Wasted Youth: A 90s Grunge Inspired Brush Font by Wingsart Studio Wasted Youth is a versatile brush font with shades of grunge, punk and horror. The font comes in three styles including a clean-edged original, plus two additional versions drawn with inky brush and marker pen. It takes inspiration from 90s grunge bands, with a hand-made punk aesthetic that’s equally at home in music videos, album covers, horror movies and skate culture. It aims to combine the best of these popular looks into one versatile font. Along with its unique uppercase and lowercase characters, Wasted Youth also comes with a host of custom ligatures, underlines and alternatives, along with numerals, punctuation and language support. It’s a truly flexible font that can be shaped into titles and headlines that look authentically hand-made. Try it on t-shirts, posters, stickers, movie titles, YouTube videos and more! Check out my visuals to see it in action.

Workaday from Yes Please is a bold and clean contemporary take on the classic American Sans Serif. Inspired by the wildly varied history of early to mid 20th century American signage, aircraft markings and industrial shipping vernaculars, Workaday exudes a timeless, classic flavor packed with a personality perfect for graphic headlines, packaging, copy setting and much more! Workaday features conventional ligatures, a standard set of accents and symbols, and a set of open type alternate characters to provide a versatile end-user experience. Workaday has seen action for Nike Sportswear, MSN, IFC, FX and more. Workaday is designed by Lee Schulz.

Round Branch Monogram Font is a perfect shaped monogram font consisting of 52 letters. With just a single font file you will be able to create beautiful monograms in just a matter of minutes after the purchase! Round Branch Monogram Font comes with font file in OTF format.

Poison Display is multipurpose display font. The Poison Display font provides a collection of glyphs with unique shapes. This font is suitable for modern vintage retro designs. You can use this font on posters, banners, logos, headline projects and more. This font features alternate, ligature and multilingual supports.

Over the course of 50 years, the charismatic and enterprising Frederic W. Goudy designed more than 100 typefaces; he was the American master of type design in the first half of the twentieth century. Goudy Old Style, designed for American Type Founders in 1915-1916, is the best known of his designs, and forms the basis for a large family of variants. Goudy said he was initially inspired by the cap lettering on a Renaissance painting, but most of the flavor of this design reflects Goudy's own individualistic style. Recognizable Goudy-isms include the upward pointing ear of the g, the diamond-shaped dots over the i and j, and the roundish upward swelling of the horizontal strokes at the base of the E and L. The italic was completed by Goudy in 1918, and is notable for its minimal slope. Goudy Bold (1916-1919) and Goudy Extra Bold (1927) were drawn not by Goudy, but by Morris Fuller Benton, who was ATF's skillful in-house designer. Goudy Catalogue was drawn by Benton in 1919-1921 and was meant to be a medium weight of Goudy Old Style. Goudy Heavyface was designed by Goudy for Monotype in 1925, and was intended to be a rival to the successful Cooper Black. Goudy Modern was designed by Goudy in 1918; its small x-height, tall ascenders and shorter caps impart a spacious and elegant feeling. Benton designed Goudy Handtooled, the shaded version that has just a hairline of white through its bold strokes. The Goudy faces, especially the bolder weights, have long been popular for display and advertising design. They continue to pop up all over the world, and still look reassuring to our modern eyes."

Over the course of 50 years, the charismatic and enterprising Frederic W. Goudy designed more than 100 typefaces; he was the American master of type design in the first half of the twentieth century. Goudy Old Style, designed for American Type Founders in 1915-1916, is the best known of his designs, and forms the basis for a large family of variants. Goudy said he was initially inspired by the cap lettering on a Renaissance painting, but most of the flavor of this design reflects Goudy's own individualistic style. Recognizable Goudy-isms include the upward pointing ear of the g, the diamond-shaped dots over the i and j, and the roundish upward swelling of the horizontal strokes at the base of the E and L. The italic was completed by Goudy in 1918, and is notable for its minimal slope. Goudy Bold (1916-1919) and Goudy Extra Bold (1927) were drawn not by Goudy, but by Morris Fuller Benton, who was ATF's skillful in-house designer. Goudy Catalogue was drawn by Benton in 1919-1921 and was meant to be a medium weight of Goudy Old Style. Goudy Heavyface was designed by Goudy for Monotype in 1925, and was intended to be a rival to the successful Cooper Black. Goudy Modern was designed by Goudy in 1918; its small x-height, tall ascenders and shorter caps impart a spacious and elegant feeling. Benton designed Goudy Handtooled, the shaded version that has just a hairline of white through its bold strokes. The Goudy faces, especially the bolder weights, have long been popular for display and advertising design. They continue to pop up all over the world, and still look reassuring to our modern eyes."

Over the course of 50 years, the charismatic and enterprising Frederic W. Goudy designed more than 100 typefaces; he was the American master of type design in the first half of the twentieth century. Goudy Old Style, designed for American Type Founders in 1915-1916, is the best known of his designs, and forms the basis for a large family of variants. Goudy said he was initially inspired by the cap lettering on a Renaissance painting, but most of the flavor of this design reflects Goudy's own individualistic style. Recognizable Goudy-isms include the upward pointing ear of the g, the diamond-shaped dots over the i and j, and the roundish upward swelling of the horizontal strokes at the base of the E and L. The italic was completed by Goudy in 1918, and is notable for its minimal slope. Goudy Bold (1916-1919) and Goudy Extra Bold (1927) were drawn not by Goudy, but by Morris Fuller Benton, who was ATF's skillful in-house designer. Goudy Catalogue was drawn by Benton in 1919-1921 and was meant to be a medium weight of Goudy Old Style. Goudy Heavyface was designed by Goudy for Monotype in 1925, and was intended to be a rival to the successful Cooper Black. Goudy Modern was designed by Goudy in 1918; its small x-height, tall ascenders and shorter caps impart a spacious and elegant feeling. Benton designed Goudy Handtooled, the shaded version that has just a hairline of white through its bold strokes. The Goudy faces, especially the bolder weights, have long been popular for display and advertising design. They continue to pop up all over the world, and still look reassuring to our modern eyes."

Over the course of 50 years, the charismatic and enterprising Frederic W. Goudy designed more than 100 typefaces; he was the American master of type design in the first half of the twentieth century. Goudy Old Style, designed for American Type Founders in 1915-1916, is the best known of his designs, and forms the basis for a large family of variants. Goudy said he was initially inspired by the cap lettering on a Renaissance painting, but most of the flavor of this design reflects Goudy's own individualistic style. Recognizable Goudy-isms include the upward pointing ear of the g, the diamond-shaped dots over the i and j, and the roundish upward swelling of the horizontal strokes at the base of the E and L. The italic was completed by Goudy in 1918, and is notable for its minimal slope. Goudy Bold (1916-1919) and Goudy Extra Bold (1927) were drawn not by Goudy, but by Morris Fuller Benton, who was ATF's skillful in-house designer. Goudy Catalogue was drawn by Benton in 1919-1921 and was meant to be a medium weight of Goudy Old Style. Goudy Heavyface was designed by Goudy for Monotype in 1925, and was intended to be a rival to the successful Cooper Black. Goudy Modern was designed by Goudy in 1918; its small x-height, tall ascenders and shorter caps impart a spacious and elegant feeling. Benton designed Goudy Handtooled, the shaded version that has just a hairline of white through its bold strokes. The Goudy faces, especially the bolder weights, have long been popular for display and advertising design. They continue to pop up all over the world, and still look reassuring to our modern eyes."

I named the font "Sangoma" after the traditional healers of the Southern African tribes. Sangomas often work by "throwing bones". The shapes of the bones have suggested the shapes of the characters in the Sangoma font. The font is useful for creating designs or producing text that has an African look. Typified by an African angularity the characters reflect the ethos of Africa. The Sangoma font contains the full range of upper and lower case characters, all punctuation and special characters as well as the accented characters used in the major European languages.

Super family Deca consists of ten fonts. Six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif . These are low contrast fonts of pure design with ovals bent to rectangular shapes. They are nicely readable in small sizes and can be recommended for scientific, legal, official and business documents. Serif and sans serif fonts were designed in comparable proportions, they are balanced by color and have similar details in basic shapes. These features provide high compatibility and assume collective usage of the fonts in documents.

Super family Deca consists of ten fonts. Six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif . These are low contrast fonts of pure design with ovals bent to rectangular shapes. They are nicely readable in small sizes and can be recommended for scientific, legal, official and business documents. Serif and sans serif fonts were designed in comparable proportions, they are balanced by color and have similar details in basic shapes. These features provide high compatibility and assume collective usage of the fonts in documents.

Romantic is a Modern Beauty Sans Serif A Sans Serif font that we created special for branding needs with classy shape to add value of your brand. It's so nice to leverage designer or product owner that need solutions to make their design look more classy and fashionable. And specially for Romantic font, We prepared any characters with Elegant shape to help you create classy style of your design. Romantic Modern Beauty sans serif font ready with: Lowercase and Uppercase characters Numbers and Punctuations Preview as a inspirations that you can do with Romantic font Wish you enjoy our font.

Bourton is the sans-serif cousin to Burford. In addition to a new look, it boasts more layering options, stylistic alternatives, graphic extras and even comes with its own script font! For a hand-drawn look, check out Bourton Hand Okay… so here’s everything you get with Bourton! Bourton Layering Fonts • 6 Base Layer Fonts (Base, Inline, Marquee, Stripes A, Stripes B, Stripes C) • 6 Top Layer Fonts (Base Drop, Dots, Line Light, Outline Light, Outline Medium, Outline Bold) • 6 Extrude Fonts (Extrude, Outline, Shade A, Shade B, Shade C, Shadow) • 5 Drop Shadow Fonts + 5 solo styles (Drop Shadow, Drop Extrude, Drop Line, Drop Stripes A, Drop Stripes B) • 2 Line Fonts for secondary text (Line Medium, Line Bold) Bourton Script • Light • Bold Bourton Extras Ornaments, banners, frames, borders, flags and line break (OTF, EPS, AI with User Guide for OTS) Flourishes (OTF, EPS, AI with User Guide for OTS). Happy Creating!

Kejaxi font groovy is a psychedelic-inspired typeface. It has a fun and bold shape, perfect for all your creative projects that need a retro style. This Groovy font is a free display font with bold and geometric shapes, perfect for branding and editorial design. This font is also ideal for product packaging or even just to add a little flair to your design work. Kejaxi is a contemporary font with geometric shapes and accuracy that will add a touch of elegance to any design. So stop procrastinating and incorporate it into your designs right away! What’s Included : Standard glyphs Iso Latin 1 Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Marseilazi – 9 Strong Bold Style Font is an imposing and robust typeface with nine additional versions, all sharing the same bold and powerful character. This font's thickness and strength make it incredibly versatile, as it can be seamlessly integrated into a wide range of designs, alongside various other fonts and themes. The nine available versions include serif, sans-serif, sport, grunge, slab, stencil, display, and more, providing ample choices for your creative needs. Whether you're working on logos, titles, headlines, posters, films, magazines, business materials, personal names, and more, Marseilazi delivers an impactful visual presence. With its versatility and commanding presence, this font is an excellent choice for making a statement in your designs and leaving a lasting impression.

Goth icon and Saturday Night Live voice-over talent, Nicole Blackman grew up surrounded by design; her dad and her sister are architects, her mom is a retired fashion designer and her grandfather invented clip art. “No lie, Volk Clip Art in NJ,” she says. “Herb Lubalin designed his logo!” Sharing her grandfather’s fondness for fonts, Ms. Blackman created this alphabet. Her creativity sparked this lanky lettering’s theatrical nature in all caps and its supple beauty in upper and lower cases. Final fontification and adjustments were done by Chank Diesel. Blackman drew the original art for the alphabet in 1997; the newest version of the font was completed in 2006. Enjoy this seductive and stylish hand-drawn font.

Technical Expertise is a unique and eye-catching display font that takes inspiration from various shapes and expands them into letters.

Kallio is a Bold Brush Script with roots in American sign painting culture. Kallio is Finnish and means rock or cliff. Kallio is equipped with Contextual Alternates for smooth connections and Swash Alternates for every standard letter.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations, such as quilting. Most of the shapes in TessieSpinners suggest a spinning motion. Most do not resemble real world objects. The TessieSpinners fonts contain shapes that can be used to construct tessellation patterns. It has two styles, an outline style and a filled or black style. The black style can be used to construct colored patterns. To see how patterns can be constructed, see the “Samples” file here. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations.(Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. Make sure the leading is the same as font size or the rows will not line up.)

Hello, introducing the new abstract & random fonts. It's called Homebound. Homebound is abstract font. comes with different shape. Good for your graphic, easy to read. What's Included Fonts ? Uppercase Lowercase Numerals Symbols European Multilingual Stylistic Set PUA Encoded Thank You, Regards!

Hi, presenting Aquatory Vintage font. It's a thin and tall font with nice classic shape. Aquatory Vintage is an all caps typeface supplemented with decorative elements. Aquatory Vintage font supports most of the european languages and also has ukrainian cyrillic characters.

This font titled "Punchado" original was designed in light of its sharp angels and bold impact type. This font would theme in the realm of: engineering, technology, science fiction, science, futures, etc... This font could be described as energetic, and motivational.

"Systema" is an innovative typeface that combines modularity and pixelated style in a surprising way. Its letters continuously transform, taking on shapes ranging from soft circles to sharp squares, with occasional flashes that add a touch of vitality. This versatility makes it the perfect choice for design projects looking for a dynamic and unique aesthetic.

Futurum Parqez is the first collaborative font for Parquillian Design. The idea for this font first came to the creator, Jose V Lopez, almost 40 years ago. A couple years ago he shared his concepts and we were gradually able to collaborate on editing the designs and turn them into a working font. The philosophy behind the font is to use a standardized frame format and the fewest strokes possible, while maintaining legibility, to create an original minimalist and modern style.

My font Ribbonshoe is created with Power Point shapes Block Arc and Punched Tape and they resemble ribbons and horse shoes. This font is very unique, stylish and very attractive to the eye.

Dx Slight a new fresh & modern Sans with a Ultra Condensed style. The font it’s look good in posters, it is ideally suited for setting titles. However, the font has gained wide popularity among designers, and now you can find Dx Slight on the covers of magazines, on restaurant signs and on the main pages of websites. Dx Slight Display Typeface is the part of a strong and modern display family. This typeface both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular sans and the distinctive letter shapes show their strength in logo design and impressive editorial use. Dx Slight comes with elegant style, strength, and contrasts, with features an extended Latin character set of 366 glyphs covering over 88 languages. It has been designed as a variable font to give lots of options and access to unique type looks, however, it also includes nine weights, three axis H-height and Slant to give just as much access to creativity to those without access to variable supporting software. Its distinctive character and many variables make it a versatile, stylish workhorse, great for interfaces and design.

Dan Hardie, a Miami-based graphic artist and creative consultant at Mutiny, Inc. shared an image he’d spotted online of some interesting signage formerly on the front of the Miami Medical Building. Comprised of hand-cut metal characters (with a thoroughly avant-garde “Art Deco meets Modernist” approach), this instantly became a font design idea unusual and quirky enough to develop as a digital typeface. The end result is Office Visit JNL, which is available in both regular and oblique versions.

Meet Metrock, a bold and distinctive brush sans-serif font that exudes strength, modernity, and artistic edge. Crafted with large letters, Metrock is the epitome of impactful design with a touch of rugged elegance. The characters in Metrock are deliberately bold, featuring boxy shapes that command attention. The thick weight adds a sense of solidity and substance, while the sharp corners and brush details introduce an element of raw creativity. This unique combination makes Metrock a font that stands out in any display setting. In addition, enjoy the features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Metrock fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Harlon This is a display font in two headings, sharp corner and rounded corners. This font is perfect for titles, book covers, logos, T-shirt printing, packaging and much more, and also this font includes stylistic alternates.This font is easy to use and has OpenType features.

Introducing Fortune Vintage Font set. This typeface has an old school look with classic western shapes. Fortune Vintage Font has three "layers" for more convenient recoloring. All of the small letters has one or two alternates with bottom expanded shape*. Fortune Vintage Font supports most of the European languages and also has Ukrainian Cyrillic characters. *Make sure that "Contextual & Stylistic Alternates" features are supported & enabled in your software. Also please consider that this feature is available only for English alphabet.

The name of the font is taken from the concept "Littoral zone" - this is the part of the sea that is close to the shore. The width of the shore varies as a result of the tides. Hence the idea of my font family — changing the width of a character from condenced to extra expanded. Litto is a modern sans serif geometric font, includes upper and lower case characters, Latin and Cyrillic. Graphically, the characters have uniform thickness for all family.

Strap Monogram Font is a perfect shaped monogram font consisting of 52 letters and 1 basic frame. Octagon Monogram Font comes with font files in OTF format. With just a single font file you will be able to create beautiful strap monograms in just a matter of minutes after the purchase!

Want to have a more unique design? Raina is a new way to show uniqueness and freedom in your design. Raina is one of the sans serif font combinations with the display font. Unlike the other solid, firm displays of sans serif font, Raina expresses more artistic, unique displays as a result of the display font’s character combinations. Its differing letter shapes from ordinary alphabets create uniqueness for this font because each letter has no straight lines, but indentations or cavities instead, and no tiny lines or hooks as a sans serif font character. With the unique shape of this font, use this font on bigger screens for a legibility reason. This font has included outstanding features to take your creativity and ideas to the next level. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Raina fits for various design projects, such as posters, banners, logos, book covers, quotes. , headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Feel free to contact us if you require more information when you are experiencing a problem. Thank you. Happy designing.

The ITC Franklin™ typeface design marks the next phase in the evolution of one of the most important American gothic typefaces. Morris Fuller Benton drew the original design in 1902 for American Type Founders (ATF); it was the first significant modernization of a nineteenth-century grotesque. Named in honor of Benjamin Franklin, the design not only became a best seller, it also served as a model for several other sans serif typefaces that followed it. Originally issued in just one weight, the ATF Franklin Gothic family was expanded over several years to include an italic, a condensed, a condensed shaded, an extra condensed and, finally, a wide. No light or intermediate weights were ever created for the metal type family. In 1980, under license from American Type Founders, ITC commissioned Victor Caruso to create four new weights in roman and italic - book, medium, demi and heavy - while preserving the characteristics of the original ATF design. This series was followed in 1991 by a suite of twelve condensed and compressed designs drawn by David Berlow. ITC Franklin Gothic was originally released as two designs: one for display type and one for text. However, in early digital interpretations, a combined text and display solution meant the same fonts were used to set type in any size, from tiny six-point text to billboard-size letters. The problem was that the typeface design was almost always compromised and this hampered its performance at any size. David Berlow, president of Font Bureau, approached ITC with a proposal to solve this problem that would be mutually beneficial. Font Bureau would rework the ITC Franklin Gothic family, enlarge and separate it into distinct text and display designs, then offer it as part of its library as well. ITC saw the obvious value in the collaboration, and work began in early 2004. The project was supposed to end with the release of new text and display designs the following year. But, like so many design projects, the ITC Franklin venture became more extensive, more complicated and more time consuming than originally intended. The 22-font ITC Franklin Gothic family has now grown to 48 designs and is called simply ITC Franklin. The new designs range from the very willowy Thin to the robust Ultra -- with Light, Medium, Bold and Black weights in between. Each weight is also available in Narrow, Condensed and Compressed variants, and each design has a complementary Italic. In addition to a suite of new biform characters (lowercase characters drawn with the height and weight of capitals), the new ITC Franklin Pro fonts also offer an extended character set that supports most Central European and many Eastern European languages. ITC Franklin Text is currently under development.

Lesthone is a display font that seamlessly merges vintage aesthetics with modern elegance. The rounded shapes of Lesthone contribute to its friendly looks. Each letter has its own personality, and this contributes to the font's handcrafted appeal. On the other hand, the most standout characteristic of Lesthone is its slightly rough texture that add a rustic charm. This font includes beautiful ornaments as a bonus. Lesthone fits in headlines, logos, branding materials, and many more.

Here's a charming little face from the 1896 American Type Founders specimen book. Its naïvete will add warmth to any project it graces. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Brotherland is a handdrawn serif typeface wit a rough and vintage character inspired from American Vintage typography. Brotherland comes with 4 styles: Regular, Italic, Aged, Italic Aged. Perfect for logos, badges and any project needing a vintage touch.

Designed at ParaType in 1997 by Tagir Safayev. Based on OCR-A typeface (1968) of American Type Founders. A simple sans serif typeface designed to meet the requirements of the US Bureau of Standards for optical character recognition.