A script font of broad nib style, both plain and engraved.

A tasty typeface inspired by the classic ads poster with a funny touch of handmade strokes. Ideal for food ads with a traditional feeling. Its tiny body is great for use on packaging as a secondary font, to fill descriptions or, editorial design in short bullet text.

A versatile multilingual display font for headlines, posters, ads and much more.

Kletvk is a captivating sans-serif display font that exudes a retro vibe. Its distinct feature lies in the beautifully curved glyphs and the inclusion of special alternates with swash characters, adding a touch of elegance and uniqueness to your designs. Whether you're working on headlines, quotes, editorial designs, or print posters, Kletvk is the ideal choice to make your text stand out. Its retro-inspired style brings a nostalgic charm to any project, creating a visually appealing and memorable impact. With its attention to detail and artistic design, Kletvk allows you to convey your message with style and sophistication.

This typeface expands Herbert Bayer's 1931 experimental, all-lowercase "universal modern face," Architype Bayer-Type, by adding an uppercase and adding an architectural inline treatment. Sleek, modern and sophisticated, it's the perfect choice for elegant headlines. Both versions of the font contain characters to support all major European languages.

I named this font after one of my favorite songs by Soundgarden: "Rusty Cage". The font is a mishmash of letters, which were hand-drawn and given a photoshop overhaul to make them look grungy and grotesque. I mixed upper and lower case letters, added a whole bunch of alternate letters, spooned in some Salt and Calt and added a pinch of Liga as well. The result is a weird concoction, which looks good on posters, in ads and possibly even tattoos. I dare you!

Rotundum has a geometric concept and is useful for flashy headlines and ads.

Quadratic has a geometric concept and is useful for flashy headlines and ads.

Grunge, rough, very coarse typeface. Great for posters, book jacket, music ads etc.

Ronde Pro is an expressive and decorative broad-nib font for multilingual usage.

Those elegant nib strokes create this unique rhythm to this cursive hand lettering.

Designed at Polygraphmash Type Design Bureau in 1988 by Svetlana Yermolaeva. Based on Kirillitsa (1982), inspired by typographic poluustav of the Printing Office of the Russian Empire Academy of Science (late 19th century). Shadow style was added by Alexander Tarbeev in 1994. Latin alphabet was added by Oleg Karpinsky in 2009.

A great look for formal announcements, business, high-end ads and many other applications.

FA Mobie is a contemporary decorative fat face. For use on posters, leaflets, ads.

Curly dotted and serifed alphabet perfect for adding a touch of quirk or whimsy.

Shirah 25 started as a freehand study, while experimenting with ink and new nibs. Later on, when David decided to have a digital version, he drew it merely with the tablet, trying to keep the spirit of the ink and the nib. Shirah 25 is an OpenType/TTF Unicode font.

Phat Chance is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its broad, fluid line evokes the beat of modern music, the rhythm of contemporary dance, and the power of videogame computer graphics. It is essential for marketing companies targeting: ⁃ the music scene: CD covers, posters, music videos, presentations ⁃ the movie scene: posters, ads, promotion material, copy, movie titles ⁃ the theatre scene: posters, programs, ads, promotions ⁃ the fashion scene: hangtags, posters, brochures, signage, ads ⁃ the fast food market: packaging, promotions, menus, signage ⁃ general packaging ⁃ general advertising

Cake Shop has a lengthy history. Originally designed during the Eighties by Aussie artist David Art Wales, the font was inspired by the awkward but charming hand-lettered signs in a Maltese cake shop near his Sydney home. "These signs were hand-drawn by someone who clearly had no experience but who'd really put their heart and soul into the job. There was a real sincerity to the characters that I wanted to capture." For a brief time during the early Nineties, MTV used Cake Shop for all their on-air interstitials. Since then, it's become a go-to font for everything from children's books to album covers and ice cream branding. In a recent update, Wales added airier spacing to more closely resemble the original signs the font was based on.

Shout is a “Hey, Look at ME” font. It is an attention-getting font for posters, flyers and ads. Its lineage includes the Haas Type Foundry’s 19th century advertising font, Kompakte Grotesk, which Jan Tschichold (1902-1974) dryly described as “extended sans serif” and which graphic designer Roland Holst (1868-1938) would have disapprovingly referred to as a “shout,” as opposed to the quiet presentation of information that he believed was the proper function of advertising. In 1963 Letraset released what appears to be an updated variation in multiple weights designed by Frederick Lambert called Compacta. Shout draws heavily on Compacta, as well as other similar fonts of the 50s and 60s like Eurostile Bold Condensed and Permanent Headline. In weight, it falls about halfway between Compacta Bold and Compacta Black, but with a relatively heavier lower case that is not so easily pushed around by the upper case. After all, one can shout while sitting down. Shout is the first font released with our new encoding, as noted in the All_customer_readme.txt. The Euro symbol has been moved to position 128 and the Zcaron/zcaron have been added at positions 142/158 respectively. Otherwise, Shout has our usual idiosyncratic glyph selection, with the German ch/ck instead of braces, a long s instead of the Greek mu and our usual Hand-in-Hand symbol. There are also left and right glyphs of a big mouth ]ing (135/137) and left and right glyphs of an angry man shouting (172/177). Please use Shout with discretion. Folks get tired of being yelled out. After awhile, they stop listening. Shout ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Add glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 355 glyphs. 2. Added OpenType GSUB layout features: pnum, ornm, liga, hist & salt. 3. Added 266 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. Revised hyphen, dashes & math operators. 6. Minor refinements to various glyph outlines. 7. Inclusion of both tabular & proportional numbers. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

A child's handwriting font; great for kid books, kids ads, and many other fun ideas.

A unique serif face with a happy look; great for kids books or fun ads.