There is an interesting story about this vintage professional Mercedes typewriter I’ve used to make this font. My grandfather, who was a Yugoslavian partisan during the WWII captured it from a Wehrmacht command building during an attack, and he kept it in a perfect shape for so many years. After I inherited it, I wanted to share it’s uniqueness (as well as it’s story). I’ve intentionally kept it in it’s original condition - I haven’t replaced the ribbon that was some 34 years old (or more) before sampling the font, and it turned out really nice. One more important thing - I have used ONLY it’s original set of characters (Latin with some Balkan-based letters). With it’s untouched originality and uniqueness it fits to our modern culture perfectly. There are no compromises here - there are no popular @,#,$ and other characters you would expect in a font. You will get EXACTLY what’s on this genuine “Mercedes” typewriter with so much soul.

CT Ausetan is a typeface designed for perfect reading in continuous text. With humanist proportions and calligraphic details but actual, both in appearance and in function. Its asymmetric serifs and slightly curved stems recall the warmth, dynamism and character of the first humanist typefaces built according to the logic of the flat pen. It has a high x-height and its moderate contrast make reading in small bodies comfortable. The many OpenType features make it a versatile typeface that fits into any publishing project. To cover present-day needs, CT Ausetan consists of six weights and their corresponding italics. Each font includes small caps, ligatures, old-style, lining, proportional and tabular figures, superscript, subscript, numerators, denominators, and fractions as well as various geometric figures and stylistic sets. With an extensive Latin character set, CT Ausetan covers a large number of Latin-based languages. Initially designed for small texts, below 14 pt, its calligraphic details accentuate its personality when used in larger bodies such as headlines.

SK Eliz is an eight-bit old-school geometric font based on pixels. Despite the old school, the font looks modern and simple. The font is built on a clear geometric grid, verified to the last pixel. It is ideal for design works in the old style, illustrations and for game design. This font also contains a set of pixel icons for more convenient operation. There are also paired styles of numbers. The font comes in one weight but it has 850 glyphs which supports classical Latin, Cyrillic and most European languages.

Approach Mono is the fixed width version of Approach. A utilitarian low contrast font, a bit mechanical but plenty of character. This version shares its main features with the original one, but it has a more prominent and visible punctuation. The more obvious use of a mono would be in tables, programming code or “in progress texts”, but not just that. Approach Mono can be used in the modern communication, bringing an aseptic voice to brochures, advertising, identities and any other piece of communication. For more details see the PDF.

Get ready to channel your inner (cute) fear with KONSIDER—spooky yet playful fonts. It was inspired by the vintage Halloween visual campaign, with a touch of happiness and cheerful vibes. To amplify the font itself so it can be a "no-doubt" choice for your branding campaign. Packed up with Ligatures and Stylistic Alternates to double up the joy of your visual statement. Perfectly fit for logo, branding, mood board, campaign, events, poster, game, esport, fashion, snack, packaging, streaming overlay design, graphic design, toys, and many more.

When merely “extended” just would not do, here is Paragraph Stretch™: a super extended or elongated geometric display typeface. It is a typeface with an unicase effect: the capitals and lower case fit the same height and a similar width, so they are interchangeable: fancy a round “W” in all caps? Use the lower case. Want a straight “x” in lower case? Use the cap. And so on. Designed for use at larger sizes for logotypes, short titles or headings. It supports Western plus Nordic, Eastern European and Turkish languages.

Usually fonts that are related to computers, space, future are not handmade, but rather digital made. Autoray is 100% handmade, and I am not sure which category it fits in. It has this futuristic and intergalactic look, but at the same time the handmade details are pointing in a more grafitti and comic way. I will let you decide where to go with Autoray! I have added 5 different versions of each letter, and they automatically changes as you type - and of course, there's multilingual support - and even intergalactic gravity! :)

Teenage Spermo is a display font that brings a touch of edginess to your designs. With its clean, neat curves and straight upright stance, this font is a perfect fit for projects that require a confident, youthful vibe. The strong lines and thick strokes give the font a bold and impactful look while its smooth lines and curves add a softer, more approachable touch. Whether you're designing posters, flyers, logos or any kind of print or digital material, Teenage Spermo is sure to stand out and make a statement.

Great Outback is a display typeface that's bold, fun and playful. It's also clean and versatile, making it a perfect addition to any designer's kit. Packed with personality, this typeface screams out loud. Great Outback is suitable for headlines, packaging, logo etc. Use it to give your design that memorable edge. Out of the ordinary and into the great outdoors! So what’s included : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Thank You!

Borden is a rounded hand-printed caps font ideal for your graphic project. Usage recommendations : Title, short text, children’s book, poster, book cover, brochure, label, magazine. "The friendly hand-drawn charms of the Borden family […] Designed by Ewen Prigent, the Borden family is a hand rendered, all-caps design ideal for all sorts of playful settings. With its narrow condensed letterforms and rough rendering, this family is a good fit when space is limited in your design but you don’t want to compromise its friendly tone." www.fonts.com - newsletter - march 2014

Sellomitha (Handwritten/Script) is made according to its name which symbolizes charm and charisma. She is glamorous and wants to be the center of attention.This font is readable, catchy, and easy to use. This font is suitable for quotes, logo designs, magazines, business cards, and many other design projects. Sellomitha is includes: - full set uppercase and lowercase letter; - numerals; - multilingual support; - large number of punctuations; - more than 30 ligatures, and swash. Please add this font as your favourite hit like button, or follow me. I'll very happy for that and appreciated it.

Grand Dae is a Modern Elegant Serif Typeface. This font is perfect for branding, logos, social media, prints, stickers, shirts, svg files and more! Grand Dae is unique as it can be used for a variety of design styles. It fits in wonderfully for free-spirited, boho designs and also for more classy editorial looks! There are a lot of fun stylistic alternates available to use with this font. These letters are embedded into the font file and easily accessible in programs such as photoshop and illustrator. Thanks, Have a Wonderful Day, Say Studio

Happy Trails is a font that is based on the lettering (all upper case) used on most Trailways buses from 1936 through the very early 1960s. It also has a newly created set of lower case letters which never existed before. The font was tweaked and digitized by Bob Alonso & John Bomparte. Happy Trails has not only the flavor of the early Trailways buses but also a folksy, Western feel to it, and it’s even a bit silly or goofy, a fun font that has a variety of uses.

Every day we are faced with designing on small screens and new formats; This is where condensed fonts have great potential, as they make the most of tight spaces in big headlines. Manchester Condensed is a typeface family designed by Vástago to be applied in large headlines in different formats, such as web, editorial or packaging. Just to mention a few. Different Manchester weights enhance performance at large type sizes, providing hierarchy and imposing style with its elongated shapes. Its use in capital letters is remarkable and fits perfectly into very precise diagramming spaces.

D Hanna Soft is a sans serif type family of 9 weights plus matching italics. It is inspired by the geometric style sans serif faces with a mix of rounded shapes and a little bit of black in some corners. The medium weights serve very well in body text, while the thinner and bolder styles make an excellent choice for headlines . D Hanna Soft is equipped with a complete set of opentype features including alternative glyphs, fractions, ligatures and many more. It is perfectly suited for highlighting lettering, magazines, web, interaction design, advertising, logotypes, etc.

Tiza is a rough take on informal faces and handwriting, brought on by the recent demand for scripts and brush lettering. Its flow leaves traces simulating runny pen ink, which makes it very suitable for handwriting-like paragraphs as well as casual greeting card and invitation setting. The bold weight, Tiza Negra, fits very nicely on book covers as well as large signs. Tiza is the proverbial reminder that typefaces can sometimes be more human than they are normally perceived. Designed by lettering great Angel Koziupa, and digitized and completed for Sudtipos by Alejandro Paul.

Trained Monkey is a happy serif cartoon font. Use it for your book cover designs, posters, product packaging (may I suggest peanut butter?) and whatever else you may fancy. This monkey was made by hand, so the glyph edges are a bit rough and uneven - giving it ‘ye olde handmade look’. The name? Well, I was watching a movie (can’t remember which one) in which two guys were having a discussion. One of them said to the other: ‘a trained monkey could have done this job!’ That’s all folks.

Aima Font Duo A sweet signature font, casual and dynamic with a dancing baseline. Also available Aima Display to help you mix and match it to fit your creative work in harmony. all to add an authentic touch to your designs. perfect for Branding, Logos, Greeting Cards, Wedding Stationery, Quotes etc. Files included: Numerals & Punctuation Stylistic Alternates & Ligatures PUA Encoded Characters Thanks so much for looking, I really hope you enjoy it and please don't hesitate to drop me a message if you have any issues or queries :) Happy using

Four interchangeable all-caps typefaces, made specifically for designers to layer and play with. Here’s more at the designer’s site. It combines hard and soft, geometry and pattern. Layer and mix styles within a single word, retaining coherent visual tone. Havelock Solid operates as a background layer, Multiline sits nicely atop it, Inline frames Multiline’s center strokes, and Stencil lets details peek through. If you’re working with translucent color, the blending can be gorgeous. Please note, if you're also looking at Havelock Titling: both collections are included in Havelock Complete for a lower price.

MALEGIS SERIF is a chic + modern sans serif font. This font is perfect for branding, logos, social media, prints, stickers, shirts, svg files and more! Malegis serif is unique as it can be used for a variety of design styles. It fits in wonderfully for free-spirited, boho designs and also for more classy editorial looks! There are a lot of fun stylistic alternates available to use with this font. These letters are embedded into the font file and easily accessible in programs such as photoshop and illustrator. Thank you! Skypia

Imagine having a formula for sunshine. I mean, in a way to make the sun shine when you want it, or really need it. That could be for a day at the beach, or for the plants in your garden - or even better: make someone happy with a little bit of sunshine! I made this font on the first day of summer in Denmark 2020 - the rounded corners and the soft and easy look of Sunshine Formula, really got me into the "this-is-going-to-be-a-great-summer" mode! :)

An original typeface designed for ParaType in 2004 by Armenian designer Manvel Shmavonyan. Based on the lettering created in 1970s by outstanding Armenian type designer Henrik Mnatsakanyan (1923-2001) of the same name. In Armenian ‘Haverj’ means ‘Eternally’. The face resembles many regular text serif fonts but elements like serifs and terminals make it eccentric and a little bit funny. The shape of diagonal legs in capital K and R resembles book lettering of the 1950s—60s. Using it in text, advertising and display typography may lead to surprising effects.

Frakto is a two-weight family of calligraphic Fraktur-style typefaces designed by Julius de Goede. One of the main categories of Blackletter typefaces, Fraktur was developed around 1517, and was used throughout Germany and Northern Europe well into the 20th century. With Frakto, Julius de Goede has re-applied the written element of the script back into the Fraktur style, rejuvenating and reinvigorating it for 21st century display use. Frakto is the perfect fit for certificates and newsletter headlines. We recommended using it in point sizes from 12-pt on up.

Wild Mango is a chic + modern serif font. This font is perfect for branding, logos, social media, prints, stickers, shirts, svg files and more! Wild Mango is unique as it can be used for a variety of design styles. It fits in wonderfully for free-spirited, boho designs and also for more classy editorial looks! There are a lot of fun stylistic alternates available to use with this font. These letters are embedded into the font file and easily accessible in programs such as photoshop and illustrator. Thank you!

Ah, so you've noticed a typo! Mayonnaise - the sauce, is written with double 'n'! I know. This font was named after a Smashing Pumpkins song that I like very much. Mayonaise is a bit of an ugly duckling. It is strange, open and messy, and might not be love at first sight. BUT, when you spend some time with Mayonaise and get to know her, you might actually fall in love. Just like that song I mentioned earlier. Go on then, give it a try! At this price, you can't go wrong!

The 'VanderHand' font is a friendly and easy to use handwritten font. It is so loaded with ligatures it could easily pass for actual handwriting. The font was created with a felt-tip brush pen and so there are natural thick and thin parts in the characters. All writing was done upright with tightly fit characters. As a result this font has a unique 'instant logo' quality. But you should really try this out for yourself. O, and the font was written by Jeroen van der Ham. It's his handwriting. That's why it's called VanderHand.

A bit Circus ... a bit Showbiz ... a bit Western ... but completely FANCY Includes: Western European, Central European, Baltic & Turkish sets

Casttano is modern feminine font, every single letters have been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project ex: photography, watermark, quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc. This font including alternate glyph. You can access the alternate glyph via Font Book (Mac user) or Windows Character Map (Windows user). Ligature & alternate glyph: at att bt btt ct ctt dt dtt et ett ft ftt gt gtt ht htt it itt jt jtt kt ktt lt ltt mt mtt nt ntt ot ott pt ptt qt qtt rt rtt st stt ut utt vt vtt wt wtt xt xtt yt ytt zt ztt Foreign languages support: ÀÁÂÃÄÅÆÈÉÊËÌÍÎÏÐÑÒÓÔÕÖÙÚÛÜÝßàáâãäåæèéêëìíîïðñòóôõöùúûüýÿ Thanks for looking.

Any prototype you can imagine, Skolar Sans can materialise. This industrious type family is more than just a versatile partner for our award-winning Skolar collection: it is a true sans-serif type system envisioned for the age of responsive design. We developed Skolar Sans to accommodate contemporary typographers and the challenges they confront: an ever-changing spectrum of outputs and devices, in which serious typography can get lost. Skolar Sans is engineered to cope with complex editorial texts and data-rich layouts alike. Its construction is designed for easy reading, and its subtle personal style and a touch of flourish. From gently thin to black, the finely-tuned weight variants will fit any composition from wide-screen dashboards to compact mobile editorial designs. Its four subtly graded width variants allow you to fit any page context with comfort. The 72 styles; 36 weight and width variants in uprights and true italics with ligatures, arrows, scientific figure variants, and fleurons. The two variable fonts (one for uprights and one for the italics) allow user precise navigation of the Skolar Sans design space and streamline delivery. The linguistic scope of Skolar Sans PE is an exact match to Skolar PE: Latin, Cyrillic, and Greek (including polytonic) scripts and support for hundreds of languages and transliterations.

Night Clown - Quirky Clown Font. With its quirky, decorative, and playful design, this font captures the essence of clowns, parties, and April Fools' festivities. Offering a delightful range of seven variations - regular, clown hat, mask, surprise, laughter, decorative, and funny face - Night Clown is a perfect fit for children-oriented projects, kids' events, posters, greeting cards, birthday invitations, and even logos.

Dongo This is a fun and playful font, which will perfectly fit into children's projects or funny modern designs and logos, with it you can make playful designs by changing styles and combining them with each other. This font includes two styles - regular and outline. Font includes: Full alphabet with Uppercase and Lowercase A-z Numbers, fractions Punctuation and symbols Alternates for lowercase

Evelyn is a hand drawn bold brush font. Fall in love with its incredible charm and turn any design idea into a stunning progect one. This font will fit into any project, use this font for branding or create a logo, a beautiful frame for your home, or use book covers, stationery, marketing, a blog, magazines and much more for your small business.

Shard was originally commissioned for Nickelodeon’s 3D reboot of the Teenage Mutant Ninja Turtles franchise. It complemented the show’s new angular logo, which Rian Hughes also designed. There are alternative versions of many letters available in the upper and lower case keys, and a selection of around 90 ligatures that automatically substitute themselves in running text to give a tight, interlocked fit.

Doorley Hand is a unique new font based on the handwriting of Australian advertising man and creatist John Doorley. The font's character and personality sits somewhere between charming child-like handwriting and classic contemporary calligraphy. It pays homage to simpler times when more organic and personalised forms of communication reigned. A perfect counterpoint to the fast-forward, hi-tech world today.

Florest Display is a clean bold and simple vintage sans serif font, with smooth edges and touch of many beautiful alternate characters make this font look Elegant & stylist. It contains an uppercase alphabet with numbers and symbols. Designed with Stylistic Alternates and Contextual Alternate in some characters that allows you to mix and match pairs of letters to fit your design.

Sometimes you need a lot of text, and that text needs a little bit extra something. Something sweet for the eye, but still legible and not too funky. Maybe that's where Kids Rule comes in. It's a bouncy, but super-legible handmade comic font. It has a lot of attitude, and I have added 5 different versions of each letter!

KT Mogli is a Grotesque print design typeface inspired from automotive poster. KT Mogli is single style font for Headline & body copy. Stylistically it sits between the dynamic humanist sans and more rigid grotesk. The clear letterforms have broad proportions and are generously spaced. This font suitable with your projects such as poster, user interface, magazine, logo, apparel design, etc.

Counting four variations for each letter and two for the numbers, Felt Noisy delivers a cool organic feel with a strong and spontaneous ​​ attitude. The typeface was drawn with a bad felt tip pen​ and resulted in two rather nice fonts that will stylishly fit many visual projects out there that don't look for any transparency at all. Give it a go!

Wildcards is here to help you create the most show-stoppin', boot stompin' designs! Inspired by the wild west paired with a unique modern flair, this versatile slab serif typeface will hit all the bullseyes in your projects. From logos to posters, branding to branding (lol), Wildcards has it all. Additional glyphs included to add some flair to your creations.