One of the first messy typewriter fonts to hit the market, Chandler 42 was compiled with forensic care from the voluminous output of a circa 1942 portable. All the eccentric personality of this particular machine is intact: a slightly angled "m," filled in gaps in the most-used characters; even the number "4" is reminiscent of gasoline pump numbers of its day. Chandler 42 features edges meticulously redrafted by hand, fully developed Western character sets and is available in 4 weights, plus obliques. Chandler 42 is everything you need to type a 1940s business letter, prep your own vintage facilities report or write that hard boiled novel you've been planning to start.

Fortuita is a versatile sans fit for text or display. The name carries some of its history as it was born from logo sketches that fortuitously grew into a type family over eight years. It comes with a tall x-height, rendering it readable at smaller sizes. It has sixteen weights, eight regular ones, and their italics, each with small caps, something you may not see very often with sans serifs. It counts with old-style numbers that can switch to its lining, small caps, or tabular versions through open-type features. The family carries a distinct personality in its design that will lend itself to its subject, all the while without becoming distracting or detracting from it.

Whimsical Musical is a vivid, hand drawn font with 405 alternate letters, all caps. Developed from a lighthearted drawing in my sketchbook saying the German word “MUSIK” cheerfully over and over in twenty vivid variations. Next to it was the date “6th April 2007”. This initial idea has burst into a font that is full of surprises and whimsical turns. It is dynamically suggestive, like music, and humorously chaotic, as in Dada. Each uppercase letter is enriched with ten stylistic alternates (OpenType stylistic sets) to create a heap of playful variations amounting to a mountain of possibilities. Recommended for display usage: gonzo headlines, fantastical picturesque covers, extravagant quirky flyers, chichi posters, individual labels and fun logos.

GP Metro® is a faithful version of the Dwiggins 1930 urban classic: Metrolight, Metromedium, and Metroblack. In 1929, English type designer, William Addison Dwiggins, (WAD) was commissioned by the Merganthaler Type Foundry to design a warmer, more humanistic, and less mechanical sans to effectively compete with Futura, a highly-popular geometric sans designed by Paul Renner in 1927 and first released by Meganthaler's arch-rival, the Bauer Type Foundry in Germany. FontHaus has licensed from GroupType updated files with additional styles including 2 rough versions and a soft together with the classic Regular styles and weights. These new styles will offer designers a wider range of options to design with these amazing classics.

Genia is a script typeface that carries roundhand calligraphy DNA. Instead of using pointed nib pen, Genia was created using a fine brush resulting in clean and wavy character. With the OpenType features, Genia creates the natural feel of calligraphy writing. This contextual feature makes the font 'smart'. It knows which letters are the initial and which one is the finial. The feature can be activated in the OpenType section under the names of CALT or Contextual Alternates. Genia also gives you old style and proportional number options. Our advice is always turn the contextual alternates, and don't use the OPTICAL kerning on Adobe softwares. The preview on this site does not support the contextual alternates.

Manuel, a simple, almost mathematically constructed typeface, includes stylistic alternates for a number of upper case characters. This comes in very helpful when designing logo letterings. Manuel(a) is a very charming, self-confident und exciting typeface design. The idea was to try to apply a given design criteria (also see Volker Schnebel's Marita and Martin fonts) to every single character. In other words, start with a character and develop all of the others from it. This is quite easy for some characters but extremely difficult for others. This process generates creativity and the characters move away from the initial constructed sketch. Together in a typeface, the individual characters are now all of a piece and character.

Rettyllda is a script-typeface that seems like it was handmade. This typeface has an exquisite, simple, lovely blend and harmony between letters, making it ideal for your particular project. Yes, as you can see, the ligature that gives this Rettyllda font its beauty and sensuality may assure beauty and sexiness in your creative project works. Not only that, but this font has a genuine handwritten feel to it, which has been developed to create a portion and composition that matches your demands. As a result, this typeface is appropriate for craft projects, children’s writing, adventure posters, food banner titles, wedding invitations, product packaging logos, quotations, social networking page covers, and furniture banners, headlines, book covers, and much more.

Videomax looks like something from the future - perhaps even something from a future where the world lies in ruins and is about to be taken over by hostile aliens. The worn letters represent the decades of war against the computers...or the aliens...or maybe the letters comes from a sign of a computer company from the eighties, which was recently found in an abandoned place. The speculations are many, but one thing is definitely true: Videomax got that grungy / computer / worldwar feeling! Write your text, and watch how the randomness of letters make your text look really good. I've put it 4 different versions of each letter, which makes it look really nice and worn!

Maria Martina Schmitt was born in Vienna, Austria in 1950. Since 1998, she has been working as a freelance designer, focusing on cultural collateral, economic publications, illustration, type design, and logo design. Airam blends contemporary legibility with historic blackletter forms, creating a contemporary text face that speaks to the old European past. Airam certainly appears darker than most other contemporary text faces. Airam’s letterforms are slightly broken, too. They display angled joints in lieu of smooth curves. This “broken” aspect actually aids legibility at smaller point sizes. While Airam may not be suitable for setting whole books or newspapers, this font will add a splendid touch to short tracts of small text. Additionally, Airam looks superb in large headlines.

Gelato Fresco represents a coming-of-age of a script font that started life in 2011 as the popular Gelato Script. In 2018, Gelato Luxe sought to improve on Gelato Script, and now, with the addition of extra weights for the first time, Gelato Fresco takes the baton. What was always a typographically sophisticated and versatile font, has reached new levels of usability as it becomes a family. In its previous incarnations, the typeface has graced everything from designer handbags to prime-time TV shows; food blogs to wedding invitations; glossy magazines to (not so imaginatively!) ice cream shops. I can't wait to see what this even more versatile version gets used for.

Infamy is a display typeface inspired by graffiti and street art, featuring the ‘bubble letter’ style of writing which was very popular among subway and suburban graffiti artists in the early days of American graffiti. This font recovers graffiti horizontal alignment, tight tracking and colourful lettering. The OpenType version includes many different ligatures which provide multiple options when composing a text. Multiple layers make Infamy a bright, shaded and colourful font, allowing you to dress up your writing. This font incorporates a pictorial rendering of character faces (instead of small caps), capturing the essence of the graffiti: the ‘childish’ and the ‘irresponsible’, which is present in the experimental side of the typeface.

If your looking for a vintage animated typestyle that still feels current today, you've just found it! Mushmouth PB started as a digitization of a film typeface called "Albert" by LetterGraphics. This all capitals font has a super subtle bounce and a playful heavy weight. An extruded film variation of this typeface was used back in the day on Post's Frosted Rice Krinkles cereal. Named in tribute to the original font name "Albert", we picked a fellow member of Fat Albert's gang for the name of this font. We think it is fitting, even though the original film font naming had nothing to do with the cartoon at all. Give Mushmouth a spin and pick it up today!

The hand lettered credits from the 1942 British film comedy “The Goose Steps Out” became the model for Goose Creek JNL, a simple sans serif design available in both regular and oblique versions. According to the Internet Movie Database (imdb), “A bumbling teacher turns out to be the double of a German general. He is flown into Germany to impersonate the general and cause chaos and hilarity in a Hitler Youth college.” The title is a parody of the “goosestep” style of marching by German soldiers during World War II. As a variant on the movie’s title, the font was named for Goose Creek, South Carolina – a charming community just northeast of historic Charleston.

Payu display font is a unique, intriguing, and quirky typeface that we present to all of you. This font was created to satisfy the demands of beautiful and quick graphics, allowing you to quickly produce attractive and elegant projects. Take a look at the font’s harmony and harmony; your project will shine like a prima donna. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Catfish is a monoline geometric script with a touch of classic and vintage and can be used for various purposes such as logos, badges, t-shirt design, signage, labels, book cover design, posters etc... The font is best used in an OpenType-aware software such as Adobe Illustrator, InDesign, MSWord etc. Please note that OpenType capabilities differ from one application to another. Underline feature was tested in Illustrator, InDesign, Photoshop and MSWord and works perfectly. The package contains a how-to pdf explaining how to use the underline feature. If you are working in Adobe Photoshop, to get an access to all glyphs you may need an additional software (for example, PopChar http://www.ergonis.com/products/popcharx/).

Smart Sans is a personal tribute to Leslie (Sam) Smart, the first type director to be hired by a major typesetting house in Canada. Smart was a twentieth century design pioneer who raised the standards of Canadian typography. Together with three of his peers, he established the first Type Directors Club in Toronto. After Smart's death in 1998, type designer Rod McDonald decided that something should be done to commemorate Smart's life and achievements. I had first thought of establishing a scholarship in Sam's name, but a typeface design soon replaced this idea," says McDonald. "Once I decided to design a typeface, however, it became a foregone conclusion that it would be a sans serif - for no other reason than that I loved the name Smart Sans." Two typefaces served as inspiration for McDonald's work. "Like thousands of designers, I'm keen on Matthew Carter's Helvetica Compressed series. And, when I was younger, I also loved Fred Lambert's Compacta," says McDonald. "I thought there might be a place for a small range that could take over from these 'old workhorses' and, in the process, bring a fresher look to the genre." McDonald drew three weights for the Smart Sans family, all ideally suited for setting attention-getting headlines and powerful display copy. The two-storied 'g' contributes to the design's lively personality, and the short 'r' helps maintain tight, even spacing. Smart Sans is the perfect homage to a great typographer, because it raises the bar on what to expect from condensed sans serif typefaces. Sam Smart would be pleased."

Groundage is a Gothic Blackletter font that offers three styles: Outline, Regular, and Shadow. With its bold and clean calligraphic strokes, this typeface boasts a modern-vintage look that exudes elegance and masculinity. Its Y2K-inspired design makes it perfect for stylish posters, marketing materials, logotypes, and headlines. Additionally, it is great for art and craft projects, y2k-streetwear designs, and much more. What sets Groundage apart from other Gothic Blackletter fonts is its unique combination of traditional and modern design elements. Its clean lines and bold strokes give it a contemporary feel while its Blackletter roots pay homage to its historical origins. Groundage also includes both Latin and Cyrillic character sets, making it a versatile option for a range of projects. This font pairs well with other modern-vintage fonts and looks great alongside sans-serif fonts for contrast. Its three styles allow for versatility in design and can be used for a variety of creative projects. Groundage was designed with the intention of creating a stylish, masculine font that could be used in a variety of contexts. Its Y2K-inspired design concept was chosen to evoke nostalgia while still feeling fresh and modern. The combination of traditional Blackletter elements with a contemporary twist creates a unique aesthetic that stands out from other fonts in its category. Groundage is not based on any historical design, but its Blackletter roots pay homage to centuries of typographical tradition. Its modern twist on the classic Gothic style creates a unique and versatile font that can be used in a range of creative projects.

You gotta love this extreme take on the "gothic" blackletter traditions! Roger Nelsson edited a few letters, drastically improved the spacing - and then gave it the usual large CheapProFonts character set. Fun! Kevin King says: "Kingthings Spike was made because Buffy has one, I made Willow... Xander is yet to come. Oh and because I hate Engravers Old English! Pugin, eat my shorts! Sorry!" Kingthings Spikeless is a toned down version of Kingthings Spike. Kevin King says: "Kingthings Spikeless was requested by those who actually want to read text... well I call that tedious, but if you must, here it is no flourishes, just my small homage to black-letter." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Hello! Let me introduce Cohen – a handwritten font named in memory of the great poet and singer Leonard Cohen. On the day he passed away I did my routine calligraphy practice and wrote a part of his song 'Night Comes On'. You may see this work in presentation pictures, and after time I designed a font based on this calligraphy. Cohen signature font is perfect for logos, branding, web, blog headlines, invitations, magazine and book design, product packaging – or for any text on postcards and on your favorite photos. Cohen includes: a standard set of characters with wide multilingual support: Western-, Central- and Eastern-European, Baltic, Turkish, Latin-type Africans, and Asian (94 languages in total) two additional character sets: lowercase letters with alternates shapes and lowercase letters with a little end-swash - for the position at the end of a word 39 ligatures for double letters and frequent combinations Cohen has a large number of embedded context-dependent auto-replacement features that give the text a natural, handwritten look and correct inharmonious combinations of letters. These features work well in many apps (even simple ones like Notepad/TextEdit), and if you need to customize their application – you could use programs that support OpenType features (for example, Adobe apps or CorelDraw). All these additional glyphs are PUA-encoded, so if your software does not support OpenType — you could access them through Character Map (Windows) or Font Book (Mac). I hope you will like Cohen and create great designs with it! And if you have any questions, feel free to contact me via e-mail: triple.hely@gmail.com

Bomb is a heavy futuristic industrial font that doesn't like being pushed around. If Bomb says it not moving, Bomb's not moving.

Looking for a royally fun font? A dash of elegance with a dose of quirkiness – not unlike our modern day royal types.

Paper Hearts mimics childhood construction paper creations. It's perfect for a homemade Valentine's Day feel without the safety scissors and glue sticks.

Yoko is a straightforward font with a straightforward message, and an interesting finish. Yoko wants you to enjoy life, live to your fullest and be happy. Yoko understands that it doesn’t look easy, but it can be, and you can achieve it. Straight lines and perfect corners make Yoko’s messages come across simply and openly. There’s no fancy flourishes in what you say with this font, just a goal and a solution. That’s not to say it’s dull though, because the textured finish gives Yoko a depth that carries its own form of weight. The solid impact of the shapes and the rough texture of the finish make Yoko’s message stand out, whatever you choose to say with it.