Display Magazine is a bold, distinct and assertive serif font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch.

My font Shadowmoon was created with the PowerPoint shape moon and just like the real moon, my font has amazing curves that brightly standout. The curves take on a flowing action that visibly attracts an amazing style.

"Christmas Shadow" is a beautiful handwritten font with a love shape. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. It is suitable for weddings, engagements, invitations, back to school, autumn, Christmas, and others.

The Nostalgic Remain is a chic modern and timeless serif font that evokes a sense of nostalgia and old-world charm. Its elegant and refined letterforms are perfect for creating designs that require a touch of sophistication and tradition. This font is ideal for vintage logos, book covers, editorial designs, and any project that needs a touch of old-school glamour. With its graceful curves and delicate serifs, Nostalgic Remain is a versatile font that can be used for both digital and print projects. Its timeless appeal makes it a great choice for designers who want to create a sense of heritage and history in their designs. Whether you’re designing for a fashion brand, a restaurant, or a publishing house, Nostalgic Remain is a font that will add a touch of class and elegance to your work.

Libertinas & co. is a handwritten typeface, with a casual, elegant and sensual style, with many possibilities to compose different titles, flyers, publications or typographic posters for example. The font has an extra set of capital letters and another one of decorative lowercase for word end, also 3 stylistic set with more alternative letters and many other Open Type functions. Includes the Bitcoin symbol. The Commercial version includes - 734 glyphs. Latin Extended-A • OTF & TTF - Libertinas & co. can be used unlimited for both Commercial and Personal projects. - The download file includes a PDF with the specimen sheet of typography. - OpenType features compatible with: Photoshop, Illustrator, QuarkXpress, Indesign. - OpenType Functions: Scientific Inferiors, Swash, Terminal Forms, Titling alternates, Extended Fractions, Inferiors, All Alternates, Superiors, Contextual Ligatures, Denominators, Contextual Alternates, Contextual Swash, Discretionary Ligatures, Capital Spacing, Superscript, Additional languages, Superior letters, Oldstyle Figures, Historical Forms, Historical Ligatures, Kerning, Localized Forms, Numbers Small Caps, Numerators, Ordinals, Subscript, Ornaments, Slashed Zero, Standard Ligatures, Stylistic Alternates, Stylistic Set, Fractions. - Bitcoin symbol (ligatures): b#

Historical typography makes a comeback. A revival of one of the most popular of a number of rugged typefaces used around the turn of the century, Croft revives the creation of Lewis Buddy III, known as "Roycroft" in 1912 ATF catalogs. It also, according to ATF, was designed "partly" by Morris Benton, around 1898. The original typeface might be considered an early form of grunge fonts. This typestyle maintains historical flavor, while also being relevant today. It has been expanded to have more discretionary ligatures and numerals sets for versatility, and maintains the original stylistic alternates and standard ligatures. See the 5th graphic for a comprehensive character map preview. Opentype features include: Full set of Inferiors and Superiors for limitless fractions. Tabular, Proportional, and Oldstyle figure sets. A small collection of Discretionary & Standard Ligatures. Stylistic Alternates for variations of several characters such as R, u, t, etc. Approx. 482 Character Glyph Set: Croft comes with a glyphset that includes standard & punctuation, international language support, and additional features.

Breda is a Geometric Sans-serif; it is constructed from simple geometric shapes such as the circle and rectangle. This family of fonts starts from a very thin single-line face to a strong heavyweight, called Black Face. The Breda font is austere style, functional and clear, emerged from straight lines, primary shapes, which is now jumping into the typographic and graphic design scene. They are presented in six wights with their corresponding italics.

FP Dancer Tango is a humanist-influenced techno-like font, designed 2012-14 by Morten Rostgaard Olsen & Ole Søndergaard. FP Dancer Tango will be a useful tool, helping you to create wonderful headlines and text-columns in magazines and so. The font is surprisingly readable, even in small point sizes. Among other things as a result of the smooth transitions between the angular shapes. In addition, the condensed shapes saves a lot of space.

Note: The 'Pro' in the name of this font should not be interpreted as having OpenType features. It has none. What was the inspiration for designing the font? Inspired from the basic shapes like circle, cube and triangle. Closer to basics means more useful in various projects. What are its main characteristics and features? Clean graphic shapes. Usage recommendations: Graphic design, Motion design, 3D, Posters, Magazine covers, Outdoor. See Typograph Pro in action:http://www.amateurmedia.net/typographpro/

Hello I'm back with a new product, this is Benalline Signature, this is a classic Calligraphy style font, vintage and retro but still looks elegant, luxurious and beautiful. Benalline Signature is a little different from some of the existing fonts, I made a slightly different shape and added an alternative character with a more decorative shape and also I added a special Ornament and swash made especially for the Benalline Signature. Thank you!

Like Refused said in their song ”The Shape of new Punk to come”, Oblik could be “The Shape of new Fonts to come”, we present you our uprising star - Oblik - that could shine in your monitors. Modern family, stylish and secure, with its own personality (it’s photogenic, too), available for all kind of use, even you're an doctor or policeman or butcher or truck driver or maybe rock star, this font will rock your world.

Introducing, Playcute - a fun kids display typeface with solid shapes but still fun. With uppercase and lowercase option, you can play different glyph shapes to get the best combination. With this font, you can use it for book and magazine cover, social media, headline, logo, digital products, and more. Thank You!

"Inferno Corner" is a 3D layered graffiti font characterized by sharp corners. Fonts like this incorporate multiple layers to create a three-dimensional effect and emphasize angular or pointed edges, often enhancing the font's dynamism and visual impact. This font is particularly fitting for various street-related projects where a bold and edgy typographic style is desired. Whether used in posters, street art, or any design endeavor aimed at the urban environment, "Inferno Corner" can lend a striking and attention-grabbing aspect to your text, contributing to the overall street-style aesthetics of your project.

With Hearty Font is an exquisite and delicate handwritten script font that exudes elegance. It features captivating letter alternatives and enchanting tails at the beginning and end of each stroke. The font's distinctive attribute lies in its heart-shaped connecting tail, which adds a touch of romance and charm. With its graceful design, With Hearty Font is sure to captivate and inspire. To use alternates, heart connector, beginning and ending swashes, you don't need to use software that supports opentype, because we have made it separately so it's very easy to use.

Gandur is a display textura in three weights, split into two families: Alte — the German word for old — and New. Gandur was inspired by other geometric texturas, specially Max Bittrof’s Element (1933). The design began by adhering to a strict hexagonal grid, but during its development, slowly moved from a purely geometric to a more pen-based design (this is especially true in the heaviest weights). The differences between Alte and New are essentially morphological, with reflections in the character set and OpenType features. Gandur New has a more humanistic, contemporary structure and is more ‘romanized’ then Alte. Gandur New also features small capitals. Gandur Alte, on the other hand, remains truer to historical forms, most notably: S s X x Z z. Gandur Alte also features the long-s, which can be accessed via a Stylistic Set or the glyph palette. (As is historically accurate, a short-s will be used at the end of words automatically when the historical Stylistic Set has been activated).

Gandur is a display textura in three weights, split into two families: Alte — the German word for old — and New . Gandur was inspired by other geometric texturas, specially Max Bittrof’s Element (1933). The design began by adhering to a strict hexagonal grid, but during its development, slowly moved from a purely geometric to a more pen-based design (this is especially true in the heaviest weights). The differences between Alte and New are essentially morphological, with reflections in the character set and OpenType features. Gandur New has a more humanistic, contemporary structure and is more ‘romanized’ then Alte. Gandur New also features small capitals. Gandur Alte, on the other hand, remains truer to historical forms, most notably: S s X x Z z. Gandur Alte also features the long-s, which can be accessed via a Stylistic Set or the glyph palette. (As is historically accurate, a short-s will be used at the end of words automatically when the historical Stylistic Set has been activated).

Nudista is a monolinear, geometric sans-serif based on the proportions of the Purista typeface, released in 2007. The forms are not based strictly on square shape, but rather on a pleasant oval, round shape. The letter outlines are smooth, even technicist, the geometric precision is however compensated in places where it would get in the way of legibility and compromise the desired visual impact. Nudista was originally conceived as a display type, but it is sufficiently legible even in text sizes. Thus, it suits short texts in corporate prints. Carefully chiselled letter curves are sturdy and well suited for the harsh conditions of low-resolution printing devices, they work well on computer screens and mobile phone displays. However, Nudista works best in corporate systems, navigation and orientation systems, where it may be, also thanks to the sufficient range of weights, a good alternative to the well-known and thus a little overused DIN. Naked typeface with no needless decorations humbly serves in all places where too expressive types could be disturbing.

Samo Sans is a modern sans-serif typeface with low contrast strokes and is balanced between technical shapes and dynamic feeling. The primary type family is consisted of complete set of Latin glyphs for lower and upper case. It also supports diacritics of all European languages including lining numerals, standard ligatures and other characters sufficient for regular typesetting. Characteristic features are lower spurs (a, b, d, u), and upper spurs (m, n, p, q, r) with distinctive wedge-shaped cuts. These parts are complemented by homogeneously designed diacritics, which is not disturbing and harmonizing with the whole unit. Another very strong feature of the type drawing are lower terminals of the round glyphs, which are finished by moderate narrowing. The type has got decreased caps height, also decreased numerals and optimal x-height, which makes it suitable for more extensive text typesetting. It can be effectively applied in corporate identities or in display typesetting. The narrowness of the basic set of Samo Sans typeface is supplemented by extended type family Samo Sans Pro .

TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.

Luxury Ramadan is a meticulously designed font that pays homage to the timeless elegance of Arabic calligraphy. With Luxury Ramadan, you have a font that's more than just a typeface; it's a bridge between heritage and contemporary design. It's a versatile tool that allows you to infuse your projects with the timeless beauty and clarity of Arabic calligraphy. The characters in Luxury Ramadan are thoughtfully crafted with precision, each letter displaying an elegant and sophisticated aesthetic. The sharp and defined shapes add an air of modernity and clear legibility to the font. In addition, you can also enjoy the features here. Features: Alternates Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Luxury Ramadan fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Hello Seoul is a striking display font that is inspired by the vibrant energy of Seoul. With Hello Seoul, you have a display font that says "hello" with a contemporary flair; it's a celebration of Korean style and modern design. The characters in Hello Seoul stand tall with a sleek, non-thick weight, offering a refined and contemporary look. The rectangular shapes and sharp corners lend a structured and modern vibe to each letter, reflecting the architectural and cultural landscape of Seoul. Hello Seoul is more than a font; it's an invitation to explore the dynamic spirit of the city. In addition, enjoy the features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Hello Seoul fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Whereas blackletter types were hand written, Text letterforms are drawn using a series of graphic shapes that slot together in a series of permutations, one set for lower case and another for the upper case. As the link between the method of construction of the letterforms has been removed from the appearance (the quill pen with which they were written resulting in the angle and sharp stresses) there is no logic for these stylistic elements to work in any set way. As this fundamental rule of the blackletter style has been removed the typeface has become something other than a typical or derivative blackletter font.

Metal Cry is a font family that was inspired by countless hours spent playing video games, watching old movies or reading comic books. And even more hours closely analysing the design of all these things. The art of creating beautiful letters has slowly declined with the rise of the digital age and its solid-colour, 2D fonts. And most of the time, the care given to typography in cultural products just isn't what it used to be anymore. This was the inspiration for Metal Cry, a family of 4 layerable fonts that can bring a feeling of depth to its letters, and offers endless possible combinations. Metal Cry Outlands is the basic shape of all the characters, it can be used as the bright side of the bevel. Metal Cry Front is the inline border font that can be used as the front side of the bevel. Metal Cry Shadow can be used as the dark side of the bevel. Metal Cry Depth can be used to flash out the inside shape of the letter. But of course, any font can be combined with any other font(s) to obtain various results. The planets in the above visuals are courtesy of 3D artist Thomas Veyrat / veyratom.com

Although geometric Sans Serifs have been in vogue for nearly a century, they have never been as ubiquitous. It is not improbable that the old adage would be phrased: “When in doubt, set it in geometric sans”, had it been composed today. Have we not had enough? We think, not. Postmodern times demand a variety of expressions. The vision behind Geometria was to revisit the perennial favorite to lend subtle individuality to its tried and true forms. Geometria stands out in the crowd of similar fonts thanks to its complicated nature. It combines dynamic elements with a certain degree of stability. A slightly higher waistline of the capitals contributes to their distinctive appearance. If the upper case refers to the American grotesques of the 19th century, the lower case tends toward the forms of the Renaissance in its proportions. Geometria is a typeface of clean shapes that is well-suited for continuous reading, and it sets remarkably well. At the same time, it can be friendly, even flirtatious. Its distinct personality combines seeming opposites. At times it may appear serious, at times playful. On occasion, it may be deliberate, other times dynamic. It could seem rigid, then elegant. It is a typeface that could be perceived either as cutting-edge, or as nostalgic. A careful and discerning typographer will bring out and emphasize those aspects of its multifaceted personality that are needed to solve the problem at hand. Geometria consists of 24 fonts — eight weights with matching italics and narrow styles. The font includes multiple sets of figures and currency signs, alternate glyphs, a variety of experimental ligatures, and punctuation marks for the two cases. The 835 glyphs support 72 languages. Granshan 2013 award.

Shield Classic 2 Letters Monogram Font is a perfect shaped monogram font consisting of 52 letters and 1 basic frame. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Shield Classic 2 Letters Monogram Font comes with font file in OTF format.

MGN Ismawan. This font was created in 2022 and was inspired by the Helvetica font. With a standard shape and being a bit wide, this font is suitable for writing, but for headlines, we think it's still OK. There are several forms of this font that have a distinctive character, which makes this font suitable for logo writing.

This font was inspired by the original "Punchado" font; and this evolved font is named the "Punchado Punch". The "Punchado Punch" font features similar sharp edges and measured right angles with a greater impact of design . The theme of this font is perhaps best suited for: science, science fiction, engineering, mathematics, future, video games, gaming, computers, etc.

Alnis is a bold type font with a round but straight shape. This font creates a formal yet relaxed vibe for any of your projects. Best font for designers. Alnis is excellent for logos, posters, cards, ext. Make your project look fascinating by combining it with another font. This font comes up with full uppercase, lowercase, and multilingual letters.

This font was created from scratch in a simple, strong, and unique style. No other fonts were used as references. Its name was inspired by the shape of the first letter, A, that flashed into being. Sails next is perfect as a display font for posters, flyers, and magazine headings. The font family consists of the regular font only.

Ornamental font, based on samples of Alphonse Mucha, who was an Art Nouveau painter and decorative artist. In this collection assembled typical wavy shape secession.

Breakdance is a vintage font duo. Combination of sans and script with sharp textures making all your creative projects getting a vintage and authentic impression!

Coleface was created by the British typographer Roy Cole, completed shortly before his death in 2012. It comprises six fonts: Coleface 30, 60, 90 and the italics 33, 66, 99. As with his earlier typeface families - Lina, Zeta and Colophon - Coleface is a highly-readable sans serif typeface that offers significant flexibility in terms of its potential uses. Roy Cole studied typographic design under the tutelage of Emil Ruder at the Gewerbeschule in Basel, at a time when typographic history was being made through the creation of a style that epitomized modernity. Consequently the principles of order, simplicity and legibility, fused with experimentation, became a hallmark of his practice, as exemplified in his last font Coleface.

Tiblisi is a font designed to emulate the feel of modern Georgian Script, which is called Mkhedruli. In earlier periods of her history, the Georgian language had several other alphabets, notably the Asomtavruli alphabet and the Nuskha-khucuri alphabet. The first printed material in the Georgian language, in the Mkhedruli alphabet, was published in 1669. Since then the alphabet has changed very little, though a few letters were added in the 18th century, and 5 letters were dropped in the 1860s. The font was named Tiblisi in honor of the nation's captial city. Tiblisi comes with full punctuation, a complete character set for most Western European languages that are based on the Latin Alphabet, and full kerning.

Belgium Font Family is a modern serif font family whose design refers us to the style of modern sans serif. The distinctive features of Belgium Font Family are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized business like simplicity.

"Nice Summer" is a display font with shading on each letter, making this font unique. Equipped with regular and italic letters, uppercase and lowercase numerals, punctuation, and multilingual support. This font can be used for summer moments, holidays, vacations, traveling, graduation, Father's Day, Christmas, and others.

ITC Slimbach font is the work of California calligrapher and type designer Robert Slimbach. Inspired in part by German fonts and the work of Hermann Zapf, Slimbach created a "contemporary text font with a progressive look", combining clean serif shapes with the warmth of calligraphic forms.

Margot font family, has more than 1000 + glyphs in each font. The font includes advanced language support, fractions, table shapes, ligatures, and more. Perfect for graphic design and any display use. It can easily work for websites, signage, corporate, and editorial design. documents and folders, mobile interface.

Nordic Salt - a perfect clean modern serif Font is an open type with clean shapes and precise kerning. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Hindia is a casual handwritten font with a pleasant shape and taste on every glyph. Hindia also supports multiple languages so this font is suitable for any design such as branding, fashion, print templates, quotes, wedding and more.