Maisonneuve is named after the fracture I had in 2019. During the period of revalidation this font was born passed on circles and rectangles. A modern – almost modular – font with old school figures and lots of symbols and good readability and legibility.

Tallahassee Chassis JNL was modeled from a toy alphabet rubber stamp set made in Japan and imported to the U.S. during the late 1950s and early 1960s. The lettering style somewhat resembled that found on the side of old railroad cars, buses or trolleys.

Liquoia are three scripts with lots of contrast and different embellishments. Liquoia-A has the elegant, flaming decoration it blends well with Fleurons-Six. Liquoia-B has the flowery embellishments and goes very well with my Ornata-A and Ornata-B. Liquoia-C is the plain, straightforward and solid floating script. The name is derived from "liquid", meaning it is a fluid script that has a distinctive waveform. The "oia" part of the name comes from Sequoia, the sturdiest tree that came to my mind. Your sturdy, floating designer Gert Wiescher

Font naming is not all that difficult. Take Printout for example. I was busy working on this font, when my niece came over with a poem she needed to have printed. One of her classmates had the same request (they’re writing poems for our national Remembrance Day). As I was printing out these poems, I thought the name Printout would be perfect for the font I was working on. See? It’s not rocket science! Printout is a totally awesome, completely handmade font. I used an almost dried out Japanese brush pen to get the eroded effect. Maybe I should name my next font ‘Dried Out Brush Pen’? I’ll let you know.

This is the kind of letters I drew in school back in the 1980ies. I would never have guessed that I would do the same thing like 40 years later! I remember making a simple space game for my VIC-20 computer, and I needed some "data letters" (as I called it) - as far as I can remember, this is close to what I made 40-like years ago. Also, I was inspired by the well known series "Stranger Things" - you know, all that 80ies theme stuff took me down memory lane! :) Anyway, all the letters are handdrawn, using a squared paper as guide - at it may look simple, but it took me quite some time to finish this font (hence the name!)

The name of this typeface, David Aubert, comes from the calligrapher of Philippe Le Bon and Charles Le téméraire, both Dukes of Burgundy who worked and lived in Brussels in the 1500s. This revival of his writing is a good example of the bâtarde bourguignonne style.

Sign Project JNL is based on vintage water-applied decals once made by the Meyercord Decal Company of Chicago (and later Carol Stream), Illinois. These decals were popular during the 1950s and 1960s for window signage, boat identification, mailbox names and numbers and hundreds of other projects.

Ridley is a calligraphic-influenced, decorative, medieval font combining Roman and Gothic forms. It is named for Nicholas Ridley and similar in style to Staunton’s Latimer font. Ridley and Latimer were protestants burned together at the stake in 1555 during the reign of Queen “Bloody” Mary.

The cover of the 1907 sheet music for "I'd Rather Twostep Than Waltz, Bill" was hand lettered in an Art Nouveau sans serif alphabet. During the hippie counter-culture movement of the 1960s, rock posters, album covers and other printed ephemera of the time embraced the styles of lettering and art made popular during the early 1900s. It seemed only fitting to name this type design Nouveau Hippie JNL as an homage to both eras. The font is available in both regular and oblique versions.

Stuffed Shirt JNL acquires its name from a term popularized during the years when the Art Deco period flourished. The Great Depression further widened the gap between the 'haves' and the 'have nots'. Occasionally, some of those that 'had' (and some who pretended they did) came off as standoffish, egotistical and pompously arrogant. Such individuals were referred to as a "stuffed shirt"; a blowhard who thought he was better than others. In this case, Stuffed Shirt JNL is no more than a dual-line adaptation of Playwright JNL, itself an interpretation of the classic Broadway type design in a way that emulates the hand lettering of old-time sign painters.

I came across an old book called ‘Studio Handbook Letter And Design For Artists And Advertisers’ by Samuel Welo. Samuel Welo was an American advertising calligrapher, typographer and lettering artist, who was most active during the roaring twenties. Lenox Avenue is my version of a set of letters in that book. It was handmade (just like Welo had done). I only had an ABC/abc to work with, so I designed all the remaining glyphs myself. I changed some of the original (and quite quirky) letters to a more contemporary form. The font is named Lenox Avenue, once home of the famous Savoy Ballroom. Comes with all the bells & whistles.

Based on a font design by Les Usherwood called Eldorado, we had to change the name because Linotype has a dissimilar typeface of the same name!

Art Deco monogram initials on a vintage business card from the Miami area inspired Golden Beach JNL. The font was named for a small upscale South Florida residential community located between Sunny Isles Beach in the Northern part of Miami-Dade County and Hallandale Beach in Southernmost Broward County.

Face Your Fears was created using a brush, paint and ink and a lot of paper. Due to the horror-like nature of Face Your Fears, the font looks great on websites, games and - of course - halloween cards.

Coin Ding Dong pixel Font inspired from 8 bit game with beautiful stylized pixelized, game machine really reminds me of my childhood, with coins you can play it, in my country machine games are called "dingdong", inspired me to create this pixel font name. Really Beautiful font to covering your Project, like For Game Names, Poster art, Magazine, Branding, Logos, and more your project design. - Unique glyphs - Multilingual Characters - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - PUA encoded inumoccatype

Pen Swan is the latest offering from Jen Maton & Great Lakes Lettering. A Pen Swan is the species of an adult female swan. It is a fitting name as it contains ‘pen’ in the name which is the tool used to draw the letters. Pen swan demonstrates the same grace as the most elegant type of bird in the animal kingdom. It has a rolling gliding quality, as if the letters are waves forming spontaneously from your computer screen. Pen Swan is optimal for any project that needs an elegant touch. Great for Wedding Invites, Stationery, and Decorative prints.

Ragnar can be called a typeface for compact typography. It is loosely related to the Saga typeface in many ways, even including its name. During discussing on what Saga should be called, the name "Ragnarök" (Twilight of the Gods) was humorously suggested. "Ragnarök" would of course have been unsuitable, since it uses a letter with a diacritic sign, and in many computer systems, that is a deadly sin. But the shorter form, Ragnar, was kept in mind, and later used for this typeface. Additionally, Ragnar is a common male Scandinavian name.

Tactical is nothing more than a testosterone-laced typeface. Rigid, mechanical and unforgiving. Originally conceived in 2007 while I was working through the early sketches of Ginza, Tactical features hard 45-degree angles and the presence of a curve for curve’s sake is just not there. Complimenting the original is a Stencil variant (inspired by the military, marathon video game, explosion-influenced name) and matching Obliques—altogether creating a sharply coordinating family.

Freda Sack and Colin Brignall collaborated to produce the Victorian typeface. Their work was inspired by late 19th century display letterforms, and they sought to create a new ornate font in the same style. Victorian superbly reflects the refinement of the late 19th Century. Victorian Inline Shaded was designed by Nick Belshaw. He was inspired by late 19th century display letterforms, and sought to create a new ornate font in the same style. Victorian Inline Shaded superbly reflects the refinement of the late 19th Century.

26 Mythical or mysterious Creatures. A highly decorative font where each creature form the letters A to Z. The upper case letters have detailed creatures/letters while the lower case hold silhouettes of the same creatures. The creatures were originally drawn 2016 during the 36 days of type project (http://www.36daysoftype.com/)

Drillepind is a kidder in danish. You know, someone who teases, without being rude. Once you start typing with Drillepind, you will notice that the font does the same, in a playful way. You never know what happens next, when using the font - but you do know that it'll be loads of fun!

Pen Nouveau JNL is a perfect example of the fluid, free-form pen lettering popularized during the Art Nouveau era of the early 1900s. The type face was modeled from the lettering on the cover of a piece of sheet music from 1911 entitled "If You Talk in Your Sleep, Don't Mention My Name".

Based on wood type designed by William H. Page & Company in 1872, Aldine Extended is one of many variations within the Aldine family. The characters are extremely wide relative to their height, and have heavy, thick serifs. Aldine was extremely popular in broadside printing during the late 19th century and conveys America’s enthusiastic westward expansion.

Imperial Quortex came to life during many processes. Including a bad copymachine, a wet cloth and multiple prints and scans. The result is Imperial Quortex: a unique eroded font! Comes with unique accented letters, alternate upper- and lowercase, smart ligatures and alternate letters. You will need to use OpenType supporting applications to use the ligatures.

Opa-locka JNL is named for a city in Miami-Dade County, Florida and is based on an Art Nouveau-era bit of hand lettering found on vintage sheet music. Legendary aviation pioneer Glenn Curtiss (who successfully developed the city of Miami Springs and the city of Hialeah with James Bright) began the development of Opa-locka around 1925 as a planned community with a "1001 Arabian Nights" theme. Plans for this exclusive community included a country club and a small private airfield, but the hurricane of 1926 derailed Curtiss' original vision of the city. Opa-locka gradually took shape as a residential area for middle-class families, but the closing of a long-established Marine base, changing demographics and a reputation for being a hot-spot for crime, drug abuse and corruption tarnished this once-grand community (which boasts the largest collection of Moorish Revival architecture in the Western hemisphere). Old-time Miamians bristle when the city's name (an abbreviation of a Seminole place name, spelled Opa-tisha-wocka-locka) is mis-spelled as "Opa-Locka", "Opa Locka" or "Opalocka". The correct name is hyphenated, and the second part is in lower case.

If it's at all possible to "Deco-ize" an Art Deco font even more, it's been done with Roney JNL. Named for one of the classic hotels built during the heyday of Miami Beach, this font is a stylized version of Jeff Levine's Metalet Modern; a design derived from an actual 1940s home movie titling set.

Baby Fat, designed by Milton Glaser in 1964, saw a lot of action during the psychedelic poster phase. This little dumpling is based on that workhorse, and takes its name from a phrase that also got around a lot in the 60s. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

An image spotted online showed a rendering of a ladies’ fashions storefront that had appeared in the Libbey-Owens-Ford Glass Company’s 1939 brochure. The signage consisted of the hand lettered word ‘Apparel’, and was done in a variant of the Art Deco stencil style of lettering that’s most recognizable in Futura Black. From these few sign letters came the inspiration for a digital font of the same name, Apparel JNL – which is available in both regular and oblique versions.

Flyers, Intros from James Bond films and PlayStation games as well as the typeface Senator from Zuzane Licko inspired the Dutch designer Paul van der Laan to create his font Linotype Rezident. To its design, van der Laan says, I was designing a business card for a friend and I had a certain mood in mind for the typography. I tried to capture this mood in a couple of sketches, drew a few characters directly onscreen and just expanded them into a typeface." And so began Linotype Rezident, with its cool, technical and constructivist appearance which brings to mind computers and virtual reality. And the name? " The name of the font comes from the game Resident Evil. One of the main characters in the game is called Leon and the typeface was initially drawn for a friend of mine called Leon. It also refers to the city of The Hague - where I live and got my education - since it's often called 'de residentie'", where the queen and parliament of The Netherlands are seated."