CONCEPT/ CHARACTERISTICS The lava/soap/pudding character of the font reminds us of a modern bitmap pixel font. »Curly lava bubble« goes even further. The rectangular hard edges expands to soft and almost organic forms. APPLICATION AREA The fancy, modern & decorative font »curly lava bubble« would look good at dis­play size for party flyer & movie pos­ter, music covers or head­lines in maga­zi­nes or websites… TECHNICAL SPECIFICATIONS Head­line Font | Dis­play Font | Decorative Font »curly lava bubble« with 3 stlyes (light, regu­lar, bold) & 305 gly­phs inkl. accents & € KONZEPT/BESONDERHEITEN Der Lava/Seifenblasen/Pudding Charakter der Schrift lässt an eine moderne Bitmap Pixel Schrift erinnern. Wobei »curly lava bubble« noch weiter geht und die harten rechteckigen Kanten zu weichen und fast schon organischen Formen ausbaut. EINSATZGEBIETE Der Font würde sich über fol­gende Gebiete sehr freuen und sich dort wohl füh­len: Logos/Wortmarken aller Art, Flyer für fast jede Party, Plat­ten­Co­ver, CD-Cover, Pla­kat­De­sign, Game- und Video­spiel-Design aller Gen­res, als Head­line­schrift für print und digi­tale Maga­zine, Bücher, Web­sei­ten… TECHNISCHE INFORMATIONEN Head­line Font | Dis­play Font | Deko Font »curly lava bubble« Open­Type Font mit 3 Schrift­schnit­ten (light, regu­lar, bold) & 305 Gly­phen inkl. dia­kri­ti­sches Zei­chen & €

Sweet Gothic is a 2009 addition to the Sweet Collection of engraved lettering styles from the 20th Century.  Sweet Gothic Light is closely based on lettering from an engravers pattern from the early 1900s that was used for tracing letterforms with the engraving machine (pantograph) to make steel engraving plates. The design is related to many similar engravers gothics developed in the early 1900s, but as each engraving house created by hand their own patterns for popular styles of the time, there is variation among the models. Sweet Gothic offers contrast in stroke weight and its unique personality. The bolder weights are new designs, based on the characteristics of the Light. A serif variant (Sweet Gothic Serif) has also been developed to expand the usefulness of the family, offering an alternative to Copperplate Gothic. As such, most of the fonts are new designs, yet may seem familiar and ubiquitous given their model. The fonts offer two sizes of figures and monetary symbols: one set is intended for use with upper- and lowercase settings; the second set is the same height as the small caps.

Lemon Squish is a fun and funky sans-serif font that is perfect for adding a touch of humor and whimsy to any design. This font is inspired by the 70s hippie culture and has a retro feel that is reminiscent of comic books and graffiti. Lemon Squish comes in ten different styles, including Bold, Bold Italic, Italic, Light, Light Italic, Regular, and four Outline variations. These various styles provide versatility and allow you to create dynamic and eye-catching designs. The playful and lighthearted nature of Lemon Squish makes it ideal for anything from branding and logos to social media posts and advertisements. Its fun and quirky design will add a touch of humor and personality to your projects and bring a smile to your audience's face. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Axia is a robust sans serif of concise letter forms. It comes in ten weights from Light to Black with extended language support, a host of OpenType features including Small Caps, multiple figure styles, and more. Each, the roman and italic weights harmonize perfectly in line width. Text set in Light or Black results in the same fit. Stencil display weights with a unique aesthetic and perfect for captivating type sizes add further distinctive options to the typographic palette. The stencil display weights consist of abstract floating parts that seduce the eye and form nicely proportioned type when united. Originally designed for the Rice University School of Architecture in 2011, this contemporary sans found some inspiration in the TwinCities™ typeface family created by Sibylle Hagmann for the University of Minnesota in 2003. Orchestrated from scratch, the inner arched strokes off the stem on the lowercases 'n' or 'd', for example, progressively open the letter forms and express conceptual clarity throughout the system. A feature doing double duty that contributes to great legibility in the heavier weights and attributes to the versatility of individual weights.

Sweet Gothic Serif is a 2009 addition to the Sweet Collection of engraved lettering styles from the 20th Century. It is a serif variant of Sweet Gothic. Sweet Gothic Light (without serifs) is closely based on lettering from an engravers pattern from the early 1900s that was used for tracing letterforms with the engraving machine (pantograph) to make steel engraving plates. The design is related to many similar engravers gothics developed in the early 1900s, but as each engraving house created by hand their own patterns for popular styles of the time, there is variation among the models. Sweet Gothic offers contrast in stroke weight and its unique personality. The bolder weights are new designs, based on the characteristics of the Light. Sweet Gothic Serif has been developed to expand the usefulness of the Sweet Gothics, offering an alternative to Copperplate Gothic. As such, most of the fonts are new designs, yet may seem familiar and ubiquitous given their model. The fonts offer two sizes of figures and monetary symbols: one set is intended for use with upper- and lowercase settings; the second set is the same height as the small caps.

Moodboard is a unique blend of hand-drawn and AI-generated design, bringing a fresh twist to the retro serif font. With bold rounded letterforms and a funky vibe, Moodboard is perfect for young-at-heart audiences. Its combination of sketch and machine learning makes it usable and versatile, while still retaining its cool new-retro feel. Use Moodboard in logotypes, headlines, and graphics for a standout, youthful look. Its designer Mans Greback has created an exceptional mix of vintage and modern design elements in Moodboard font. Choose Moodboard for your next project to add a touch of fun and boldness to your designs! The Moodboard family consists of six high-quality fonts: Regular, Italic, Light, Light Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

I'll admit right off the bat here -- I've never been to a party in a barn. I don't even know if they still do barn dances and parties, or if that's something out of the musical Oklahoma! or something. But this font gave me kind of a homey, rustic feel, so the name felt right! Like many of my fonts, this one has been refined with crafters in mind -- smoothed curves and reduced nodes, for easy cutting and printing. It's also packed with over 600 characters total! The usual alphabet, numbers, and punctuation, plus 30 double-letter ligatures, over 300 diacritics, and a full second alphabet coded in as Stylistic Alternates. Enjoy!

Roihu is a sans serif type family with 16 fonts: eight upright and eight italic weights. Each weight offers more than 1,100 glyphs. Roihu includes some groovy stylistic alternates and swashes that make your titles, packaging, logos, etc. pop out. Roihu also includes small caps, old style and lining figures, and ligatures to make sure your text and designs won't be boring. Download the PDF specimen from the Roihu gallery to see more-specific OpenType instructions and a full glyph set. Opentype features: - small caps - stylistic alternates - swashes - proportional lining figures - proportional old style figures - tabular lining figures - tabular old-style figures - standard ligatures - discretionary ligatures - case-sensitive punctuation - fractions - ordinals - superscript - subscripts - arrows

Fortuita is a versatile sans fit for text or display. The name carries some of its history as it was born from logo sketches that fortuitously grew into a type family over eight years. It comes with a tall x-height, rendering it readable at smaller sizes. It has sixteen weights, eight regular ones, and their italics, each with small caps, something you may not see very often with sans serifs. It counts with old-style numbers that can switch to its lining, small caps, or tabular versions through open-type features. The family carries a distinct personality in its design that will lend itself to its subject, all the while without becoming distracting or detracting from it.

Superfast is a hand-written, flowing, script that will add a fast and sharp movement style to your projects. It charms you right at the beginning. If you are looking for a sensitive font that can respond to the vibe of your design, Superfast is the right choice. On the one hand it is elegant and luxurious, and on the other hand, trendy and modern. Created for beautiful logos, branding projects, posters, blog posts, social media, campaigns, advertising, web design and more! Superfast contains upper and lowercase characters, numerals and a large range of punctuation. Its OpenType features include 41 Ligatures and a large number of alternates, which make everything you write authentic and flowing.

Advertisers Gothic is bold and brash, like the city it comes from, Chicago. It was designed by the accomplished German-American matrix engraver, Robert Wiebking, for the Western Type Foundry in 1917. As its name suggests, it was designed for commercial headliner work, much as Publicity Gothic by Sidney Gaunt for BB&S the year before. See our Publicity Headline. Alternate letters ‘A’ & ‘S’ are provided. The most popular ad words “Free!”, “New!” and “Sale” (with both esses) are provided at an angle for dramatic tension. Advertisers Gothic became quite popular because it was effective. It can work equally well for a flyer advertising a non-profit event as for a magazine product ad. This font refuses to be a wimp. Use it boldly. Advertisers Gothic ML represents a major extension of the original release, with the following changes: 1. A total of 335 glyphs (compare) with added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. 2. Added OpenType GSUB layout features: pnum, ornm, liga, hist & salt ˜ with total 13 lookups. 3. Added 209 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. The most popular ad words “Free!”, “New!” and “Sale” (with both esses) are provided at an angle for dramatic tension The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Vala™ dances across printed pages and shines on screen. This is a high-energy design that blends the grace of an English Roundhand script with the gravitas of an extra bold Bodoni. There is even a bit of romance in the design. Vala speaks with a resonant voice – and knows few bounds. The typeface enhances print headlines, subheads, cover art and packaging. The design also brings its distinctive melding of verve and poise to banners, headings, navigational links and branding in web sites, blog posts, games and apps. Oscar Guerrero found inspiration for Vala in shop window lettering near his home in Bogotá, Colombia. “The capital A, R and V caught my attention and I photographed the window for future reference,” he explains. “Later I started to draw more letters inspired by the ones in the window.” Guerrero admits that he has always admired the work of Giambattista Bodoni and allowed his classic Didone designs to infuse Vala. Striking contrast in stroke weights, lively ball-terminals and a large x-height give Vala the grace and force of a Waikiki wave. Not satisfied with just a basic character set, Guerrero also took advantage of OpenType’s capabilities and drew a complete set of swash capitals, a bevy of fancy ligatures, and a suite of lowercase alternative designs. The result is that Vala easily emulates custom lettering in posters, headlines and logotypes. The “romantic” part of Vala? Guerrero dedicated the design to his girlfriend, Valentina, and named it after her.

"Chubs," a typeface specifically designed for large display sizes, perfect for making a bold statement. Each letter in Chubs has been meticulously crafted to possess a thick and prominent appearance, ensuring that your designs leave a lasting impact on viewers. Chubs's distinctive weight and blackness make it an ideal choice for a wide range of applications, including posters, packaging, and logos. Whether you want to create eye-catching promotional materials or design a powerful brand identity, Chubs has got you covered. Within the Chubs typeface family, you'll find two distinct styles, each with its own personality and visual appeal. The first style, "Chubs Black," features letters with a captivating slit, reminiscent of a belly that overlaps. This distinctive groove adds an extra layer of visual interest and uniqueness to your designs. On the other hand, "Chubs Filled" offers a solid and plump appearance, without the characteristic slit. This style amplifies the chubby nature of the letters, resulting in a bold and impactful display. To further enhance your creative options, both styles within the Chubs family include an alternate character set featuring a wink shadow in every letter. These additional characters provide a touch of fanciness and playfulness, allowing you to experiment and add unique elements to your designs. Choose "Chubs" for your next big project, and witness the boldness and charm that sets your designs apart from the rest. Let Chubs bring your ideas to life and make a powerful visual statement that captures attention and leaves a lasting impression.

Introducing Akoodi, the ultimate superhero font for all your design projects! This bold and stylish serif font features a superhero theme that’s perfect for creating eye-catching titles and headlines for movie posters and graphic design projects. With its strong, prominent serifs and unique character design, Akoodi is a versatile font that can be used for a wide range of projects, from branding and marketing materials to book covers and packaging designs. The font includes a full set of upper and lowercase letters, punctuation, and numerals, making it a complete solution for all your design needs. With its superhero theme and stylish serifs, Akoodi is a font that will make your projects stand out from the crowd. So why wait? Grab your copy of Akoodi today and start creating designs that are as bold and daring as a superhero! Furthermore, Akoodi is equipped with advanced features that make it easy to use and customize. The font comes with a full set of alternate characters, including a range of ligatures and swashes, which add an extra touch of style to your designs. Additionally, the font is fully compatible with a wide range of design software, making it simple to use no matter what your design process looks like. What’s Included : - File font - All glyphs Iso Latin 1 - Ligature, Alternate - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to the methodical and engineered nature of its design. The FF DIN family breathes an atmosphere of versatility and authority, FF DIN Stencil follows the same design principles with extra flair. The bridges are arranged vertically, which usually replaces the thinnest parts of the strokes — offering depth in your headlines. Go loud and scale up, as the weights get heavier, the width of the bridges skillfully expand and contract, enabling FF DIN Stencil to provide confidence in volume, and in any chosen style. Also made available as a Variable font, creatives can design hyper specific variations to thrive in any design space, and even to animate movement from one state to the next. Get innovative with the entire FF DIN family, FF DIN Stencil’s spacing and kerning is identical to FF DIN, this enables swapping between any FF DIN font without changes in word length or line breaks. For true FF DIN fans, FF DIN Slab and FF DIN Stencil designed by Albert-Jan Pool, Antonia Cornelius and Achaz Reuss, can be seen as harmonious companions to the FF DIN family, rather than alternatives. Bestowed with its parents distinctive DNA, all the FF DIN extensions open up new possibility with their own unique qualities, but stay true to the FF DIN design philosophy of engineered precision.

Introducing Regave, a typeface inspired by Danish style lettering based off the work of Knud Valdemar Engelhardt (1882–1931) who designed the street signs for the Copenhagen suburb of Gentofte. The Engelhardt's design was loosely based on the lettering of two Danish architects of the time: Thorvald Bindesbøll (designer of the Carlsberg logo) and Anton Rosen. The signs were so successful that they’re still in use today. The most noticeable characteristic of Danish style are: a flat apex of the A the widening of diagonal terminals a double-storey g with its loop terminating before it forms the bottom most stroke (Erik Spiekermann coined this a Danish g) a single-story g with a stumpy tail a K with an almost laterally moved crotch, connected to the stem by an extra horizontal stroke widened diagonal connecting strokes forming flat apex or baseline strokes Regave comes in 11 weights from Thin to ExtraBlack with matching italics and also available in Variable Font format for more flexibility in weight selection. This family also equipped with useful OpenType features such as Ordinals, Superscripts, Subscripts, Stylistic Alternates, Stylistic Sets, Proportional Lining, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 490+ glyphs which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Regave will be suitable for many creative projects. This masculine, strong and unique typeface will be suitable for logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more!

Presenting 🕌Buballen Arabic Typeface🕌 by alitdesign. Buballen Arabic Typeface is an elegant and sophisticated font product that is designed to add a religious and Islamic touch to your designs, making it an excellent choice for Ramadan promotions and other Islamic design projects. The font's carefully crafted design is sure to impress your audience and enhance the visual appeal of your designs. One of the standout features of Buballen Arabic Typeface is its support for PUA Unicode, which ensures that users can easily access all of the font's characters without any issues. The font also supports multilingual characters, making it perfect for use in various languages other than Arabic. With 739 glyphs characters, Buballen Arabic Typeface offers a vast range of options, allowing users to create unique and eye-catching designs. The font's characters are well-crafted and easily readable, making it an excellent choice for any design that requires an Arabic font. As a bonus, Buballen Arabic Typeface comes with a Buballen Dingbats font that includes a collection of 304 Islamic symbols and ornaments. These extra glyphs can be used to add a Islamic touch to your designs and enhance their visual appeal, especially during the holy month of Ramadan. In summary, Buballen Arabic Typeface is a versatile and elegant font product that is perfect for Ramadan promotions and other Islamic design projects. With PUA Unicode support, multilingual characters, 739 glyphs characters, and a bonus Buballen Dingbats font with 304 characters, this product offers everything you need to create stunning designs that resonate with your audience.

Rizado Script is a classy one-weight script typeface, made with “dolce vita” in mind. Its high contrast and pointy tone are recalling the fine nib handwriting of a meticulous and decisive person that hasn’t got free time to spare but surely knows how to enjoy his life. No quick and dry strokes, but rather wide, elegant and strong-minded temper that will bring a long-lasting touch to your packaging layouts. Sure, if you are looking for a good fit for some more ephemeral design such as a weekend high-class cocktail promotion, or a wedding invitation – this handy display typeface won’t let you down for a second. If you happen to go to Venice and enjoy their popular Aperitivo, you’ll be asked to choose between three types of bitter-reddish base drink. Rizado will bring you the same amount of pleasure, authority and uniqueness while you pick out one of the three ampersands or other alternate characters. According to the concept of Fellini’s lifestyle, “la dolce vita” is a luxury lifestyle full of cheerful worldly pleasure. But don’t let yourself be fooled by this moto, because Italians are famous for their modesty and sagacity as well. That’s why you’re always supposed to turn on the Contextual Alternates (to activate extra positional forms — isolated, initial and final) and keep your voice down and never set this typeface in all Capital letters. There are 391 total glyphs made to support West European, Central European and South East European languages.

Mushym Arabic Typeface is an elegant and sophisticated font product that is designed to add a religious and Islamic touch to your designs, making it an excellent choice for Ramadan promotions and other Islamic design projects. The font's carefully crafted design is sure to impress your audience and enhance the visual appeal of your designs. One of the standout features of Mushym Arabic Typeface is its support for PUA Unicode, which ensures that users can easily access all of the font's characters without any issues. The font also supports multilingual characters, making it perfect for use in various languages other than Arabic. With 845 glyphs characters, Mushym Arabic Typeface offers a vast range of options, allowing users to create unique and eye-catching designs. The font's characters are well-crafted and easily readable, making it an excellent choice for any design that requires an Arabic font. As a bonus, Mushym Arabic Typeface comes with a Mushym Dingbats font that includes a collection of 304 Islamic symbols and ornaments. These extra glyphs can be used to add a Islamic touch to your designs and enhance their visual appeal, especially during the holy month of Ramadan. In summary, Mushym Arabic Typeface is a versatile and elegant font product that is perfect for Ramadan promotions and other Islamic design projects. With PUA Unicode support, multilingual characters, 845 glyphs characters, and a bonus Mushym Dingbats font with 304 characters, this product offers everything you need to create stunning designs that resonate with your audience.

Nova Horst is an amplified version of Horst, a highly original font (MyFonts Rising Star) based on etchings by the extraordinary artist and printmaker Horst Janssen. Nova Horst keeps all the amazing wilderness of the original font, while enriched with sharp OpenType programming, plus a whole new set of alternates, a handy set of ornaments and loads of cool unpredictable overlapping glyphs. Language support was also expanded. Now there are 5 sets of letters, 2 sets of numerals and a robust set of discretionary ligatures. OpenType functionalities now include an extremely playful Contextual Alternates feature and also Discretionary Ligatures and Stylistic Alternates. Nova Horst is an energizing blend of eccentric characters, cool OpenType features, loads of alternates and a meticulous kerning table. But be warned: as the original font, this one is quite addictive! A quick roadmap: • All features turned off: you can choose the different letterforms stored on upper- and lowercase sets. There are no overlapping letters. • Contextual Alternates turned on: you get alternating characters from 4 sets of glyphs, with loads of overlapping letters, all managed by a carefully handcrafted kerning table. The result is a very cool random effect on glyphs distribution. • Discretionary Ligatures turned on: now some additional glyphs enter the scene. There are more than 60 ligatures glyphs which substitute pairs of letters for some extra-coolness • Stylistic Alternates turned on: access the counterless glyphs from the Stylistic Alternates set. Use each feature alone or mix them up for added boldness. Gorgeous extravaganza guaranteed!

Presenting Ever Looser! A Wild Brush Font with a distinct texture. You can type by Mix & Match to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. As you can see in the presentation pictures above, Ever Looser looks 'wild' on design projects. So, Ever Looser can't wait to give its touch to all your design projects such as environmental campaigns, quotes, poster design, book cover design, promotional materials, t-shirt, hoodie, product packaging, simply as a text overlay to any background image, etc. Besides that, Ever Looser also has some ligature that gives a surprise when you type certain characters combinations. The ligatures are TT, LL, ll, oo, and rr. What's Included? 1. Ever Looser • Comes with uppercase, lowercase (small caps), ligatures, numeral, punctuation, symbols, and multilingual support (Afrikaans, Albanian, Catalan, Danish, Dutch, Estonian, English, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and Many More). 2. Ever Looser Untextured • It's a clean version and comes with uppercase, lowercase (small caps), ligatures, numeral, punctuation, symbols, and multilingual support (Afrikaans, Albanian, Catalan, Danish, Dutch, Estonian, English, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and Many More). 3. Extra Swashes • 7 'wild' swashes (every version) that make your design looks natural. Just type S_1 S_2 S_3 S_4 S_5 S_6 S_7 to feature it. We really hope you enjoy it!

FF DIN: the famous, faithful and first revival of DIN 1451. FF DIN originates in the lettering models from the German standard DIN 1451, and is considered the perfect standard typeface due to the methodical and engineered nature of its design. The FF DIN family breathes an atmosphere of versatility and authority, FF DIN Stencil follows the same design principles with extra flair. The bridges are arranged vertically, which usually replaces the thinnest parts of the strokes — offering depth in your headlines. Go loud and scale up, as the weights get heavier, the width of the bridges skillfully expand and contract, enabling FF DIN Stencil to provide confidence in volume, and in any chosen style. Also made available as a Variable font, creatives can design hyper specific variations to thrive in any design space, and even to animate movement from one state to the next. Get innovative with the entire FF DIN family, FF DIN Stencil’s spacing and kerning is identical to FF DIN, this enables swapping between any FF DIN font without changes in word length or line breaks. For true FF DIN fans, FF DIN Slab and FF DIN Stencil designed by Albert-Jan Pool, Antonia Cornelius and Achaz Reuss, can be seen as harmonious companions to the FF DIN family, rather than alternatives. Bestowed with its parents distinctive DNA, all the FF DIN extensions open up new possibility with their own unique qualities, but stay true to the FF DIN design philosophy of engineered precision.

Classical Calligraphy Script With Ornament Is a calligraphy Vintage script font that comes with beautiful alternate characters. copper plate mix calligraphy with handlettering style. to show its performance. Classical Calligraphy is attractive as a typeface that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read. Classical Calligraphy Script comes with a Clean and Aged version, beautifully binding upper and lower case, binding and loved by many finishes. It has Multilingual support (Western European characters) and works with the following languages: English, Danish, Dutch, Estonian, Finnish, French, German, Hungarian, Icelandic, Norwegian, Polish, Portuguese, Spanish, Swedish. In my example I show how this script can be used. It's perfect for logos, wedding invitations, alcohol labels, romantic cards, and more. Products include: Classical Calligraphy Script, Classical Calligraphy Extras Ornament Alternate Upper & Lower Case Style Binding, as well as a touch of ornament make this font look elegant. Recommended for use in Adobe Illustrator or Photoshop. Special features don't work in Microsoft Word. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to use font style set in Microsoft Word 2010 or later version: https://www.youtube.com/watch?v=NVJlZQ3EZU0 There are additional ways to access the alternative/swash, using the Character Map (Windows), Nexus Font (Windows) Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need any help or suggestions please contact me via email: creativescaleup@gmail.com

Airosol is an edgy and expressive graffiti font that captures the essence of street art with a style that's undeniably urban. It's the perfect choice for designers and artists looking to infuse their projects with a raw and rebellious vibe, complete with striking swashes for added flair. Gritty Street Art Aesthetics: Airosol is a graffiti font that channels the raw energy and aesthetics of street art. Its bold and expressive letterforms showcase the essence of rebellious creativity, making it a standout choice for projects that demand an urban edge. Street Art Style: What sets Airosol apart is its authentic street art style. Every character exudes a sense of authenticity, as if it were lifted directly from a city wall, ready to make a statement. Swashes for Added Impact: Airosol comes with dynamic swashes, allowing you to accentuate your text with unique and artistic flourishes. These swashes are your tool for adding that extra touch of graffiti-inspired artistry to your designs. Versatile Expression: Airosol is more than just a font; it's a versatile form of expression. Whether you're working on urban branding, event posters, or any project that demands a street-smart aesthetic, Airosol will be your creative companion. Unleash Your Inner Rebel: With Airosol, you're not just selecting a font; you're unleashing your inner rebel and embracing the power of street art in your designs. Choose Airosol for Your Urban Adventures: Explore the creative possibilities with Airosol, and experience how its graffiti-inspired aesthetics and swashes breathe life into your projects, from the streets to the screen.

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.