Bellisa Sript is inspired by classic typography and brings its own unique style to every design project. This fantastic script font is best suited for headers of all sizes, and for blocks of text that have maximum and minimum variations. Be it for the web, printing, moving images or whatever - Bellisa Sript will look spectacular. This font is PUA encoded which means you can access all the funny glyphs and swash easily! It also has many special features including alternative glyphs and ornaments.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. Each letters of PAG Transformacio go into a rectangular box. When we type words with this font, we feel like putting building blocks or stamping the paper delightfully. It is a fundamental pleasure of typography. PAG Transformacio will be the best solution for posters, titles and anywhere you need retrospective lettering.

Magazine Grotesque is a sans-serif font specially designed for headlines and titles. Its unique features make it different from the traditional Grotesk typefaces. For example, outstroke extending beyond body in 'a' and 'e' letters or closed aperture in 'c', creating an unusual rhythm. Magazine Grotesque is the perfect choice for logos, titles, headlines and short blocks of text. As you would expect from Latinotype, this face comes with a standard set of 487 characters that support over 200 Latin-based languages.

As the Latin tag for one’s college or university, Alma Mater seemed to me to be an appropriate title for a font family reminiscent of the lettering commonly used on college sweaters and sports jerseys. Essentially Alma Mater is an extension of my Oscar Bravo font family, but the lively demand for Oscar Bravo Blank persuaded me to go the whole nine yards and and offer inline, outline and shadow variations on the theme. Pick 'em up and run with 'em!

Nebulosa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a futuristic, slightly extended sans serif typeface with semi rounded endings that provide a softened aesthetic without losing its solidity. Nebulosa has been conceived to be most suitable for logos, headlines and display design pieces as well as short length text blocks. Nebulosa consists of 10 styles, 8 of which containing small caps and glyph coverage for several language and 2 of which are free.

VVDS Benigne Sans is geometric font family consisting of 8 weights ranging from Thin to Ultra Bold with matching italics. Balanced and gently Thin or fat and heavy Ultra Bold, good wide range of widths, which allow use this font not only as a Headers, also as sub-headers or block texts. Also, I love how it looks in infographics. VVDS Benigne Sans is latin-based multilingual and contains all mathematics symbols. OpenTypeFeatures Ligatures, alternates, old style numerals and fractions. Enjoy! VVDS

Inspired and after 20th century’s travel posters, Vintage Travel is a font duo with a monoline Script that has small x-height and a bulky vernacular Sans designed to play together. Script is equipped with several OpenType features such as Swash and Titling alternates as well as Small Caps for small capital letters. Sans comes with Stylistic Alternates that provides you with a selection of lowered accented characters that can be used to create more uniform text blocks and tighter leading.

Braxton - brush flavored script font family includes 5 unique font weights. The font family is characterized by excellent legibility in both - web & print design areas, well-finished calligraphic designs, optimized kerning etc. Braxton is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. The font styles are applicable for any type of graphic design – web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos.

A very angular font, not one curve in sight - it's hip to be square! The font includes quite a few alternate letterforms, which I've also made available in combinations with diacritics. These alternates are available via your programs' glyph palette or using the OpenType functions "Stylistic Alternates" and/or "Stylistic Sets ss01-ss04". ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

In the October 31, 1920 edition of Wid's Daily (the predecessor to The Film Daily), a block of ad copy from a 1920 film called "Down Home" had the text printed in such a fluent pen-lettered style that a bit of a shortcut was used at the beginning of the design process for this typeface. Normally, font inspirations are redrawn [and not by simply using auto-trace] except under specialized circumstances like this one where that feature is a help, rather than a replacement for the creative process. The entire block of text copy was auto-traced, then the necessary letters were selected from the available wording and cleaned up to remove any sharp points and irregular curves in an effort to make the end results as close to the original and unusual hand-drawn text. From there the missing characters needed to produce a finished type font were created utilizing the standard methods of drawing and font construction. The end results turned out very well. Using the film's title as its namesake, this design is now available digitally as Down Home JNL in both regular and oblique versions.

This is Kimberly Gesweins own handwriting, named for a sweet California friend of hers. Kimberly has spotted the original free version of this font in use in the far outskirts of China, and now - with the expanded language support - this Pro version can also be used in more remote parts of the western world. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A typical Art Deco font with high contrast. I have mirrored the uppercase A and M to give the strokes a correct direction, and shortened/widened a few lowercase letters to give the text a more even color. A stylistic 30s-looking font is ready for international text-setting! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Hey there, check out Altarossa! It's a font that blends classic elegance with the bright plasticity of nature. This natural fusion gives Altarossa a captivating charm that's both tough and tender, young and chic. The rounded corners and curvy lines of Altarossa will remind you of the fresh and light vibes of nature, perfect for designs that need a touch of natural beauty. This font is well-balanced both for headings and typography and for typing large text blocks. In addition to its captivating charm, Altarossa is the perfect font for a variety of businesses and activities. If you're in the fashion game, Altarossa's stylish yet natural vibe will elevate your brand to the next level. For sports and fitness brands, Altarossa's strong and flexible nature will perfectly represent your message. And for weddings, luxury brands, commerce, hobbies, and more, Altarossa brings a touch of elegance and sophistication that'll make your designs pop. This font is well-balanced both for headings and typography and for typing large text blocks. With its versatile and adaptable nature, Altarossa works with pretty much any project you throw its way. Don't sleep on Altarossa, it's a font that's too awesome to pass up!

This font has sort of a rustic an ancient look, like stone carvings... The lowercase j has been redesigned to better fit with the other letters, and I've also made an alternate f (as an OpenType contextual alternate) to make a tighter fit with following tall letters. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Inspired by the lettering on a perfume, Halmos extrapolated a complete uppercase alphabet, and he also created a matching lowercase. Now the character set has been expanded completely, and this stylish Art Deco font is ready to create some headlines, new logos and wordmarks in many more languages. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This font has that grungy, gritty look, and combines it with some elegant swirls. Weird and wonderful. I have added swirls and decorations to ALL the uppercase letters that did not have them, so there are now wider possibilities to add interesting decorations to your composition. In addition to the expanded language support, of course. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

An extremely detailed grunge typeface! Although it has the fewest characters of the CheapProFonts library (no need for typographic niceties in such a rough headline font ;) ) the font files are the largest from us yet: the OpenType file is a whopping 1.7MB! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A classic "wild west" or circus type font - perfect for oldstyle posters and anything needing an antiquated look. I have switched a few letters around, and made the uppercase M narrower - and then kerned it and expanded the character set. "Howdy pardiner!" ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A bold and beautiful handwriting - perfect for setting personal and meaningful messages. Some glyph shapes and stroke thicknesses has been normalized (to make the text more even), and I have added some kerning - not too much though, I wanted to keep the liveliness of it. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

I just loved the design idea behind this font, but the original font had a lot of ugly artifacts - so I have completely redrawn ALL the letters, before expanding the character set. The lowercase has been redrawn with a higher x-height, making the font even more usable (with more "normal" word shapes). ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A range of retro initials mimicking the keys of an old style typewriter. Expanded from just a basic ASCII character set to our usual large CheapProFonts selection of glyphs. (I'm not sure all of them appears in the beginning of words, though. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A very chunky and rounded font. I have shortened the r and t, increased the size of the dots, and tweaked a little here and there - before expanding the character set substantially. I actually like the font so much that I also used it for the CheapProFonts logo! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This is the mature version of our previous release Infantometric Pro - The same basic skeleton, but with a more normal x-height. One feature is that no letters (except some accented letters - with cedillas, ogoneks and comma accents) go below the baseline, so this is one condensed font that is perfect for headlines! :) ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Another grungy masterpiece from Guillaume - this one with a woodprint touch. I have made the lowercase letters different from the uppercase by removing the cross-shaped counters and flipping where possible. Even the numbers have solid variants - available as OpenType "Stylistic Alts". Enjoy the new flexible possibilities! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Bieta is a sans-serif font family designed by Naghi Naghashian in four weights. Bieta Light, Bieta Regular, Bieta Bold and Bieta Heavy. Width of this font family is almost condensed therefore specially space saving. Bold and heavy versions are suitable particularly for big titles. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Bieta design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bieta’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Bieta was developed for multiple languages and writing conventions. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

PB Carolingian Xc is a font face designed for imitate Carolingian minuscule (from the region of the German southeastern scribal schools) found in 10th century manuscripts. All characters are handwritten by use ink and quill pen, scanned, digitized and optimized for best quality without lost its handwritten visual appearance. Character set support codepages: 1250 Central (Eastern) European, 1252 Western (ANSI), 1254 Turkish, 1257 Baltic. Include also additional characters for Cornish, Danish, Dutch and Welsh language, spaces (M/1, M/2, M/3, M/4, M/6, thin, hair, zero width space etc.), historical characters (overlined uppercase Roman numerals, many mediaeval abbreviations, d-rotunda, r-rotunda, I-longa, e-caudata, historical ligatures for “nomina sacra”) and wide range of ancient punctuation. OpenType TrueType TTF (.ttf) font file include installed OpenType features: Access All Alternates, Localized Forms, Fractions, Ordinals, Superscript, Tabular Figures, Proportional Figures, Case-Sensitive Forms, Stylistic Alternates, Contextual Alternates, Stylistic Set 1-11, Historical Forms, Historical Ligatures, Standard Ligatures. Include also kerning as single ‘kern’ table for maximum possible backwards compatibility with older software. Historical ligatures for additional glyphs are mapped to Private Use Area codepoints. OpenType features automatically exchange some default glyphs by stylistic alternates and create ligatures for better historical appearance.

Zamenhof is a family of five fonts that can be used singly or in combination to create a variety of bold, yet elegant, display styles. Inspired by Russian hand-lettering that appears to have been based on Jakob Erbar’s Phosphor, Zamenhof is essentially a Latin interpretation (with Cyrillic and Greek) of a Cyrillic interpretation of a Latin type design, with many changes along the way. (For example, all the Latin-only letters are quite different between the two designs: D, F, G, J, K, N, Q, R, S, U, V, W, Y, Z.) The Inline and Inverse styles of Zamenhof are the basic fonts and can be used effectively on their own. The Plain and Outline fonts — which I recommend using only in combination with the main designs — were created specifically to be combined with Inline and Inverse, as underlay and overlay layers, respectively. (You will need an application that supports layers, such as Adobe InDesign or Photoshop.) Zamenhof supports most European languages as well as modern Greek, and of course, Russian and other languages that use the Cyrillic alphabet. Needless to say, as Zamenhof is named after the father of Esperanto, it also supports Esperanto (as do all fonts from CastleType).

Victorian Orchid is a gorgeous vintage flower. Victorian Orchid is a beautiful, organic serif font family available for both text and display. Its bizarre serifs for A and other diagonal letterforms came from decorative types and letterings in old Victorian era. These unusual serifs support and enhance the horizontal flow of the eyes and vertical alignments. Very eye-catching lowercase g also came from the Victorian era and this is one of the most dramatic letterform of this font. Lowercase such like n and d also have horizontal serifs which designed in the same theory. Victorian Orchid is somewhat organic, humanistic and soft-impression font like Transitional Serif as typified by Times New Roman. But at the same time, this font has horizontal serif and vertical stressed letterform like Modern Serif. They make this font sharp, handsome and neat. In addition, Victorian Orchid has low contrast and the serifs are not too flat and not too coved. By them, Victorian Orchid create strong and casual impression like Slab Serif fonts. Victorian Orchid family consist of 5 weights from Light to Bold including about 500 glyphs, international accented letters, some OpenType features. Italics are "True" italics which designed very carefully to match Romans.

Jaleh is a sans-serif font family designed by Naghi Naghashian in tree weights, Jaleh Light, Jaleh Regular and Jaleh Bold. Width of this font family is Extra-expanded; a unique typeface. It is extremely legible even in very small size. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Jaleh supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Jaleh design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Jaleh’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Jaleh was developed for multiple languages and writing conventions. Jaleh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Senja Mentari is elegant modern calligraphy font inspired by delicate inky hand lettering, gorgeous wedding calligraphy and trending minimal branding designs. This beautiful font is for those who are needing of elegance and stylish for their designs and particularly well suited for wedding invitations, cards and feminine branding. I have wanted to create such combination a long time and can’t believe that it is here. I’m super excited and hope you’ll estimate it too. Now all you need for perfect wedding invitation design is in one product. I think this decision will help you to save your time! What's included? More than 100 beautiful swashes in this font Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual Support : à á â ã ä å æ ç è é ê ë ì í î ï ñ ò ó ô õ ö ø ù ú û ü ý ÿ š fl fi ž œ ı ç ø š ž æ œ À Á Â Ã Ä Å Æ È É Ê Ë Ì Í Î Ï Ñ Ò Ó Ô Õ Ö Ø Œ Ù Ú Û Ü Ý Ÿ Š Š ŽŁ Ð Ç

The design of Cyan was inspired by features found in classic Roman and styles like Trajan and Bodebeck. The characters stay true to the same features as the capitals, resulting in an unusually distinctive style. The Capitals version contains Roman numerals. Cyan's weight is similar to Trajan's but the horizontal strokes are slightly bolder resulting in better legibility for small sizes, especially for lowercase characters. Cyan Sans evolved out of the hugely successful Cyan Serif family. Cyan Sans retains the same geometric Roman proportions with open centers in B,P,R b, d, p . This helps create a thick and thin stroke illusion since the actual strokes don't vary much. There are many subtle details in Cyan Sans that become more interesting in larger sizes. The beauty of Cyan Sans is that it has no features that "jar" the eye. The result is a very pleasing and distinctive sans that scales well. Cyan Sans is a robust font that will exceed expectations in areas never explored before. The name is inspired by the Greek word cyan, meaning "blue". Blue as a primary color that has many hues and uses. Cyan the font, we hope will be seen in a similar light. Obviously Cyan Sans is a perfect companion to the Cyan Serif family.

Syntax was designed by Swiss typographer Hans Eduard Meier, and issued in 1968 by the D. Stempel AG type foundry as their last hot metal type family. Meier used an unusual rationale in the design of this sans serif typeface; it has the shapes of humanist letters or oldstyle types (such as Sabon), but with a modified monoline treatment. The original drawings were done in 1954; first by writing the letters with a brush, then redrawing their essential linear forms, and finally adding balanced amounts of weight to the skeletons to produce optically monoline letterforms. Meier wanted to subtly express the rhythmical dynamism of written letters and at the same time produce a legible sans serif typeface. This theme was supported by using a very slight slope in the roman, tall ascenders, terminals at right angles to stroke direction, caps with classical proportions, and the humanist style a and g. The original foundry metal type was digitized in 1989 to make this family of four romans and one italic. Meier completely reworked Syntax in 2000, completing an expanded and improved font family that is available exclusively from Linotype GmbH as Linotype Syntax. In 2009 the typeface family was renamed into a more logical naming of "Syntax Next" to fit better in the Platinum Collection naming."

The font family Univers is one of the greatest typographic achievements of the second half of the 20th century. The family has the advantage of having a variety of weights and styles, which, even when combined, give an impression of steadiness and homogeneity. The clear, objective forms of Univers make this a legible font suitable for almost any typographic need. In 1954 the French type foundry Deberny & Peignot wanted to add a linear sans serif type in several weights to the range of the Lumitype fonts. Adrian Frutiger, the foundry’s art director, suggested refraining from adapting an existing alphabet. He wanted to instead make a new font that would, above all, be suitable for the typesetting of longer texts — quite an exciting challenge for a sans-serif font at that time. Starting with his old sketches from his student days at the School for the Applied Arts in Zurich, he created the Univers type family. In 1957, the family was released by Deberny & Peignot, and afterwards, it was produced by Linotype. The Deberny & Peignot type library was acquired in 1972 by Haas, and the Haas’sche Schriftgiesserei (Haas Type Foundry) was folded into the D. Stempel AG/Linotype collection in 1985/1989.

"I digitized and to revitalize NurnbergSchwabacher by the extinct Haas'sche Schriftgiesserei, a German/Swiss foundry established in 1790 and based in Basel/Münchenstein. Many of its shares were acquired by D. Stempel in 1927. On the Luc Devroye site this foundry is listed on the Extinct Foundries of the 18th century page. This design is very similar to another Intellecta best seller: Hostetler Fette Ultfraktur Ornamental, both drawn from the classical type specimen book from Hostetler. The ornamental frame that completes the font is a fantastic baroque ornament that I found in another old book, unfortunately lost now. Luc Devroye, whose book is the source for all of my fonts, writes this about Rudolf Hostettler: He was a Swiss type designer, author of “The Printer’s Terms” designed by Jan Tschichold, of "Technical Terms of the Printing Industry" (5th edition was printed in 1995), and of "Type: eine Auswahl guter Drucktypen; 80 Alphabete klassischer und moderner Schriften" (Teufen, Ausser-Rhoden: Niggli, 1958). He also wrote "Type: A Selection of Types" (1949, fgm books, R. Hostettler, E. Kopley, H. Strehler Publ., St. Gallen and London) in which he highlights type made by European houses such as Haas, Enschedé, Deberny and Nebiolo. Jost Hochuli wrote his biography.

Zenoa Display Serif Font Family - They are sharp and sensitive, but connected-oriented. That's why they're designed by incorporating hook glyphs into an elegant serif style. Somewhat high contrast between vertical and horizontal, they reveal the strong individuality of each glyph, so you can create creative layouts. The meticulous design stands out so that readability and individuality can be expressed in harmony. And, these are the special excellences of this font family: Stylish Alternates and Ligatures where calligraphic subtlety is artistically connected. These OpenType features are decorative pleasures of using this font family more functionally. Please check first if the app you are using supports these features. They are easy to use in Adobe apps such as Photoshop and Illustrator. Alternates : A, B, C, D, E, F, G, H, J, K, L, M, N, P, Q, R, S, T, U, V, W, X, Y. Standard Ligatures : ff, fi, fl Discretionary ligatures : Am, Ba, Ca, Ch, De, En, Fr, Ge, Ha, In, Lo, Mi, No, Pa, Ro, Sa, Th, Va, Wo, Yo, an, bi, ck, de, ee, gn, ha,ie, lo, mo, no, oo, pr, ro, ss, st, te, um, ve, we, yo. Supported Languages: Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian

With 15 different styles and support for all sorts of languages, Hiruko is the open and easy sort of font that can be used in almost any situation, as long as you want your message to be readable. Smooth, simple and clear, Hiruko takes inspiration from both Swiss and Japanese styles, focusing on minimalism and function within its form, the idea that less is more and the careful, exquisite craftsmanship that makes such minor changes have a big impact. From extra-light to thick, black weights, in italics or in outlines, Hiruko can be used to convey messages in such a variety of styles that you’ll never be disappointed. Alternatively if you're looking for something a little more comprehensive, why not check out the follow up to this family Hiruko Pro.

Linotype Scrap is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The font is available in two weights and was designed by German artist Ingo Preuss. It is as though the forms of the basic weight were cut with scissors out of pieces of paper. There are no inner contours, only the outer silhouettes. The capital letters which make up Scrap Bonus are set on black rectangular backgrounds and are white and framed with a white contour. This weight includes a number of different pictograms which were also not spared the scissors. The decorative Linotype Scrap embodies the comic style of the 1990s and is meant exclusively for headlines of points sizes 18 and larger.