This beautiful old design was originated at the Connor Foundry, New York, about 1888. Ideal for the small "in between" lines in modern versions of Victorian job printing.

Victorian Leaf Ornaments are a collection of leaves drawn in the exotic Victorian style. There is an assortment of 47 ornaments all located under the character set keys.

Suave silky is a handwritten font. The designer was inspired by his own handwriting in high school.This font makes me go back to my days as a student.

A blocky and bold geometric sans with inner angles and outer curves. No ascenders; lower case characters are as big as the upper case. Mix cases for variety.

Sheepman font was named after my favorite Haruki Murakami character: the Sheep Man. Sheepman font is handwritten, messy, but legible and complete. It comes with alternates and ligatures.

Metropolis was designed by W. Schwerdtner and released in 1928. The tapered strokes give the impression of height. The Metropolis font family shares an attractive, informal headline design.

Steve Jackaman & Ashley Muir. This design was inspired by an early 20th century woodtype. Wurlitzer contains all the high-end features expected in a quality OpenType Pro font.

Doodles the Alphabet was designed to coordinate with Doodles the picture font. Doodles received honorable mention in U&lc’s First Annual Type Design Competition in the Picture Category.

Introducing Spooky Bluest by Forberas, yet playful but still serious. You can use this as decorative material for your upcoming project. Your review and response are most welcome.

Simple Stamp is the hand-drawn font. It is good for games, cartoons, posters, chidlren's books, and for any other places, where loud and funky headlines are needed.

Omibez contains a number of more-or-less weird and funny drawings. The font was used for the first pizzadude poster which contains 18 of these pizzadudeish drawings.

PT Nat Vignette™ was designed by Natalia Vasilyeva and licensed by ParaType in 2002. Original vignettes may be used as fleurons, composed borders, and corners as well.

A revived and updated version of Georg Trump's Amati which was first released by C. Weber Foundry, Stuttgart, in 1951. A compressed multilingual serif font for many purposes.

KARN is a display typeface inspired by psychedelics. Regular, bold, outline, and summer dingbats are available. Perfect for projects that require fun and creativity. Punctuation, Multilingual & PUA Encode

Syndication JNL was derived from Outline Sans JNL. By removing the outer letters, a thinner character set remained. This typeface is available in both regular and oblique versions.

Cattleprod is an offbeat slab serif font full of swagger. It was created without any reference, but just the idea of a playful somewhat stumbling stance in mind.

This contrast grotesque works well in text sizes and in large ones. Here are two sub-families: contrast and most contrast Display. Ideal companion for Osnova type family.

Schlub is just plain weird. It looks like it was drawn with the left hand of a right-handed person using a gloppy pen yet remains very legible.

Corrente, named aptly for its “electric” letter shading (“corrente” is Italian for “current” (electrical)) will add a little spark to your works. Corrente’s “Dagger” glyphs are lightning bolts!

I was playing around with some brushes and ink, and out came Skulduggery. Use it for any project you can apply the term ‘skulduggery’ to. Or not. Whatever.

North Blue is a new, stylish and quirky script. It was created to look as close to a readable script as possible, and includes great swash characters too.

The typeface was designed at ParaType (ParaGraph) in 1993 by Tagir Safayev. Similar to Choose One/Ten typeface, by Bryan Thatcher. For use in advertising and display composition.

A fantastic font that I came up with after 3 weeks of work. It was a nice and attractive version of the Latin alphabet. Use it with pleasure.

Hectonoid JNL is a more radical version of Oblogram JNL, with a jumbled alphabet and heavier stroke weights. Both fonts are derived from Jeff Levine's Yorso Square JNL.

Cross Stitch Formal is based on upper case characters 20 stitches tall and contains upper case characters A-Z. All characters are linked by at least one stitch.

String Line is a loopy script typeface. Its elegant turns are connected to form spiral-like lettershapes. The typeface is designed by Måns Grebäck and supports many languages.

Cirflex was inspired by a 1930s shop sign, and makes an ideal typeface for Streamline Era and Art Deco design. Cirflex is offered in regular and bold weights.

This style was actually inspired by some old stock certificates Tom had collected. It’s a very versatile font and allows for some horizontal stretching. Fits almost any space.

Tooned Out JNL gives a serif treatment to the cartoon-inspired lettering of Toon-In JNL. Both fonts are great for any casual or fun messages or themes.

Even as a child, I was interested in letterforms. I admired my grade 4 teacher's handwriting and so Ronita is based on fuzzy memories of her elegant script.

Duffle Bag JNL continues Jeff Levine's series of stencil fonts. Most are from authentic, vintage sources; this one is an original... and with a sports theme to boot!