Carve is an African font that was inspired by fonts such as Othello and Neuland designed in the mid-1920s. Rather than attempting to re-create these fonts in a digital form as so many others have done, I have tried to capture the “spirit” of the period and emphasize the “woodcarving” style of the font, while simultaneously giving it a contemporary feel. As a result the characters differ markedly any of the original styles and have much less of an “Art Deco” look to them. To further modernize Carve, I have included all the characters required for a full character set (lower case, as well as all punctuation, numerals, diacritics, special characters etc). The result is a thoroughly modern re-interpretation. The numbers (0 to 9) bear no relation to any originals but, I believe, are fully in keeping with the upper and lower alphabetic characters of my font. Carve comes in two styles: --Regular: contemporary, angular African style --Incised: exaggerating the chunky, hand-carved "woodcut" effect. The "in-line" effect has been hand-crafted to avoid the mechanical effect of computer-generated inline effects.

Franklin Stencil JNL is based on the classic and perennial workhorse design of Franklin Gothic Condensed and is available in both regular and oblique versions.

Vintage French tin stencils with various phrases were the model for Paris Stencil JNL. The type design is available in both regular and oblique versions.

Alphonse Nouveau JNL is based on the lettering style of famed Art Nouveau illustrator Alphonse Mucha, and is available in both regular and oblique versions.

The hand lettered title card from the 1935 melodrama “Magnificent Obsession” inspired the digital revival Movie Classic JNL; available in both regular and oblique versions.

The hand lettered title credits for the 1950 French film “Lady Paname” inspired French Cinema JNL, which is available in both regular and oblique versions.

Vintage wood type with a strong Clarendon influence served as the model for Slabserif Wood JNL, which is available in both regular and oblique versions.

introducing Lordish Blackletter, a unique blackletter for your design. Lordish consists of 3 weights thin, light, and regular Including uppercase, lowercase, punctuation, and international characters

The hand punched lettering of an antique French shipping stencil was the inspiration for French Shipping Stencil JNL; available in both regular and oblique versions.

Modeled after an image of an almost complete set of Latin Condensed wood type, Cattle Trail JNL is available in both regular and oblique versions.

This new font family full fit all your comic balloons, onomatopoeia and... SCREAMS! Comes with Regular, Italic and Bold Italic with a great organic look.

This font is the younger sister of HexBraille with which it may be combined to create new patterns. This also explains why their introductory text are similar. Introduction The purpose of this monospace font is to display braille in an original and "steganographic" way. The Kernig prefix means "Robust" in German, this is because of the crank shapes . The core of the glyph design is a flat hexagon which can be read as 3 rows of 2 dots (i.e. regular braille glyph grid). Even if within a glyph, braille dots ("square dots" indeed) are placed on the vertices of a flat hexagon, the difference with HexBraille is that edges connecting vertices are not straight lines but "crank shapes" instead. This can be summarized by saying that the whole glyph is a Hexcrank (a flat hexagon where vertice pairs are connected by a crank shape) NB: The initial design is illustrated by glyphs 'ç' (no dot) and 'û' (6 dots) as shown by poster 6. A. "Kernig Lattice" In KernigBraille, glyphs are connected to each other, thus for each Hexcrank glyph there are 6 connections: 2 on left/right and 4 on top/bottom. In the final design some cranks were removed for esthetical reason (i.e. leave empty space for allowing patterns diversity). In summary, a text using this font won't display a honeycomb but a lattice instead. NB: Please notice that in order to obtain the lattice without vertical gaps, you must set the interline to 0. The lattice is made from 3 kind of shapes: a.1. Hexcrank a.2. Square a.3. Irregular cross (mostly unclosed) The design favored squares over crosses. The whole slightly resembling a PCB. B. Text Frames It's possible to frame the text with 4 sets of frame glyphs (as illustrated by poster 2) b.1. Kernig { € ° £ µ § ¥ ~ ¢ } b.2. Rectangular-High { è é ê ï î à â ä } b.3. Rectangular-Low { Â ù Ä Ê Ë Ô õ ö } b.4. Mixed Kernig+High: a mix of Kernig and Rectangular-High frame glyphs When using frame glyphs, it is advised to show Pilcrow (¶) and Non Breaking Space, which are replaced by empty shapes in this font (e.g. in Microsoft Word, use CTRL+8 or use [¶] button in the ribbon).

Hand lettering on the packaging for an Arrow "Commander" Staple Remover seen in an online auction is the inspiration for the unusual and angular typeface comprising Staple Remover JNL. The Art Deco era of the 1930s and 1940s offers many wonderful examples of stylized and experimental lettering, and this, by far is one of the more eclectic styles of the time.

Bigband was designed by Karlgeorg Hoefer in 1974. The font lends text a sense of unpredictablility and change due to the irregular design of the inner areas and outer contours of the characters. Bigband is available in two weights, Bigband and Bigband Terrazzo, which can be combined effectively. Bigband is a striking and modern display font which lends itself to numerous applications.

«Fluse» is an accidental sans-serif font. It has an angular design but smooth and sleek shapes. The font is suitable for both active titles and medium-sized texts. It can also be an accent in a poster or the basis of a corporate identity. Fluse supportsBasic Latin, Cyrillic and more than 100 languages all together. The font was designed by Viktor Pesotsky.

Place Witch is a thick lettered, cute and assertive display font. No matter the topic, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation. Place Witch is PUA encoded which means you can access all of the glyphs and swashes with ease! Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Alternate 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more) There it is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question.

Hello Everyone, introduce our new product Random Quotes - is Handwritten Display Font with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. Random Quotes Inspired by Food Logo style and combination with Cute Craft style. that will fulfill your design needs for quotes,sporty theme, logotype, wordmark, etc. This has many opentype features and support multi language. This font is PUA encoded which means you can access all of the magical glyphs with ease! It also features a wealth of special features including ligatures glyphs and Alternates glyphs.

Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

Minnesota Plaid is the baddest plaid ever! It may not be the choice pattern for golfers' slacks or bagpipers' kilts, but it has a City-like flavor with its own twist, a stylish ruggedness & toughness that could even be described as a sort of formal graffiti, thanks to the art deco swash of many of its strokes. It’s the kind of look that would be perfectly at home with hip hop or rap music, football and other sports, cars and trucks, power tools, and other manly, masculine usages. Of course, women are just as capable of having the aforementioned interests, too. Minnesota Plaid is the kind of font that can get stuck on you! Digitized by John Bomparte.

Sweet Raspberry is a cute and casual handwritten font with an incredibly friendly feel. It is a playful and adventurous display that radiates authenticity. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art! This font is PUA encoded which means you can access all of the stunning glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures. What’s Included : – Works on PC & Mac – Easy to use ( Installations ) – Easy Convert to webfont – Compabilty Windows, Apple, Linux, Cricut, Silhouette and Other cutting machines Thanks for downloading, and I hope you enjoy it!

Halimah Sadila is a font duo combining modern calligraphy & fresh new Monoline with many alternative styles making this font look natural, elegant, and perfect for any extraordinary project. Halimah Sadila is perfect for various projects such as branding, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product design, labels, photography, watermarks, logos or special events or whatever. ________________________________________ What's Included: • Standard glyphs • Binder • Works on PC & Mac • Simple installation • Can be accessed in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works in Microsoft Word. • PUA Encoded Characters - Fully accessible without additional design software. • Fonts including multilingual support for; ä ö ü Ä Ö Ü ß ¿¡ ________________________________________ Thank you for your purchase! Hope you enjoy with our fonts!

Hello Everyone, introduce our new product My Coffee Break is Fun Display Font with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. My Coffee Break Inspired by Food Logo style and combination with Unique Craft style. that will fulfill your design needs for quotes,sporty theme, logotype, wordmark, etc. This has many opentype features and support multi language. This font is PUA encoded which means you can access all of the magical glyphs with ease! It also features a wealth of special features including ligatures glyphs and Alternates glyphs.

Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

Modeled on the writings chiseled in stone in the second century B.C., Syntax™ Lapidar is an energetic, spirited typeface designed by Hans Eduard Meier in 2000. Linotype Syntax Lapidar Text and Linotype Syntax Lapidar Serif Text have five weights each, with both cap and lowercase letterforms. Lapidar Display and Lapidar Serif Display also have five weights each, with mostly all cap letterforms and many alternates. It's a terrifically fun and inventive family, and if you look closely, you can see the resemblance to the more modern and restrained Syntax™ relatives. Great for menus, artist books, travelogues, or advertising - and if used very sparingly, it could add just the right element of lapidary significance to corporate documents.

Hello, This is Hardlighten! Hardlighten comes from hand scratches to get natural writing. With the main style of the hand-lettering script, it will be very interesting if it is added with a variety of Alternates and also Stylistic Sets that are very suitable. The Hardlighten is very suitable for use in various media such as; packaging, logos, labels, posters, shirt designs, wisdom quotes, bulletins, typography, and many other media. Features Ligature Stylistic Alternates, Stylistic Sets (SS01-SS03) PUA Encoded open Support for MAC or PC Simple installation for Adobe Illustrator, Corel Draw, Photoshop, or Procreate (New Updated) Support Multilanguage That's it! If you have any questions don't hesitate to ask! .Stay Classy! Fadhil - Figuree Studio

Manchette is an Arabic headline typeface that was inspired by the hand-written Naskh newspaper headlines during the 60s-70s era in the Arab world. The word "manchette" is a french word, that means headline. It was used mainly by the Egyptian calligraphers and designers. The typeface presents sharp and contemporary details, while taking into consideration the original Naskh rules to echo the elegancy of the hand-written titles. Featuring many opentype features, such as contextual alternates, ligatures, and a small set of stylistic alternates. The typeface also features a dynamic Kashida that can be controlled through the variable fonts technology in the Variable GX file which contains all the weights as well.

BLASTER is a casual, fun display font, created by using a brush pen. It has an urban and trendy feel and it will most definitely fit a wide range of designs. This font is perfect for brand announcements, packaging, quotes, branding, advertisements, blogs, logos, invitations, and more! This font is PUA encoded which means you can access all of the stunning glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures. What’s Included : – Works on PC & Mac – Easy to use ( Installations ) – Easy Convert to webfont – Compabilty Windows, Apple, Linux, Cricut, Silhouette and Other cutting machines Thanks for downloading, and I hope you enjoy it!

Manchette Fine is the high contrast cut of Manchette typeface, which was inspired by the hand-written Naskh newspaper headlines during the 60s-70s era in the Arab world. The word "manchette" is a french word, that means headline. It was used mainly by the Egyptian calligraphers and designers. The typeface presents sharp and contemporary details, while taking into consideration the original Naskh rules to echo the elegancy of the hand-written titles. Featuring many opentype features, such as contextual alternates, ligatures, and a small set of stylistic alternates. The typeface also features a dynamic Kashida that can be controlled through the variable fonts technology in the Variable GX file which contains all the weights as well.