Grambly is a bold sans serif and unique display typeface with a combination of elegant and bold style that will make it stand out. Suitable for logos, stickers, posters, packaging, branding, invitations, notes, print, etc.

Bookseller Bk is a typeface designed for books and legible text at a small sizes, with an old book feeling. This typeface is the reinterpretation of a sample found in a French book, published between 1882 and 1893 and its author —Ernest Michel— lived between 1837 and 1896. This sample has influence from Didot, Scotch Roman and Clarendon (typefaces which were in use at that time). This reinterpretation expands the basic set for the contemporary era. Bookseller Bk includes small caps, old style figures, lining figures, fractions and basic Cyrillic alphabet. Everything in 3 different optical widths. You can save some lines with Reduced weight or fill some lines with Ample weight. All of them with italics, bold and bold italics. Bookseller Bk is also available in Caption size. 12 fonts for legibility at smaller sizes. Subhead & Title sizes are now in development. Finally this typeface was the result of the course Digital Reinterpretation of Classic Typography by Oscar Guerrero Cañizares at Domestika. Do you require additional glyphs? Please contact me to consider your request in order to expand Bookseller in further updates.

Bookseller Cp is a typeface designed for books and legible text at a smaller sizes, with an old book feeling. This typeface is the reinterpretation of a sample found in a French book, published between 1882 and 1893 and its author —Ernest Michel— lived between 1837 and 1896. This sample has influence from Didot, Scotch Roman and Clarendon (typefaces which were in use at that time). This reinterpretation expands the basic set for the contemporary era. Bookseller Cp includes small caps, old style figures, lining figures, fractions and basic Cyrillic alphabet. Everything in 3 different optical widths. You can save some lines with Reduced weight or fill some lines with Ample weight. All of them with italics, bold and bold italics. Bookseller Cp is also available in Book size. 12 fonts for legibility at small sizes. Subhead & Title sizes are now in development. Finally this typeface was the result of the course Digital Reinterpretation of Classic Typography by Oscar Guerrero Cañizares at Domestika. Do you require additional glyphs? Please contact me to consider your request in order to expand Bookseller in further updates.

First designed in the early 1800s, Walbaum never achieved the audience or acclaim it deserved – despite its easy elegance, and sophisticated persona. It’s been fully restored for this expansive family, which includes 32 weights including ornaments and two decorative cuts. Walbaum offers the kind of warmth that’s missing from comparable typefaces such as Bodoni or Didot, feeling effortlessly approachable and legible. Monotype team Carl Crossgrove, Charles Nix and Juan Villanueva have adhered to designer Justus Erich Walbaum’s original intentions, also incorporating work by the designer’s son into some of its more extreme display weights – pushing the possibilities of Walbaum without compromising on its spirit. Text weights work well for the demands of digital environments, while decorative and display weights offer more dramatic, sculptural forms. Unusually, the family also includes a generous range of ornaments. From massive billboards, to micro-type on e-readers, Walbaum has it covered. The family is available as OpenType OTF font format, and includes over 600 glyphs with OpenType typographic features including small capitals, old style and lining figures, proportional and tabular figures, fractions and ligatures. Featured in: Best Fonts for Logos

Canilari is a post-modern type family inspired by Diaguita pottery and contemporary serif typefaces. The Diaguita culture—developed from 10th century A.D. until 16th century A.D.—settled in the area of the present-day north Chile and northwest Argentina. Surviving cultural expressions of the Diaguita people are reduced to just a few pieces of beautifully decorated pottery of high technical quality. Canilari itself is a scream of identity with an incomparable tone that borrows elements from native America and proudly show them to the world. The intense and consistent personality of Canilari makes it a functional font for a wide range of uses: from continuous text in the most challenging environments to pithy, high-impact headlines. Canilari is well-suited for publishing: newspapers, magazines, books, etc. Its flashy look and angular shapes also make it an excellent choice for posters, logotypes, and advertising. The family consists of 2 sets: one standard and one pro, each in 4 weights plus italics. Canilari also includes a set of ornaments and illuminated caps. Together, the Std set (369 characters) and Pro (710 characters) support 219 different languages. This typeface was selected at the Bienal Tipos Latinos 2014.

Introducing Wild Believers, a bold vintage serif treasure that takes you back to the golden era of classic typography. This font embodies the timeless charm and elegance of vintage serif typefaces, with a bold twist that adds a modern edge. Elevate your designs with the charm and character Wild Believers. Let it transport your audience to a bygone era, where elegance and tradition reigned supreme. Rekindle the nostalgia of classic typography and make a bold statement with this captivating font.

Throw away the carbon paper, ribbons and Tippex ... now you can get that typewritten look with RM True to Type. Legible at all sizes, it is available in regular and bold. That faithful old typewriter has given many years of valiant service, but now the keys are worn and blocked with ink. The Old styles replicate the wear and tear of years of use. Includes: Western European, Central European, Baltic & Turkish sets Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Designer Notes Pro solves a design problem. When you are looking for that ‘handwritten’ look? Now you can typeset your handwritten notes using Designer Notes Pro. This font matches the look of a handwritten note, a diary entry, post-it note or sketchbook comment. The letter shapes are based on handwriting created using a Pilot Precise V5RTpen. There’s something special about how it puts ink on paper. This font falls in the script/handwriting font style. Designer Notes Pro Includes 4 versions: regular, italic, bold and bold italic. 4 font family includes Designer Notes Pro regular, italic, bold and bold italic -Mac & Win TrueType (.ttf) -Classification - script/handwriting -Each member of the this font family is a full Latin set of 228 characters/glyphs -Letters A-Z and a-z -Numerals 0-9 -Complete punctuation -Latin language glyphs -Mathematical symbols -Careful spacing and kerning

South Wind Font is a handlettered font with 107 ligatures, lot of alternate characters and multilingual support. Is ideal for blog website, instagram, branding, invitations, business cards, weddings and many more. Ligatures list: ab ae al am an ar as at ax ay bb bl cc ch cl ct dd ee ef el en ep er es et ff ft gh ia ic ie il in it iu kt ll of ok ol om on oo op ot ov rr sh sl sm ss st th ts tt Af Ap As Be Dl Em Es Et Eu Ft If Is It Kt Ml Mr Ms Mt Ph Pl Pt Se Sh Sl St Us outh all alt arr ass can cus ell esl etl ett ill obl old oll oth out sim ted South Wind font also include multilingual support for Western and Central Europe. South Wind Font is a set of 542 glyphs, Upper and Lowercase characters with 107 ligatures, numerals, lot of punctuation glyphs, 3 alternates for each lowercase character and 2 alternates for each uppercase character. For access to Stylistic Alternates is required software with glyphs panel like Photoshop, llustrator, Inkscape etc. No special software is required to use Ligatures.

Petrarka may be described as a Condensed, Sans-Serif, Semi-Fatface Roman. Huh? Bear with me on this. The Fatface is a name given to the popular nineteenth-century romans that where characterized by an extremity of contrast between the thick and thin stroke. The earliest example that is generally familiar is Thorowgood, believed to have been designed by Robert Thorne and released by Thorowgood Foundry in 1820 as "Five-line Pica No. 5." Copied by many foundries, it became one of the more popular advertising types of the day. Later, in the period from about 1890 to 1950, you find a number of typeface designs with the thin stroke beefed up a bit, not quite so extreme. What you might call Semi-Fatfaced Romans begin to replace the extreme Fatfaces. Serifed designs like Bauer’s Bernard Roman Extra Bold and ATF’s Bold Antique appear. In addition, we see the development of semi-fatface lineals or Sans-Serif Semi-Fatfaces. Examples include Britannic (Stephenson Blake), Chambord Bold (Olive), Koloss (Ludwig & Mayer), Matthews (ATF) and Radiant Heavy (Ludlow). Petrarka has much in common with this latter group, but is distinguished by two salient features: it is condensed and it shows a strong blackletter influence, as seen in the ‘H’ particularly. Petrark was released about 1900 by the German foundry of Schelter & Giesecke of Leipzig and is one of the designs of the period that attempts to reconcile roman and blackletter traditions. Making a cameo appearance in this Multi-Lingual font is the Anglo-Saxon letter yogh (#729), which, along with the thorn and the eth, is always useful for preparing flyers in Old English. There are still pockets of resistance to the Norman French influence that washed up on England’s shores in 1066. This font stands with King Canute, seeking to hold back the tide (ignoring the fact that Canute was a Dane). Support the fight to preserve Anglo-Saxon culture. Buy Petrarka ML today. Petrarka Initials brings together the Petrarka upper case letters with a very sympatico Art Nouveau rendering of a female face.

This new addition to my Video Store font series takes a scratched lettering style and pairs it with a wildly spontaneous brush font with horrific effect! Given life by an unknowable hand, this font clawed into the misty midnight inspired by retro horror movies, ghost stories and unsettling fireside tales. A boiling pot of misspent youth reading Edgar Allen Poe, M.R. James and H.P. Lovecraft. Outright Horror comes with an all-caps scratched style font with a subtly controlled Art Deco feel and a contrasting brush font that ramps up the fear! Consider it’s Regular style the skeleton that holds the Bold creeping flesh, ready for some horrific Halloween designs! It also comes with numerals, punctuation, language support, custom underlines and automatic ligatures. Contents: Outright Horror Regular Outright Horror Bold Underlines

Bestyline is a captivating Bold Script Font that seamlessly blends bold lettering with the artistic elements of calligraphy. Its unique design exudes confidence and energy, creating a striking visual impact. The font features thick, well-defined characters with artistic contours, adding a touch of elegance to each letter. The strong and impressive script style makes Bestyline an ideal choice for projects that require a bold and classy appearance, such as headlines, logos, posters, and other designs. The standout features of Bestyline include the clarity of each letter, ensuring that text using this font effortlessly captures attention. Its boldness and distinctiveness make it well-suited for both print and digital designs. Whether used in headlines or logos, 'Bestyline' brings a modern and sophisticated flair to any project, making it the perfect choice for those seeking a seamless combination of boldness and beauty in their typography.

Broost is a groovy font that gives you a bold feel with sharp, bold strokes at each end of the letter. This font also gives a relaxed and cheerful impression to each of your works. very suitable for holiday design materials, parties, music, games, and more.

Introducing Mixoma, a combination of Serif and Sans strokes gives Mixoma a stylish look. The available stylistic alternates are designed to make your typography look more unique and help bring out your inner Mixologist. Mixoma is available in 9 weights, Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black each having an italic version. Enjoy!

Yenda is a bold angular font with just a bit of swoosh. Great for short text and headlines! Don't leave this one out of your next sci-fi or bold designs! This typeface includes all the special diacritics required for European languages.

A beautiful brush font created directly from original drawn characters. Deft Brush features a number of ligature and alternative glyphs to add to the hand drawn look. A great front for bold headlines, titles and crafty logotypes. Available as both .otf and .woff

Whitenights is a contemporary text family, which was developed by the prolific Swedish typographer Lars Bergquist in 2002. Containing five weights (11 different fonts total), this family contains every tool you need to set splendid text. The base font of the family is Whitenights Regular, a reliable face designed in the old style manner. It ships in OpenType format, with old style figures. Whitenights Ligatures Regular is a supplementary font, which contains many extra ligatures (e.g., ffb, ffk, tt, and fj) whose use will improve the color" of a page of text set in Whitenights Regular. Whitenights Regular may be accented by combination with Whitenights Small Caps, Whitenights Italic, Whitenights Bold, and/or Whitenights Bold Italic. The Whitenights Italic, Bold and Bold Italic styles all have supplementary Ligature fonts available for purchase, similar to the Whitenights Ligatures Regular face described above. For larger, headline text, the specially designed Whitenights Titling is quite useful. This titling font has been optically redrawn and respaced for use in large sizes. Naturally, it has its own supplementary Ligature font as well. In books, magazines, and newsletters this font is a great display companion to the rest of the Whitenights family. Its use in conjunction with the text faces will make your typographical compositions more sophisticated. Last but not least in the Whitenights family is Whitenights Math, which contains many additional mathematical and logical glyphs not found in a standard font's character set. Used together, the above 12 styles can set almost any text or math-based document. The entire family is included in the Take Type 5 collection from Linotype GmbH."

Liebfraumilch is a vivid handwriting script that relies on the OpenType features Contextual Alternates, Discretionary Ligatures and Stylistic Alternates, which are available only in OpenType-aware applications such as the Adobe Creative Suite or Quark Xpress. Liebfraumilch or Liebfrau(en)milch is a style of semi-sweet white German wine which may be produced in the regions Rheinhessen, Palatinate, Rheingau and Nahe. The name is a German word literally meaning "Beloved lady's milk". The original German spelling of the word is Liebfrauenmilch, given to the wine produced from the vineyards of the Liebfrauenkirche or Church of Our Lady in the Rhineland-Palatinate city of Worms since the 18th century. The spelling Liebfraumilch is more common on labels of exported wine. (Wikipedia)

Central Type Foundry of St. Louis issued this quirky little gem under the name of Quaint Roman around the turn of the twentieth century. This version is a little less gnarly than the original, but retains all of its eccentric charm.

Fifties is a mix of classic geometric and a bit of humanistic grotesque. The goal was to create the font for present with look to the past. In other words, I tried to came back the Modernism aesthetics of XX century into nowadays. The result gives you 60 styles including Italic (Slanted). Your typography may be airy and elegant with Expanded Thin, catchy and expressive with Condensed Bold or dynamic and sharp with Expanded Bold Italic. You will find your way to use this family certainly. Theatre posters or party flyers, vintage t-shirt or modern web service, movie titles or magazine header and even infographic – Fifties will suit you everywhere. You may use the completed styles or may use a Variable Font. To make it as you want to. Weights: Thin / Light / Regular / Medium / Semi Bold / Bold. Widths: Condensed / SemiCondensed / Medium / SemiExpanded / Expanded OTF and Variable Font (TTF) OpenType features: Stylistic alternates for A, G, K, M, N, R, W, a, e, g, j, m, n, r, t, u, w, y; Fraction figures; Subscript and Superscript figures; Tabular figures; Typographic spaces: Em / En / Third / Quarter / Thin / Sixth / Hair

No, I don’t need therapy - at least, not that I’m aware of. I needed a bold and rough name for this bold and rough font. Rough Therapy is a strong display font. Comes in a clean and a dirty version, so take your pick!

Little Brownie is playful font family which puts a smile on your projects and will inspire you to create something fun and memorable. It is perfect for headings, flyer, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers, etc. Features: – Multilingual Support – PUA Encoded – Numerals and Punctuation Thank you for downloading from Ocean Stud.

Gumela is a unique-sans family, based on rounded sans serif whose edges end with unique shapes. Gumela consist of 6 styles: Light, Light Italic, Regular, Italic, Bold and Bold Italic.

Big, expansive and flat on top; that’s a land formation called a mesa. “Mesa” was the first name for Strata Bold Rounded Serif, but it turns out it’s someone else’s registered trademark; in any case, if you need a bold, extended mono-height font that’s great for logotype, you could, as we used to say in the Mid-West, do a whole lot worse. SBRS is the final generation of an evolution that started with Mesa begating Mesa Bold which begat Mesa Bold Rounded which culminated in this evolutionary superior product. Use it!