Designed by Les Usherwood. Digitally engineered by Paul Hickson. Another typeface from Les Usherwood that was released after his 1983 death.

Modeled after an old sign on a building in New York City, Chinese Menu JNL is a modular style Oriental typeface.

A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.

A bold, playful typeface named after my late and much-missed grey cat, Freddie, who was my best buddy for 18 years.

A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.

DB Post Stamp is a fun DoodleBat designed after a post office stamp and the distressed look gives it a unique style.

Quota is an investigation into the modularity of the Cyrillic alphabet. Unlike Latin and Greek, the Cyrillic alphabet owes much of its form to its development in early industrious printing and movable type. This lead the Cyrillic alphabet to be dominated by hard edge and straight lines, giving it a much more modular overall construction. The forms within the Cyrillic alphabet therefor allow for all the characters themselves to have somewhat unified side bearings without compromising ease of reading. Within Quota the default character set has only unified side bearing, giving a more relaxed mono-spaced appearance. While the first stylistic set unifies the entire character set with the same character width, creating a true mono-spaced typeface. Quota was initially designed in Cyrillic, catering to all languages using the alphabet. While the Latin was designed after, and is loosely based of the forms present within the Cyrillic alphabet.

A Bold Display Family in Three Personalities: ego, id, and alter. Dez Boulder works like a character actor, presenting the author’s lines but not with the deadpan delivery of a news reporter. Boulder develops the role, adding meaning through facial expression, gesture, and body language. The Dez Boulder family of display faces acts in a supporting role to give meaning to message and context to content. It is a very bold face, not understated. Each of its three personalities (and their sub-personalities) have a different timbre to speak the nuance of your message in a bold voice. Dez Boulder averages more than 800 glyphs per style with uppercase, lowercase, small caps, proportional lining figures, small cap figures, superiors, inferiors, fractions, stylistic sets, alternates, ordinals, case specific punctuation, and more. It has a full range of diacritics and covers all European languages using the Latin script.

Candy Bits was originally designed at Bitstream as a custom project for a large printer manufacturer. Released in 1997, Candy Bits was designed by Jim Lyles. The typographic characters were fashioned after a well known American candy. The balance of the characters in the font are designed to enhance the 3D illusion by appearing to recede into the page. Soon after its completion, Mr. Lyles joined a local health club.

Paramilitary JNL from Jeff Levine was modeled after a set of brass interlocking stencils and offers another choice in digital stencil typeface design.

FG Ellinor is inspired by a handwriting I saw on a receipt once. I liked it so much I named it after me :)

Arte Critique JNL was modeled after an alphabet in an early 20th Century French lettering book spotted online at an image sharing site.

Hatter Halloween, is an extension of After, which includes ligatures, Extrude, Swash, Layers and contains entertaining Dingbats for Halloween parties or on horror themes.

I made Company into a font after several inquiries from designers in America. I always liked Company and was quite happy to digitize it.

Folk Singer JNL was modeled after a 1960s lettering stencil, which was in turn designed as a variation on the ever-popular Ad Lib.

This typeface is named after Sarah Eaves, the woman who became John Baskerville’s wife. As Baskerville was setting up his printing and type business, Mrs. Eaves moved in with him as a live-in housekeeper, eventually becoming his wife after the death of her first husband, Mr. Eaves. Like the widows of Caslon, Bodoni, and the daughters of Fournier, Sarah similarly completed the printing of the unfinished volumes that John Baskerville left upon his death.

The idea for the typeface Dekalb was born in 2013 after a day of photographing signage, murals and graffiti around Dekalb and Wyckoff avenues in Bushwick, Brooklyn. The initial drafts of the letterforms were first made into a single ultra-weight font that I used while working as the Creative Director for Sneaker News Magazine. After having made its first appearance in Sneaker News, I decided to expanded Dekalb to an eight style family.

Modeled after an image of an almost complete set of Latin Condensed wood type, Cattle Trail JNL is available in both regular and oblique versions.

Candycorn Overdose represents how I used to feel on the morning after Halloween, way back when I was young enough to go out begging for candy.

Despite its name, Flat Pack is expertly constructed, easy to assemble and will not collapse after a weeks use. All OpenType features required for assembly included.

A new take on the perennial Art Deco favorite, Broadway, interpreted by 1930s lettering artist Harold Holland Day, and named after a 1960s R&B song.

About the Product Introducing "Wastern" - A brand new bold display typeface with both modern and vintage curves. Modern or Vintage. If you are going Vintage Retro : Access your OpenType features to access the large selection of alternate letters and ligatures, select the letters you like from the large variety to get the vintage look you are after. Vary between a light and heavy vintage look based on how many letters you alter. Due to alternates , Wastern is a very versatile font, covering a wide range project types, from bold magazine imagery , to wedding invitations, to branding, poster design and so much more. What's you get? Wastern Italic Unique letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! PUA Encoded Characters Fully accessible without additional design software. Language Support : Danish, English, Finnish, French, German, Italian, Luxembourgish, Norwegian Portuguese, Spanish, Swedish, Swiss German. Let me know if you any question:) Have a wonderful Day Say Studio

This bold yet elegant script is patterned after the logotype lettering from a 1927 issue of the French film magazine named, not surprisingly, Ciné Miroir. Ornate without being fussy, this font’s large x-height gives it a strong color, a commanding presence and a remarkably contemporary feel, even after more than three-quarters of a century. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Patterned after cheap neon signage, this face has class, all of it low. Uppercase only, the lowercase positions are filled with an assortment of cheesy neon graphics, intended to be used at twice the point size of the caps. Named after a 70s TV show about a hotel with a defective neon sign. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Ellabette™ is a script font that was created by a wedding stationery designer after working in the industry for over a decade and getting request after request for script fonts that were formal but legible. Ellabette is warm and inviting, playful but elegant. Perfect for all things weddings, branding, editorial, social media, and websites. Designed with weddings in mind with fun special ligatures like "RSVP" "and" and "to" and works beautifully for legible address lists and envelope printing.

In Shipment JNL is modeled after lettering made from an industrial stencil cutting machine - generally used for marking shipping and inventory information on boxes. Limited character set.

Picadilly family was made after my short visit in London and huge impression of Edward Johnston works. I've designed family of 20 modern typefaces with strong personality.

Another delightful offering from "The Signist," compiled by R. Henderson in 1903, named after the comic strip that introduced the world to Popeye the Sailor in 1929.

Generic Sans JNL was modeled after “Condensed Blair” from the 1907 specimen book of the Inland Type Foundry, and is available in both regular and oblique versions.

Sheepman font was named after my favorite Haruki Murakami character: the Sheep Man. Sheepman font is handwritten, messy, but legible and complete. It comes with alternates and ligatures.

A thoroughly fun font based on handlettering found on a travel brochure for IMM Steamship Lines, circa 1927, and named after a fictitious girl who likes kissing alot.

A fantastic font that I came up with after 3 weeks of work. It was a nice and attractive version of the Latin alphabet. Use it with pleasure.

Eckhardt Sans JNL continues Jeff Levine’s “mini series” of fonts modeled after hand-lettering used by sign painters; and named after his good friend, the late Al Eckhardt of Allied Signs in Miami, Florida. Clean and somewhat condensed, this sans face has chiseled edges on many characters and the warmth of the lettering once made by brush or ink pen. Use this font in conjunction with any casual typeface to invoke the days of sign shops and talented lettering artists.

Anecdote JNL gives a serif treatment to Haute Couture JNL, which in turn was modeled after die-cut cardboard letters and numbers used for displays, signs and show cards.

Curlicues galore on this modern version of a mid-victorian display type. We started with the caps from a type called Cellini, altered them considerably, and added a lowercase.