Tropicane - Stylish Typeface refers to a font that possesses a distinct and attractive aesthetic, often characterized by unique design elements, creative flair, and an overall fashionable or contemporary look. Stylish typefaces are crafted to make a visual impact and are frequently chosen for design projects where the typography plays a crucial role in conveying a specific mood, personality, or brand identity. Here's an in-depth explanation of the characteristics and significance of a stylish typeface: - Distinctive Design Elements: Stylish typefaces stand out due to their distinctive design features. This may include unique letterforms, creative ligatures, elegant serifs, or modern sans-serif shapes. The goal is to create a visually appealing and memorable set of characters. - Contemporary Aesthetic: The term "stylish" implies a modern and fashionable design. Stylish typefaces often incorporate contemporary design trends, keeping up with current aesthetics to ensure that they remain visually relevant and appealing. - Versatility: Stylish typefaces are often versatile, suitable for a variety of design applications. Whether used for branding, editorial design, websites, or marketing materials, these typefaces maintain their stylish appeal across different contexts. - Attention to Detail: A stylish typeface is characterized by meticulous attention to detail. Designers pay close attention to the shapes, proportions, and spacing of individual characters to create a harmonious and visually pleasing overall appearance. - Expressive Characters: Stylish typefaces can convey a sense of expressiveness and personality. This expressiveness can be achieved through unique letter shapes, playful elements, or the incorporation of design features that evoke a particular mood or emotion. Applicability to Branding: Brands often use stylish typefaces to create a distinctive visual identity. A stylish font can contribute to the overall brand image, helping to communicate the brand's values, tone, and style to the target audience. - Innovative Typography: Stylish typefaces are often at the forefront of typographic innovation. They may push the boundaries of traditional letterforms, experimenting with new shapes, styles, and arrangements to create a sense of novelty and creativity. - Readability and Functionality: Despite their emphasis on style, these typefaces generally maintain a balance between visual appeal and readability. Clear and legible letterforms are crucial, ensuring that the text remains accessible while still making a stylish statement. - Adaptability to Trends: Stylish typefaces are often designed with an awareness of design trends. This adaptability allows them to stay relevant over time, making them a popular choice for designers who want their projects to reflect a contemporary and stylish aesthetic. - Customization Options: Some stylish typefaces come with additional features, such as alternative characters, ligatures, or stylistic sets, offering designers the flexibility to customize the appearance of the text for specific design needs. In summary, a stylish typeface is a carefully crafted font that goes beyond mere functionality, aiming to enhance the visual appeal and expressiveness of the text.

Spectral Bridge is a strong serif inspired by timeless elegance and luxurious appeals. Feel free to mix & match with style, alternates, and also ligatures. Combined sharp and soft appeals, make a versatile typeface that will fit any project such as branding, lettering, quotes, print design, and much more.

Al Chevrola is a dynamic modern sans serif. Strong, with curves and an elegant touch. It is a rounded, geometric near-monoline construction sans serif typeface with display details which gives it modern, simple, elegant, chic, cool, and strong vibes. Each style and character looks amazing in large headlines. Al Chevrola works great in branding, logos, magazines, packaging. FEATURES: 4 Weight OpenType support Easy to use (with special combination) Multilingual support (15 languages) PUA Encoded Thanks for checking out Al Chevrola. I really hope you enjoy using it! If you have any questions I'd be more than happy to answer them, just send me a message.

Short Message is a 3 font combination that is suitable for all your design projects that aim to convey your message to your loved ones, with the font packages offered will definitely satisfy you Short Message came with opentype features such stylist ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more.

Core Sans CR family is a rounded version of Core Sans C; a part of the Core Sans Series, such as Core Sans N, Core Sans M, Core Sans E, Core Sans A, Core Sans D, Core Sans G, Core Sans R and Core Sans B. Core Sans CR is inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). It is based on geometric shapes, like near-perfect circle and square. It has a much higher x-height (height of lowercase letters), an effect which promotes readability especially at small print sizes. The Core Sans C Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black) and Italics for each format. Core Sans C supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. Core Sans C is an ideal font family for use in magazines, web pages, screens, displays, and so on.

Peckham, designed by Daniel Hernández, is a contemporary and versatile slab serif of 8 weights (and matching italics)—ranging from an elegant Thin to a heavy Black—with strong serifs that give it a playful look while preserving the overall geometric structure of the font. Peckham comes with the standard Latinotype set of 395 glyphs resulting in a language support for 94% of the languages using the Latin alphabet. The font also includes stylistic alternates (A, R, Y, a) which provides extra versatility. The name of the font reminds us of the city that witnessed the birth of Vincent Figgins (1766). Figgins became known as the type designer who first included slab serif fonts in a commercial catalog. Peckham pays homage to classic typefaces yet looks very contemporary. Digital editing and corrections by Alfonso García.

Regards is A Vintage Modern Retro Serif Regards font is a well-balanced retro modern vintage font with a fancy, playful, unique, and versatile vintage serif family with 100+ alternates that you can combine to get curves and beautiful shapes easily just in seconds. It is a display font with moderate contrast that perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: Character set A-Z Uppercase & Lowercase Numerals & Punctuation Accented Characters (West Europe) Ligature & Huge Stylistic alternates Works on PC & Mac Recommended using Adobe Illustrator or Adobe Photoshop. Wish you enjoy our font and if you have any questions, don't hesitate to drop message & I'm happy to help :)

MVB Embarcadero lies in a space between grotesque sans serifs and the vernacular signage lettering drawn by engineers. It’s a style that happens to convey credibility and forthrightness without pretense—it’s anti-style, actually. All of this makes for the most versatile of typefaces, capable of delivering any kind of message while staying out of the way. As is often the case with a type design that develops over several years, Embarcadero isn’t the realization of a specific concept. In the ’90s Mark van Bronkhorst began digitizing a blocky slab serif from the Victorian era, which was then set aside for many years. He later revisited the design, paring it down to its bare essentials, and as more time passed, it evolved from a grid-based outline to curves that echoed the rigid skeleton of the original. Eventually it became a complete family with all the readability requirements of a text sans serif, yet maintaining the subtle eccentricities of its inspiration. Functionally, the Embarcadero family is as adaptable as its design. The OpenType Pro set of 20 fonts contains two widths and five weights, each with italics, small caps, a full set of figures, bullets and arrows, and support for most Latin-based languages. In all, Embarcadero is suitable for headlines or text. And—thanks to its simple, square form—it’s ideal for type on screen too.

Handwriting of a strong Carelian personality revived: It’s autumn time once again, harvesting season, mushroom & berry time – the favourite season of my Karelian aunt Katri. A postcard she sent me more than twenty years ago had inspired me to SyysScript, “Script of Autumn” in Finnish. Katri had a very kind but also energetic personality, and I always thought her handwriting was a mirror of it. By making SyysScript I felt I could revive some of her unforgettable character. My Finnish autumn font has by now become a favourite for many and is branding fine food in both the Eastern and the Western hemisphere – even far beyond the arctic circle. “SyysScript“ is actually a growing family. For enhanced functionality in small sizes I added “SyysScript Eco” a year ago, a style with shortened extensions and simplified letterforms especially suited for packaging. And this autumn, a special one for Finland which is celebrating its 99th birthday, SyysScript grew again: Two long awaited newcomers, “SyysScript FeltTip” and “SyysScript FeltTip Eco” joined the family. They are bolder and softer than the previous styles but keep their positive, lighthearted feel. Use them to make a powerful individual mark on any background. – They are equally well suited for paper, packaging, a screen or even a concrete wall! Language support: Western and Central European, Extended Cyrillic.

Get to know the natural and neat font "Cogsworth"! This beautiful neat retro font with imperfect ink edges and a little careless shading is inspired by nature. Eco-friendly fashion takes into account the health of consumers, the health of the planet. The "Cogsworth" font is perfectly combined with any stylized graphics, watercolors, and also looks great on its own as part of a minimalist design. Play with letters to get different effects. Great for branding, wedding invitation design, packaging design, quotes, label design and more. Font Features A-Z; a-z character set; 1 language (English); numbers and punctuation marks, symbols. A font containing uppercase and lowercase letters, numbers, and a wide range of punctuation marks. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required, and to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love ♡ Thanks for checking it out, and feel free to drop me a message if you had any queries! ~ Anastasia

ITC Schizoid, from designer Frank Marciuliano, displays a stroke contrast which could not be larger, abrupt and uncompromising. Fine strokes turn into thick bars and create angular, consciously awkward forms. Nervous, unbalanced and amusing, Schizoid is an appropriate name for this font. The experimental ITC Schizoid is best used for headlines in print.

This book and newspaper font was designed by Francesco Simoncini in 1958. After the Second World War brought type design to a standstill, the years of reconstruction meant a reconsideration of old values in the typographical world as well as in Europe in general. Aster is the result of this movement, displaying instead of Modern Face influence, a tendency toward Transitional characteristics and giving text a light feel.

Are you ready for Christmas and New Year 2022? Have you prepared gifts for your loved ones and colleagues? Are all the cards, T-shirts, and souvenirs printed? Lockdown Christmas is a knitted fonts family in regular and icons styles. All letters are inspired by sweater designs made of bold round knits. Just take a try! Please feel free to request to add characters you need: kaer.pro@gmail.com *Best wishes, Roman!*

Beware of the Phantasm! Just in time for Halloween, Phantasm is perfect for your creepiest projects. It has great legibility and boasts a much larger character set than most display fonts. It can look wispy and vaporous, or you can make it look like it has been scratched into a surface by hand. All letterforms use a minimum of strokes and the gentle curves reinforce the hand-etched look.

Here’s the follow-up to my Route 66 series, patterned after the typeface used on signage on the U.S. interstate highway system for fifty years. The numbers and uppercase letters are true to the original, while a number of the lowercase letters show the influence of the new Clearview type. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

This font family is simplified Arabic which was inspired from the modern Naskh style, where the reverse contrast is low and the counter forms are open. The original design is from the Lisboa Sans typeface (Latin), published on 2005 and after some years, this multi-script family is the compromise and balance between these two different scripts. This typeface contains characters for setting Arabic, Persian and Urdu languages.

The hand lettered Art Deco title on the cover of the sheet music for “There Must be A Bright Tomorrow (for Each Yesterday of Tears)” inspired the font Incarceration JNL, which is available in both regular and oblique versions. Incarceration JNL earns its dubious name from the fact the song was written by Prisoner No. 3223 (Wallace Wysocki) who was held in the Marquette State Prison, Marquette, Michigan (1931)

A collection of 30 retro illustrations of cocktails, drinks, beer, champagne, appetizers, canapés, candy, corkscrew, ice bucket, decanters, and 5 background graphics. Perfect for your next party flyer or invitation. Inspiration for the font came from a set of illustrations created for a Cocktail themed fabric contest on spoonflower.com. I also made a postcard for my etsy store. Then I expanded the set and make Happy Hour Doodles.

Brewski is a vintage rustic typeface, with touch of many beautiful alternates character and ornament makes this font look stylist. Inspired by vintage Brewery packaging and Beer advertising from the early 20th century. It is perfect for vintage logo design, headlines or packaging design. Brewski designed with Stylistic Alternates and Contextual Alternate in some characters that allows you to mix and match pairs of letters to fit your design.

Father Frost, or Grandfather Frost is the Santa Claus of Slavic countries. He used to wear a red coat, like his ho-ho-ho colleague, but when that was deemed too Bourgeois and Western by the Soviets, he changed into a blue coat. Father Frost is a very happy, very legible font, ideal for Christmas cards, posters and ads! Father Frost comes with a bagful of language support.

I designed this font because it didn't exist - it’s based on hand rendered type created for black and white line marker scamps used in the advertising industry. I use it that way and it’s saved me a LOT of hand-rendering time over the years. Of course, Scamps works as an informal marker script in its own right too. I’ll be interested to see what you do with it.

Teamhair Tower is a “rough” monowidth font based on the face used on the old Sears Tower Gaelic manual typewriter. Teamhair was first digitized in 2002 by Michael Everson and originally used the MacGaelic character set on the Macintosh platform, and ISO/IEC 8859-14 on the PC. In 2008 Doire version 3 was released in OpenType format, completely compliant with Unicode encoding and with an extended character set.

The vikings searched in vain for hundreds of years over much of the northern hemisphere, but their dreams of writing with felt-tip pens went unfulfilled--until now! This is a novelty font containing the 24 runes of the Futhark, but with a modern bent. In addition to regular, bold, oblique, and bold oblique, we have included two outline styles. Also included is a PDF page identifying the characters.

This is your Lucky Day, and if you are really lucky...it could turn into Lucky Days! :) Just go ahead and type with Lucky Days, it has 6 different versions of each letter...and they are all handmade. The letters are super legible, and can be used for a great variety: posters, postcards, invitations, comics or crafts. I even imagined a label for a beer, using this font!!!

Sterling Script was initially meant to a be digitization/reinterpretation of a copperplate script widely used during what effectively became the last decade of metal type: Stephenson Blake's Youthline, from 1952. The years from 1945 to 1960 saw a heightened demand for copperplate faces, due to post-war market optimism, as well as the banking and insurance industries booming like never before, which triggered the need for design elements that express formal elegance and luxury. The name Sterling Script is a tip of our hat to England, the Stephenson Blake foundry's country of origin. It is also a historical hint about copperplate scripts having been used mainly for banking and bonds in the 19th century. Originally we just wanted to resurrect a gorgeous metal type from the ashes of forgotten history. But after the main font was done we saw that the original s really needed an alternate. We made one. But we felt sorry for the original s and didn't want to see it dropped from use altogether, so we saved it by building a set of ligatures that solve the minor connection problem with the s at large sizes. Before the completion of the ligatures, a few different alternates were also drawn, and we were faced by the fact that the single font we set out to do was now a much larger set than we anticipated. While thinking about how to split up our unexpected bundle of large characters, we drew a few more alternates and some swashes. This abundance "problem" reached a certain point where there was no looking back, so we just decided to go all the way with this font. We added many more alternates, swashes, ligatures, and two full sets of each beginning and ending lowercase letter. The result is over 750 characters of sheer elegance. Sterling Script has many features that set it above and beyond other copperplate scripts: - It has 2 beginning and 2 ending alternates for every single lowercase character. The beginning and ending variants on the vowels are also available in accented form in the appropriate cells of the character map. - Sterling Script is the ultimate elegant font choice for luxury design. Very elegant, but not too soft. Its strong and confident shapes convey a message that is real, comforting and assuring. - One of the eventual purposes of expanding Sterling Script this extensively was to create a script that finds the middle ground between formal and informal without compromising either trait, a script where the degree of formality can be gauged, tweaked, cranked up or toned down depending on the layout's needs. Aside from beginnings and endings, there are multiple variations for the majority of the basic characters. This is a formal script on steroids, where twirls and swashes can be set to come out unexpectedly from any place in the word, which is great for reducing the inherent rigidity of words set in copperplate scripts and "humanizing" them whenever needed. This is especially useful for wedding, postcard and invitation design, where not every viewer of the collateral material has something to do with banking or insurance. - With such an extensive character set, a designer can easily set a word or a sentence in 10 or more different ways, and choose the perfect one for the task at hand. This is particularly useful for work where details are of utmost importance, like logos, slogans, or elegant engravings that consist of one to three words. Let those swashes and twirls intertwine for maximum elegance. The Sterling Script complete package consists of 7 fonts: Sterling Script, Alternates, Beginnings, Endings, Swashes, Swash Alternates, and Ligatures. Sterling Script is available in five different purchase options and price ranges. But with such a massive offering of variation, the Sterling Script complete package is definitely the most value-laden set in its class. Once you use Sterling Script, you will never want to go back to other copperplates.

Eterea is a formal font inspired in the monumental inscriptions of classic Rome, but not strictly sticking to the ancient roman typographic characteristics. Its unique look is the result of mixing diverse typographic styles, but mostly having traces from the 16th century transitional style. It bears a big difference of proportion between upper and lower case, additionally to the upper case having much more ornamental traces. Eterea has four different flavors of capitals which change very slightly in the cursive versions. In the italic versions, the lower case (actually small capitals) changes substantially its characters to make its reading more flowing and is not simply an inclined version of the letters. Eterea is a very expressive font, ideal for titles and short texts of sober and elegant appearance.

There's something about the endless variations of handwriting, the tactile process of pen, pencil or brush to paper, and the personal and ephemeral quality as a whole. I recently came across some old handwritten letters from when my younger sister was going to college, and as soon as I saw them, a flood of memories came back to me. All just from seeing her handwriting. That's just one thing handwriting can do. I hope you find enjoyment in my sister's handwriting as much as I still do. This font is complete with alternates that will auto-typeset via the ligature feature to give a more handwritten feel.

I come from a family of educators- my mom, husband, stepmom, brother-in-law, and sister are all currently teaching and I have taught in the past. This font was created after speaking to several elementary school teachers who were struggling to find just the right font to use on worksheets and projects in their classroom. They liked many features of other fonts, but needed small things altered in order to make a "perfect fit" for their class. Hand-drawn by me, this font hopefully addresses several of those issues. As penmanship styles vary across the globe, I am sure this font will not work in every classroom. But hopefully this style will work for many teachers to give their early readers a highly legible, neat, accurate font. It is best used with kerning turned on to allow for accurate letter spacing.

Vast and untamed, the American West once stretched as free and wild as imagination itself. Still beautiful, the Wild West of long ago and the new West of today is now to be found in insigne’s new face, Plathorn. That’s right, folks. When the West called, Jeremy Dooley reached up like Pecos Bill, grabbed it by the reins and pulled it in, then using its wide, roaming elements to design this functional font that still has an unbroken spirit burning deep inside. This down right, no-nonsense, orthodox face leaves off any of that extra fancy stuff that doesn't belong on a ride. Plathorn comes with a family of cowhands as wide as the Rockies, bringing specifically tailored condensed and extended sub-families along with it too. By design, it’s not very obtrusive like its unorthodox reversed tension brethren. Leave those for the next font rodeo. This mount features barely a hint of a serif that hearkens back a hundred years or so to sign painters and package lettering artists of early twentieth century. They're sure to put the sharpness, gumption and grit you need into your copy. So grab a tall glass of Plathorn and drink in the deep taste of America’s big country. Put it in your next magazine. Put it in your brand. This typeface’s offbeat appeal is bound to bring a bit of wild U.S. to your free-spirited work.

Anface is a bold, square font with a playful, creative letters. This font is unique because of its bold and strong letterforms that evoke a feeling of confidence and strength. The square shapes add a modern, geometric element that gives it a cool and contemporary look. In terms of functionality, Anface offers a range of styles, including regular and bold, as well as a full character set that supports multiple languages. Its special features include a full range of punctuation and symbols, making it a versatile choice for a variety of design projects. The design concept behind Anface was to create a font that was both bold and playful, making it perfect for a variety of creative projects: headlines, logos, and other design elements that required a strong and confident visual impact. Its unique square shape and bold letterforms make it a fresh and exciting addition to any designer's toolkit. Here are a few ideas for where Anface could be used: Tech companies: The geometric design of Anface could be a good fit for technology or software companies, as it has a modern and futuristic feel. Sports teams: The bold, strong letterforms of Anface could be used for sports team logos, jerseys, and other branding materials. Its square shape gives it a sporty and athletic look. Architecture firms: The clean, modern lines of Anface make it a great choice for architecture firms or any businesses related to construction or design. Art and design studios: Anface's playful, creative design would be well-suited for art and design studios, or any business related to the creative industries. Music industry: Anface's bold, attention-grabbing design could be used for music album covers, posters, or other promotional materials. Cafes and restaurants: Anface's square shape and bold design could be a good fit for cafes or restaurants that want to create a modern and unique brand identity. Its playful and creative look could help businesses stand out and create a unique visual identity.

Hot Dogs, Apple Pie, Baseball and great TYPOGRAPHY are deeply rooted in American culture. American Auto is a Type Family that embodies that culture visually. It joins a robust workhorse sans with a playful script that brings you back to 70+ years ago, while at the same time remaining as contemporary as any new 2019 design. This unique pair work together in harmony to create wonderful designs for a variety of uses. From book covers to posters, web sites to apps, American Auto is an excellent choice to create striking designs that stand out from the crowd! American Auto also features many Opentype Features such as: Alternate Characters, Initial & Final Forms, Contextual Alternates, Old Style Figures, Lining Figures, Numerators & Denominators, Fractions, and more! This typeface has really been designed to meet any challenge that a designer can throw at it!

Ossuary is a font in which each letter is formed using a uniquely arranged pile of skulls. The font was originally designed to be caps only, but small caps were added for convenience. There is now a character for each typeable letter of the American English keyboard. The font was inspired by images from the Kostnice ossuary in Sedlec, Kutna Hora near Prague. (Google it.) Whether you are fascinated or repulsed, such images have a mystery about them. They demand your attention. That is the feel this font was intended to capture.

Mr Chalk has a simple goal: being Mr Chalk. This font sets out to occupy a form indistinguishable from the real thing, and comes as close as ink will get. Looking at this font you can hear the scrabble of writing on a chalkboard, though the character is more of a mischievous child than a strict teacher. Round and free, Mr Chalk is a light and fluffy font ideal for an impersonal and friendly tone. If you're looking for another Chalk based font check out Lippy, a typeface for both lipstick and chalk based finishes!

CushingTwo is the 6-font family designed for Fontographer: Practical Font Design for Graphic Designers: Regular, Oblique, Demi, DemiOblique, Bold, and BoldOblique. The two Demi variants will be listed separately in InDesign and the Creative Suite to keep things compatible with Office and such. The inspiration was a scan of the old Cushing No. 2 font in Felici's article on CreativePro about 100 year oldtype. It's a fun, open, large OpenType font of 370 characters with oldstyle figures, small caps, and small cap figures. It needs polishing, but it's good looking.

Gold Spur is a spurred version of the FontMesa Gold Rush set of fonts. Each version includes many extended characters for Western, Central and Eastern European countries. The Gold Spur Trail OpenType version has alternate double letter pairs included in the font and will automatically be substituted when used in Adobe CS products or other software that takes advantage of OpenType features. The $20.67 price of each font reflects the price of an ounce of gold in 1865 which was the year that the original Gold Rush font was created.

Dulcinea is the title of Ramiro Espinoza’s in-depth look at Spanish Baroque calligraphy’s most extreme tendencies, and especially at some of those produced by the writing masters Pedro Díaz Morante and Juan Claudio Aznar de Polanco. These 17th and 18th centuries alphabets with their plentiful calligraphic flourishes represented a marked break with the harmonic and angular Renaissance Cancellaresca style. It was Morante who first introduced and popularized the use of the pointed quill in Spain, and although his famous text entitled “Arte Nueva de escribir” – first volume published in 1616 – contains alphabets that have much in common with traditional broad nib Cancellaresca calligraphy, most of the examples therein are outgrowths of the new models put forward by the Italian master Gianfrancesco Cresci. The writing’s swashes are complex and intricate, but at the same time they feature a profusion of defects. Many of them sometimes come close to ugliness. However, these pages contain an artistic essence that bears a relationship to the ironic and sometimes somber character of Spanish Baroque. That’s why the name of the font pays homage to “Dulcinea del Toboso”, the fictional beauty from Miguel de Cervantes’s ‘Don Quixote’, a work that reveals many of the period’s conflicts, such as the contrast between utopian ideals and reality, uncertainty and madness. But Dulcinea is far from being just a revival. Its forms are not careful tracings of the outlines of Morante and Polanco’s letters, nor are they attempts to reproduce them digitally. In fact, the author of the letters says that had the font been created that way it would have been too archaic to serve as acceptable contemporary typography. However, he believes that there are myriad interesting details that can be rescued and preserved, along with the playful spirit of the original. The work of designing Dulcinea consisted of combining original historical elements with the creativity and calligraphy of the font’s author in order to produce a modern typography that isn’t based on the same traditional sources as many recently created scripts fonts. Dulcinea offers attractive options for the setting of texts and headlines: abundant ligatures and swashes along with intricate alternate characters. It sophisticated forms make it an ideal option for women’s magazines, recipe books, lingerie products or perfume packaging.

The 1930s, 40s and 50s contribute many elegant and clean font families to the design canon. Plebia—the plain font—is Greater Albion's homage to that elegant design canon. The basic design is offered in a range of decorative forms chosen to preserve this basic simplicity: shadowed, outline and a subtle semi-serif. Use this font in signposts, labels and posters, anything that needs to get its message across with impact regardless of visual distance. Bring back the spirit of the middle years of the last decade.

So often as a designer I have wanted a handwriting font that is modern, natural and realistic, simple and attractive. I created this font to meet my own need. Teacher's Pet makes full use of the knowledge I have acquired over the years designing school handwriting fonts. It contains many contextual alternates to ensure that the flow of writing is as unartificial as possible. I have been disciplined in its creation, always making and coding a new glyph to ensure this flow rather than compromising.