HUGS is a font inspired by children at play and explorative good-natured spirit. With a bit of a bounce and a whole lotta whimsy this headline font has a hand-drawn charm and a wiggly lightheartedness. Originally created for a great American diaper company for use in coupons and packaging, HUGS also translates nicely to the screens of modern devices.

Arthaus is a typeface family inspired by Herbert Bayer letter study for an universal alphabet, this version is built on a rigorous geometrical basis as originally planned by this master of the Bauhaus in 1927. Arthaus comes in 4 weights and one outline version. Ideal for creating posters and brands is a treat for anyone who deals with graphic design.

Unveil the Bold Elegance Serif Font – Where letters stand strong, strokes exude confidence, and design speaks with authority. Elevate your creations with this typographic powerhouse that turns words into captivating stories. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your art/design project look eye catching and trendy. Feel free to play with this typeface!

Hotdogger is a family of cursive brush fonts, presented in two weights and completed with a sans serif font and an useful pack of graphics to play with. These fonts are specially designed for meal packaging and labels, advertising posters, lettering logos or whatever you may be looking for in expressive works.. Hotdogger contain full OpenType features and support CE languages.

Claytonia is a bold script typeface which is simple yet casual. Made by hand written with many opentype features that you will like. This font is perfect as a logo, quotes, apparel design, wedding invitation, and many more. You can play with the ligatures, stylistic alternate, swash, etc to create your own customized lettering. This font will also support multi languages.

Miabella is a one-of-a-kind script with classic touch and very readable at glance. Really perfect for you who needs a typeface for especially logotype, apparel, invitation, branding, packaging, advertising etc.Just play around and you will enjoy it. This typeface is comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded.

Vallely is a classic art-deco-ish serif that are inspired by the old typography/letterings used in packaging labels and advertisements. This font is loaded with 350+ glyphs, packed with lots of alternate characters, gives you various letter combinations to play with. If you're a fan of classic and art-decoish typography, make sure you add this font to your design toolbox.

A modern calligraphy typeface with a playful yet elegant style, inspired by Mozart’s “Rondo Alla Turca” and his other compositions played with allegretto tempo. The font contains more than 1000 glyphs. Each letter in the typeface has few different swashes that can be accessed via glyphs panel of your opentype-aware application such as Adobe Illustrator, Adobe InDesign, MS Word.

Loudine is a striking decorative display typeface, great for posters, book covers and magazine headlines. It comes in two widths, each of them packed with a set of stylistic alternates: just turn on the feature in an OpenType savvy program to instantly get into a new mood, with filled counters and slightly different lettershapes. Be sure to play it loud!

Friedrich Neugebauer is known for the cutting power of his calligraphic invention. As a prisoner of war in Egypt, he wrote with toothpaste when all else failed. The irrepressible style of this Austrian artist inspired Richard Lipton to capture his calligraphy as a typeface. Avalon plays sweeping freedom in the capitals against the vital discipline of a lowercase relieved by alternative ascending characters.

Technobaby is a funky futuristic font done with modular letterforms. This typeface arose from playing around with the basic rounded rectangle shape. Jason wanted to see how many different letters he could create by simply changing the locations of the slots cut into the rectangles. Overall it lends the font a very cohesive and unique look. Get your "mod" on with Technobaby!

Originally I planned to call this font “pegefinger” which is index finger in danish. Due to the obvious reason that I drew the letters using my “pegefinger” :) Most letters mimic a loose (perhaps even childish) handwriting, but the legibility is never out of hand. I’ve added 5 different versions of each lowercase letter, and they automatically changes as you type!

Derailer’s eclectic character set is comprised mainly of disparate sans serif characters that claim to play well together. OpenType users also benefit from 52 ligature features that automatically substitute a unique pairing of letters when any upper or lower case character is keyed twice in a row. Derailer Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.

Chiller is the work of British designer Andrew Smith, a chaotic, reckless fun font. Although the ink blots and stray strokes might look undisciplined, the forms of this typeface were carefully planned and it is surprisingly legible even in small point sizes. Chiller is equipped with a number of alternate characters as well as illustrations and almost guarantees eye-catching graphics.

The Lined font started out with some scribbles - playing with lines and making shapes fold, underlap and overlap, eventually evolving into letters. This is a display/ornamental font and it was made in 2009, it's meant for decorative use and not in large bodies of text. For example it does well used as a headline font. It is proportionally spaced and uppercase only.

Introducing Ameda: A modern, stylish sans-serif font with high contrast that radiates sophistication. Elevate your designs with Ameda's attention-grabbing style, infusing an exhilarating flair into your creative projects. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

A humanist sans-serif family which displays subtle influences of the edged writing tool. Inspired by modern faces such as Chaparral and Enigma, Arum Sans is versatile enough to be used for high-end text setting as well as display purposes. A full international glyph set, extended for European use, allows Arum Sans to play on the field with the big boys.

Super Monogram is a perfect shaped monogram font consisting of 26 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Numbers and special characters not included.

Introducing FSY Deko, a typeface inspired by the art deco style that you might be able to use for design projects with classic, retro, vintage styles to make it even cooler. It can also be used with contemporary design styles.

Mr Orange is a typeface based on our handwritten letters which we used in some of our books H.O.U.S.E, D.E.S.I.G.N and Who Eats Whom. It has up to three alternate glyphs for each character, even for every diacritic letter. We do use our fonts in our books so we know that switching alternate glyphs can be a pain in the ass. Thats why we’ve created a very cool Contextual Alternates feature. It automatically sets alternate glyphs depending on frequency of appearance of the same character. The script doesn’t throw random glyphs. It’s checks if lets say letter “A” appears more then once in a sequence of characters. For example in the word “ANAKONDA”, the third “A” and the second “N” would be changed to glyphs from first stylistic set, the second “A” would also be changed but to glyph from second stylistic set. We’ve designed different rules for basic characters and different for diacritics and punctation. It really works great but of course you can always fine tune it by hand. This option has one obvious advantage for web fonts. Browsers that support OpenType calt feature will be able to display alternate characters. And since you can’t put by hand alternate glyphs on your website this is the only way to use them.

1977 was a good year for soccer. Attendance for the North American Soccer League (NASL) grew 33%, to 13,000 per game. Brazillian soccer legend Pelé played his final match, kicking for both the New York Cosmos and Santos of Brazil. And a soccerboy named Charlie was crowned with the nickname Chanky. In honor of his soccer hero Pelé, Charlie insisted the neighbor kids call him Chelé. They laughed at him and called him Chanky after Spanky from the Little Rascals. As he grew into his manhood, he became Chank the internationally renowned font designer. Chank created this font Soccerboy, as filtered through the artistic eyes of his 1977 childhood. It's a tri-line font, hand-drawn in Chank's signature cartoon whimsy. Soccerboy encourages play with color and alternate characters. Create coloring effects yourself using layers and the magic wand and paint bucket tools in Adobe Photoshop or Illustrator.

Plener is a type family of layered fonts available in four weights: Light, Regular, Bold, and Heavy. The properties of layered fonts are matched with the classical type family structure, which makes Plener specific. The letters have humanist origins, interpreted expressively with short brush strokes separated in layers. These humanist forms keep the text set in Plein Air surprisingly legible. Layer structure allows the user to play with colors and transparency, giving the text a more personal feel. Plener comes in two additional styles, made of layers from the Light and Heavy weight. These new, display styles, named Plener LLH and Plener LHH are separated from the main family. To make the work easier, we created basic fonts out of merged layers (for every weight and style). We recommend users to set the text using these basic fonts first, then apply an opacity value lower than 100%. When satisfied, copy the text on multiple layers, changing the font to Layer A, B, and C. Apply a unique color to the text on each layer or use the same color but different opacity value. Plener fonts have the following features: ligatures, oldstyle figures, proportional and tabular lining figures, fractions, etc. Besides, there are fifteen dingbats set as discretionary ligatures. Contains Latin and Cyrillic. For some extra tips on how to work with the Plener family, see the pdf file attached to the gallery.

Lydia (Lydian: ‎𐤮𐤱𐤠𐤭𐤣𐤠, Śfarda; Aramaic: Lydia; Greek: Λυδία, Lȳdíā; Turkish: Lidya) was an Iron Age kingdom of western Asia Minor located generally east of ancient Ionia in the modern western Turkish provinces of Uşak, Manisa and inland Izmir. The ethnic group inhabiting this kingdom are known as the Lydians, and their language, known as Lydian, was a member of the Anatolian branch of the Indo-European language family. The capital of Lydia was Sardis. The Kingdom of Lydia existed from about 1200 BC to 546 BC. At its greatest extent, during the 7th century BC, it covered all of western Anatolia. In 546 BC, it became a province of the Achaemenid Persian Empire, known as the satrapy of Lydia or Sparda in Old Persian. In 133 BC, it became part of the Roman province of Asia. Lydian coins, made of silver, are among the oldest coins in existence, dated to around the 7th century BC.

Impulsa is a very impulsive handwritten font. It is finished with digital touch but still keep holding on to the honest of the handwriting feeling. I believe messages with personalized handwriting vibes always deliver deeper feelings to anybody. Impulsa is an all-caps font. You can play with the uppercase and lowercase mix to get the different vibes of every letters so it looks seamlessly handwritten.

This font is not a rebel or a political font, but a simple and grungy stencil font. Use it for anything that needs a clear and catchy headline. The font is even suitable for massive text - perhaps for that skateboarding poster you have plans to do? Maybe a heavy metal concert flyer? Please don't use it for any war business, because war is stupid!

This is the design that was always on the drawer. I designed it when I was bored of designing other typefaces, there was no briefing, I just wildly played with the bezier tool. It was something to relax from more serious work, so it feels like a very funny and smiling design. Genica mixes various styles creating a display type with lots of personality.

Jaella is a modern retro serif family. It has unique characters, such as capital A, R and B, making your design unique and stand out. Designed for editorial use, display or fashion-related branding concepts, She can be elegant or play with alternatives for a cheerful retro look. This versatile family has seven weights, from thin to black, and a variable format that can generate more weights.

Glodok is a single-weight display typeface. It is bold, heavy and fun to play around with. It’s eye catching but also blends well when in use. It is retro-inspired and strikes a nice balance between formal and playful. The name itself comes from the oldest Chinatown in Jakarta that is also considered the biggest in Indonesia, the place from where the designer took many inspirations.

Poets and musicians flourishing in southern France and northern Italy during the 11th to 13th centuries. Troubadour was designed by using a custom brush created with Adobe Illustrator. A digital tablet was used to draw all the characters in the font. The thick and thin strokes were created by applying pressure to the pen, like jesters dancing and bouncing in the streets as the music played.

Don't be afraid to taste something sugar free - most times you will be surprised how good it tastes! My Sugar Free font may not look as very much at first glance - but play around with the Regular and Italic versions (and notice the 4 different versions of each letter, that automatically cycles as you type!) and you will see how lively the font is!

Virtual is an experimental fantasy font based on a pseudo optical enclosure where a linear system that is not connected there. Virtual comes in three weights: regular. light, and thin also an virtual mix by mixing different thicknesses in a single font, with alternative variations through features of open type. Virtual is an experience based on play with the laws of the Gestalt of closing.

Pujarelah is an elegant and modern serif font family with many weights that you can mix and match. It has 9 weight styles and 9 italics that you can play with to suit your project. Pujarelah is suitable for application on various other formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, make-up, stationery, novels, labels and many other projects.

Matryoshka is a display layering type family which is inspired by the Russian wooden doll. The family contains eight different weights from XXS (thin) to XXL (fat) + Pregnant (all in one). The design is based on an elaborate and complex grid, so each font fits perfectly into the other. With the Matryoshka family the typographer can create millions of new solutions. Play with it!

Inspired by fonts used in financial and law arenas. Bold style reminiscent of 1920s deco era. Great font for play cash or Monopoly-themed party invitations. Vibes of Wall Street movers and shakers. Includes letters from Latin, Greek, Hebrew, and Cyrillic Alphabets - with some common diacritics. Also includes small caps and English feature words like "the", "of", "with", "and", etc. for marquee style accents.

Can you dig it, man? Comicraft's Jazzy "JG" Roshell, just swung by after playing bongos down at the coffee bar in his black turtleneck sweater, stove-pipe trousers, dark glasses and beret. Check out the rad Tiki corners on our freshest font, COOL BEANS and you'll want to snap your fingers, put on some Miles Davis and take the next train out of Squaresville, um, Daddio.

Sprouts is probably best described as "Bonsai-Nouveau". It's designed to look 100% organic up close, while maintaining good readability even at a distance. The looped letters terminate in playful swirls perfect for use on the cover of a menu or cookbook, yet would be equally at home in corporate logo art or as initials. Play with it, because creativity is an organic process.