10,000 search results (0.068 seconds)
  1. Trekbats - Unknown license
  2. Stonehenge - Unknown license
  3. Singothic - Unknown license
  4. Signboard - Unknown license
  5. Mariah - Unknown license
  6. Stage - Unknown license
  7. Caesar - Unknown license
  8. Notepad - Unknown license
  9. Clockwork - Unknown license
  10. Denmark - Unknown license
  11. Cuckoo - Unknown license
  12. Diploma - Unknown license
  13. Karloff - Unknown license
  14. Virgin - Unknown license
  15. Looper - Unknown license
  16. Nauert - Unknown license
  17. Transistor - Unknown license
  18. Tristan - Unknown license
  19. RusskijModern - Unknown license
  20. Kroeburn - Unknown license
  21. KurtRussell - Unknown license
  22. Ten - Unknown license
  23. Patrick - Unknown license
  24. Funk - Unknown license
  25. Vagabond - Unknown license
  26. Market - Unknown license
  27. Wharmby - Unknown license
  28. Franciscan - Unknown license
  29. Kringle - Unknown license
  30. Spirals - Unknown license
  31. Witzworx - Unknown license
  32. Maceo - Unknown license
  33. Sceptre - Unknown license
  34. Connection - Unknown license
  35. fuu - Unknown license
  36. Unicorn - Unknown license
  37. FS Clerkenwell by Fontsmith, $80.00
    A creative context 2003. Fontsmith was sharing a small, cold, whitewashed studio space in Northburgh Street, Clerkenwell. But things were on the up following prestigious custom type commissions for The Post Office and E4. “Slab serifs were on the brink of another revival, we could feel it,” says Jason Smith. “All we wanted to do was have a play with these slabs, go as far as we could within what was acceptable and readable.” “It wasn’t initially clear what was happening,” recalls Phil Garnham. “We were becoming very influenced by our surroundings, outside the studio space. We absorbed the essence and the designer grime of where we were.” Process Jason began by drawing stems on-screen. “The key aspect of the font is the upward bend of the leading shoulder serif, the way it kind of ramps up and then plummets back down the stem. “The regular and light characters are quite narrow – great for text but the bold is quite wide and chunky – better for headlines. I think ‘y’ is quite different for a slab design. We call it the Fontsmith ‘y’.” Promotion Fontsmith were determined to get FS Clerkenwell noticed. To launch the font, Ian Whalley, a designer friend of Fontsmith, captured words heard on the streets of Clerkenwell, set them in the new font and crafted a small book of typographic conversations. It was a first for Fontsmith. “I think that’s part of why this font has been so successful,” says Phil. “It really does embody the spirit of the area, as a special place for design, arts and crafts. And designers love that.” Contemporary twist FS Clerkenwell, based on influences in and around this part of London with a rich tradition of printing and design, mixes tradition with creation. Old-fashioned values meet new-school trends. Its quirky, contemporary character lends an edge to headlines, logotypes and any large-size text.
  38. Dot.com - Unknown license
  39. Nedo by Typogama, $25.99
    Nedo is a retro inspired, single weight display font based on a series of geometric lines. It features a large set of ligatures and some alternate characters that allow a range of possible combinations for text layouts and is best suited for use in large settings.
  40. South Amsterdam DEMO - Personal use only
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