The Techno sound of the 1990s, a personal computer, a font creation software and some inspiration had been the sources to the F2F (Face2Face) font series. Thomas Nagel and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine Frontpage"."

Study Symbol is a whimsical and bold typeface designed to ignite the joy of learning and creativity. With its playful, thick lines and soft edges, this font adds a touch of fun to educational projects. Whether used on its own or in combination with any of its ten thematic variations, Study Symbol brings a sense of wonder to your designs. With ten unique variations inspired by education, including books, apples, math symbols, pencils, rulers, and more, this font is the perfect choice for projects centered around schools, students, and the art of learning. Study Symbol is the ideal font for logos, children's themes, crafting, invitations, packaging, posters, titles, businesses, greeting cards, stickers, children's books, magazines, and any educational designs that need a playful touch.

Shablon is a Stencil style serif typeface. The family consists of 6 fonts: Shablon Regular, Shablon Italic, Shablon Condensed Regular, Shablon Condensed Italic, Shablon Extended Regular, Shablon Extended Italic. Every font includes uppercase and lowercase letters. You can use Shablon for graphic designs that call for a rough-and-ready look, a military look, or even to create real stencils for signs and marking boxes or luggage. Shablon continues the design of Shablon CYR, created in 1994 by Zhivko Stankulov. A number of shortcomings in the construction of the glyphs have been eliminated, and the typeface as a whole has been updated. Shablon is available with active support and upgradeability. Licensees will receive all new versions of the font free of charge.

Cal Roman Modern is one more font from PKG “Cal” (Calligraphic) group. This time for calligraphic sketches we used a wide brush instead of the iron pen. Instead of minuscule letters, there are Small Caps (which are the same weight as capitals). Because there is no difference in the stroke thickness of capital letters and lowercase capital letters the difference in height is only one pen width, because of that, it is possible to use small capitals together with capital letters without noticing a difference in the thickness of the letters. Cal Roman Modern font is rhythmic, informal elegant, bright and light. As such, this font is widely used in the typographic creation of shorter text forms: magazine, catalogs and book titles, logos, posters, movie spots, banners...

Geller Sans typeface have been developed based on his serif predecessor’s proportions. He’s quite handsome, quite organised. Looking at thin–extraheavy styles he has enough of charm to stand out in advertisement. In text styles you can relay on him. He’s able to meet demand of complex design tasks. Geller Sans has been fitted with wide range of OpenType features. As Geller Serif, he has bullets & dingbats, for easier entry-point making. Entire font family comes in 4 width (Regular, Narrow, Condensed, Compressed). Each width finds its best application in different typographic fractions what makes Geller Sans easy to apply in editorial graphic design. Who’d like to challenge him?

Foundry Monoline is an elegant, modern typeface family eminently suited for use in identity, editorial, and advertising use. The deceptively simple design, and clean, linear appearance has been created using strong structural elements. Each character has its own subtleties and variations, with the monoline appearance achieved through careful optical adjustment. Since its first release, the family has been extended from 7 to 12 fonts. It now includes a comprehensive choice of 6 weights with accompanying italics - from ultra-light beautiful at large sizes, to extra bold great for headlines. It is also available in OpenType Levels 1, 2 and 3 providing a wide range of language access.

Morandi is the first commercial sans serif font created by Jovica Veljović – a much-awarded designer who's been creating typefaces for over thirty years. The product of years of crafting letterforms, Morandi is supremely graceful. Each detail has been carefully refined for legibility, with open counters and generous apertures, and the bottom of round strokes slightly flattened. Not just elegant in appearance, Morandi is an efficient design, versatile enough to work in print and digital environments, including on-screen applications. The family offers three weight ranges and includes a large multi-national character set – making it a practical choice, as well as an aesthetic one.

Old English is a digital font that was produced by Monotype's design staff, circa 1990. But its roots go much further back: the face's design is based on that of Caslon Black, a Blackletter type cast by the venerable William Caslon foundry in England, circa 1760. This design has been popular throughout England for centuries. Its style of lettering, conveniently also called Old English, can be found all over the UK. Old English-style typefaces belong to the Blackletter category. They nicely combine the design attributes of both the medieval and Victorian eras. This is mostly because their Textura forms, which were born during the Middle Ages, became quite fashionable again in the late 1800s! This Old English font is very legible for a Blackletter face. Perhaps that is why it is more familiar to readers in the UK and North American than German Blackletter varieties, like Fraktur. A favorite once again today, Old English is ideal for certificates, diplomas, or any application which calls for the look of stateliness and authority. It's a sturdy and sure bet for newspaper banners, holiday greeting cards, and wedding announcements.

The Macarons font family consists of a monoline version, regular and bold weights, and a set of gestural catchwords, which reflects the use of the ruling pen as a freestyle tool. Ornaments and dingbats are also included. Macarons is a display type based on the classic Garamond typeface. It’s inspired by the foodie culture and the slow food movement, which began as a rebellion against fast food and has now grown to a global scale. Every day, thousands of people around the world take pictures of their food, look for new recipes to try and recover old ones, enjoy wine-pairing, and value locally produced food. Macarons is a fresh and spontaneous looking typeface that has been designed by Coto Mendoza, who also has developed a hand-made product line (Ride my Bike, Ride my Bike Serif, Four Seasons, D.I.Y. Time, Dans le Cuisine and In a Jar). This font is not constructed out of modules: each character is drawn by hand. Macarons is ideal for cookbooks, menus, liquor bottle labels, food packaging, wedding invitations, greeting cards, tea boxes, food blogs, small shops, cupcake bakeries and so on. Try! A freshly-baked homemade macaron!

Old English is a digital font that was produced by Monotype's design staff, circa 1990. But its roots go much further back: the face's design is based on that of Caslon Black, a Blackletter type cast by the venerable William Caslon foundry in England, circa 1760. This design has been popular throughout England for centuries. Its style of lettering, conveniently also called Old English, can be found all over the UK. Old English-style typefaces belong to the Blackletter category. They nicely combine the design attributes of both the medieval and Victorian eras. This is mostly because their Textura forms, which were born during the Middle Ages, became quite fashionable again in the late 1800s! This Old English font is very legible for a Blackletter face. Perhaps that is why it is more familiar to readers in the UK and North American than German Blackletter varieties, like Fraktur. A favorite once again today, Old English is ideal for certificates, diplomas, or any application which calls for the look of stateliness and authority. It's a sturdy and sure bet for newspaper banners, holiday greeting cards, and wedding announcements.

Old English is a digital font that was produced by Monotype's design staff, circa 1990. But its roots go much further back: the face's design is based on that of Caslon Black, a Blackletter type cast by the venerable William Caslon foundry in England, circa 1760. This design has been popular throughout England for centuries. Its style of lettering, conveniently also called Old English, can be found all over the UK. Old English-style typefaces belong to the Blackletter category. They nicely combine the design attributes of both the medieval and Victorian eras. This is mostly because their Textura forms, which were born during the Middle Ages, became quite fashionable again in the late 1800s! This Old English font is very legible for a Blackletter face. Perhaps that is why it is more familiar to readers in the UK and North American than German Blackletter varieties, like Fraktur. A favorite once again today, Old English is ideal for certificates, diplomas, or any application which calls for the look of stateliness and authority. It's a sturdy and sure bet for newspaper banners, holiday greeting cards, and wedding announcements.

Here is something to talk about! Spread the word - spread the gossip! An elegant combination of thin and fragile lines, made with a fine pen. Fine lines, crunchy, sweet curls.

Al Seg45 is a very dense alphanumeric display with 45 segments. Thirty-two inner segments, the outer segments have been split as well, making twelve segments, and a central dot.

Pen drawn in line, outline typeface originally designed for embroidery application. Boott was designed for print media in a wide point size range. Boott requires subjective display kerning and compensation.

The wood type lettering which was the inspiration for Hayfork JNL has been given a spurred treatment, and is now available as Spurwood JNL in both regular and oblique versions.

Glamure Serif is inspired by the Myriad font which has often been used by technology companies and governments since the 1990s. Glamure Serif is a clean, sleek and versatile font, using geomatrices to make this font more modern and elegant. Glamure Serif can function as a title, logo, body copy, subtitle, headline and others.

Picking up a concept of Fritz Richter, Circensis is the realization of an adorned diplay font which had not been hitherto available, neither as a hot-metal font nor digitally. It is a great and legible font for circus and variety ads and posters, as well as for films, cafés, ice-cream parlors etc.

Alphabet Agency proudly presents Shoqwave, a distressed stencil font. The font has been designed in a unique military stencil style with an awesome distressed effect. Shoqwave is great for use in war, crime, urban, and combat sports related themes. The font contains capital and alternative capital letters, numbers, punctuation and basic Latin international characters.

Violet is a bold modern calligraphy font. Every single letters have been carefully crafted to make your text looks beautiful. This font is perfect for all your design projects like wedding logos, signatures, packaging design, stationary, modern websites and print projects. Violet comes with upper and lowercase characters, numbers, marks and punctuation. Enjoy Violet font!

Glamure was inspired by the Myriad font which has been frequently used by technology companies and governments since the 1990s. Glamure is a clean, sleek and versatile font, by applying geomattric shapes to create a fantastic, modern and humanistic font. Glamure can function as a title, logo, body copy, subtitle, headline and so on.

Stencil typefaces are popular because they are striking and decorative, and their associations - whether Utility, Travel, Vernacular, etc - are evocative. Anostencil is developed from, but not exactly like, our Ano typeface. Ano’s geometric skeleton, tweaked a bit, allows for a level of abstraction while retaining legibility. Some of Ano’s characters, such as the a, e, f and r, have been amended to make clearer, more graphic shapes when the stencil design has been applied. Different application of the stencil gaps in the letters make functional but decorative and expressive linear forms. This is particularly evident in Anostencil’s extended character set which features codified, semi abstract shapes. So the stencil design in Anostencil has been applied in not necessarily the most logical or immediate way, but in a way that makes each letter a striking and graphic shape.

Zest is an informal brush script drawn with quick, thick brush strokes. While it is based on everyday handwriting, the expansive and easy flow of the script hides the care that has been given to the crafting of each character. In style it harks back to the hey-day of American lettering and calligraphy, yet it has a looseness that is thoroughly modern. Zest comes in three styles: -- Zest-Medium, which is medium-weighted and appropriate to a wide range of applications; -- Zest-Drama, in which the contrast between the the thicker and thinner parts of a brushstroke has been dramatically enhanced; and -- Zest Bezel, in which the brush strokes have been given a contemporary, square-cut appearance. Zest is ideal for invitations to stylish but relaxed events, for advertisements that are intended to create a special ambiance, for posters and for announcements.

In case you find yourself looking for an erratic, inconsequent and loose free-style calligraphy font, I guess you need to look no further and try fancyPens. I used several pens in several ways on several days to create it and it shows. Hope you like it.

KD Arguru Stencil is a geometric display font that will give your projects an elegant look. It breaks away from traditional stencil faces by using circle as a main design element. Originally published in 2014, it's now been updated with changes to letter shapes, curves, OT features.

This is the classic English Script. Completely drawn by hand with a classic pen and then scanned and worked over just enough to keep that handmade touch. I didn't want this to look perfect, there are enough versions of this font that are way too slick.

Heavy Black is all capital brush font, made from real brush pen with original texture. it can work with any design project, such as clothing or street wear logos, headlines, social media, quotes, and more. The original texture will give a strong impression on your design.

Fox Grotesque Pro is follow-up version of Fox Grotesque family. Typeface consists of ten font styles with extended support for most Latin languages plus Cyrillic. Fox Grotesque Pro release in OTF format and includes some opentype features – proportional/tabular, lining/oldstyle figures, slashed zero, ligatures, fractions...

Sweet Titling No. 22 is part of the Sweet Collection of engraved lettering styles from the 20th Century, published by MVB Fonts. This obscure, art deco design would have been used for engraved letterhead, business cards, etc., and likely first appeared in the 1920s or ’30s.

Monotype Lightline Gothic is a thin sans serif face cut by American Type Founders to work with Franklin Gothic, which had been designed as a bold face. The rather condensed nature of the Monotype Lightline Gothic font has made it popular for advertising display and newspaper work.

Handlettering on a 1930s travel poster for the Canadian Pacific Railway provided the pattern for this distinctive Deco typeface. A strong dropshadow treatment has been added so you can create can't-miss headlines easily. Both versions of the font contain characters to support all major European languages.

King Slayer is a strong versatile serif font, the design details have been fine tuned to offer excellent readability on any screen size. King Slayer comes in three weights from regular to bold, with matching true italics, for a full range of editorial and advertising uses.

Introducing a new script font called Orlande. Orlande was created with a brush pen. It comes with opentype features and multilingual support. Orlande is good for logotype, poster, badge, book cover, t-shirt design, packaging and any more. FEATURES : - Uppercase - Lowercase - Number - Punctuation - Multilingual - PUA Encode - Opentype

Have Heart is a set of 2 hand-made marker pen fonts, designed to combine perfectly and allow you to create stunning hand-lettering quickly and easily. Also included is a set of 12 bonus swashes, ideal for giving your text that final touch of finesse!

Escaut is a modern calligraphic font, with a casual style and a lot of rhythm. It is designed with a pen with its characteristic ink discharges. Escaut includes a huge variety of ligatures and decorative characters in upper and lower case, to give it more handwriting reality

PILLS is a modular font based on overlayed circular and square forms, the characters have been spaced mathematically. 'PILLS' can have interesting side effects, when the leading is set very close. Feelings of anxiety, loneliness and depression can be avoided by 'PILLS'. Do not exceed daily dose.

Ahuta Arabic style font. This particular font is designed to look like a true vintage Arabic font, but in a simple and elegant form, so you can use it in all your designs which will surely make your projects beautiful. This font has been created by our dedicated team to create the best quality typeface you will ever find.

Open Range is a new font design based on an old classics sans serif font from the 1800s. Some may say that this font looks like a western version of the more modern Benguiat but samples of lettering from the 1800s show a similar design to Benguiat and may have been the inspiration for that font.

Bonaventure is a Roman display family full of the spirit of the Art Nouveau era, and joins our popular related group of families which also includes Bonning, Bonnington and BonaVia. Three weights are offered, including a shadowed black form, in a choice of three widths: regular, condensed and Expanded. It's the ideal family for signage with a period feel, as well as for posters, headings and certificates. A combination of Bonaventure with Bonning and its other related faces will bring a harmonious design ethos to any project.