A freely drawn heading face prepared in 1912 by Lucian Bernhard for Bauer. The typeface enjoys a vogue in Europe.

The Modern Twenty font is a display design with classic Modern characteristics, based on a 1982 design by Ed Benguiat.

The hand-lettered name on a couple of 1940s-era piano course books was the basis for Piano Solo JNL.

Inline Lettering JNL was directly inspired by the opening title of a classic 1940s horror film, "The Invisible Man's Revenge".

Based on a 1940s lettering stencil, Teacher JNL continues Jeff Levine's extensive collection of stencil fonts based on original sources.

A condensed American blackletter designed for ATF in 1932 by Morris Fuller Benton; the face grows out of nineteenth century roots.

Max Salzmann’s blackletter font released by Schelter & Giesecke in 1912 revived and spiced up with some beautiful filling and framing ornaments.

Graphique-AR is a digital version of a type designed by Hermann Eidenbenz and issued by the Haas foundry in 1946.

Playful JNL takes its name from the obviously playful lettering found on the title of a piece of 1940s sheet music.

Kfontz is a display font that simulates the appearance of typewritten text. Each letter in Kfontz has been carefully designed to resemble the effect you get with a typewriter. This effect adds a sense of nostalgia to the text, as if it were from a bygone era, adding an authentic charm to the designs. Kfontz retains its varied and extravagant style, giving the text a lightness and a certain nonchalance. Remastered in 2023.

If you liked the XXII Marker you may like this small family too. The HandTypeWriter is, like the name might suggest, a playful handwritten typewriter font. And as already known from XXII Marker is this cool letter-replacing “Contextual Alternates” feature replacing every second glyph by an alternate character. This gives the HandTypeWriter a more natural and handwritten look. Just check it out. XXII HandTypeWriter – Your digital ink. For more detailed info: Behance.net

Nexus (2004) consists of 3 matching variants – a serif, a sans and a slab – which makes it a highly versatile typeface. There is also a monospaced version called Nexus Typewriter. The Nexus family is a workhorse typeface with extensive OpenType features. Free bonus: there are more than 100 elegant Swash italics and dozens of arrows and other icons. Nexus was awarded the First Prize at the Creative Review Type Design Awards 2006.

Doire is a monowidth font based on the face used on the old Royal Gaelic manual typewriter. Doire Royal is a “rough” version of that font. Doire was first digitized in 1993 by Michael Everson and originally used the MacGaelic character set on the Macintosh platform, and ISO/IEC 8859-14 on the PC. In 2008 Doire version 3 was released in OpenType format, completely compliant with Unicode encoding and with an extended character set.

Monograph conjures ancient typewriters, telephone switchboards, vintage office machines past visions of the future. As though it were drawn with the rounded nib a of a Speedball "B" style pen, the soft curves and rounded serifs speak of a gentler less complicated time. It is nuanced with traces of the Arts and Crafts movement at the turn of the 20th Century which stressed craftsmanship and preserving and emphasizing the qualities of construction and materials.

The original Carbon is a popular face at T26. It was released in 2003 under influence of modern typewriter and OCR typeface. Carbon Plus, a re-work version, was commissioned by local communication technology firm and is now available for commercial release. This revised version was designed with more sensible letter forms in order to add some human touch to the face. The initial release of this font also known as Carbon C6.

Modulair is a dot matrix based font with nice typographic features. Various figures, complete punctuation and small caps in three weights makes the Modulair a very usable font for subtile typographic solutions or headlines. Since autumn 2023, the Modular has been expanded with italics in three weights. The first sketches were made in 1979 on my father's Olivetti typewriter. Forty years later I used these sketches as the basis for the Modular.

Type DR Galushki was awarded a Honor Diploma for Excellence in Type Design at the International Type Design Competition TypeArt 05 (Moscow, 2005).

Forum II is transcribed from the Forum II initials designed by Prof. Georg Trump and issued by C. E. Weber in 1952.

Another in the series of stencil fonts from Jeff Levine, Class Project JNL was inspired by a lettering guide from the 1940s.

Based on an engravers’ pattern plate, this outline form deriving from an English roundhand was fitted to linecasting matrices by Intertype about 1940.

Inspired by the typefaces used for company insignia on aircraft in the 1930's and 1940's, Streamliner is light, friendly and open.

Decorative Panels JNL is a collection of twenty-six border design panels inspired by old decal and rubber stamp catalogs of the 1940s.