, ligatures, etc. This font is a must have item for your designing arsenal. Go get yours now while it's hot. :D

This typeface was designed for editorial purposes (text sizes), where the letterforms contain short serifs (more economical). This font family contains different weights (from Extra Light until to Extra Bold) to create an simple and sequential typographic hierarchy scale. There are two different weights and options designed specifically for text sizes (Regular and Text). The design is classical but contain some contemporary details, which are not distractive for reading, it's simple and clean at small sizes. This font family include italics, small caps, ligatures, old style and tabular figures.

Cinemas from the early 20th century are called “Lichtspiele” in Germany. “Lichtspiele” transports you back to a time where neon lights and marquee letters decorated cinema façades. Of the five styles, three have two versions of italics — the left-leaning italic evokes looking up from lower-left, the right-leaning italic is as if we are looking from lower-right. Display is the basic style, while Neon is inspired by the old neon letters found outside cinemas. Try placing Neon Outline on top of Display or Neon to add another layer to your artwork. Neon 3D is a extruded version of Neon. The Screen Credits style is based on the notes — producers, cast, crew and so on — on movie posters. Get more out of life, go out to a movie.

Sabon was designed by Jan Tschichold and released in 1967. Sabon was created in response to the specific needs of a group of German printers who wanted a typeface that would be identical in form when produced by three different metal-casting technologies. Named after Jacques Sabon, a sixteenth century typefounder whose widow married another typefounder, Konrad Berner, who is credited with issuing the first typefounder's specimen sheet. Several types on the sheet were attributed to Claude Garamond, and one of these served Tschichold as the source for Sabon roman. The italic was based on another face on Berner's sheet, cut by Robert Granjon. Tschichold's skillful adaptation of these old style faces has produced an elegant and workmanlike book face. The Sabon font family is a popular choice for setting text.