Another techno-sans with interesting compensators, inspirit by Alexander Rodchenko works. Clean, strong, ultra here and there. Plus free symbol typeface for supporting in various situation.

Only You is handmade, and specially romantic. It was made to brighten your projects, turning everything more beautiful. The special encounter between uppercase letters and lowercase letters is perfect. Only You is unicase, with 888 glyphs, and what’s better: it has one special alternative for all letters as uppercase, and that creates an infinity of combinations. Only You is brilliant, gorgeous, and multilingual - it also includes the Cyrillic version! It has more than 200 ligatures, several alternates and swashes. You can also obtain an unlimited number of possibilities in your layout - there are several possibilities for starting and finishing a word. Do you want some more? You should take a look at Only You Icons with more than 300 options between icons, ribbons and frames that will make your project very attractive and romantic. The font doesn't have PDF and works better in softwares that support the complete OpenType function.

Adi Stern’s Noam Text shows that typographic progress is often in the small things — in the perfecting of familiar traditions and in staying loyal to the spirit of what came before. It can’t really be called progress unless it honours its history. In this way, TypeTogether is happy to introduce Noam Text: A Hebrew and Latin serif font that builds on its heritage with the twin tools of honour and progress. Since 1908, the Frank-Rühl fonts have dominated the Hebrew book and newspaper market. Noam Text’s design goal was to create a coherent family with both Latin and Hebrew serif text typefaces, each authentic to its own script, and which would serve as an alternative to last century’s predecessor. In short order, users will recognise Noam Text as a source of progress in its bilingual abilities. Hebrew and Latin have opposite reading directions, creating many issues: opposing directionality of the open counters; vertical stress in Latin, but horizontal in Hebrew; fewer extenders in Hebrew; and no Hebrew capital letters. All these have been taken into account in Noam Text’s modern design. Of unique importance — all punctuation marks have a Hebrew version, which makes each script complete and uncompromising. Among other technologically advanced details, Noam Text was programmed for all expected scenarios of mixing Hebrew, Latin, figures, and punctuation. Noam Text is intended mostly for setting long texts, so it strives to achieve maximum legibility in minimum space with its large x-height, short and fairly condensed Latin capitals, large and open counters, and low contrast. Originally derived from the Hebrew, the shallow horizontal curves and strong baseline serifs provide dynamism and enhance the reading flow. Noam Text Latin’s italic is rounded and reading friendly, is condensed to generate a lighter texture than the roman, and has a flowing stance. These virtues help it endure harsh printing conditions and subpar inks and paper. Noam Text’s three total weights provide a proper solution for integrating texts in both scripts, as well as a contemporary alternative for use in books, newspapers, and magazine design. Aligned with TypeTogether’s commitment to produce high-quality type for the global market, the complete Noam Text family displays an impressive amount of discretion, applying to wide use-cases by not edging too close to religious motifs or imbibing in secular indulgence. This means Noam Text can be the go-to family across the board and capitalise on the desire for clear typographic progress in this modern age.

A mechanically drawn felt tip pen styled font with matching common cap styles suitable for greeting cards, posters, and announcements. Ravenna requires subjective display kerning and compensation.

Antique Decorations JNL collects more images of vintage letterpress embellishments [primarily from wood type sources]; redrawn in digital format and made available in one convenient font file.

The idea for Quirky was born while I was looking at a book of etchings by British artist Graham Clarke. His signature, crawling spider-like across the page, fascinated me with its casual, almost messy, inky dark and light drama. I started scribbling the alphabet as I imagined he would write it, based on his signature, then continued, adding curls, making the characters more angular, and refining the dramatic play between dark and light. Finally, Quirky appeared. Apparently casual, Quirky is, in fact, a true connected script. Quirky is characteristic of contemporary handwriting: It appears loose, angular, unstructured, and free, while maintaining good form and legibility. Its baseline is varied, creating an impression of impatient handwriting, without losing legibility. Quirky comes in five styles: condensed -- the most dramatic form, with great drama between thick and thin condensed black -- as with condensed but allows the user to provide exceptional emphasis wide -- increased readability wide black -- increased readability and emphasis splat -- messy and ink-blotted -- a hint of grunge Use Quirky for advertising, for humorous greeting cards, for a funky fashion look or tongue-in-cheek spooky media. Quirky is a fully professional font with extensive use of OpenType Ligatures. For example: most common double letter combinations such as "ee" are rendered as two, slightly different shaped "e"s. This variation in letter shapes removes the cues by which the reader identifies that he is viewing a FONT and thus conveys a strong sense of hand-lettered text. Language support includes all European character sets and has been designed to be used with the following languages: Afrikaans, Albanian, Basque, Bemba, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Ganda, German, Icelandic, Indonesian, Irish, Italian, Kinyarwanda, Luo, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Sango, Shona, Somali, Spanish, Swahili, Swedish, Swiss German and Zulu.

The aviation world contains loads of stylish logotypes, from handwritten scripts to geometric styles and so on. The Avionic Condensed family finds its origins of inspiration in the Air China company logotype, and from there has been expanded upon to create a large stylistic family of 40 fonts. Avionic celebrates the geometric sans serif styling of the original logotype, evolving beyond the condensed all capital set logo to include a lowercase designed in parity with the original design style, as well as many weights and widths to offer a fresh diversity. Each subfamily includes a full standard character set with expansive international support of latin based languages, and 5 weights jumping from book to black, along with 5 accompanying obliques. This family is ready to chart a course for your design destination, whatever it may be. Here's what's included with the Avionic Family bundle: 370 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. 5 weights in each subfamily: Book, Regular, Bold, Heavy, & Black. • 4 widths in the collection: Condensed, Regular, Wide, and Extra Wide. Accompanying Obliques with each weight/width style. Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Avionic Collection is for you: You're in need of a dynamic geometric font with a variety of weights and widths for your designs You're an aviation junkie and have to have anything inspired by Air China You love the style of Bank Gothic, but really want something just a little different You are looking for a pseudo-techno style font family with versatility You just like to collect quality fonts to add to your design arsenal

Chianti was designed at Bitstream by senior designer Dennis Pasternak in 1991 and initially released in 1995. The intent behind the design was to provide a humanist sanserif of high readability at a wide range of sizes and weights. Humanist sanserifs (others that fall into this category are Linotype’s Frutiger and Optima, and Monotype’s Gill Sans) are an attempt to improve the readability of sanserifs by applying classical roman structure to the letterforms. To enhance its versatility, Mr. Pasternak designed a wide variety of alternate characters, rare ligatures, ornaments and swashes. Chianti is a friendly sanserif useful for a broad range of typographic needs.

Avendica is an experimental typeface inspired by Celtic Roman font. It’s developed with a modern serif style design so it looks elegant and luxurious. This font is only used in Uppercase form with some different styles between the uppercase and the lowercase. This font is suitable for short-text designs like headlines, logos, brands, and more. Works on PC & Mac, simple installations, accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support Image used: All photographs/pictures/vectors used in the preview are not included, they are intended for illustration only. Thank You

Orbi Sans was designed as an extension of the font system Orbi released on the end of 2010. It’s a low contrast humanist sans serif of open design with the elements of dynamic nature that inherited from Orbi its elegance and clearness. The faces were coordinated with Orbi on metrics, proportions, weights, and design features. Orbi Sans consists of 4 roman weights with corresponding true italics. It can be used together with Orbi and separately. Due to wide variety of styles the family is very good for books, periodicals, and business papers. The fonts were designed by Natalia Vasilyeva. Released by ParaType in 2011.

Supernova is a new family that combines the spontaneity of a script typeface with the versatility of multiple weights and cuts. The development of script typefaces has largely been limited to variations in shape and proportion (and with the advent of OpenType technology, the addition of alternate letterforms). Their application has continued to be primarily linked to their emotional attributes, while roman types predominate in body texts. Supernova takes a step in a different direction and was conceived as a script typeface family comprised of several weights and cuts, including a versatile, eye-catching display version and a highly legible body-text version with five weights.

Brogue was designed to be a display typeface, but it can be used for a small body of text. At its core it is an uncial influenced typeface that has been allowed to stray from its roots. Embracing other alphabets, Brogue mixes in some unexpected letterforms that really give it a quirky and unusual look. Because Brogue is unicase it allows the designer to mix and match the roman, italic, upper and lowercase letters together for a truly unique design. Brogue's character set will support the following languages: Azerbaijani (Latin), Belarusian (Latin), Czech, Danish, Dutch, English, Esperanto, Finnish, French, German, Hungarian, Iclandic, Italian, Polish, Portuguese, Romanian, Slovac, Spanish, Swedish, and Turkish

The name Angryhog came out of nowhere out of free association. "When you're working on a typeface on the Mac it demands a name from you which I find a bit confrontational" says Donaldson. ITC Angryhog brings together Roman and Gothic influences in a quirky and sophisticated display face. Characteristic of this typeface are its sharp, pointed forms, especially noticeable in the serifs, which give ITC Angryhog a restless, almost aggressive feel. It is as though the letters have a mind of their own and ignore all rules and regulations. ITC Angryhog is a perfect typeface for comics or satire, best suited to short to middle length texts and headlines.

The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard foundry in Edinburgh, Scotland. Many American foundries made versions of this type which eventually became known as Bookman. Monotype Bookman Old Style roman is based on earlier Lanston Monotype and ATF models. The italic has been re drawn following the style of the Oldstyle Antique italics of Miller and Richard. Although called “Old Style,” the near vertical stress of the face puts it into the transitional category. The Bookman Old Style font family is a legible and robust text face.

Didonesque Ghost is a family of 10 fashionable fonts that will enhance any project that requires a touch of class. These fonts turn the contrast right up to 11 – giving each weight a ghost-like appearance by means of their hairline stems and serifs. This extreme contrast gives Didonesque Ghost a very stylish appearance which is intended for use in display purposes at very large sizes – posters, signage, branding, corporate identities, headlines, advertising, wedding invitations and the like. See more detailed examples here . Key features: • 5 Weights in Roman and Italic • Small Caps, Petite Caps, Contextual Alternates, Ligatures and Discretionary Ligatures • European Character Set – Latin Only • 750 glyphs per font.

Portoluce is a Roman typeface. This fonts are delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs provides a fresh and very contemporary look. The family has 3 weights with italics, ranging from Regular to Black ideally suited for advertising and packaging, book text, editorial and publishing, logo and branding, small text as well as web and epub. Portoluce provides advanced typographical support with features such as ligatures, old style figures and small capitals. As well as Latin-based, the typeface family also supports Central European languages.

Elogium Pro is designed by Naghi Naghashian. It is a modern interpretation of classic Roman characters in 3 weight: Light, Regular and Bold. The character set of this Font family supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Hi! Celtic Nova font is available. The font is presented in regular and color versions. This is a new classic Celtic font with spirals and knots. Celtic Nova font is perfect for printing of graphic arts, posters, packaging and t-shirts. The font is given in regular and colored versions. *You can use color fonts in PS since CC 2017, AI since CC 2018, ID since CC 2019, QuarkXPress since 2018, Pixelmator, Sketch, Affinity Designer Since macOS 10.14 Mojave, Paint.NET Windows only.* *Please note that the Canva doesn't support color fonts!* You'll get: * A-Z letters * Numbers If you have any questions or issues, please contact me: kaer.pro@gmail.com Best, Roman.

Ruha Harline is a modern and mechanical serif typeface and is the result of stencil's RUHA development. Being the first typeface of the family, it sets the basic concepts for further development, on each version to come. The design approach, results from a rigid geometrical connection with the Roman du Roi, since the letterforms are imposed by the constraints of the RUHA ruler. The main typographic proportions are connected with the modern typefaces, like Didot or Bodoni. Maintaining the same structure with different typographical and stylistic properties, the stencil allows to explore a modern typeface, with vertical stress, high contrast between the thick and thin strokes and hairline serifs.

One of my favorites. Rundgotisch is a easy to read for eyes that are accustomed to roman letterforms, yet keeps in touch with its blackletter roots. It was released around 1900 by Schelter & Giesecke of Leipzig, Germany. Can be used to set short text passages and pairs easily with many different decorative initials of the period. A very useful typeface. Don't leave home without it. According to Bringhurst, Schelter & Giesecke was formed in 1819 by Johann Gottfied Schelter and Christian Friedrich Giesecke. This old German printing house was sucked up by state-owned Typoart in 1946, after Marshall Zhukov and the Red Army had established Soviet dominion over East Germany.

The design of Zwoelf stems from a letter created by Oleg Pashchenko for the poetry book called “They Talk.” Modified in several ways, the lettering gained readability and a more neutral look. This typeface combines Modern and Gothic styles, ugliness and beauty, the horrifying and the funny. Typographers may highlight any of this. Zwoelf features elements that can be found in both Roman and Gothic styles, but has no real historical prototype. It creates coarse body copy that feels like blackletters. The type is well-suited for use with rough line graphics. Zwoelf is a good choice for short texts, headings, witchcraft potion recipes, madrigals, spells and treasure map naming.

Introducing Catto Puroo, the perfect font for all animal-related products. With three different versions - regular, display, and extruded - Catto Puroo offers versatility and a range of design possibilities. The display version features a paw print on the font, which is perfect for creating fun and playful designs. Combine it with the extruded version for a 3D look that will make your designs stand out. Catto Puroo is the go-to font for animal lovers, pet enthusiasts, and anyone looking to create designs that are fun, quirky, and memorable. Features : - Catto Puroo Family Fonts - Ligatures - Multilingual, US Roman, Latin 1 Support --- Hope you enjoy with our font! Attype Studio

Hey, friends! I’m here for you with my new colored font Maxly. All the letters in this font are colored brightly and vividly with colors overlay. You can use it in your corporate identity, in magazines, posters, clothes design, and others. --- *You can use color fonts in PS since CC 2017, AI since CC 2018, ID since CC 2019, QuarkXPress since 2018, Pixelmator, Sketch, Affinity Designer Since macOS 10.14 Mojave, Paint.NET Windows only.* *Please note that the Canva & Corel doesn't support color fonts!* --- What's included? * Colored and regular B&W styles * Numbers * Symbols * Multilanguage support If you have any questions or issues, please contact me: kaer.pro@gmail.com Best, Roman.

The design for Aurelia is based on the forms of Jenson, an Old Style typeface developed by Nicolas Jenson in 1470 which still influences type design today. Zapf gave Aurelia a bit of his own personal style and adapted it to the demands of modern technology. The family of typefaces was originally designed for use with the typesetting machines produced by the German company Dr.-Ing Rudolf Hell GmbH which was later merged with Linotype. The name Aurelia is a nod to the Roman emperor Aurelianus (214–275), who built the Via Aurelia in Italy. Aurelia is a robust and classic font, suitable for both text and headlines.

Lancea is a fancy sharp serif font. Inspired by medieval roman writing combined with the sharpness of a lance, Lancea is packaged in a font that has sharpness in each letter with an elegant shape that has a strong appeal. Lancea also gives it a sophisticated feel with a sleek and clean serif shape. Lancea typography can help you complete various projects such as luxury brand logos, journals, business cards, headline, products, social media posts, web, etc. There is a decorative alternative style feature for uppercase letters. If you are involved in a project that requires fancy and professional writing, Lancea is perfect to assist you in completing it. Thank you!

Banjax Notched is a dynamically restyled version of the original Banjax humanist sans serif typeface. Banjax Notched is intended for use in titles, headlines, branding and logo designs, whether that be for a book cover, film poster, advertising campaign or sporting events, these fonts will add an extra dimension to your designs. Naturally, Banjax Notched perfectly complements the original Banjax fonts so that you can launch a fully integrated campaign. Key features: • 7 weights in Roman and Italic • Small Caps, Petite Caps and 3 Alternates • Latin Extended and Basic Greek glyphs • 1100 glyphs per font. See more detailed examples at the Banjax Notched microsite.

Strato Pro font family is a modern serif typeface family with readability and legibility in mind. Inspired by Classic Roman typeface design, Strato Pro has 16 weights, which range from book to black with small caps, and an ornament set if you want to give your creation a distinctive elegance. Strato Pro includes functions with all the OpenType features you would expect in a modern serif font family, such as stylistic alternates, discretionary ligatures, pro kerning, ornaments, language support, case-sensitive forms, old-style figures, and many more features. Strato Pro has an extended character set to support Central and Eastern European as well as Western European languages.

Mero inspired by the Roman Capital Proportions which we have seen in Trajan Inscription. With different widths; There are applied each letter to visual proportion. Mero inspired by this measurement method and would like to create the primary typeface in terms of simple form. This sans serif typeface designed to use for any media with a little notice from designer eyes. You won't notice much about style, but something will let you feel extraordinary and trust. Mero has supported over 30 languages and come with nine weights for a complete family. With the standard of CSS font-weight, Mero complete family will map beautifully for your digital layout.

Fantasy draws on a series of historical calligraphic traditions: Roman capitals, Lombardic initials, enlightenment era ornamentation and refinement. The user is invited to deploy their imagination playing with the alternates, ornaments and frames in different universes like publications and stationery. Fantasy Pro is the fully-featured OpenType version with two styles of capitals and plenty of swash alternates and ornaments. Each of these varieties is available as a separate font in addition to Fantasy Std, a set of unadorned standard characters for smaller settings. Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. Give a touch of magic to your work!