Just imagine, You are searching for the font that should be modern and elegant at the same time, which is not possible with typical sans or serif fonts. So, Aurelux is what You need. This font in your library can be with you for decades, because it is useful and It's open border to create graphic designs that require "modern but elegant touch". : cafe, bar, theatre, spa, hotels, overall entertainment industry, travel, vintage, retro signs. Font is gender neutral. But, when You see Bold and black styles You understand that this font can be in the design of some industrial companies, factories, construction companies that want to show that they have history and heritage. You can contact me if You need questions: andfontscontact@gmail.com

Manson font , created because it was inspired by the shape of colossal stone pillars, a unique shape where at the waist the font structure is curved and this gives a solid impression. This font perfect for vintage and poster designs as well as for your logo design, brand image, retro poster, handwritten quotes, product packaging, merchandise and more What you get dear, you will get :

“Loyolliams” is my first designed Latin typeface which has special meanings and unforgettable memories for me. The font's name, Loyolliams, consists of two mixed syllables stand for two different names. The first syllable is derived from the name “Loyola” and the second syllable is derived from the last five letters of the name “Williams.” These two names are related to “Concordia University”—located in Montreal in Canada—where I studied at a short academic term and spent in a very special period of my life in the late 2005. This renowned Canadian academic institution was created following the 1974 merger of “Loyola College” (1896) and “Sir George Williams University” (1926). This conglomeration formed “Concordia University” and the name Concordia itself was taken from the motto of the city of Montreal, Concordia salus (meaning ‘well-being through harmony’). This font comes in two different weights; light and regular. “Loyolliams” is a square, geometric, techno, and modern font. It is suitable for T-shirts, books' covers, websites’ addresses, advertisement light boards, and titles in technical, artistic, and other types of magazines and signboards. “Loyolliams” can be used also in posters, surfaces of electrical and electronic tools, digital devices and chips, geometrical machines, trucks, tractors, calculators, mobile phones, watches, laptops, personal computers, power equipments, digital cameras, technical magazines, and other digital and electronic tools. This fonts can be effectively used in titles especially when its uppercase and lowercase letters are mixed together and when it is used in its italic mode. "Loyolliams" is suitable for writing and printing small textual paragraphs in cards, magazines advertisements, and also posters. The main characteristic of "Loyolliams" Typeface is its non-curve style in most of its alphanumeric letters. The characters are deliberately designed to have only angular and square shapes.

Chandler Mountain is a display font family that is simple but strong, defined by sharp edges with a modern touch. It is designed to exude a sense of strength and toughness as well as optimal readability. Chandler Mountain consists of 9 weights from Regular and Slanted: Chandler Mountain works well in branding, logos, headlines, high fashion, Magazines, Quotes and Posters. The different weights give you full range to explore a whole host of apps, from Television Shows, Youtube Podcasts, tech startups, local events to sporting events. Have fun using Chandler Mountain!!! I really hope you enjoy it! Feel free to follow, like and share. Thank you so much for checking out my shop!

Klapt Cyrillic is a geometric sans serif family that is soft on the outside and sharp on the inside. This font family of four weights includes an extended character set supporting most Latin languages ⁠ and extended Cyrillic — even Vietnamese, Serbian, Bulgarian and many more. Klapt Cyrillic can be bold or very elegant and is well suited for designs ranging from branding and corporate identity to editorial design or web design. It has a timeless style and is great for display purposes, especially for headlines, posters, magazines, book covers, logos... you name it! Feel free to share your designs using Klapt Cyrillic or just get in touch via email to hi@seventype.com. Klapt Cyrillic is the extension of Klapt.

Beletrio was made as companion to Beletria, it has many shapes in common. We already have plenty of sans-serif fonts with classical proportions in the Stormtype library, such as John Sans, Sebastian or Andulka, but Beletrio is certainly the most peaceful of the bunch – it shares not only the feel of its serif originator, but its soft curves provide lovely visual caress as well. The smooth endings are not visible at first, they are balanced for easy reading as they solve some critical relations such as "rv, ry, rt", but in larger sizes you'll fully enjoy the picturesque details. It handles the smallest point sizes as well as large billboards, fashion magazines and philosophic tractates.

BD Bermuda is an experimental geometric serif font based on the shape of a triangle.

A cute, markered skinny font that is tall and neat with plenty personality to spare.

Prospect Park JNL was inspired by inline lettering found on some vintage sheet music from the Art Deco era entitled "By My Side". The font's namesake is located in the Crown Heights section of Brooklyn, NY. Prospect Park is famous for its zoo as well as its tree lined paths, historic carousel and the expansive park area.

Morgain is a decorative vintage font with "celtic spirit". Morgain Is an experimental font, specific shapes and forms gives it a little hand-painted effect.

This is the rounded, softer version of Canada Type's popular Press Gothic. Originally done in 2011 for a global publisher, this font has already seen plenty of magazine and book cover action, perhaps even more than the sharp condensed face that spawned it. And like Press Gothic, Soft Press comes with small caps and biform/unicase forms, in addition to the main upper/lowercase set. The extended language support covers a wide range, including Greek and Cyrillic, Turkish, Baltic, Central and Eastern European languages, Celtic/Welsh and Esperanto. The Pro version combines all three TrueType fonts into one OpenType-programmed font, taking advantage of class-based kerning, the small caps feature, and the stylistic alternates feature for the biform shapes.

This is the rounded, softer version of Canada Type's popular Wagner Grotesk. Originally done in 2011 for a global publisher, this font has already seen plenty of magazine and book cover action, perhaps even more than the sharp condensed face that spawned it. And like Wagner Grotesk, Wagner Round comes with small caps and biform/unicase forms, in addition to the main upper/lowercase set. The extended language support covers a wide range, including Greek and Cyrillic, Turkish, Baltic, Central and Eastern European languages, Celtic/Welsh and Esperanto. The Pro version combines all three TrueType fonts into one OpenType-programmed font, taking advantage of class-based kerning, the small caps feature, and the stylistic alternates feature for the biform shapes.

Jheronimus is a neo-humanistic grotesque. A font with an open aperture. It has straight terminals and a moderated height of the lowercase characters. Jheronimus is a font with a uniform ordered rhythm. Well readable on the screen in small size. Consistent letter proportions. The rounded elements are pill shaped and the font has pronounced connections strokes. Punctuation marks are well decorated. Jheronimus will satisfy the demanding typographer. There are oldstyle figures in the best traditions of humanism. The bright recognizable character is combined with a clear form. This creates a sharp, crystal impression. Jheronimus is suitable for the design of an ambitious, temperamental text. It is stylistically similar to the paintings of the Dutch artist Hieronymus Bosch. From this comes its name.

Finocchio (yes, we know — wink) has the playful, round shapes of a French Ronde with the sharp angles of Italian Futurism. It's a bold, fun, excellent branding face — wherever you need some gusto or brio or forza! Finocchio comes with a large number of ligatures for fluidity. It also comes with a solid, readable set of non-script small caps, so all you need for that sign is one coordinated font! It also comes with loads of fun alternates! Finocchio is made with love in The Ampersand Forest.

Grava is Neil Summerour’s injection of warmth within the geometric sans font category. Historically, geometric sans families have been based on primal shapes — triangle, circle, square — and the more closely they held to those rigid rules, the more internal inconsistencies they showed. Angles won’t match up correctly, letters will lean, overshoots complicate clean typesetting, and idealized circles become grotesque and unwieldy in some weights. Because of issues like these, geometric sans fonts have a reputation of being cold, austere, even a bit “off”. Grava was made to hold a T-square and triangle in one hand while giving a welcoming handshake with the other. The Grava font family comes in two styles (a normal and a Display), each with 20 weights (Thin to Ultra) and paired with italics. Its design allowed the three scripts of Latin, Cyrillic, and Greek to emerge seamlessly, ensuring Grava will find its home in multilingual publications. Even better, each character in the three scripts is spaced with every other character for a beautifully matched fit, and it’s a buy-one-get-all-three deal since they are all packaged together. The normal style’s large x-height won’t let you down in paragraphs, headings, and any call-out text. And have you seen the angles on those numerals? Pairing Grava’s numerals on a jersey is sure to catch some eyes, just sayin'. Grava Display is purposefully quirky and sharp, and made for poster sizes, book and album covers, and those websites with a well-defined character — somewhere between playfully self-aware and overtly vintage. Flat edges are abandoned to make way for sharp points and conspicuousness, for geometrical attitude and respectful expressiveness. Corporate reports use Grava Display to take on a professional and current look. The optional ligatures (N–T, L–L, G–A, C–O, almost anywhere an ‘A’ is placed, and more) in both the normal and Display styles invoke a midcentury modernist and high art feel. Now that introductions are done, you can let go of Grava’s hand and put it to work for you.

A redesign of Typoart's Thannhaeuser Fraktur. You can access the long s either by typing the integral sign [∫] or activating the OpenType feature historical forms.

The aim of this typeface is to merge two historical moments in the form and style of writing, on the one hand calligraphy uncial, and on the other Roman serif was established as a universal standard for type fonts continuous text at the time. Is intended in terms of their functionality as a font for titles. The family includes some extended range glyphs as several Caps swashes and stylish alternatives for upper and lower case, standard and discretional ligatures, old numerals and other OpenType features.

Le Havre Rough. It’s high-resolution, hand-crafted letterpress to the core. Based on insigne’s popular Le Havre typeface, this new heat-treated, weathered face of all caps joins the realism and appeal of the top-quality Le Havre family. Rough’s eroded, printed look is extremely customizable, offering eleven distressed choices that appear fantastic even at large output sizes. Go ahead. Try it on, say, a billboard. Maybe even Times Square. The font includes hand-printed texture and distinctive shadow choices, too. Options include three inline versions, two shadow layers, and a clean primary version. Combine and match the options easily as you need, layering normal and shadow variations to alter appearance and texture. You can activate Art Deco alternates by using OpenType contextual alternates. Rough has an extra-large character set for many languages. Additionally, the typeface offers 62 extra ornaments like arrows, emblems, numbers & lines. Use its full texture and grit to capture the classic, genuine print feel that you need in your project. A few suggestions for use: - In Photoshop, jigger with various 'anti-aliasing' options for best outcomes. Smooth or strong is generally best. - In Illustrator, the shadow layer occasionally doesn't align when using the regular layer. To fix the alignment, open the type drop-down menu and choose Area Type Options > Em Box Height. Learn more about the using layered type styles on this informative video.

Albyona English Nº 1 is ideal for titlings and headings in novels or fairy tales. It has a sentimental flavour of history, memories and the good-old-days feeling. Suitable for children’s books, fantasy literature, crime novels, natural food packaging and poison labeling, for infancy memories, vanitas kitsch items, dungeon museum bar menu cards, introductions to herbalism and witchcraft manuals. Albyona supports every Euro-Latin language. For the choice of a similar font go to Abendschroth.

Our Margarine Pro draws its roots loosely from numerous inspirations, but its unique thick marker weight and deliberate carrying of rounds into regularly straightened letterforms allows this typeface to stand on its own. The lively letterforms are legible yet slightly offbeat, while the SmallCaps and extensive figure sets expand the range of usability and appeal. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

This font will have a grunge shape that gives a clean impression, and is accompanied by attractive ligatures. You can choose the shape of the letters that you want to convey through your brand logo, EDANE This font comes with all the caps, a hint of Japanese flavor embedded in the corners of the characters.

A long lost Art Nouveau wood type from the Hamilton Museum Collection evokes the excesses of Victorian design and the equally quirky 1960s Psychedelic era revival of the Victorian type styles. Free flowing organic designs that flourished with Art Nouveau in the late 1800s were directly referenced and further distorted with with phototype in the late 1960s. This design, known as Arabesque, was produced by the Morgans & Wilcox Co. and the Wm. Page Co. as almost identical designs. Both manufacturers were acquired by Hamilton and offered briefly by Hamilton as design #618. This curious wood type defies most of the basic tenets of type design and what comes to mind when one thinks "wood type". Many characters have a lively eccentricity that were all left true to the original design. Additional characters were designed to fill out the standard range of characters found in digital fonts. This font includes over 280 characters for full unicode support of Western and Central European Latin characters.

Disclaimer: An unhealthy amount of energy drinks were consumed while creating this product Bring some loud, bright, and nostalgic fun to your designs with the Neo Retro font pack! Create bold, vibrant, 90s-inspired designs in just a few clicks—giving you more time to hang out at the mall, go to a drive-in, kick-ass at the arcade or go make the perfect mix-tape (you get the idea). Here's a run through the font family; Neo Retro Font • A high energy font with clean edges and sharp ends. An all caps font, but with a larger and smaller variation included as upper and lowercase sets. Neo Retro Alt Font • This is a second version of the Neo Retro Font, with a completely new set of upper & lowercase characters drawn in the same style. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Neo Retro Icons Font • A set of 36 fun, hand-drawn icons designed to match with the Neo Retro font. Includes doodles, shapes, zig-zags, underline swashes & more. Simply install as a separate font and type any A-Z or a-j letter to generate an icon. Language Support; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Unlike the modest fonts in your menu content with discreetly imparting information, Carnival is conspicuous by design. Deliberately engineered to attract eyeballs, the typeface’s unmistakable silhouette produces a dramatic visual texture that stands out in print, on screen, or in any environment where your message demands to be noticed. The steady yet vibrant rhythm created by its letterforms also makes Carnival ideal for fashioning alphabet patterns and graphic devices. Flaunting a lean slender body anchored by stout stroke endings, Carnival turns conventional typographic thinking on its head by inverting the relative thickness of its stems and serifs. This reverse-contrast approach stretches all the way back to the roots of modern advertising, when similar types became the favorite for posters, packaging, and loads of consumer products during the 1800s. The striking style prevailed well into the next century, as Harold Horman, co-founder of New York City-based Photo-Lettering. Inc., modernized a version for the company’s popular film-typesetting service in the early 1940s. Digitized and expanded by Dan Reynolds in 2013, Carnival had previously been used exclusively for House Industries projects. Now you can get in on the action, and use this stunning slice of type history anytime you want your work to turn heads. SUGGESTED USES Carnival’s unique character commands attention, making it the perfect voice for promotional pieces, editorial design, labels, packaging, posters, and any other application that needs to strike the right tone. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Surf Serif is the font that retains some features and proportions of the old-style antiqua, but is adapted for modern conditions, mainly screen ones. Its uncompromising hard lines and corners create an expressive contemporary image being used in larger point sizes accidents. In the text sizes the font proportions, its triangular serifs and the displaced stresses cause some associations with the early Renaissance and even a gothic style. It makes the text useful where brutal modernity must be combined with historical allusions. For example the font seems to be suitable for decoration and advertising of modern Gothic fashion.

The font was inspired by the persistent demands of editors for scripts which actually looked like real handwriting, a lot of historical fiction projects and a love of maps. While making a map for a prequel to Treasure Island I decided to make a font from the lettering of some Caribbean maps of the period. The glyphs are all hand drawn vector outlines which although very legible and consistent in style carry the variation and irregularity you expect from handwriting. This font has been featured on maps for books by authors such as Peter V. Brett, Mark Lawrence and Michael Crichton.

This family was inspired by the set of fonts used in the end of 1800s by the famous J. H. Geiger, printer in Lahr (Germany), especially these used to print an almanac for the year 1883. It is a Fraktur pattern, with two styles, as a few others incomplete fonts also used for this work were Blackletters from other patterns. Both were used in two size, for titles, subtitles, main text and notes. This font contains standard ligatures and German historical ligatures (German double s, long s, tz, ch, ck...) and diacritics. 1543 German Deluxe Initials may be used in complement this family.

Stay and Shine is a strong and tall display font. Its sharp yet approachable feel makes this font incredibly versatile, fitting a wide range of contexts.

These four typefaces, Berlinette NB, Lyonette NB, Marseillette NB and Parisette NB, were designed from the same basic shape, a geometric form that avoids strict horizontals and uses more offbeat triangular shapes. Parisette is a fanciful type that is both bouncy and biting. The frivolity and quirk of the narrow width is offset by the razor-sharp, hatchet horizontals, which require protective gloves when type setting. This is a good typeface for enigmatic signs at postmodern student demonstrations.

Ovane a new fresh & modern Sans serif with a strong style, a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more! Ovane Clean Display Typeface is the part of a strong and modern Bold display. This typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serif and the distinctive letter shapes show their strength in logo design and impressive editorial use.