A round modular typeface inspired by British movie posters of the 1970s such as Stanley Kubrick's A Clockwork Orange .

The FaRer family was originally made in 1997. The OpenType revision, with extended Latin characters, was made in 2009.

An offbeat, fun, and frightful serif typeface inspired by the 1969 Rankin Bass animagic classic titled, Mad Monster Party.

Bodoni Terracina is a legible, fun-formal script face, with lots of curls. Sometimes script faces are hard to read. Sometimes being formal means that there’s no personality and there’s no fun. Enter Terracina: one of the masterpieces of font design. Some of the most personable italics ever carved. Includes powerful new features for: • Dates • Pricings • Addresses Not is only Terracina formal but fun, it’s also fun to use! In a program like Adobe Indesign or Illustrator, just highlight a word and see lots of fun options. Bodoni himself etched these symbols, and his fun-loving personality shines through. As a semi-script, it can go together with many script fonts, but it is more readable. When you need something equal parts elegant and whimsical, Terracina strikes a perfect balance to let the fun shine through, such as for holiday designs or fairytales. Terracina is a subheads font, but Bodoni also used it for paragraphs. So Terracina works well doing subhead paragraphs, especially when contrasting with the mood of the first font. And because of the swash variety, it works well for setting German and other European languages. CAL Bodoni Terracina is a member of our Origins Series. Origin Fonts are designed to be true to the original designer's intentions and fonts. Our Bodoni origin fonts ARE Bodoni fonts, not imitations or interpretations. They were drawn by Bodoni, our team just expanded it for modern use. For Terracina, Bodoni's original weight is the "Quasi-Lite" option, all other weights have been meticulously matched by the CAL Origins Team.

This unicase typeface, with alternate characters in several of the lowercase positions, is patterned after Mosaik, designed by Martin Kausche for Schriftgeißerei Stempel in 1954. A stencil treatment has been employed, and the outlines have been roughened to enhance its ancient feel. The typeface is named for a king of England, Æðelred the Unready, who ruled over a millenium ago. Unlike its namesake, this typeface is quite ready to do yeoman's duty on your next project. The Opentype, Truetype and Windows Postscript versions of this font contain both the Windows 1252/ANSI character set and the 1250/Central European character set.

Cherry Bell is the perfect font for all your fun designs. The main font file is equipped with ordinary characters, as well as more than 350 glyphs to support most Latin-based languages. It is suitable for you to use in making t-shirt designs, quotes, labels, packaging, logo types, or long writing because we have compiled kerning and matrices that are tailored to your needs.

Transylvanian punchcutter Nicholas Kis cut a leading figure in 18th century Amsterdam. Series of his matrices survived at the Ehrhardt typefoundry. From these Chauncey Griffith at Mergenthaler cut the Janson series in 1936. Morison at Monotype followed with Ehrhardt. David Berlow takes full advantage of current techniques to produce these splendid and adventurous display series to complement one of the great oldstyle texts; FB 2007

Dancin' is yet another unusual typeface from American designer David Sagorski. Based on his own style of handwriting, Dancin' is an inventive, carefree typeface ornamented with dots and unusual strokes.

Font with hexagonal dots for small texts, names, logotypes, titles, headers, topics etc. Big size of this font can be used for texts on posters, t-shirts and other surfaces.

Al Seg45 is a very dense alphanumeric display with 45 segments. Thirty-two inner segments, the outer segments have been split as well, making twelve segments, and a central dot.

The dots forming this font are all hand positioned for maximum randomness! Great for display purposes or for logo work. Includes upper and lowercase, numbers, punctuation and Western European diacritics.

Bodoni Classic Stencil is another of my personal additions to the Bodoni Classic Family that Giambattista would have never made. In his days people had enough skill and the neccessary time to put beautiful handlettering on parcels and cases. No need for stencils! Today we do not need them either since shipping has gone barcode crazy, but for some reason stencil-letters are very much in fashion. Bodoni letters lend themselves perfectly to be stenciled so I just did the whole alphabet; not just the capitals. Yours, Gert Wiescher

A concertina is a kind of musical instrument, not unlike an accordeon. I just liked the name; I have to admit I’m not a particular fan of accordeon music… Concertina is a beautiful handmade script font. A little rough, but elegant as well. It was made with a small Japanese brush pen on coarse paper. Concertina comes with double letter ligatures and end-letter alternates. To access the end-letter alternates, type the letter you want + space (and make sure to tick the ‘ligatures’ box in your OT environment).

Dirty Baker’s Dozen, was released in 1998 and has since become the gold standard in raunchy stencil fonts. This version of Dirty Baker’s Dozen is pants-full of handy symbols, fractions, accents and what not. Need numeric ordinals? Probably not, but if you do, Dirty Baker’s Dozen will be there with boots on and numeric ordinals a-blazing. Two new styles were introduced in 2009: Scorch & Spraypaint. When you're using Scorch or Spraypaint styles in an OpenType savvy application, common letter pairs will be automatically replaced by custom pairs for a more realistic, filthy effect.

Frank Flowers are fonts with flowery embellishments. They are useful for all kinds of celebrations, but they also have lots of impact. There are only uppercase letters even on the lowercase keys. Uppercase and lowercase look different, so you can mix them. You can even mix the two sets, it'll look great. I had a lot of fun doing these fonts and I want you to have some fun as well. That's why I sell them very, very cheap, even cheaper if you buy the pair! -Your typedesigner for unusual solutions Gert Wiescher

Beyond broadcast Like Truman Burbank, the star of The Truman Show, FS Truman was born for TV. You’ll know it from Sky One’s on-screen trails and announcements, but it’s just as at home in other media. Its starting point was the skeleton of a highly legible, space-saving, corporate font with some of FS Dillon’s geometric discipline built in. Its distinctive tone of voice and “ownability” are in its boxy but friendly shapes, and characters with hybrid features. FS Truman’s weights and widths were honed to work at TV screen resolutions. A face for TV it may have been, but this is a font that works on every level, on screen, in print, in headlines, in listings, in longer text, in tight corners and open spaces. The space-saver Compact, condensed but crystal clear, FS Truman comes into its own where a lot needs to be said in not a lot of space. Its letter spacing allows the type room to breathe, even at small sizes, while its fulsome x-height and diminutive descenders pave the way for tighter leading. A natural for headlines and titles over three or four lines. “Hybrid” features With every font, Fontsmith look for crafty new ways to imbue letterforms with a consistent character. The idea with FS Truman was to introduce “hybrid” features. In open letters such as “c” and “s”, for example, the top terminals have straight, vertical cuts while their lower terminals have a more angular, cursive finish. Boxy, spacious forms with unusual curves and angles create not just highly legible and efficient letters but strongly distinctive ones, too.

SoftMaker’s Cooper Black Pro is a friendly, chubby typefaces with rounded serifs and tilted back ovals. It is perfect whenever an informal, friendly character is desired in your designs. Oswald Cooper designed Cooper Black in 1919 for Barnhart Brothers & Spindler; later it was popularized by ATF. This release adds variations not present in the original design: In addition to a true italic and a condensed version, you can also experiment with a “poster” variant (tighter spacing, integral umlauts and accents) and a “stencil” variant. SoftMaker’s Cooper Black Pro typeface family contains OpenType layout tables for sophisticated typography. It also comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Since my first contact with blackletters in 1999, I became more and more fascinated by these artistic looking typefaces. It all started in the USA at the age of 16, when I took an art class. I decided to trace some blackletter typefaces because they looked very interesting. From this point on I was intrigued by blackletter fonts from all over the world. I studied their different body structures and their cultural background as well as the type designers behind it. Full of information and inspiration I started to draw my own blackletter typeface in 2006. While studying in Hamburg I got in touch with the studio of URW++, where I got skilled in type software and development. Creating a type takes an eye for detail and patience but also lots of time and so it took almost 4 years until the project was finished. And so Ruca was born. Ruca is a refined and expanded typeface. When you look at the spines, the tails or the flags you can see the detailed drawing, which makes the font also extremely good looking in very tall letters. The full character set contains over 400 characters, many ligatures, two number sets and all important currency symbols. Over 300 kerning pairs and many OTF-features make the font easy in use for professional type applications. The typeface is very well applicable for strong headlines and mastheads. Because of its unique appearance, Ruca is perfectly suitable professional graphic applications such as fashion design or branding.

Capraia is a book typeface, with a heavily quirky look when shown at big sizes, and with an irregular but attractive rhythm at text sizes. Capraia Book and Regular are designed specifically for continuous texts: Book meets a current preference of Italian publishers for lighter faces, while the slightly heavier Regular is intended for the wider international market. True to its vocation for publishing, Capraia has a big x-height, medium contrast and wide bracketed serifs. Furthermore, its slightly flattened curves, some unconventional roman letterforms (a, G, Q) and the 'slanted roman' italics, along with design details such as ball terminals, give to the whole family a very contemporary appeal. Originally the design was intended as a tribute to Caslon's Great Primer but at a certain point the designer was enthralled by Baskerville. Capraia is the unpredicted and original result of that intense experience.

Pamela Bestie is a fun and playful layered font that's perfect for adding some personality to your designs. This font comes in two styles: regular and extrude. The regular style features a smooth, clean design that's easy to read and works well for headlines and body text. The extrude style has a dimensional, layered look that adds depth and texture to your designs. Both styles of Pamela Bestie feature a hand-drawn feel with slightly irregular letterforms, giving the font a charming and quirky personality. The font includes a full set of uppercase and lowercase letters, as well as numerals and punctuation. Overall, Pamela Bestie is a versatile font that's great for a variety of design projects, from branding and packaging to social media graphics and more. Whether you use it alone or layered with the extrude style, this font is sure to add some fun and whimsy to your designs.

Rever is an experimental typeface by a young designer Sasha Smirnov. It clearly alludes to 19th century typefaces with reverse contrast, but still the character shapes are as simple and geometric as possible. Rever answers the question “What can a reverse-contrast typeface look like today?” Its set of styles is non-traditional: in addition to a regular one, there are also an oblique (slanted to the left, not to the right!) and a stencil styles. The typeface can work for typographic experiments of any kind -- web, print or motion design. The font was released by Paratype in 2019.

The rounded Sans with edges. Olivia Sans got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility. Olivia has personality without being obtrusive. Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without.

Introducing Perfectly Splendid serif typeface - 5 weights Perfectly Splendid is magical, sophisticated typeface with 5 fonts to enchant your next project. Very versatile fonts that works great in large and small sizes. Basic latin and advanced latin character sets are supported! Perfectly Splendid is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase numeral, punctuation & Symbol Hairline, Light, Regular, Bold, Black Ligatures Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Liberteen is a display typeface combining contemporary sharpness of lettershapes and post-modern irony in details with historical roots. The typeface is based on slab-serif faces of the 19th century including famous Clarendon. Liberteen is not a revival but rather a free interpretation of traditional design. Its lightest and darkest styles work perfectly in extra large sizes and Regular is suitable for a short text setting. Liberteen is a proper typeface for putting together allusions to the 19th century type revolution and a contemporary layout. The typeface was designed by Alexander Lubovenko and released by ParaType in 2015.

Monocolo is the result of a reflection on communication and of the language evolution in the new media. For this reason, some emoticons have been added to the usual glyphs and symbols and icons have been added to the regular. These glyphs, through the use of Discretionary Ligatures (DL) feature, can be recalled by using their name or idea associated with them (in the English language). This feature is designed to retrieve the icons quickly and not to be applied to a text, therefore you have to pay attention to compound words when used through DL.

Duckface. Fun display font. A cartoon font. Fonts for cheerful and explosive mood. Duckface consists of three font styles. Regular, outline and black. Bold and fun font display with lots of impact! Use it as a comic book font. Use it as a cartoon font. It's fun and powerful. Suitable for children's and children's equipment but still cool and unique for products with character bags. And impact! Create your own fantastic design! Perfect for designs including comic fonts or cartoon fonts. That's good!!! Multilingual Fonts Full uppercase characters. It is also multilingual and contains all standard Western, Central and Southeast European language support.

Hey guys! Once I got a book "Letters From Father Christmas" by J.R.R. Tolkien. He wrote them for the children every December from 1920 to 1943. I totally fell in love with the calligraphy in those letters. Now I created a font and you can use it to write your own letter from the North Pole. I've also redrawn stamps and patterns from that book, so you can decorate your blank. It's Icons font style. You'll get: Regular and Icons styles Numbers and symbols Multilingual support and alternative symbols Thanks! Feel free to request to add characters you need: kaer.pro@gmail.com

Introducing Boldfire - creative font duo Boldfire is elegant and organic typeface with multilingual support. It's a very versatile font that works great in large and small sizes. This font duo is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Regular Script Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Filo Pro is a very beautiful and highly legible typeface family as regular, medium and bold. It is a quite characteristic, modern interpretation of the humanistic serif. The serifs of Filo Pro are not too dominant, and its forms are soft and organic. The font family renders extremely well in text sizes but can equally well be used for headlines. The OpenType Pro family of Filo Pro comes with an extended Latin character set including a large number of beautiful ligatures as well as small caps and different sets of figures. Filo Pro has been chosen to be part of the URW++ SelecType.

Letro’s sturdy, slab serif form and sleek alternates make it perfect for any sort of display, whether it’s professional or personal, casual or serious, big, small, on a computer screen or on paper. Letro does everything: elegant while slightly blocky, stylised while legible, solid but full of finesse, this font isn’t the jack of all trades, it comes close to being the master. Letro comes in two weights, light and regular, with support for a multitude of languages. When you need a font with serifs to get the job done, Letro is your go to type.