The lettering for Fine Dining JNL was inspired by the opening titles for the 1940 Barbara Stanwyck-Fred MacMurray film "Remember the Night". A stylized Art Deco sans, the typeface conjures up images of elegant dining, being out on the town and all we warmly associate with the night life of the 1930s and 1940s.

A modern geometric typeface with precise radius detailing. Each character has it’s own unique subtleties and style variations, with careful adjustment you can create dynamic page layouts. The elegant curves are best demonstrated using the lighter weight at large scale. Details include 5 weights, a complete character set, manually edited kerning and Euro symbol.

Let your night images come to life! The Fontazia Insomnia set features a strange and unusual assortment of surrealistic hand-drawn images - a tribute to the nocturnal spirits that seem to come to life during those hot sleepless summer nights. These characters are sure to add a little fun and mystery to any project.

The Greater Neue font family is a modern collection consisting of 32 weights, 16 uprights, and matching italics. Condensed width consisting of 16 weights, 8 uprights, and matching italics. It is perfect for packaging, advertisements, headlines, and corporate identities. This font family is well-suited for graphic design and any type of display use.

The Sports Headline font family was developed from design work creating captivating sports related typography for branding and logotype. The font characters are all capitalized and the two different font weight offer a variation that allows each weight to play off the other and work together well. Each font contains all Latin simple characters.

A typeface family inspired by water. The family comes with a text version of two weights and matching italics —Regular, Regular Italic, Bold and Bold Italic. In addition, both weights come with a characteristic “glitch” version wich makes the family outstanding and suitable for branding and visual communication projects. The fonts support 207 different languages.

The Greater Neue font family is a modern collection consisting of 16 weights, 8 uprights, and matching italics, as well as a Variable font with adjustable weight and slant. It is perfect for packaging, advertisements, headlines, and corporate identities. This font family is well-suited for graphic design and any type of display use.

Scaffold is the sans serif family created for people who love well balanced kerning and weight. With a rectangular shaped structure and solid weight that makes it look strong and elegant. From hairline to heavy Scaffold comes with multiple languages and OpenType features such as ligatures, localized forms, fraction, ordinal, superscript, numerator, dnominator and subscript.

Nure™ is a variable font family designed in 3 axes (Weight, Optical, Width) to cover all the graphic design needs. Thanks to 11 OpenType Stylistic Sets, Nure™ is one of the most flexible typefaces of all times. Every weight' set is composed by more than 1300 glyphs from Latin and Cyrillic encodings

Modern sans serif font that is out of this world. A strong balance between strong pointed corners and smooth curves, Perfect for all purposes but especially for headlines. With 8 Variant to choose : Light, Light Italic, Regular, Italic, Rounded, Shadow, Bold and Bold Italic. This font also includes alternative glyphs, ligatures and multilingual support.

Pista is a unique decorative typeface which is applicable for web, print especially for magazines, brochures, posters, flyers and motion graphics. Pista has six weights - regular, bold, outline, rounded, rounded bold and rounded outline. The weights are perfect for logos - regular size has an elegant look, the bold and outline gives a unique feel.

A modern journalistic style typeface. The subtle condensed characters create great economy of space best suited to brochure, editorial and magazine layouts. Also using the contrasting weights you can add great dimension across headline and body copy. Details include 6 weights with italics, an extended European character set, manually edited kerning and Euro symbol.

As one of the most popular rock bands of the world, Foreigner has rocked the charts with 10 multi-platinum albums and sixteen top 30 hits in the last 40 years. But one might ask what a band this successful has been missing all these years? No head games here...a consistent typeface based on their logo is the answer. As fans of Foreigner, we've taken the essence of their iconic logotype and expanded it out into a full typeface in regular and bold weights to celebrate their 40th anniversary tour. The Jukebox Hero Family celebrates the typographic stylings of Foreigner, with the soft rounded terminals and an open geometric feel, including the unique stencil flavor of the original logo. It inherited the friendly stylings of the all Capitals logo that inspired it, and goes on to include a full standard character set with expansive international support of latin based languages, and two weights jumping from regular to a beefy bold. This family is ready to rock the charts for your designs towards that of a modern, comfortable appeal. Here's what's included with Jukebox Hero Family bundle: 413 glyphs - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 3rd graphic for a preview of the characters included) 2 weights: Regular & Bold. Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why Jukebox Hero Family bundle is for you: You're a die-hard Foreigner fan, and have a case of "Double Vision" and need both font weights. You're looking for a stylish and sophisticated soft sans-serif stencil typeface family. You've been waiting for fonts like these. You're looking for a Sci-fi vibe typeface that has a look that feels familiar. You just like to collect quality fonts to add to your design arsenal

Roc is a sans serif grotesk inspired by American wood types from the end of the 19th century. With nine weights in five widths, this family contains 45 fonts in total. The character set supports Western and Central European languages, as well as Turkish. Roc Grotesk comes in a range of five widths: Compressed, Condensed, Normal, Wide and ExtraWide, in order to cover a wide scope of applications. Although the styles at both ends of each range are made in their most pronounced form in terms of width and weight, they are not taken to such extremes as to become absurd, and are quite usable in display settings. The Normal width keeps all its nine styles in proportionally similar widths. The Compressed width, however, is deliberately made to be disproportionate, so that every style takes the least possible horizontal space. That is why the contrast between Compressed Thin and Compressed Heavy style is substantial. As the weights progress from Thin to Heavy, the stroke contrast becomes more prominent. It is intentionally exaggerated in heavier weights, which is particularly apparent in the uppercase E and R of the Black and Heavy style. Roc has a large x-height and relatively short descenders and ascenders. No uppercase letter descends below the baseline, so the lines of an all-caps text can be packed tightly on a poster or a headline. The Regular style is somewhat generously spaced, as it is most likely to be used for setting longer passages of text. Its Bold counterpart is spaced in such a way that the width of the text column will be similar to the text set in Regular. Tabular figures in these two styles have exact matching widths, so for example, you could emphasize one row of numbers in a data column without visually disrupting the vertical order of the table. The lowercase g and r have alternatives to accommodate what most designers expect from a typical Grotesk typeface. The single-story g and the cut-off r are accessible via the OpenType feature.

Kangaroo FS Joey was the offspring of a project with Rudd Studio to develop a logotype for an online streaming TV service, in 2008. While under wraps, the secret project was code-named Kangaroo. The logotype led to a second project, to design a corporate typeface for the service. It was the first big project Fernando Mello had worked on with Jason Smith. “Like any designer who just joined a team, I was very excited about it, drawing and sketching lots of ideas. I remember Jason and I experimenting with lots of possibilities, for both the logo and the typeface.” Online As the font for a Spotify-style, internet-based service, FS Joey needed to be highly legible on-screen, including at very small sizes. There had to be a range of weights, and they’d have to work well in print, too. It was also important that it felt corporate, not too quirky, while still having a strong character of its own. Quirkiest “We designed three weights specifically for use on the Web,” says Jason Smith. “There was the usual fight between me and my team. I wanted at least one identifiable letter that was a quirk. As always I went straight for the lowercase ‘g’, and it was drawn numerous times with lots of variation. I got the quirkiest one accepted by the client.” But, later in 2009, the Competition Commission blocked Project Kangaroo, and Fontsmith were left with a couple of weights of an as yet unused font. From Kangaroo, Joey was born. A favourite “Straight away, people started to notice the typeface,” says Jason. “I can take the credit for pushing the art direction and standing up for the quirks. But it was Fernando who was the key to pulling it all together and adding his own distinct flavour. Now it’s one of my favourite designs in our library.” Fresh and friendly, geometric and energetic, Joey is available in five weights, all with italics, all finely-tuned for both screen and print.