Begilas is a stylish and modern serif font. Add it confidently to your unique projects and you will love the results!

Lifters is a unique and modern display font. Shifter will work perfectly for logos, branding, advertising, and any kind of project.

Max Salzmann’s blackletter font released by Schelter & Giesecke in 1912 revived and spiced up with some beautiful filling and framing ornaments.

Kalimar is a cool and modern serif display font. Add it confidently to your projects and you will love the results!

Mastro is a contemporary design comprising 72 styles. With 9 weights and 4 optical sizes: Caption, Text, Sub-head and Display. A super versatile font family ideal for editorial, graphic design, branding and web. Filled with iconic unusual shapes, yet with a super rigorous professional look this design will stand out and work efficiently. Caption styles are meant for very small text like footnotes; Text styles are meant for long strings of text; Subhead styles are meant for sub-headlines; Display styles are meant for large size type setting. Mastro has many OpenType features such as Small Caps, Standard and Discretionary Ligatures, Superscript Letters, Case Sensitive Forms, Lining Figures, Old Style Figures, Tabular and Proportional Numbers, and more. If you want to enlarge this font family make sure you get its sans counterpart: Mastro Sans.

A font with boxes, bullets, large brace segments, etc. Plus six pt. wide line segments which will generate lines in 16 weights, in any program which supports fonts.

Inspired by the sign outside a beauty salon, it is an art-deco all-caps font. This font will NOT make you more attractive to the opposite sex.

Classy is a modern serif font, that features a simple and minimalist feel. This font will brighten up each of your designs. The only limit is your imagination!

Nick Curtis's love affair with typography began when he was barely past adolescence, in a neighborhood alley of East Dallas. On a routine patrol for tossed treasures, he came across a type specimen catalog: a big, fat green binder displaying hundreds of fonts! He was hooked. Curtis's career has taken him from production art to graphic design to art direction, but type has always remained his graphic passion, especially the provocative designs produced from the late 19th through the early 20th centuries. Curtis's inspiration for ITC CuppaJoe comes from Art Deco lettering, but not from the typical sources. Depending upon your age or your interest in early twentieth-century package design ITC CuppaJoe might look familiar. Its foundation is the label art for Bokar, A&P's premium coffee during the 1930s. Curtis built on the gently sweeping curves and bold angular strokes of the original coffee-can lettering to create a distinctive typeface that commands attention. Rich, full-bodied, satisfying - now that's a ITC CuppaJoe!