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  1. SF Orson Casual Shaded - Unknown license
  2. SF Wonder Comic - Unknown license
  3. SF Synthonic Pop Shaded - Unknown license
  4. SF Square Root Shaded - Unknown license
  5. SF Pale Bottom Condensed - Unknown license
  6. SF Chromium 24 SC - Unknown license
  7. SF Archery Black SC - Unknown license
  8. SF Pale Bottom Extended - Unknown license
  9. SF Square Root Extended - Unknown license
  10. SF Archery Black SC Shaded - Unknown license
  11. SF Cosmic Age Condensed - Unknown license
  12. SF Wonder Comic Blotch - Unknown license
  13. SF Minced Meat Shaded - Unknown license
  14. SF Cosmic Age - Unknown license
  15. SF Burlington Script SC - Unknown license
  16. SF Chrome Fenders Extended - Unknown license
  17. SF Arch Rival Extended - Unknown license
  18. SF Synthonic Pop Condensed - Unknown license
  19. SF Synthonic Pop - Unknown license
  20. SF Archery Black Shaded - Unknown license
  21. SF Intoxicated Blues Shaded - Unknown license
  22. SF Diego Sans Shaded - Unknown license
  23. SF Shai Fontai Extended - Unknown license
  24. SF Burlington Script SC - Unknown license
  25. SF Chromium 24 - Unknown license
  26. SF Minced Meat Extended - Unknown license
  27. TA Regresso PRO by Tural Alisoy, $39.00
    TA Regresso PRO graphic presentation at Behance TA Regresso PRO font is inspired by Didon and Bodoni fonts. A combination of a little Bodoni and a little Didon elements and a unique style and Text, Display, Subhead and about 80 styles, it is a font that gives the user a choice. TA Regresso font supports Greek, Hebrew, Cyrillic and Latin alphabets. After starting work on the font since February of last year, the font is ready today with constant revisions. Being open to learning, I sought help from experienced designers. I must mention that Yulia Gonina, the founder of Schrifteria Foundry, also helped me a lot to make Regresso good. With her knowledge and advice, the flaws in the font were eliminated. By the way, Viktor Baltus also helped me with his valuable advices. I did some research about the alphabets of the supported languages so that Regresso is good. I paid a lot of attention to the correct design of the letters. I will fix the problems I missed in the next updates of the font. I would be happy if you send me your work when you use my font. I'm very interested in where you use my font. TA Regresso PRO contains 200+ Latin and Cyrillic, Greek, Hebrew languages. TAFT produce retail typefaces, create custom fonts and even do Greek, Hebrew and Cyrillization. Our mission is to create and distribute only carefully drawn, thoroughly tested, and perfectly optimized typefaces which are available to a wide range of customers. If you're looking for a type or logo → t@taft.work
  28. Plinc Bubble Gum by House Industries, $33.00
    Bubble Gum is a juicy multi-dimensional gob of goodness that’s bursting at the seams with loads of alphabetic appeal. Its well-padded figure transforms the ample letterforms found in classic comic strip word balloons into a warm and casual display font with a little extra kick. Cooked up by Dave West for Photo-Lettering, Inc. between the late 1960s and early 70s, Bubble Gum was finally digitized by Jess Collins in 2011. Please note that the shaded version of the typeface is composed by layering the Regular font and a separate Drop Shadow font. Some assembly required. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world. Featured in: Best Fonts for Logos
  29. Grand Hotel - 100% free
  30. Frederick YOFF - Personal use only
  31. Jayne Print YOFF - Personal use only
  32. Jayne Script YOFF - Personal use only
  33. Bunnigrrrls handwriting YOFF - Personal use only
  34. QUesneLL YOFF - Personal use only
  35. 2 Lines - Personal use only
  36. URW Grotesk by URW Type Foundry, $102.99
    URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose. Anyway, Zapf finished his designs and URW produced both families. Zapf’s intention for the two typefaces was to design two highly legible, open and classical fonts that could be used for any kind of typography, especially books, newspapers, magazines, etc. However, we realized later on, that URW Grotesk is very well suited for multi media applications on screen.
  37. URW Antiqua by URW Type Foundry, $89.99
    URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer) on type design solutions to replace certain of their newspaper fonts. Test pages of large German newspapers (e.g. Bildzeitung) were printed with URW Grotesk and URW Antiqua font families. For reasons not disclosed to us, the project was dropped and Springer never used URW Grotesk and URW Antiqua for that purpose. Anyway, Zapf finished his designs and URW produced both families. Zapf's intention for the two typefaces was to design two highly legible, open and classical fonts that could be used for any kind of typography, especially books, newspapers, magazines, etc. However, we realized later on, that URW Grotesk is very well suited for multi media applications on screen.
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