Vintage Varsity was inspired by that classic iron-on letterman jacket your "cool" uncle wore in high school (and lets be real, probably still wears today)... Pair with some fuzzy felt textures and you got yourself a killer duo! Strike the fill, throw a stroke on it, and design a retro-slogan t-shirt. Is this starting to sound like a cheesy infomercial? Good, I'm rolling with it. Have fun!

Quiche Sans is a high-contrast, sans serif with monoline stroke endings, angled stems, and geometric proportions. A sibling to the Quiche family, with the ball terminal endings removed. The design is influenced by the serif didone genre, characterized by its elegance and extreme thick/thins, but it removes the serifs for a unique and modern expression and tapers out the stroke endings for a sophisticated monoline appearance.

CRAFTY BEACH -craft font with summer clipart- it is a simple, natural, and fun handwritten font. This font is designed for crafters. It is great for branding, packaging, quotes, t-shirt design, card, banner, cutting, silhouette, and anything of craft project. I create the summer clipart to complete this font. The clipart is very easy to use. Features: - Uppercase - Lowercase - Number & punctuations - Multilingual - Summer Clipart - PUA encoded regards, Abo Daniel Studio

Metroland inspired by urban and modern life on a metropolis city. Metroland have a Subway vibe and a transportation theme that relate to our routine. Metroland is simple and modern sans serif display family font. it has a monoline geometric, and simple atmosphere. Metroland came with 9 weight and 9 italic fonts. It can easily be matched to an incredibly large set of projects, and good for communicating your brands.

Gilbert JNL is an interpretation of Eric Gill's classic sanserif typeface, which has become an all-purpose workhorse in ad copy. While other versions of gill-sans fonts have multiple weight sets, Jeff Levine chose to replicate this particular weight as a single design [in both regular and oblique versions] because of its popularity with sign makers of the past and give to it the minor nuances of hand-made lettering.

This is your Lucky Day, and if you are really lucky...it could turn into Lucky Days! :) Just go ahead and type with Lucky Days, it has 6 different versions of each letter...and they are all handmade. The letters are super legible, and can be used for a great variety: posters, postcards, invitations, comics or crafts. I even imagined a label for a beer, using this font!!!

Introducing a new script font with a bold and clear style. Yes you can use this font in your projects and make it even more classy. It can be applied to logos, video previews, crafts, apparel products, packaging, photographer watermarks, and any of your other awesome projects. for an overview you can see some of the previews above. Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Alternate -Ligature -Swash Thanks.

Laugh Together is a dynamic display font inspired by urban streetwear culture and the vibrant world of brush paint tagging graffiti. With its bold and expressive style, Laugh Together makes a fun and bold statement in any design. This all-caps font features a complete set of A-Z alternates, allowing you to experiment and create unique combinations. Additionally, Laugh Together supports multilingual characters, making it versatile for various language requirements.

Flood was designed by Joachim M�ller-Lanc� and is not just another handwritten face. At smaller point sizes it exhibits the natural, dynamic, and spontaneous flow of felt tip marker writing. At larger sizes Flood is immediate, urgent, and provocative in its stylized detailing, without being overly dramatic. Flood�s energetic rhythm is well suited for informal menus, logos, and brief ad copy, as well as personal correspondence.

Wallet is an expressive handwritten font with loads of personality, suitable for many different projects. It comes in three styles: Felt, Felt bold and Chalk. Wallet has 391 glyphs and supports multiple languages. Opentype features, such as contextual alternates, for replacing beginning and ending glyphs as you type and double letter ligatures are also included. To make full use of its potential Wallet requires an opentype-savvy application.

Giselle Dolicia is an elegant and assertive serif font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! Giselle Dolicia is also included full set of: uppercase and lowercase letters multilingual symbols numerals punctuation standard ligatures Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :)

Owned is a stunning embodiment of the urban aesthetic, with its authentic marker graffiti look and feel. This typeface is a perfect fusion of style and substance, as it captures the essence of streetwise design. Its pragmatic ligatures are not only visually appealing, but also accentuate the natural irregularities of an urgent scrawl. The beauty of Owned lies in its diversity, as it brings together a wide range of stroke weights and angles to create a dynamic and powerful effect. The overall effect is one of urgency, as if the words were scribbled on a wall in a hurry. This typeface commands attention and grabs the viewer’s eye, making it a perfect choice for bold and impactful designs. Owned is an exceptional typeface that is sure to make a statement in any design project. Its unique features and smart design will add an edge and grit to any design, making it a must-have for designers who want to create a bold and unforgettable impact. Whether you’re designing a logo, poster, or website, Owned is the perfect graffiti typeface to add an urban flair to your project. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Yes, finally. This one took the most time and the most restarting. Years went into imagining what Lust Text should look like and how it should structurally behave in order to truly improve upon a setting that includes any of the Lust typefaces. I approached it as much from the side of the type designer, as I did a potential user. The flow, the warmth, the personality needed to be there, but all of the excess had to be removed responsibly. In the process, and in need of inspiration, I looked backward to historical artifacts and precedent. In each early Lust Text approach, the solution was lackluster and/or vanilla and not actually a ‘Lust’ typeface. The exercise was not in vain though. By exploring past examples, I found my footing drawing for media now and how it might be used later—all the while, producing seamless, elegant curves and restrained indulgence (that sounds almost silly to say, but I like it). The Lust Collection is the culmination of 5 years of exploration and development, and I am very excited to share it with everyone. When the original Lust was first conceived in 2010 and released a year and half later, I had planned for a Script and a Sans to accompany it. The Script was released about a year later, but I paused the Sans. The primary reason was the amount of feedback and requests I was receiving for alternate versions, expansions, and ‘hey, have you considered making?’ and so on. I listen to my customers and what they are needing… and besides, I was stalling with the Sans. Like Optima and other earlier high-contrast sans, they are difficult to deliver responsibly without suffering from ill-conceived excess or timidity. The new Lust Collection aggregates all of that past customer feedback and distills it into 6 separate families, each adhering to the original Lust precept of exercises in indulgence and each based in large part on the original 2010 exemplars produced for Lust. I just hate that it took so long to deliver, but better right, than rushed, I imagine.

English description Karela is a humanist slab serif family. Karela is also the Basque word for gunwale, this is, the widened edge at the top of the side of a boat, where the edge is reinforced with wood or other material and to which the thwarts are attached. Gunwales resemble the way slab serifs reinforce vertical stems giving a more robust appearance to the letters. The sturdy, solid and often mechanical structure that is customary in slab serif or mechanistic typefaces is softened in Karela applying subtle tweaks as: humanist proportions, slightly curved endings in ascenders, and curved edges in serifs. The influence of calligraphy is noticeable all over the character set, especially in counters and letters with instrokes like “m”, “n” and “r”, and it becomes explicit in the italics. On the other hand, its low contrast, generous x-height and the constant width of characters across weights makes it very convenient for editorial uses when low resolution is a concern. Karela pursues to give a human touch to a strong and highly functional structure. It seeks for the ideal combination of strength, precision and warmth of the wooden parts painstackingly handcrafted by ancient boat builders. Besides its 12 standard styles, Karela offers also four additional fonts called "grades". Grades are subtle changes in stroke weight in order to compensate for differences in printing media or display conditions of text layouts. To minimize these subtle changes without a reflow of the text they have to be designed with the same character width of the base style. Karela offers 4 grades for its Regular weight: Grade Minus 5, Grade Minus 5 Italic, Grade Plus 5 and Grade Plus 5 Italic. This makes possible to counteract the effect of changes in paper, temperature, paper, background color… In addition, Karela takes this no‑reflowing idea from grades and extends it to the whole range of styles, allowing to play with any of its weights without undesirable text reflows. Enjoy the layout stability while you experiment and play with variations! Karela presents also a wide range of Opentype features for a professional text layout.

Lilard - Elegant Serif Font Lilard - Elegant Serif Font is a beautiful typeface that exudes sophistication and grace. The font was designed with the idea of creating a classic and elegant look, while still maintaining a modern and clean feel. The result is a font that is versatile and can be used for a variety of projects such as branding, logos, packaging, photography, and more. The design of Lilard font is inspired by the timeless and elegant look of serif fonts, but with a contemporary twist. The designer wanted to create a font that would stand out and be memorable, while also being easy to read and understand. The elegant curves and sharp serifs make Lilard a perfect choice for projects that require a touch of elegance and sophistication. Lilard font is best used for projects that require an elegant and refined look. This font is perfect for use in wedding invitations, business cards, and other high-end print materials. The font works well when paired with other sans-serif fonts, which helps to create a modern and clean feel. Lilard font comes with a variety of features that make it stand out from other fonts. The font includes uppercase and lowercase letters, as well as opentype features such as alternates and ligatures. Additionally, the font includes numbers, punctuation, and symbols, making it a versatile choice for a variety of projects. The font also supports multiple languages, making it a great choice for international projects. If you're looking for a font that is elegant, sophisticated, and versatile, Lilard - Elegant Serif Font is the perfect choice. Its unique design and features make it an ideal choice for a variety of projects. Use this font to add a touch of elegance and refinement to your designs and make them stand out. In summary, Lilard - Elegant Serif Font is a beautiful and elegant font that is perfect for high-end projects. Its unique design, features, and versatility make it a great choice for a variety of projects, including branding, logos, packaging, photography, and more. With its opentype features, multiple language support, and easy-to-use formats, Lilard is sure to become a go-to font for designers looking for an elegant and refined look.

Nixed is a cool and daring display font. Add it to your posters, headlines, banners, or anything that requires strong and modern typography.

It is the Ionian version of the ancient Greek script. Ancient Greek numerals are included. It's not Unicode, it's a Latin based font.

So classic, so retro... it's Retrology! Introducing, Retrology. This monoline typeface will bring you to the good ol' days with its classic touch!

Blinked is a stylish handwritten script font. It is suitable for your crafting projects, but also for logos, quotes and so much more.

Shadowy Script is modern calligraphy font. It is perfect for branding, cards, gorgeous logos, posters, wedding invitations, blog posts, social media, and more!

JH Naskh Expanded font is designed based on Naskh calligraphy; it is typical for book covers including spine, headlines, short text paragraphs, poetry…..

In Carpenteria each letter is hand-designed based on a geometrical old mechanical style. You can use it for posters or impact graphics.

Argone is a handmade, organic, display family and comes in four weights. It also has a version with lower case letters – Argone LC

This is a great poster font. It was created by hand, scanned and digitalized for quality. Font includes over 200 characters and glyphs.

Hello Farmer is a handwritten font in Cute, Bold and Child style. It is suitable for promotional designs, labels, packaging, branding and logotype.

Is it Halloween yet? Dead Inside Chilling Font is an adorable hand-made typeface with 13+1 chilling icons, for the upcoming Halloween.

Axplat is the first in a family of grunge, deconstructed, messed-up type faces. It has Euro and almost all the special characters.

Arrowman is a strong and bold decorative font with a Gothic feel. It will surely turn any design project into an eye catcher.

JH Lea cursive is a school kids typeface; it is designed based on cursive handwriting , typical for children books, first hand calligraphy experience.

Galista is a modern and casual script font. It has beautiful swashes and it’s perfect for logos, wedding invitations, branding and much more.

HU Makingfilm gives a solid feeling of a full module, and it is a font that adds softness by rolling the angled part.

This is a hand-drawn font with unique quirks like the loopy lowercase l that make it perfect for anything fun and happy.

Melay Script is a monolined calligraphic typeface, with large and beautiful upper-case letters and a decorative style. It has elegance and confidence.

Introducing Alfaheim, a sans serif font desinged to harmonize simplicity with contemporary sophistication. Giving it a unique and warm character while maintaining refinement.

KnewFontWaisted is a informal font that was produced by distorting the handwritten font KnewFont. It is more concave and compacted than the original.

Gathenbury is a playful and fancy script font with a serious vibe. Use it to add an authentic charm to any design project!

Anything Okay is a simple, yet classy signature typeface. It includes beautiful swashes, that will add an organic feel to any design project.

Beautiful curved shapes of this serif font family make it a high legible and distinctive companion for setting texts as well as headlines.

Laudiea is a beautiful script font with a classy, elegant, and modern look. It will add a handwritten touch to any design project!

Kylemott was developed from an earlier font called Quadlateral. It was a look at the curve and line used in an angular fashion.