Impact As its name suggests, Impact, a bold sans serif, is designed to make an impression on the reader. Obviously a display font, Impact makes use of its thick strokes and blocked style, to catch and hold the eye. Because Impact is so striking, it is best placed in plenty of white space so that it does not overwhelm any accompanying text.

Century Oldstyle is Linn Boyd Benton’s and Morris Fuller Benton’s renovation of Phemister’s Miller & Richard Old Style for ATF forty-five years later, using the Century name for marketing purposes.

Tokoloshe is a name in African mythology for a mischievous leprechaun-like figure that loves practical jokes and tricking people. There are many books of such African stories, for example Tales of the Tokoloshe by Pieter Scholtz. The letter shapes that I used in the Tokoloshe font have inspiration from two sources: -- the spiky character of the font was derived from the wonderfully imaginative, wooden carvings of the Makonde people of beings called "shetani". The word "tokoloshe" is used by other tribes, but from his behaviour, he is certainly a type of shetani. -- some of the letter shapes were informed by Art Deco styles of fonts, for example: Kunjani, Black Tie SF, Selznick Normal, Zaire SF, Binner Gothic and ITC Anna. But the Tokoloshe font, like its namesake, is much more freespirited. Use this font whenever you want to suggest the rich artistic, cultural and spiritual heritage of Africa. The font is fully professional in terms of its character set. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). In fact, it has all the accented characters used in the major European languages.

Cuckoo Fat was first seen in 1988 when I painted it on a record shop's window. Since then this hand lettered font has been there and done that. Cuckoo Fat is a loud and proud, classic and informal display font designed to work well on any job.

Created in Minneapolis in 1996, Chunder is inspired by the hand-painted cursive signage of urban boutiques where a shopkeeper can't afford to hire a very good sign painter. Kinda clunky, kinda flowery. Like beer spilled on a daffodil. "It's not pretty, but it's mine," says Chank.

Back to the future! NT Brick Sans is a pixelated sans serif. Inspired by the Pixel Art phenomenon and Lego bricks, bringing back the good old 16-bit era with open-type features. It's bold, soft rounded, supports multi-language, featuring low caps option. Brick Sans will make your project special. Grab it now.

Inspired by the beauty and elegance of Old Style typefaces, Regatto was created in high-contrast and bold style. It comes with a lot of alternates and ligatures with their own variants for any purposes from headline to poster. This font also has some letters with diacritics accent to support some other non-English languages.

Strongbox JNL is based in part on an incomplete sample of an old wood type alphabet seen on an image sharing site. Commonly known as a grotesk (or grotesque) face, this style of sans serif lettering is well-suited for headlines, display work, price cards or anything where a bold, condensed typeface is needed.

An old Art Nouveau typeface named "Daphne" provided the inspiration for this decidely different font. This version is upright, but the linocut treatment employed visually suggests the slight rightward slant of the original typeface. Bold, unusual and distinctive. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).