The handwriting of A Teeny Tiny Teacher, Kristin Oldham.

Inspired by an old Russian book about Moscow’s plan to take over the world, this font was designed to give digital prints the taste of hand lettering. It’s vivid outlines and slight differences in boldness between characters give it an accurate and realistic imperfect letterpress look. It works amazingly well as a text font in small sizes and shows it’s crippled outlines only at larger sizes. »CA Moskow has a plan« has got an extensive character-set including Russian Cyrillic, the Russian Rubel and the Turkish Lira sign. Although it includes kerning, for a full simulation of letterpress print and cold-war feeling we recommend to turn it off.

Proudly present A Day That Feels Better Typeface, created by ClevUs, A nostalgic serif & calligraphic italic that has own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. Font Features : Letters, numbers, symbols, and punctuation 101 alternates and ligatures No special software required they may be used even in Canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

an art deco font based on brazilian Rio's lettering old publish lettering style

Originally I planned to call this font “pegefinger” which is index finger in danish. Due to the obvious reason that I drew the letters using my “pegefinger” :) Most letters mimic a loose (perhaps even childish) handwriting, but the legibility is never out of hand. I’ve added 5 different versions of each lowercase letter, and they automatically changes as you type!

A neat handwritten font in 2 styles- one with hearts and one without hearts.

WineGrape uses the following OpenType features to set up to three different color layers: - Small Caps / changing direction - Superscript/Superior (Grapes) - Subscript/Inferior (Leafs)

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

This font is a collection of simple calligraphic ornaments suitable for invitations, gift tags, and anything that can benifit from a "spoonful of sugar" visually.

Another in the series of competent IBM serifed typewriter faces, this one from Howard Kettler in Lexington in 1956.

It’s an extension to the Trivia font system. Serif 10 has been meticulously adapted for sizes of about 10 points, to be used for all kinds of literature: magazines, newspapers, books, including large scientific volumes.

Vtg Stencil Germany No.101 is modeled after historic stencil plates from Bavaria. The design is a blackletter chancery, a romantic reprise of a style that was common in German writing offices from the 14th to the 16th century. The flourishes stylistically quote the Baroque period. A talented mind, perhaps around 1890, has transformed the textura shapes into a modular stencil system. Many elements are repeated throughout the glyph set - see for example the initial swashes on the letters A, B, U etc. Overall, this decorative blackletter doesn’t look like a stencil design. Maybe it was originally used by a sign painter, and all the typical stencil bridges would have been painted over in the final work. If you’re looking for a decorative blackletter font with a unique touch and a romantic feel, you will love Germany No.101.

Messily scrawled handwriting.

Another in the series of competent IBM serifed typewriter faces, this one from Howard Kettler in Lexington in 1956.

Mr Foodie is a set of 825 icons divided into 7 groups – 109 fruit icons, 157 kitchen icons, 120 animal products icons, 100 veggie icons, 107 desserts icons, 127 beverages icons, and 105 other food related icons. You can find a full, multi-color list of every icon with its name and corresponding character on a dedicated website or in a pdf manual. It’s a multilayer font so every group consists of 4 fonts – Regular, Back, Front, and 3rd Color. The Regular style is for single color use only and the Back, Front, and 3rd Color styles are necessary if you want to achieve a multicolor effect. Position three identical text boxes exactly on top of each other, apply layer font styles, and choose whatever colors you like. You’ll quickly discover that some icons don’t have 3rd Color style. This is not a mistake – a lot of things look good with just two colors. Use it to make logos, illustrations, games, app icons, t-shirts, mugs, cooking books, restaurant menus, interior decorations, invitations, balloons, and any other project where fine crafted food drawing is needed.

The Madison Ave. family started from Madison Ave. at Fontstruct.com. As my most downloaded font, this was an easy, although not necessarily logical choice to make – regarding taking an existing free font and attempting to offer it for purchase. The font is very basic and simple in its layout, but has achieved popularity over at Dafont with almost 80,000 downloads with its cool, understated nature and inherent sophistication. The original Madison Ave. is now 95 Madison Ave. A couple of glyphs have changed from the original, but mostly the set is the same. The big news here is the availability of multiple variations on the original. Ninety-five refers to the filter settings used to achieve the faint cross lines in the font. The sequence 95-100 provides a gradual fade to solid effect when used together. The other versions use variations on the filter settings that allow each its own distinctive flavor, while at the same time maintaining inherent characteristics of the original. Ninety-five is now joined by 55, 75, 97, 99, 100, 102, 105, 155, 175, 201, 202, and 275. 100 is the solid version which doesn’t contain the trademark lines found in 95. In 95-99, the line width varies to achieve subtle effects. 50 and 85 are distorted by reducing the filter settings in a somewhat minimizing fashion. In 102-205, these are distorted by increasing the filter settings above the normal which is what 100 represents. While some of the effects are extreme and challenge the legibility of text, these can be fun or edgy. They offer a cohesion that can be used to advantage for different projects that require the use of a modern font family.