Dark, spicy & distinctive display typefaces from the nineteenth century I had in mind when creating this font family. Extreme contrasts and sharp endings may remotely remind some blackletters, especially in narrowed styles. The range of interpolated widths is useful for designing a provoking poster, magazine, music or book cover.

Tufuli means "childish" in Arabic. In this font design I wanted to represent the characters as funny and flexible, just like childish characters can be. Tufuli has sloping terminal geometric shapes, giving it a playful feeling. Please also check out Tufuli's sibling Tufuli Arabic for more international fun.

Tinta Arabic is the sibling of Tinta, with with additional Arabic glyphs for more international fun with the addition of Arabic glyphs; Arabic, Urdu, Kurdish Farsi and Jawi. Basic form for arabic font is refers to the arabic Naskhi style, with a cute shape to harmony with Latin.

Eirlys a Gothic serif typeface with a touch of Celtic feeling. A combination of sharp serif and smooth joint gives a sweet & smart characteristic. Font comes with 4 weights: Light, Regular, SemiBold, Bold and suitable Italic, Especially Small Caps, Swash styles and dozen of alternates for your own experiment.

Bold geometric shapes, softened with graceful finishes, characterize this jazz-age offering first proposed by lettering artist Eric Matthews. Best used as upper- and lowercase. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Apura stands for a clear geometric language based on two main shapes: a circle and a square, complemented by organic elements. It‘s perfect for headlines, posters, experimental designs as well as branding. The font includes uppercase and lowercase characters, both latin and cyrillic, alternates, numbers, punctuation marks and symbols.

Powerful design of the Steel Race font will speed up your pulse! Wide with sharp serifs and a verified angle of inclination radiate confidence and respect. The "Steel" will save your time and nerves when creating the dynamic compositions, like sports events and promotions or logos. Make sure yourself.

Dimension drive is a modern wide and quirky sans serif display font. Wavy lines paired with geometric and sharp edge to emphasize dynamic in the design. This typeface design is a perfect for a modern theme. Best usage on logo, poster, display, headline, t-shirt design and many more.

Single Fighter is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, Single Fighter is guaranteed to deliver an unapologetically loud & fast-paced message; ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost.

Shadowland JNL is a simple titling font with a limited character set. Comprised of just A-Z with basic punctuation, the design is based on a set of wood type of a more modern era. The outer lines are crisp and sharp, while the interior letters have rounded ends.

Piano Lesson JNL comes from the hand lettered title on a 1940s-era piece of sheet music called "The Adult Explorer at the Piano". The mix of both regular and irregular character shapes makes for an interesting font that's Art Deco influenced, yet has its own individual personality.

Recon, developed from the 112 Hours numbers-only font of the same name, explores modular forms suggested by quartz displays. The constrained rules of construction, using a limited number of repeated elements, lead to many interesting and unexpected letter-shapes. Suggestive of science fiction movies, technology or military labelling.

Mechania is a geometric sans serif display font. Bold and wide design gives this typeface a strong presence. Balance in the round and sharp edge to keep the clarity. Best use for a modern minimalist theme, other usage includes logo, poster, display, headline, t-shirt design and many more.

Praying Mantis is a typeface designed by Tomass Gavars. The design was inspired by the praying mantis insect. The shapes of the mantis head, forelegs and body are represented in each glyph. Each font consists of 226 characters - including numbers and punctuation. Praying Mantis has Latin character set support.

Reso is an experimental geometric typeface built from a pointed arch module. Its minimal and contemporary letter shapes makes it well suited for logo design, headers and short texts. Five weights are available in OpenType format. The fonts include some standard OpenType features and support for most European languages.

Zaptron is a modern sci-fi fonts with different shapes on uppercase and lowercase. With this difference, you can explore different combinations, also with more than 100 discretionary ligatures you can access by hit capslock/uppercase. This logo perfect for logotype especially on technology, construction, automotive, and more.

Rumbler is a typeface inspired by old school car lettering, while trying to push it in a unique direction. Reflecting the limitations and constraints of shaped metal, the letter forms twist and contort to create a readable font that can evoke motion and speed, strength, and a retro feel.

Croz Script is a raw and organic script typeface. Its cool appereance is carefully handcrafted to straight away grab the attention of the viewers. the shapes give this font a modern, chic, fun, funky vibe. Suitable if use for logos, posters, craft project, portfolio, headlines, brandings, apparel, etc.

Neues Bauen is a Bauhaus inspired font with some interesting glyphs. It is slightly rounded in places, but sharp in others and it will most certainly make your designs stand out. Neues Bauen in other words, like the style that emerged in pre-war Germany, is a statement.

Villager font created with a simulated ballpoint will give it a natural handwritten shape. It's perfect for a signature, diary, business card, greeting card or printed product with a casual theme. With the discretionary ligature and alternate characters, it will make you a good choice of writing variations.

Regular Bien is a display font that is created out of two shapes - a circle and a line. It has a plain and a mutated face, depending on the usage of lowercase or capital letters. Regular Bien can be used in various fun ways and connections between lines.

Heraka is a modern display font with a unique shape suitable for your design needs such as posters, logos, t-shirts and headlines. This design can be applied to any type of design that is luxurious, feminine or even masculine. Available with uppercase, lowercase, numeral symbols and multilingual

Introducing MBF Reute, a cutting-edge font that redefines modern typography. With its squared, minimalist design, this typeface strikes a perfect balance between rounded warmth and sharp precision. Clean lines and a contemporary aesthetic make MBF Reute the go-to choice for a sleek and versatile visual language.

The typeface Raw Street Wall is designed for the Typo Graphic Design font foundry from 2011–2017 by Manuel Viergutz. A playful display type for headlines with a street-art graffiti-style by hand. Rough-look plus state-of-the-art automatic generated OpenType-features (like contextual alternates (calt)). 567 glyphs with extras like emoticons/icons, arrows, dingbats, symbols, geomatric shapes, catchwords and many alternative letters. Multilingual support with 27 languages. Have fun with this font & try the DEMO-FONT (with reduced glyph-set) FOR FREE! Example of use It’s your turn … for example ever­y­where where it makes sense. Maybe for use in magazines, posters, headlines and advertisement, plus as webfont for decorative headlines. Tech­ni­cal Specifications ■ Font Name: Raw Street Wall ■ Font Weights: Regu­lar + DEMO (with redu­ced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat: .otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 567 gly­phs ■ Lan­guage Sup­port: 27: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portugese, Romanian, Slovak, Slovenian, Spanisch, Swedish, Turkish, Zulu ■ Spe­cials: Extras like emoticons/icons, arrows, dingbats, symbols, geomatric shapes, catchwords and many alternative letters plus OpenType-Features. ■ Design Date: 2011–2017 ■ Type Desi­gner: Manuel Vier­gutz ■ License: Desk­top license, Web license, App license, eBook license, Ser­ver license

The other day, I was cooking a curry and I suddenly realised that we, as a family, eat a lot of meat. At home we do like meat, but given the state our world is in right now, we cannot continue eating meat like there is no tomorrow. As a result, I am hunting the internet right now for good vegetarian recipes (if you have one you’d like to share, then please contact me!). Tournedos is a beefy font family: a chunky all caps set of fonts - and a leaner set to counter and complement this rather heavy dish. And do eat your greens!

Secret Ring is a captivating display font that will unravel the mysteries of the unknown in your designs. Designed in uppercase and bold, this typeface commands attention and exudes an aura of secrecy and horror. Each letter is meticulously crafted with details resembling plant roots with sharp edges, adding an eerie and enigmatic touch to the font. With its bold weight and uppercase design, Secret Ring creates a powerful and impactful presence. The root-like details in each letter of this font bring an organic and otherworldly appearance, as if the font draws its power from ancient and malevolent roots. These haunting details add an element of supernatural energy and create an atmosphere of foreboding and suspense. The combination of bold weight and sharp-edged root details gives this font a sinister and enigmatic look, evoking images of hidden rituals and occult symbols. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Secret Ring fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any horror-themed project. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Mister Lindquist is a calligraphic font that blends the artistry of vintage sign painting and the expressive movement found in bold signatures. This font captures the essence of an era of craft while infusing your designs with a cool, contemporary flair that is perfect for branding, advertising, and creative projects that require a professional touch of nostalgia. The Mister Lindquist font family features multiple styles to suit your design needs: Regular and Bold, and their respective Italics. These versatile options allow you to create compositions that remains fresh while retaining the authentic quality. Use underscore _ to make a underline. Example: Scr_ipt Use multiple underscores for longer swashes. Example: Extr___eme Equipped with advanced OpenType functionality, Mister Lindquist ensures top-notch quality and provides you with full control and customizability. The font includes stylistic alternates, ligatures, and other features to make your designs truly unique and captivating. Offering extensive lingual support, Mister Lindquist covers all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia, and includes all the characters and symbols required for your creative projects, such as punctuation and numbers. Mans Greback, a Swedish typeface designer known for crafting high-quality fonts with a focus on versatility and aesthetics, created the Mister Lindquist font to provide designers with a true sign painter's font.

Useful links: Using the variable font TT Alientz in InDesign About TT Alientz: TT Alientz is a variable* typeface that allows the user to make a visual journey from a laconic extraterrestrial grotesque to a very prickly display serif. As part of this project, we decided to investigate the influence of a foreign substance and the consequent transformation of the original forms, which ultimately leads to extreme visual changes. The TT Alientz family consists of 3 fonts: grotesque, serif and variable* font. Each font contains more than 470 glyphs. In addition to broad language support (including Cyrillic), the typeface has stylish ligatures, contextual alternates, and old-style figures. Variability in the typeface affects the changes in the overall style of the font—moving the slider to adjust the variable axis, you can go from a laconic grotesque to an extreme serif. TT Alientz Grotesque is a fairly neat hipster grotesque, but with its own small features. In the design of some letters of the grotesque you can find small sharp elements that add uniqueness and character to the font when used in large inscriptions and headings. At the same time, when you use the font in a small size of the size and in text blocks, sharp elements do not greatly affect its readability. The design of some letters of the grotesque is quite peculiar and is intended to emphasize the initial concept of slight 'alienness'. TT Alientz Serif is an 'infected' TT Alientz Grotesque and the result of changes to it. Unlike the grotesque, the serif is dynamic, viscous, ductile and very prickly. Serif has a lot of smooth lines and not quite standard strokes contrast. It can be noted that most serifs in the antiqua are pointed inward, not outward. Despite its extremeness, the serif will look good both in large and in small body sizes. *An important clarification regarding variable fonts. At the moment, not all graphic editors, programs and browsers support variable fonts. You can check the status of support for the variability of your software here: v-fonts.com/support/ FOLLOW US: Instagram | Facebook | Website TT Alientz supports more than 160+ languages, such as: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (cyr), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zaza, Zulu.

AwanZaman has a three-phase story, beginning with Dr Mamoun Sakkal’s two Arabic styles and culminating with Juliet Shen’s Latin extension. AwanZaman started as simply Awan, a commission for a modern, clean, monoline typeface for writing headlines and story titles in a forward-thinking Kuwaiti newspaper. Awan was based on the geometric forms of Kufic script, while in phase two, a second typeface (Zaman) was designed to add enough calligraphic Naskh details to make it easy to read in demanding newspaper settings. Together these two phases give the typeface a warm, familiar, and progressive look, as well as an explanatory two-part name — AwanZaman. Since most editorials use typical Naskh headline fonts with an exaggerated baseline, Awan’s rational forms immediately distinguish it as a modern and progressive voice in the crowded field of Arabic editorial typefaces. As the companion Arabic typeface, Zaman has the same basic proportions and forms as Awan, but with many cursive, energetic, and playful details. And since modern monoline fonts are increasingly being used to set extended texts, more features were borrowed from Naskh calligraphy to expand the typeface’s use from headlines into text setting. When using the AwanZaman Arabic family, Awan (geometric Kufic forms) is the starting point. To add the sweeping, energetic personality of Zaman (calligraphic Naskh forms), simply activate an alternate character through the option of 20 stylistic sets available in any OpenType-savvy software. The two typefaces function as one file — the AwanZaman Arabic family — allowing users to combine features from both designs to transform the appearance of text from geometric and formal to playful and informal. The third phase of AwanZaman’s development introduced a companion Latin typeface designed by Juliet Shen to fulfil the persistent need in the Arabic fonts market for modern and geometric bilingual type families. Due to the Arabic’s monolinear strokes, AwanZaman Latin was destined to be a sans serif with a tall x-height, larger counters, and corresponding stem thickness to harmonise with the Arabic’s overall text colour and page presence. But it needed much more. One of AwanZaman’s chief assets is making the two languages look on a par when typeset side by side. Arabic and English readers will have a different sense of what that entails, but this type family defers to the Arabic — graceful and artistic with a good mix of straight stems and curved forms. Latin in general doesn’t aesthetically flow the way Arabic does, yet the tone of the Latin needed to mirror both the Arabic’s more squarish curves and formal personality of Awan and the undulating and more playful shapes of Zaman without looking outlandish. That need was met by creating some novel Latin characters, which are accessed through four stylistic sets the same way as AwanZaman Arabic. The alternates are not just clever in the way they look and how they echo the Arabic aesthetic, but also in harmonising the disparate languages and serving designers well when needing a balanced, bilingual text face with a warm and lively voice. AwanZaman is a clever, seven-weight powerhouse that makes extensive use of OpenType’s stylistic sets (20 in the Arabic and four in the Latin) so writers and designers can make the most of everything from a single glyph in display sizes down to dense text in paragraphs. As AwanZaman Arabic has no italic, neither does the Latin; contextual distinction normally handled by italics is achieved by exploiting the family’s seven weights. AwanZaman’s intricate OpenType programming supports Persian and Urdu, with features such as the returning tail of Barri Yeh treated properly. From its inception in geometry to its melding of two worlds with novel forms, AwanZaman is a personal labor by designers Dr Mamoun Sakkal and Juliet Shen, and embodies the TypeTogether ideals of serving the global community with innovative and stylish typeface solutions. The complete AwanZaman Arabic and Latin families, along with our entire catalogue, have been optimised for today’s varied screen uses.

Playful Garden is a display font inspired by garden plants, such as flowers, leaves, and other plants. The letters are round and organic portraying natural shapes of garden views. This font’s unique characteristic is that all of the letters are in capitals to show dramatic, prominent displays. Such big letter sizes help emphasize the messages delivered. Furthermore, such a garden-themed display font is able to create calm, quiet situations to apply for nature designs or organic and eco-friendly products. Overall, it is the right option for you to show unique, interesting displays. Moreover, Playful Garden provides a clipart in accordance with the font theme as a bonus and features you can enjoy. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Playful Garden fits best for various design projects, such as brandings, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

The typeface PIXEL pattern is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz. The display typeface is inspired in the past and present. 8 font-styles (Square, Circle, Square Flicker, Circle Cloud, Square Bold, Square Fat, Star, Star Spike) with 830 glyphs (Adobe Latin 3) incl. 100+ decorative extras like icons, arrows, German Capital Sharp S, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (8 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: PIXEL pattern ■ Font Styles: 8 font-styles (Square, Circle, Square Flicker, Circle Cloud, Square Bold, Square Fat, Star, Star Spike) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.ttf (for Print) + .woff (for Web) ■ Glyph Set: 830 glyphs (Latin 3 incl. decorative extras like icons) ■ Lan­guage Sup­port: 93 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, NorwegianNynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu ■ Design Date: 2021 ■ Type Desi­gner: Manuel Viergutz

Teorema. Well balanced Reading. Looking for a geometric yet flexible character? Teorema typeface combines different geometric shapes, according to a pragmatic approach that favors flexibility and ease of use. The font is distinguished by the contrast between perfectly circular shapes, and other, more angular ones in search of a formal balance aimed at optimizing the recognizability of the characters and finally the legibility of the text. Worthy of a geometric “theorem”? Try Teorema for free. Download a free version of Teorema Regular and Bold with a reduced character set. Check it out!

This typeface is a tribute to well-known Italian designer Marcello Nizzoli. Nizzoli is a modern sans serif font that offers a wide range of alternatives—a workhorse type well suited for headlines, posters, corporate identity and advertising campaigns. This modular design is based on geometric shapes and combines straight lines with rounded corners. The whole family is composed of four 7-weight subfamilies: one normal and one alternative plus rounded versions. Each subfamily includes matching italics. This typeface is my own interpretation of those curves and shapes found in Marcello Nizzoli’s designs.

Loosely based on Bembo and Plantin, the Perrywood font family retains some old style characteristics which give the face a familiar feel, however much attention has been paid to optimizing the design to give good quality output at small point sizes and from low resolution output devices. The consistency of character shapes allows close letter spacing to give compact word shapes, excellent word recognition and an overall economy in text. Perrywood offers good legibility and, coupled with an even text color will be very useful for text setting, in correspondence, for faxes and reports.

Yummo is a geometric and somewhat condensed sans serif type family that can be used in a wide range of applications. The minimal glyphs that have been shaped superbly will give modern and contemporary impressions. At the same time, the rounded shape makes your typography softer and cuter. Yummo is not only a ‘geometric rounded font’ but also conveys humanness and loveliness as though the forms were handwritten. To accommodate a wide range of usage, This family consists of 5 weights and includes diacritics for most European languages in each weight.

Noyh Geometric Slim is altered modified from the form of the original “Noyh”(2015) typeface. We added sharp corners in apex, including the structure of typeface. Import to be more Corporate, the font family has flat terminals that harmonize with sharp corners. With all of these features , “Noyh Geometric Slim” is a prominent, eye-catching and unique typeface. It comes with 9 weights and italic type in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

I present you Trečiokas typeface. This two font family is based on written letters that were sketched by using paint markers and afterwards pollished digitally. Glyphs mostly are connected, leaving some separate, as a contrast to round and soft letter shapes. It includes extended latin character set. In 2013 I made the Aerofont project, which included custom music instruments that were made based on Trečiokas Normal letter shapes. The main idea was to connect music and typography, by making sound emitting letters. You can watch the project video here.

Banery is a minimalist serif in modern style. Made with geometric shapes and high contrast of strokes, also accompanied by alternates characters with unique shapes, and full of beautiful twists which give a pretty, elegant, and exclusive impression. Banery is very suitable for use on various media such as posters, magazines, catalogs, logos, logotypes, labels, flyers, and branding. You can use this font, especially on minimalist themes such as furniture, invitation, wedding, fashion, beauty, real estate, perfumery, and many more. What you'll get : Uppercase & lowercase Numbers & punctuation Accented characters Stylistic sets Ligatures. Thank you!

The Tabac type system is a static typeface with modern shapes and distinct, wedge-shaped serifs. It is primarily designed for the setting of newspapers, magazines and books. Tabac boasts great variability in terms of letter weight in all of its styles. Each style works as a font of its own, featuring the full set of glyphs. The styles may be combined depending on the user; the choice of text and title face thus depends fully on the designer’s own taste, on the needs of the readers and the technologies of printing in use.

Hey folks! Glad to introduce you a new MINORICA handwritten collection to imitate a hand lettering style! A complete font kit with graphics give you a fantastic result. A roughen pencil written letters with the same rustic shapes and decorate doodle elements looks very authentically! Play with styles, use the stroke style with inlines, or just a regular. You'll get: Bouncing baseline spooky serif with all caps letters, stroke style and inline decoration Handwritten textured and roughen brush script Bold playful sans with inline and stroke styles. Decoration font with text shapes and doodle elements decoration. A helpful kit to create a funny stuff as greeting cards, t-shirts, advertisement content, cafe or coffee shop decoration, book covers etc. Thank you and Enjoy! VVDS