“Latino Gothic” is the result of two years of hard work by the Latinotype design team under the artistic direction of Alfonso García. We are really proud to present a superfamily with the magnitude and characteristics of "Latino Gothic". A very complete typographic font made up of no less than 90 styles. "Latino Gothic" offers a new interpretation of the original design totally focused on the needs of visual communication of the 21st century. «Latino Gothic» is designed to respond to the most varied communication needs thanks to its 5 widths and 9 weights, with their respective italics. 90 different styles make it the most versatile and complete gothic family on the market!

Simple, angular and incised, Jude mixes the geometric precision of the computer with expressive and intuitive letterforms. The typeface avoids classical references in construction and proportions to produce a bold, modern serif typeface for text and display. The italic is a sharp edged version of calligraphic letterforms.

South Roman is a beautiful handwritten monoline style font. Having a unique character shape completes its beauty. South Roman is the right choice to support your business. The strokes are firm and clean, making them elegant and classy. It has a long tail and heart-shaped character alternative that is perfect for logos, greeting cards, weddings, magazines, book covers, Valentine's Day, and more. This font also has multilingual support. Have this font now and make your project look beautiful and elegant. Thank you and have a nice day.

Haggard is a wedge serifs typeface family of six styles. It stands out from the crowd with unique features like compact proportions of glyphs, sharp wedge serifs, small caps, and true italics. Haggard is a display font and can be used for editorial and print design.

Chinook has been designed as an homage to the iconic chunky look of the Italian movie titling from the 70s and 80s. Despite its vintage flair, our sturdy display font is perfectly adaptable for any contemporary context with its balanced and soft text typesetting. This project is obviously influenced by the everlasting classic "Cooper Black", but includes more modern letter shapes, with rounded serifs and a fluffy overall appearance. Chinook, includes a customized italic set, features an extended charset covering several languages based on the Latin Alphabet, and sports a complete set of Open type features. It's equipped with swashes, alternates as well as discretionary ligatures, old-style figures, subscript and superscript numerals, and even more special glyphs. The heavy appearance makes this font ideal for high-impact design, such as headlines, titling, branding, and logotype. Specifications: - Files included: Chinook, including Italic - Multi-language support (Central, Eastern, Western European languages) - OpenType Features (Superscript and Subscript Numerals, Fractions, Oldstyle figures, Stylistic Alternates, Discretionary Ligatures, Swashes) Thanks for viewing, Unio.

Trionik is a monospace experiment in modular, grid-based typography. It is a future-forward take on the computer system typefaces of the mid- to late-20th century—when computers began to rise in usability and integrate into all art forms. Working best as a display font, the Trionik family features 4 separate styles with varying widths.

Attractype presents Shogi, a beautiful modern serif font, which has sharp shapes and high contrast. Suitable for easy-to-read text or attractive displays. Shogi comes with some beautiful ligatures that make your letter projects even more special.

Blanchard is a revival and elaborate extension of Muriel, a 1950 metal face made by Joan Trochut-Blanchard for the Fonderie Typographique Française, that was published simultaneously by the Spanish Gans foundry under the name Juventud. Blanchard is a script that embodies the post-war narrow decorative aesthetic that would become the instantly recognizable feature of that era’s design. Its high ascenders corners make it the tuxedo of fonts, with slight and casual angles gradually revealing a trustworthy confidante, and sharp corners signaling a most expressive ally. Font. James Font. This digital version updates the original metal shapes to work within today’s design tools and designer needs. Some of the questionable metal shapes were optimized, plenty of alternates were added, and as many as five ending forms were built for most lowercase letters. Overall, this is one of the most useful packages for book cover, magazine and packaging design. Blanchard is available in all popular formats. Blanchard Pro combines all five fonts into a single one that makes use of OpenType’s cross-platform compatibility and programs that support OT’s fine typography features, like recent versions of Adobe InDesign and QuarkXpress.

Pointy edges, flat design and recurring shapes. blitzeffekt is like lightning: sharp corners and distinctive shapes. Be minimal. blitzeffekt.

Broadgauge Ornate originated from MacKellar, Smiths & Jordan in 1869 and was only available as an all caps font with numbers. Today this old beautiful wood type rises again from the archives complete with original numbers and an all new lowercase. An all caps Greek character set has also been added plus accented characters for western, central and Eastern European countries. Included in each font file are two sets of left and right pointing hands located on the Less Than and Greater Than keys and also on the Bracket keys. Because this font works well with a Las Vegas theme I've decided to make the pointing hands gambling related with one set of hands rolling dice and the other holding cards. The condensed versions were created because in today's computer graphics applications people stretch and condense fonts to fit their project but don't notice the change in vertical stroke widths or line thickness. After compressing the letter shapes of each Broadgauge Ornate condensed font the vertical lines were corrected making sure they were the proper width or thickness. The results are balanced condensed versions that weren't simply compressed with out consideration for their appearance.

Utrecht is a handwritten font that is composed from natural and casual handwritten characters so that the shapes are less neat. The hand stroke node becomes the hallmark of this font. It was inspired by environmental posters that were directly handwritten in simple media. We named this font Utrecht, referring to this city in the Netherlands. We choose it because it is a friendly city, caring about the environment, its size is compact and therefore it is very easy to get a broad sense of the city in a short time. Likewise, this font is only handwritten with standard characters but on the other hand this handwriting gives the impression of being more familiar, reflecting natural design and spontaneity. This font is suitable for posters, crafts, writing quotes, unique logos, natural text writing. So this is Utrecht, a quirky handwritten font with a casual feel. It will effortlessly turn any design idea into a statement.

Thicker is a type-family designed for Zetafonts by Francesco Canovaro with Andrea Tartarelli. A geometric sans typeface on steroids, it was first designed in the muscular Extrablack weight with the aesthetics of high-power dynamic typefaces used in sports communication, and then developed in the lighter weights where the shapes show some vintage-inspired proportions and the slightly squared look that nods to Novarese famous Eurostile, eponymous with retro-futurism. With these diverse influences the typeface allows for both impressive display use and effective logo design as well as more fine-tuned editorial use in body text - with a natural inclination for effective and powerful advertising. Sports typography usually uses italics to add dynamism and impact, and Thicker complies with this by offering a choice of three alternate italic forms with different slant, made even more customizable by the inclusion of variable font technology that allows fine tuning of the weight range as well as precise choice of typeface slant. In each of the 44 weights of the typeface family (as well as in the all-in-one variable type solution) Thicker offers a extended charset of over 900 latin, Cyrillic and Greek glyphs, covering over two hundred languages and including useful Open Type features (Alternate forms, Positional Numerals, Small Caps and Case Sensitive Forms) for flawless typesetting.

The Standard version of the Norden font family (see Round and Display) is "a standard sans serif" font. However, the significant detail and difference is that it comes with slightly rounded end corners, which makes the font “easier on the eye”, especially at large sizes compared to traditional fonts with sharp-edge corners. This little but important difference gives the font a commanding yet poised presence, without it imposing itself, as it were.

Kaligane is a type family designed with passion. A geometric typeface, first designed in a muscular black weight with a high-powered dynamic typographic aesthetic used in various communications, and later developed in a lighter weight where the shape exhibits some vintage-inspired proportions. With these diverse influences, typefaces allow for the use of impressive displays and effective logo designs as well as the use of more subtle editorials in body text - with a natural inclination for effective and powerful advertising. Sports typography typically uses italics for added dynamism and impact, and Kaligane complies by offering a choice of three alternative italic shapes with different slants.

Hieroglyphs were a pictorial alphabet used in Ancient Egypt from 3100 BC to approximately 300 AD. This font set features over 250 different phonetic and decorative hieroglyphics, complete with an extensive translation chart. P22’s Hieroglyphic font adapts one of the world’s most ancient forms of art and communication for today’s technology. Note: This is not an automatic word translator. It is a font set. It is used just like any other font and does not require special software skills.

Since the release of Wood Bonnet Grotesque No.4 the font became popular for packaging and adverts. But the font styles were limited to one worn and one clean font in a medium weight only. Bonnet Grotesque Nr [Narrow] will fill this gap. It’s based on Wood Bonnet Grotesque No.4 but slightly modernized with sharp corners. Some letters need more space now – so tracking is not the same. The Medium family style shares the same weight as the wood font version.

Gliners is a simple stylized font that overlies the center of the glyphs bar in the font. Glyphs font doesn’t have too many, it only offers Uppercase and Multilingual, but don’t worry because its simple shape will make your project look interesting. The Gliners font is very suitable for use as movie titles, movie title poster covers like the review image I shared above. how? are you interested in trying it? Thank You, stay the center of attention and classy!

The versatile neo-grotesk typefamily, inspired by the swiss academia with a contemporary mood. The shape of the letters are more pliable compered to classic grotesk typefaces. The Expanded series enlarges horizons... and type! -- Taking inspirations from classic grotesk letterforms, both from the European tradition (specifically the Swiss school) and the American tradition, HypeType's Arcadia Grotesk is modernized with its shorter ascenders and descenders to give more compact blocks of text and with more contemporary and dynamic forms. -- hype-type.com // kidstudio.it

Goth icon and Saturday Night Live voice-over talent, Nicole Blackman grew up surrounded by design; her dad and her sister are architects, her mom is a retired fashion designer and her grandfather invented clip art. “No lie, Volk Clip Art in NJ,” she says. “Herb Lubalin designed his logo!” Sharing her grandfather’s fondness for fonts, Ms. Blackman created this alphabet. Her creativity sparked this lanky lettering’s theatrical nature in all caps and its supple beauty in upper and lower cases. Final fontification and adjustments were done by Chank Diesel. Blackman drew the original art for the alphabet in 1997; the newest version of the font was completed in 2006. Enjoy this seductive and stylish hand-drawn font.

Uranos is a serif type family with uncomplicated appearance and modern, geometric glyphs shapes. Available in three styles, include many stylistic alternates and automatic ligature creation. Character set contain the complete Unicode Latin 1252 (Western European; ANSI), 1250 Latin 2 (Central European), 1254 Turkish, 1257 Baltic. Supported OpenType features: Acces All Alternates, Capital Spacing, Case-Sensitive Forms, Contextual Alternates, Fractions, Kerning, Localized Forms, Ordinals, Proportional Figures, Slashed Zero, Small Capitals, Small Capitals From Capitals, Stylistic Alternates, Stylistic Set (1-20), Superscript, Tabular Figures, Titling. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

Printers Drawer JNL continues building on a library of letterpress illustrations, cartoons, ad builders, Art Deco ad panels, ornaments, embellishments, and general miscellany. The images are re-drawn from vintage source material, and this font is jam-packed with 89 images spread throughout most all of the standard keyboard positions. This is officially the 1000th release from Jeff Levine Fonts since its inception in January of 2006. Jeff Levine Fonts aims to preserve the almost-lost artwork and lettering styles of the past within a digital type format, and often recreates the designs complete with their evident flaws, idiosyncrasies and eccentricities; allowing for a “real world” and nostalgic look to the computer generated art projects of today.

The powers of the SparkyType and PizzaDude combine to bring a font straight from the future. Nine Thousand is dripping with computer energy and robotic precision.

The powers of the SparkyType and PizzaDude combine to bring a font straight from the future. Nine Thousand is dripping with computer energy and robotic precision.

Introducing RETRO-86 - A modern take on old-school computer graphic fonts. RETRO-86 was inspired by the low-resolution computer graphics of the 1970s, 80s, and 90s seen in classic games and on computer screens and interfaces. RETRO-86 features a beautifully limited, blocky design and is perfect for projects relating to the tech industry, the gaming world, and nostalgic work from the late 20th century. RETRO-86 is also a hyper versatile typeface. It comes in 2 complementary styles (regular, and shadow) and features 8 weight options each!

An elegantly refined typeface with a subtle wedge serif, the character shapes of Acolyte STF set a rhythm of light and dark like windows in a cathedral. Standing tall (as in condensed!) and respectful, Acolyte STF is aptly named as a companion to any design, packaging and advertising. Acolyte will illuminate your designs with a display typeface reminiscent of European 20th century letterforms. Its distinctive letterforms are slightly chiseled and angular with curves in just the right places. Wrapped in an aura of mystery, Acolyte's origins are from condensed typefaces, with an understated gothic feel. Available for Macintosh and Windows, Acolyte will set an edgy tone for all of your design needs. Complete with an Adobe-standard character set, this font also includes the Euro and is cross-platform compatible.

State Machine is a display typeface inspired by lettering applied to American and Russian Cold War-era military vehicles. It also features an alternate character set inspired by 1970s hand-made political banners. The name State Machine is a term found in both political theory and computer programming. The theoretical definition describes the political and bureaucratic organisation of a state as well as the repressive state apparatuses such as the military and police. Max Weber describes the state as "a human community that (successfully) claims the monopoly of the legitimate use of physical force within a given territory". In computer programming, a state machine is a mathematical model of computation used to design computer programs. It is conceived as an abstract machine that is in one of a finite number of states. It can change from one state to another when initiated by a triggering event or condition. Taken at a wider conceptual level, when these two definition are combined the meaning becomes analogous to a tool (such as a philosophical idea) with which to transform a society.

Conigen Modern is a modern typeface that looks both futuristic and contemporary. The lines are sharp and clean with an aerodynamic shape that exudes a modern and technologically advanced feel. Perfect for technology design and branding. There are 12 fonts from Regular to Black and italic fonts are also available