The new Bunday™ Slab Font Family consist of three main states with different moods: the crisp and distinctive slab serif, the cute script styled italic and the matching upright italic. All states of Bunday™ Slab share the same contemporary, clear and open base forms and create a space-saving and pretty homogeneous text colour with good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media. Bunday™ Slab ships with 9 standard, 9 upright italic and 8 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more. Please take a look at the other members of the Bunday superfamily: Bunday™ Clean Bunday™ Slab Further information: Bunday Slab Specimen PDF Feature Summary: 9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy 3 Moods: Sans, Upright and Upright Italic Overall width: Narrow or Space-Saving Advanced “f” ligature set* “s” and “c” ligatures* Alternates Characters: a, ç, e, f, g, l, t, y and more* Capital German Esszett* Supports at least 99 Languages * Only available applications with advanced OpenType® support

Introducing Votrag - 10 Modern Font Collection, a versatile typeface set that encompasses a spectrum of design possibilities. With five distinct weights - thin, light, regular, semibold, and bold - each accompanied by both clean and textured versions, Votrag offers a total of ten unique fonts.

A single-stoked gothic font with UltraLight, Light, DemiBold, Bold and Extra Bold weights. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, menus, fashions.

LeftheriaPRO has its structure projected from the capitals of the Greek columns of Ionian order, it is a typography condensed with vertical emphasis composed by 5 weights (light, regular, medium, semibold, bold) including ligatures, alternates, smal caps, old styles figures, fractions, superiors, inferiors. | Download Specimen

Fluro typeface is Sans Serif hybrid, designed to look modern & minimal in any setting. It is offered in 5 weight styles - Light, Regular, Semibold, Bold + a bonus "Bold Outline" style.The Typeface also includes special characters, language supports and specialized Kerning. Designed by: KAZER STUDIO

Georgia was originally designed in 1996 by Matthew Carter and hand-tuned for the screen by Tom Rickner. The Georgia family received a major update in 2011 by Monotype Imaging, The Font Bureau and Matthew Carter. Georgia is the serif companion to the sans serif screen font, Verdana. It was designed specifically to address the challenges of on-screen display with elegant yet sturdy and open forms. If you must have one serif face for reading on a computer, then you've found the best one right here. The original Georgia family included four fonts: regular, italic, bold and bold italic. The new and expanded Georgia Pro family contains 20 fonts in total. The Georgia Pro and Georgia Pro Condensed families each contain 10 fonts: Light, Regular, Semibold, Bold and Black (each with matching italic styles). Georgia Pro includes a variety of advanced typographic features including true small capitals, ligatures, fractions, old style figures, lining tabular figures and lining proportional figures. An OpenType-savvy application is required to access these typographic features.

Relato Sans is the other face of Relato Serif (a typeface with much idiosyncrasy) nevertheless, the sans version of this typeface is more austere and aseptic. A humanistic type, with a contemporary cut, created for general use in texts and holders and with a great variety of weights, which allow enough flexibility for projects of great magnitude. Although leading with an independent family it maintains many of the characteristics of its homologous such as proportions, the “x” height, the construction based on air lines of the italic, ornaments and so on. These details show coherence with the serif version, and at the same time reinforce its personality. Being a multifunctional type, the “kerning” has been worked to function in small sizes as well as in larger ones such as holders. The contrast between weights, was optimized to be used in pairs (Light with Semibold, Regular with Bold and Medium with Black). Relato Sans is presented in 6 different weights, in Roman, Italic, Small Caps and Small Caps Italic with three different styles of numerals, Old style figures, Lining figures and Small Caps figures.

ED Muskrat is a display font family that looks elegant classic and modern, this font is designed from a combination of serif and semi blackletter fonts that add a unique feel to the font. ED Muskrat has 9 styles: Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black. ED Muskrat is equipped with ligatures, alternative characters, and supports multiple languages. and also this font is perfect for your design needs such as branding, poster design, books, fashion, social media design, logos, etc. Features: Stylistic alternates ( C, E, F, I, J, N, Q, S, Z ) Ligatures ( fi , fj , tt ) 9 Styles ( Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black ) Multi Language Support 373 Glyphs

Dvarlin Staves is a collection of 512 rune glyph's divided into six font family's. The three main font's are Root, Caber and Bole, while Remnant, Branch and Blossom are taller versions of the main set. They all come in four weights: Light, Regular, Semibold and Bold. As well as a Italic and a Slant style for the purpose of adjusting letters on a curved line. It also features codex:437 glyph set and an extended array of letters and corner alternatives, including the default runic glyph's. The collection stands at 72 styles that contains a total of 36 864 glyph's. For extra supporters consider gifting some Staves away to a crafty friend.

Zega Text is a top-heavy sans family, inspired in the imprecisions of letterpress printing. Zega has 14 versions that give to your text (printed or on screen) a delicious sense of old printing. Give an exclusive touch to your text with normal versions, without losing reading clarity. Try the heavier versions and add a nice impact to your titles! The family consists of 14 styles, 7 weights plus their respective italic versions. The fonts are available in OpenType PS and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Zega Text downloading the free trial font in Semibold version (TT only). This trial file supports only Western languages.

Hydrargyrum is the Latin form of a Greek word meaning "liquid silver" - mercury. The Hydrargyrum typefaces are designed with characteristics both of a metal and a liquid. The basic shapes of the letters are generally rigid and rectangular (particularly in style C), but the forms are enhanced by fluid curves and gently rounded corners. Hydrargyrum is not recommended for use at small sizes or in lengthy passages of text. It performs best in display-sized settings. Hydrargyrum consists of three styles, each in medium and semibold weights with matching obliques. The A style features solid, standard letterforms including the two-story a and g. Style B substitutes the a, g, M, and N (and related glyphs including numero and trademark symbols) for alternate shapes. The third subfamily takes the rectangular theme to an extreme, eliminating as many slanted strokes as possible from the letterforms. This makes some C-style letters ambiguous with one another, such as the U's and V's. As such, the C style is best used carefully even at larger sizes. The Hydrargyrum fonts are style linked within each style subfamily with, for example, Hydrargyrum A Medium as the regular style, Hydrargyrum A Medium Oblique as the italic, Hydrargyrum A SemiBold as the bold option, etc.

Elevate your designs with Rolever - Modern Sans Serif Font. This versatile typeface boasts three distinct weights - regular, semibold, and bold - allowing you to infuse your creations with a range of visual impact. With two versions available - clean and textured - Rolever offers design flexibility that caters to your unique preferences.

Monarcha is a serifed type family, with a strong influence of the baroque style, for extended texts. Its roman versions are slightly skewed, in the sense of reading, and its italics have unusual calligraphic features. Moreover, the contrast between thick and thin strokes is relatively smaller than in conventional serif fonts. These characteristics, coupled with its rounded shapes, give Monarcha a delicious fluidity and texture. Monarcha innovates and brings an exclusive OpenType feature to convert Arabic to Roman numerals up to 3999. It also has several other professional features - small caps, fractions, old style-, lining-, tabular numbers, scientific superior/inferior figures, stylistic sets and more than 40 different ligatures (standard + discretionary). The family consists of 8 styles, 4 weights - Book, Regular, SemiBold and Bold - plus their respective italic versions. The fonts are available in OpenType PS format and have extended character set to support CE, Baltic, Turkish as well as Western European languages.

Introducing, Naville Sans, the all caps font family. This family has 6 weights - extra light, light, reguler, medium, semibold and bold. The clean and simplicity look of the font suitable for wide range of graphic needs especially for headline, title, sign board, information board, billboard and for UI/UX design.

Amsi has been designed to equipped with three different widths; Normal, Narrow and Condensed, addition to expanding weights to support various usabilities ranging from Thin, XLight, Light, Regular, SemiBold, Bold, Black and Heavy. Which makes Amsi along with a numerous features support the creativities of the designer from the Font Menu.

Amsi has been designed to equipped with three different widths; Normal, Narrow and Condensed, addition to expanding weights to support various usabilities ranging from Thin, XLight, Light, Regular, SemiBold, Bold, Black and Heavy. Which makes Amsi along with a numerous features support the creativities of the designer from the Font Menu.

King Sans is a stylish sans serif font family. The mix of modern and vintage elements results in an elegant design. The different weights offer a variety of options to help you find the best typographic color for your project. Lighter weights are ideal for body text, while heavier weights are best for high-impact headlines. The available stylistic Ligature provide a variety of different characters that give your project design or logo an unique shape. 5 Weights (Light, Regular, Semibold, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Ciutadella Rounded is not only a font with soft corners, it has a real rounded terminal across all the weights. It was a challenge to achieve a rounded effect in close counters characters, especially in the heaviest weights where there is less space available to accommodate the round ending. Suitable to be used across a wide range of applications, from identity systems to publications. It is available in Open Type format and includes Alternate Characters (‘a’, ‘t’ and ‘&’), Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. For more details see the PDF. See also Ciutadella and Ciutadella Slab.

Camber is the last in a personal series of squarish sans. It is a noiseless typeface with a geometric base, it has a synthetic and clean design, but with a human sensitivity where the geometry fails. It tries to be more versatile and simpler than its predecessors, with a pragmatic approach, having less visual noise and virtually removing the disturbing elements. The family is generous in width meeting a certain shortage of wider fonts. Camber works well in both display and text, it is a multipurpose font suited for magazine, branding and web. The type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics and it’s available in Open Type format. For more details please see the Camber PDF.

Buntype’s new Bunday™ Sans Font Family consists of four main states with different moods: the crisp and distinctive sans, the cute script styled upright and the matching italics (these upright styles are currently not available). All states of Bunday™ Sans share the same contemporary, clear and open base forms and create a space-saving and homogeneous text colour. Despite the fact that the overall width is space-saving or narrow, Bunday™ Sans offers good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media.  Bunday™ Sans ships with 9 standard, 9 upright italic, 16 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more.  Please take a look at the other members of the Bunday superfamily: Bunday™ Clean Bunday™ Slab Further information: Bunday Sans Specimen PDF Bunday Sans OpenType® Quickguide Feature Summary: 9 weights: Hair, Light, Thin, SemiLight, Regular, SemiBold, Bold, ExtraBold and Heavy 4 Moods: Sans, Upright, Sans Italic and Upright Italic Overall width: Narrow or Space-Saving Advanced “f” ligature set* “s” and “c” ligatures* Alternates Characters: a, ç, e, f, g, l, t, y and more* Capital German Esszett* Supports at least 99 Languages * Available only in applications with advanced OpenType® support

MGN Burro by Morgana Studio is a slab serif font offering 7 styles: Thin, Light, Regular, Medium, Semibold, Bold, and Extra Bold. Combining classic and modern elements, it caters to diverse designs, ensuring readability and impact. From delicate Thin to bold Extra Bold, each weight caters to various preferences, making MGN Burro a versatile toolkit for designers.

The type family “Curlaight” has whimsical curly shapes but has some level of uniformity with straight lines and angles. These modern retro feel fonts look great for children’s books, posters, book covers, packaging labels, or even logos like TV and movie titles. Seven weights - thin, light, regular, medium, semibold, bold, and black - are available for your creative projects.

This slab serif is a general purpose type in six weights. The lighter weights are useful for short passages of text. The heavier weights are a versatile tool for setting headlines. Available weights are Extra Light, Light, Regular, Semibold, Bold, Black. Silica was designed to withstand condensation using horizontal scaling without compromising the weighting scheme of the design.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licensing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporate S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: “My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!” Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licensing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporte S (Sans Serif), and Corporate E (Egyptian) is a design program of classical quality, perfectly in tune with each other. Weidemann says: "My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography!" Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program. Meanwhile, URW++ enhanced the Corporate ASE family in regular, bold, italic, and bold italic by Greek, Cyrillic, and all additional Latin characters to cover Eastern Europe including the Baltic Rim, Romania and Turkey. Corporate ASE in regular, bold, italic, and bold italic is now available in the WGL 4 character complement.

Leaves from the most common trees with botanical names. See the attached pdf for the legenda.

Ciutadella was originally commissioned by Mario Eskenazi’s studio. It is a versatile geometric sans serif, a simple, clean and direct family. Its power resides in an overhaul simplicity that reflects an “open” personality, easily suitable to be used across a wide range of applications, from identity systems to publications. Although it has been conceived to be used as a display typeface, it performs well in intermediate length texts mostly because of some specific characteristics such as the alternate two-story ‘a’. It is available in Open Type format and includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. See also Ciutadella Rounded and Ciutadella Slab. Ciutadella PDF.