An old extended Grotesque for use in advertising and display typography. Cyrillic version with adding Bold style created for ParaType in 2003 by Isabella Chaeva.

Originally designed in 2003, TitanText now becomes TitanTextOT and it's available in Regular, Italic, Bold and Bold Italic. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.

First designed in 2003, Plexes now becomes PlexesPro, an OpenType font available in four weights with italics. Includes plenty of features like small caps, alternates, ligatures, swashes and Greek.

Originally designed in 2003, Titan now becomes TitanOT and it's available in Regular, Italic, Bold and Bold Italic. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.

Quoral was developed from an idea in 2003, and drawn in Illustrator. It has an extended character set in greek an cyrillic, but not all the characters for these languages.

A real urban style font, inspired by the city. A total of 203 characters: UPPERCASE, 
lowercase, numerals and 
Punctuation.

Legende was originally designed by Friedrich Hermann Ernst Schneidler. In reminiscence to the good old times, Ralph M. Unger redrew and digitized this font in 2003. His work is based on artwork taken from old font catalogues.

Costa Brava and Costa Dorada are devoted unforgettable days on beaches of tender Mediterranean sea in Catalonia. Enjoy! Both fonts were originally created in the summer 2003. The OpenType version, with extended Latin characters, was released in 2009.

Costa Brava and Costa Dorada are devoted unforgettable days on beaches of tender Mediterranean sea in Catalonia. Enjoy! Both fonts were originally created in the summer 2003. The OpenType version, with extended Latin characters, was released in 2009.

Zemestro from 2003 was one of the first of the new “squarish sans-serifs”. Its designer David Farey says: “There’s nothing calligraphic about it, and there are no defining or identifiable single characters – it’s just clean and simply constructed.”

An original volume decorative typeface that imitates broken stones. It was inspired by graffiti letterforms. Solid and inverted styles are available. Designed by Fedor Saveliev and Olga Ryabihina in 2003 and licensed by ParaType. For use in display typography.

An original display typeface was designed in 2000 by Vladlen Erium for the series of international musical events. A wide Sans of distinctive letterforms with rounded corners is well used in advertising of teenage goods and modern technologies. Licensed by ParaType in 2003.

Designed in 2003 by Isay Slutsker and Irina Smirnova. Based on the calligraphic typeface of mid-1980 by Moscow type designer Isay Slutsker (1924-2002). There is a free variation of flat nib pen calligraphy. For use in advertising and display typography.

Roberta goes back to the old poster fonts of the 1930s. It is an excellent alternative and combination to fonts like Arnold Böcklin or Hobo. Ralph M. Unger redrew and digitized this font in 2003. His work is based on artwork taken from old font catalogs.

The German designer Karin Huschka created the fonts Linotype Authentic™ (1999), Chineze Dragon™ (2002) and Picture Yourself™ (2003, with Peter Huschka). The text font Linotype Authentic is part of the TakeType Library, chosen from the entries of the 1999 International Digital Type Design Contest.