Le Griffe is the work of French designer Andre-Michel Lubac. A superb calligraphic script, Le Griffe includes two fonts of separate alternates and swash characters. In contrast to its more reserved lowercase, Le Griffe's capitals are quite lively- especially those with swashes and flourishes. With Le Griffe, Lubac has imitated the skilled penmanship of free-flowing calligraphy in digital form. Now, instead of writing out beautiful text by hand, you can set it quickly and easily with this masterful type!

Ornamental caps with scrolls and flourishes inhabited by satyrs, mermaids, Medusa heads, birds, cats, dogs, snakes, and other creatures, inspired by designs from Italian Renaissance artists dating back to 1730-1750. Beautifully ornate and perfect for the beginning of paragraphs in publications and texts conveying the feel of the Italian Renaissance, your own fairy tale stories, or religious texts to grab the reader's attention. Includes one set of A-Z ornamental caps conveniently assigned to both the upper and lower case alphabet characters.

Elaborate high-quality three-dimensional initials, with shadows, in various styles including numerous exotic letters, incorporating vignettes, flourishes, stems, flowers, vines, and other decorative elements. These masterpieces of typographic art were inspired by Italian hand-etched designs dating back to 1839. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Perfect for starting off the beginning of paragraphs in artistic publications, storybooks, fairy tales, and texts conveying the feel of the 1800s.

ITC Cancione is the inspired work of California calligrapher and illustrator Brenda Walton. She gave a rough texture to her tall, thin all caps alphabet and its ornaments, making them look as though they were drawn with a brush on stone and then left to withstand years of weather and wear. The graceful letters are complemented by a variety of ornaments and flourishes as well as alternates and even stylized words making ITC Cancione perfect for greeting cards and stationery.

Areaman OT is a fun chunky ALL CAPS display font. I wanted it to look blocky and loud, So it can scream from Posters and Headlines. It has over 300 glyphs, several variations on the standard alphabet and all those extra pesky foreign features. It also has various letter pairing with extra ligatures and flourishes available through OpenType or your Glyphs palette. This upgraded version is now coded with OpenType features to create a randomised bespoke look and feel to your copy.

Liner Notes is a fun scrawly, marker felt, ALL CAPS display font. I wanted it to look fun, loud, and to have hints of School graffiti, so it can wail from Posters and Headlines. It has over 260 glyphs and several variations on the standard alphabet and all those extra pésk¥ foreign features. It also has various letters with extra ligatures and flourishes available through OpenType or your Glyphs palette. OMG, LOL I also added some web slang to the glyphs.

Slinces Heart is a captivating script font that captures the essence of handwriting with a touch of romance. Each letter in this font is meticulously crafted with fairly high line contrast, adding a dynamic and eye-catching quality to the font. The swinging endings in Slinces Heart add a flourish of creativity and uniqueness. With its smooth and flowing letterforms, this font offers a natural and seamless writing style. For the best legibility you can use this font in the bigger text sizes.

The source of inspiration for Klaver Monogram is a delightfully elegant initial letterset adorned with clover tipped flourishes from a vintage embroidery publication. Originally intended to adorn handkerchiefs and other linens, this digital revival opens it up to a whole new realm of possibilities. This is one of many monogram designs from the late 1800's to early 1900’s that is loaded with panache. Download and view the MFC Klaver Monogram Guidebook if you would like to learn a little more.

Trinculo is a cursive font which combines traditional letter forms with ridiculously ornate embellishments and flourishes. It's rather like what an 18th century clerk might have done with his lettering if he was bored to distraction with writing the same old letters again and again. The upper case characters are more complex with simpler versions of the same characters in the lower case. Trinculo is a lot of fun, though if you use it too much it may become overwhelming.

Johann Neudörffer the Elder's 1538 writing manual fascinated the German designer Helmut Bomm for years. Together with Albrecht Dürer and Hieronymus Andreä, Neudörffer helped create Fraktur, perhaps the most Germanic of all the blackletter styles. As a tribute to this master, and bringing its letterforms to a 21st century public, Boom released the Neudoerffer Fraktur family through Linotype in 2009. Neudoerffer Fraktur's appearance is based very much in handwriting, and Bomm had already begun using letters from prototype versions of this typeface as early as the 1990s. For years, Neudoerffer Fraktur'sletters would appear secretly and seductively in design projects like historical sign restorations or heraldry pieces. The sources that Bomm used while drawing the typeface were images from Jan Tschichold's Treasures of Calligraphy" and Albert Kapr's "Schriftkunst." The Neudoerffer Fraktur family has four separate fonts. Any user of Adobe CS applications should consider licensing Neudoerffer Fraktur Regular (the font without any numeral suffixes). This font contains three different OpenType stylistic sets. Users can pick and choose which versions of the letters that they would like to set. Anyone using Quark XPress, Microsoft Word, or other applications without support for Stylistic Sets should license Neudoeffer Fraktur Regular 1, Neudoeffer Fraktur Regular 2, and Neudoeffer Fraktur Regular 3. Each of these three fonts has letters with slightly different style of flourish, and all three may be combined with each other. Neudoerffer Fraktur Regular 1 is optimal for longer texts; Neudoerffer Fraktur Regular 2 contains alternate letters, and well as more ornamented capitals; Neudoerffer Fraktur Regular 3's letters have a stronger calligraphic accent."

Selaive is a geometric typeface that has an air of rebelliousness. The thick and thin versions give you the chance to play a coquettish and seductive game. Its flourishes make it a very dynamic typeface when composing a text, ideal for those who want to add a personal and glamorous touch to their compositions. Selaive is an excellent choice for fashion magazines, logotypes and shops. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin. Programed by Daniel Hernández

Monotype Corsiva is an italic typeface made in the style of the early Italian cursives as exemplified by the work of the writing master, Ludovico degli Arrighi, in the sixteenth century. The capitals of the Monotype Corsiva font are of swash design, with characteristic flourishes, designed primarily for use as initial letters. Monotype Corsiva can be used for short text passages in advertising but is best used to add sparkle to invitations, greetings cards and menus and to give a sense of occasion to certificates and awards.

Celadon is a Modern Calligraphic Script Font based on letters written with a pointed pen. Celadon is an elegant font with high contrast between thick and thin lines. It has a slightly bouncy style butcan still be considered a balanced and classic font. The flourished alternate letters adds that little extra touch to your invitations and projects. All the letters, both uppercase and lowercase has one or more alternate letters. The alternate letters are available also for all the diacritics. Multilingual support for all European languages.

Gayle Sato, longtime friend of MVB Fonts, has amazing handwriting. It’s a natural, simple hand, with perfect rhythm. Devoid of flourishes, it doesn’t try to be beautiful. It’s just genuine, quick, and clean — the handwriting we all wish we had. The digitization by Mark van Bronkhorst captures these qualities. Retaining the roughness of a felt pen, MVB Calliope is a handwriting typeface that feels much more authentic than most, highly legible but still raw. The Regular was released in 2005, with the other weights shortly thereafter.

This curly, swirly antique offering is based on a Victorian-era typeface called "Fillet". Opening and closing flourishes can be found at the brace and bracket positions, and the ribbon effect can be carried between words by using the underscore character in place of a space. Due to the highly ornate nature of this font, it does not contain math operators, fractions or superior numbers. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Side A – Bauhaus-inspired Experimental and spiky type in 3 sizes (1 - 1/2 - 1/3), designed by Benoît Bodhuin (An ideal use could be: Side A unit in 48 pt, half in 24 pt and A third in 16 pt, then bars would have the same width and spaces between the forms would be equal, but it’s just an ideal use)