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  1. The Cactus Sandwich Plain font by FontMesa is a versatile and charming typeface that carries a distinctive personality, blending the rustic charm of the American Southwest with the readability and fu...
  2. The Earwig Factory font, created by Ray Larabie, is a unique blend of whimsicality and industrial charm, making it stand out in the crowded world of typography. With its origins deeply rooted in the ...
  3. Alright, let's dive into the unique world of the font named Dead Letter Office by Channel Zero! Capturing the essence of mystery and nostalgia, Dead Letter Office is not your everyday font. It seems ...
  4. Dive into the quirky world of PEIXE FRITO, a font that might as well have swum straight out of the imaginative mind of Billy Argel, ready to add a playful splash to your designs! If fonts were a seaf...
  5. The font named "Broken Toys" designed by PizzaDude is an intriguing typeface that embodies a playful yet edgy aesthetic, ideal for projects that require a touch of whimsy and rebellion. As its name s...
  6. The "Scratch my back" font by PizzaDude is an intriguing and playful typeface that immediately captures your attention with its unique charm and personality. Designed to evoke a sense of casual creat...
  7. Alright, let's dive into GUNJU by Akihiro OYA, a font that really has its own unique charm and character. At first glance, GUNJU strikes you with its combination of modernity and tradition. It has th...
  8. Alrighty, let's dive into the whimsical world of the "TooneyNoodle" font, a playful creation by Nick Curtis, a designer known for his unique touch on typefaces that often evoke a strong sense of nost...
  9. KR Holiday Frames 1 by Kat Rakos is an enchanting font that captures the festive spirit and the joy of holiday seasons in its design. Every character within this typeface is like a small piece of art...
  10. The RansomThreat font by TeA Calcium is an intriguing and distinctive typeface that dives into the realm of creativity and edge, evoking the essence of classic ransom notes used in old thriller and m...
  11. Quirkus, crafted by the talented typeface designer Peter Wiegel, is a delightful and whimsical font that lives up to its name. At the heart of Quirkus is a playful spirit, manifested through its uniq...
  12. The Tribal Dragon font by Tattoo Woo is a striking and distinctive typeface that encapsulates the raw energy and mystique of tribal art combined with the mythical elegance of dragons. This font is no...
  13. Alright, let's talk about Cocaine Sans by Chris Hansen. Imagine a font that not only captures your attention but also holds it hostage with its bold, unapologetic style. That's Cocaine Sans for you. ...
  14. The font "Mail Ray Stuff" is a distinctive creation by the acclaimed type designer Ray Larabie, known for his prolific output of both free and commercial typefaces. This particular font showcases Lar...
  15. FatStack BB is a distinctive font created by Blambot Fonts, a foundry renowned for its extensive collection of comic book lettering fonts and related typography. This font, characterized by its bold,...
  16. "**Walshes**" is a distinctive font crafted by the renowned font designer Ray Larabie, known for his prolific and diverse typeface creations. Walshes stands out in the typographic crowd for its uniqu...
  17. "Blackjack," crafted by the skilled hands at Fontalicious, stands as a beacon of creativity in the vast ocean of typography. This font, with its distinctive personality, is a celebration of flair and...
  18. Once upon a time, in a world bursting with the solemnity of serif and the sternness of sans-serif, there emerged a font so whimsically charming and cheekily vivacious, it could only be known as Comic...
  19. Punavuori 00150 is a distinct and versatile font that draws inspiration from the unique character and urban landscape of the Punavuori district in Helsinki, Finland. This font embodies the spirit of ...
  20. As you embark on the enchanting journey through the world of typography, you'll stumble upon a font that dances to its own beat, marches on its own drum, and sings its own harmonies. Ladies and gentl...
  21. The font “FD Messed Up” by Font Duster encapsulates a unique blend of chaos and creativity, an artistic paradox that draws in enthusiasts of unconventional design. Imagine letters that seem to have b...
  22. The font CelticHand by Altsys Metamorphosis is an intriguing typeface that dives deep into the traditional and historical world of Celtic design, though encapsulated through a modern lens. Altsys Met...
  23. The font "aaaiight!" exudes an unmistakable aura of relaxed creativity and playful expression. This captivating typeface belongs to the graffiti-inspired category, seamlessly blending the urban grit ...
  24. The font named SAVE THE HONEYBEE, created by SpideRaY, is a distinctive and purpose-driven typeface, conceived with the intention of raising awareness about the critical issue of honeybee conservatio...
  25. The RaveParty Oblique font by Three Mile Island is an evocative typeface that embodies the spirit of rebellious fun and electrifying energy often associated with rave culture. From its name alone, on...
  26. Graffiti Treat, designed by the prolific typeface artist Ray Larabie, is a captivating font that embodies the raw energy and expressive nature of street art. This font seamlessly blends the spontanei...
  27. Absolutely, I'd love to share a bit about the font "Walter." Conceived by the talented Jenny Barck, a name not widely known in every household but revered among certain circles of typography enthusia...
  28. Pabellona (B) Dúplex is a typeface that embodies a unique blend of geometric precision and artistic flair, meticulously crafted by the talented typeface designer deFharo. This font is part of the bro...
  29. The Romance Fatal Goth Versal font, designed by Juan Casco, is a fascinating foray into the world where gothic sensibilities intermingle with romantic fatalism, presenting an artistic expression that...
  30. Tusch Touch 3 is a distinctive display font created by Måns Grebäck, a renowned typeface designer known for his craftsmanship in calligraphy and script fonts. This font stands out for its unique blen...
  31. The Shazbot font, designed by Levi Halmos, is a distinctive typeface that captures the spirit of quirky and unique design. It’s a font that stands out, not just for its name, which might evoke a sens...
  32. Alright, picture this: The font Greghor II, conjured from the depths of the creative mind of KLoNk, rolls onto the scene with the swagger of an eccentric uncle at a family barbecue. It's not just any...
  33. Raqmi Monoshape by Arabetics, $39.00
    Raqmi Monoshape is a simplified version of the Raqmi font family with unified (non-varying) shapes. This font family supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes two weights: regular and light, each of which has normal and left-slanted Italic versions. The script design of this font family follows the Arabetics Mutamathil style utilizing varying x-heights. The Mutamathil type style utilizes only one glyph per Arabic Unicode character or letter, as defined by the Unicode Standards. Raqmi Monoshape includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Soft-vowel diacritic marks (harakat) are selectively positioned with most of them appearing on similar high and low levels—top left corner—, to clearly distinguish them from the letters. Tatweel is a zero-width glyph.
  34. Velino Compressed Headline by DSType, $50.00
    Velino is one of our most complete type families. The serif version comes in two packages with three widths: Velino, Velino Condensed, and Velino Compressed. The display package contains high-contrast typefaces, with a modern flair—very feminine but with plenty of character, specially designed for fine print in big text sizes. The text package was designed for any running text. Its proportions and colors make it ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a slab serif typeface with only one weight and its respective italic, but with plenty of muscle, for every time some extra strength is needed, such as setting very big text, magazine covers or newspapers’ special sections. Finally, we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.
  35. Velino Sans Condensed by DSType, $55.00
    Velino is the most recent of our Premium Typefaces. The serif version comes in two packages with three widths: Velino, Velino Condensed and Velino Compressed. The Display package contains high contrast typefaces, with a modern flair, very feminine but with plenty of character, specially designed for fine print in big text sizes. The Text package was designed for any running text. It’s proportions and colors make it the ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a Slab Serif typeface with only one weight and it’s respective italic, but with plenty of muscle, for every time some extra strength is needed, like setting very big text, magazine covers or newspaper’s special sections. Finally we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.
  36. Plinth by Magpie Paper Works, $42.00
    Hand-drawn by an architectural renderer's daughter, Plinth is an craftsman-inspired font that leaves a strong and lasting impression. Both capital and lowercase letters have been designed for impacting display, but are also easily read in large blocks of text. Plinth includes multi-language support as well as a variety of OpenType features including decorative alternate caps, double-letter ligatures, complete fractions, currency figures, and 4 stylistic sets. Set One replaces commonly used titles (Mr., Mrs., Miss, Ms., and Dr.) with complementary hand-drawn versions. Set Two replaces 8 commonly used prepositions (and, the, to, to the, or, of, for and at) with complementary wordforms. Set Three seats counting contractions (1st, 2nd, 3rd, etc.) in their proper superscript place. And Set Four provides a fancy alternate of both ampersand and asterisk. Plinth is perfect for the designer, architect or orderly list-maker in all of us.
  37. Juxta by NaumType, $19.00
    Juxta is a unique experimental and futuristic script. It was born from the idea to combine two antipodes: programming fonts aesthetics and handwritten script. Juxta has witty and jagged character combined with a perfect grid structure and certain decorative elements, such as cross out letters, that gives it the spirit of Nordic minimalistic design. Juxta script is a part of Juxta superfamily, united by the same aesthetics, which currently also includes Juxta sans. Juxta script is available in 7 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, and Black. It is a potential leitmotif of graphic design projects that need a creative breakthrough, including logos, labels, branding, identity, website design, album art, posters, advertising. Juxta offers standard ligatures, contextual and stylistic alternates. It extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin, Afrikaans, and Basic Cyrillic for exceptionally far-reaching global accessibility.
  38. Velino Condensed Headline by DSType, $50.00
    Velino is one of our most complete type families. The serif version comes in two packages with three widths: Velino, Velino Condensed, and Velino Compressed. The display package contains high-contrast typefaces, with a modern flair—very feminine but with plenty of character, specially designed for fine print in big text sizes. The text package was designed for any running text. Its proportions and colors make it ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a slab serif typeface with only one weight and its respective italic, but with plenty of muscle, for every time some extra strength is needed, such as setting very big text, magazine covers or newspapers’ special sections. Finally, we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.
  39. HWT Republic Gothic by Hamilton Wood Type Collection, $24.95
    The Republic Gothic series was among the last original wood type designs manufactured by Hamilton Manufacturing Co. It was first shown in Hamilton's New Gothic Faces in Wood Type (c. 1920). The design features a sans-serif style reminiscent of brush-formed letters popular with sign painters of the era. Originally issued in 6 different widths and in both outline and solid versions, this digital release features the "Extended" width known as Hamilton Republic Gothic series 775 & 776. The pair of outline and solid is designed as 'chromatics' that can be printed one over the other to achieve multiple color effects or individually as stylistic alternatives. This release features the first ever digitization of Republic Gothic. The two fonts are carefully aligned and kerned to allow for multicolor overlayment in any digital design program. It features a full Western and Central European Character set.
  40. Velino Ultra by DSType, $50.00
    Velino is one of our most complete type families. The serif version comes in two packages with three widths: Velino, Velino Condensed, and Velino Compressed. The display package contains high-contrast typefaces, with a modern flair—very feminine but with plenty of character, specially designed for fine print in big text sizes. The text package was designed for any running text. Its proportions and colors make it ideal for text, even in very difficult conditions such as newspaper printing. We also designed the perfect companion to this enormous type system: Velino Poster, a slab serif typeface with only one weight and its respective italic, but with plenty of muscle, for every time some extra strength is needed, such as setting very big text, magazine covers or newspapers’ special sections. Finally, we designed Velino Sans and Velino Sans Condensed to perfectly match the weight and proportions of Velino, all with matching italics.
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