Guess What? A new hand-drawn font family has arrived! 5 different sets of letters were sketched using a felt tip marker on paper to get a realistic handmade feeling. The magic comes activating the Opentype features, the letters will randomly combined by an advance code creating a more human feeling. More than 1500 glyphs available to customize your text. Guess what is also a font system, composed by four styles; Regular, Inline, Shadow and Papercut. All styles can be easily overlapped. Works perfectly for many purposes adding a casual natural mood to the text. Try it on a book cover, digital ads, kids stuff, comics, branding, advertising, packaging...

Dream Flourish is a beautiful, attractive and luxurious font with a very unique swash. Swash in the form of a very beautiful flourish. This font is compatible with various themes and concepts, such as wedding themes, fun, luxury and others. This font can be combined with additional elements such as watercolor designs, clipart and sketches. This font is suitable for your projects such as logos, wedding invitations, branding, landing pages, apparel, posters, headlines, greeting cards, invitation cards, social media, crafting, quote and more. This font can be used and supported in various programs and OS, such as procreate, cricut, windows, macOS and others. This font is also support multi language.

Linotype Finerliner is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contest. The American artist Gary Munch, from whom we also have Linotype Ergo and Ergo Sketch, designed Linotype Finerliner as a handwriting font with calligraphic influences. The small, regularly formed lower case letters contrast nicely with the generous, sweeping capitals. The font is available in a light and medium weight and displays no stroke contrast. The lighter weight, micro, is best used for shorter texts in point sizes 18 or larger and the medium weight, macro, is mainly intended for headlines in larger point sizes.

Jim Spiece has a taste and a talent for reviving type styles from earlier in this century. ITC Deli Supreme is a “futuristic retro” face that would be at home as a logo on a car or a roadside diner from the 1940s or '50s; the lowercase nearly joins, in script style, thanks to the long extenders stretching out from the bottom-right corner of most letters, while the caps have beginning strokes leading in from the top left. ITC Deli Supreme, like ITC Deli Deluxe, features slightly rounded corners on all the letters, for a soft, streamlined look despite the squareness of the letterforms.

The type family consists of six well-distinguished weights, from hair-thin all the way to the one black as the deepest night. In line with the current trend, it touches all boundaries, it stretches beyond technical possibilities and in extremes, it is almost illegible – the counters are reduced to a hairline. All italics have the same proportions as their corresponding regular styles, which emphasises the block-like appearance of the set text. Monopol was designed to thrive on posters, exhibit stands, book covers, magazines, and in complex visual styles. Its twelve styles make it an ideal tool for creating a dynamic composition using solely typographic means.

Monolina is a contemporary monolinear script that is based on the contrast between classical (beautiful) calligraphy and quickly jotted manuscript (sketches). As all styles are based on the single stroke of a round nib pen, the letter is rounded. The typeface features two sets of capital and curly uppercase letters, swash characters and alternative lowercase letters, which combine well in three styles. The font also features swash figures and decimal figures for writing years and summer sales. Accent marks for all languages using Latin letters, currency symbols and punctuation marks are included. The typeface comes across as fresh as is particularly effective at headline point sizes.

HGB Galaxo is a tribute to Othmar Motter (1927–2010), the Vorarlberg graphic artist and typeface designer, who designed very individual and perfectly crafted typefaces in the 1970's and later. (Motter Ombra, Motter Tectura ...)From a Motter sketch of 5 letters for a logogram, I derived a simplified letterform and developed all the necessary characters. Working on these glyphs and delving deeper into Motter's letterforms, the respect for the accuracy with which he drew his letters (in ink) grew more and more. The spiral resembles the shape of a galaxy, hence the name Galaxo. The font is suitable for retro, poster and logo design.

Brush Script is a lively font with brush-written characteristics, designed by Robert E. Smith in 1942 for American Type Founders. Brush Script continues to be a favorite, despite competition from other similar typefaces of the period and more modern looking scripts digitized in recent years. Perhaps that's because Brush Script is peppy, informal, and unabashedly confident. The letterforms are casual, yet look as if they have been written quickly. Today, Brush Script is used for advertisements and sales materials, especially for luxury and consumer products.

Smudger, from designer Andrew Smith, is oriented toward a young generation who does not want to mind the rules. The font invites unconventional and playful use. The figures seem to be almost coincidentally shaped. Letters alternate between thin and thick strokes alternate and give the font the smudged look that inspired its name and gives the font its unmistakable character. Smudger is a font that just cannot settle down. It is best used for headlines and short texts in point sizes of 12 or larger.

Brush Script is a lively font with brush-written characteristics, designed by Robert E. Smith in 1942 for American Type Founders. Brush Script continues to be a favorite, despite competition from other similar typefaces of the period and more modern looking scripts digitized in recent years. Perhaps that's because Brush Script is peppy, informal, and unabashedly confident. The letterforms are casual, yet look as if they have been written quickly. Today, Brush Script is used for advertisements and sales materials, especially for luxury and consumer products.

Perdido is a classic western-style font, with the added twist of the addition of a degenerated wood grain, so that the characters naturally look like aged and cracking wood. With the addition of an appropriate texture it's very convincing.

Borneo Dayak Font is a decorative font inspired by the very distinctive traditional art of the Dayak tribe in Borneo or Kalimantan, Indonesia. with its unique style makes it look elegant throughout the ages. its perfect for any design project.

Vartek is a geometric sans-serif type family. Inspired by the "space-age" and functionalist aesthetics, Vartek is a high-contrast utilitarian design. It comes in a variety of weight and width options. Opentype features include inferiors, superiors, fractions and ligatures.

Clarendon Rough is suitable for display and text. Its large x-height provides excellent legibility at small point sizes. Clarendon Rough is extended, aged to perfection, iconic, rugged, distressed, direct, and suitable for packaging, restaurant use, websites, magazines, lively headlines.

Infidel is based upon letterforms from the Lindisfarne Gospels and other manuscripts and bibles from across the Middle Ages. These are wonderfully idiosyncratic forms; some beautiful, others unsightly, but all far away from what we recognise as legible letterforms, today.

Halloween lends itself to graphic images: witches, ghosts, bats, jack-o'lanterns and haunted houses. When we think of a haunted house, we generally think of a large, abandoned, derelict Victorian wood-frame house. The style is usually Second Empire or Queen Anne. There tends to be a lot of decoration. There is usually a porch or two with decorative spindle work. There is probably a tower, either square with a mansard roof such as one might see in Paris or round with a conical roof borrowed from a Loire Valley chateau. These houses were generally built in the United States between 1860 and 1900, products of the exuberance of a time before income tax. It took at least three servants to maintain such a house and was very expensive. Few can afford them today. That is why so many were converted to professional offices, multi-family dwellings or simply abandoned. HAUNTED HOUSE is our typographical contribution to Halloween. Based on our font PETRARKA ML, it features decorative capitol letters that utilize the silhouette of a Second Empire style house complete with a dead tree and a full moon. The font includes 8 ornaments suitable for flyers and party invitations. Revision 2.000 eliminates dual encoding, harmonizes metrics, adds new glyphs, and adds open type features. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Birch was designed in 1990 by Kim Buker Chansler, who based her forms on the designs of the turn of the 20th century. The new age needed new typefaces for an ever-increasing commerce and its advertisements. This time period therefore saw a profusion of new typefaces, all of which were meant first and foremost to catch the eye of consumers. To this end, style elements of past ages were reused, changed, and combined. Birch is modelled after a woodtype, a style made famous by its use on wanted posters in western movies. The narrow and space-saving Birch is perfect for headlines in display point sizes.

Named after the strong cold winds on Southern France, the Mistral font family is another original creation displaying the panache of the French graphic artist Roger Excoffon. Mistral is an informal script in which all letters link up in vigorous strokes. First issued in 1953, its brush-like stems look spontaneous and fresh. The descenders are fairly long and the whole alphabet has a distinctive and unforgettable effect on the page. Mistral is a good complement to sans serif typefaces. Mistral is a trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG.

After the death of Uther Pendragon, long before Arthur was King of the Britons and before Galahad was destined to find the Holy Grail, the mighty sword Excalibur appeared, thrust into a Stone bearing the inscription; “Whosoever Pulleth Out This Sword of this Stone and Anvil, is Rightwise King Born of England!” While no champion worthy of becoming king was able to pull the sword, England was plunged into the Dark Ages... the legend on the stone aged, and became cracked and weathered... much as one might find on your stone tablet, ipad or mobile device. See the families related to Excalibur Stone: Excalibur Sword.

Stack brings the spirit of industrial chimney lettering from the early twentieth century to the digital age. The typeface is designed to work both horizontally and vertically. Additionally, the fonts can work together in myriad chromatic expressions—providing limitless design possibilities. The family is true to the spirit of masonry lettering without being a direct lift of any specific lettering style from the industrial age. Like some of its masonry predecessors Stack is built as a typeface of 15 courses (horizontal rows) of ‘bricks.’ Based on several years of research a collection of 150+ photographs and roughly two dozen archival engineering drawings were amassed. The value of the historical references is a type family that is a legitimate reflection of masonry lettering styles of the period. In updating Stack for the digital age, the proportions of the base-unit ‘bricks’ and the thickness of ‘mortar’ joints have been optically adjusted to work in both screen-based and print media. Stack would not have been possible without the research and design input from Craig Welsh and Jenna Flickinger of GoWelsh.

We are calling for a boycott against petty power struggles. Uppercase and Lowercase are slightly different from each other. This grungy font won prize at the best font 2006 and new Rising Star at MyFonts. “Boycott’s a noisy design -a little rough around the edges, but just the way we like our big grunge fonts. boycott is a perfect design for posters and large headlines.”

Foundry Origin has an elemental quality hinting at its ‘Egyptian’ roots. Developed out of the desire to create a serif typeface with a difference, Foundry Origin's elegant design and versatile family of weights, with lyrical cursive italic, generous x-height and classical proportions, make it ideal for editorial and information design. A quiet design with a big presence, tipped to become a modern classic.

Sheet music featuring a song from the 1933 film "Torch Singer" starring Claudette Colbert was the basis for Dine and Dance JNL. A multi-line Art Deco design, it epitomizes both the typographic style and the night life of the time, when supper clubs featuring big bands were at their peak. Torch Singers were female vocalists who typically sang melancholy love songs of lost love and heartbreak.

Now you can see... the new direction of the big family called Ring - Ring Eyes! That's a very unique Ring & truly devoted. There are only four styles, but they are all very important. Ring Eyes font like our eyes held a million stories. Ring Eyes font like other of the Ring Family is the perfect choice for headlines, logos, branding, packaging, publications, and much more.

This font is big on 2 things: Class & Quirk. Inspired by hand-scripted menus. This modern hand-calligraphy font isn't just for one or two-word logos. Designed to make a statement when used in large amounts. Great in large & small doses alike. Slightly irregular texture for that perfect hand-lettering touch on the page. Beautiful Duo for your next event or project! Multilingual support.

Hockeynight with its rounded corners is the smoothest sports-font you will find. Hockeynight comes in 7 weights and each one is available in italics. Spice up your designs and mix in some alternate glyphs! Go big and bold on your sports-poster or space it up for that dirty style! Check out the alternate glyphs if you are looking for ideas for your logodesign!

Designed for ParaType in 1999-2003 by Manvel Shmavonyan. This is a low-contrast serif typeface with large x-height and small square cove serifs. For use for text and display typography. Due to its open letterforms and big number of styles the face is a good companion to open humanist Sans. Hybrid design was awarded special prize at Kyrillitsa'99 international type design competition.

Decour is a Slab Serif typeface that features low contrast between thick and thin strokes and whose proportions were based on those of Art Deco design. A big height difference between lower case and upper case letters makes Decour a very expressive font and well-suited for headings and subheadings. Its versatility also allows it to be used in other ways, such as publishing and retailing.

Can you dig it, man? Comicraft's Jazzy "JG" Roshell, just swung by after playing bongos down at the coffee bar in his black turtleneck sweater, stove-pipe trousers, dark glasses and beret. Check out the rad Tiki corners on our freshest font, COOL BEANS and you'll want to snap your fingers, put on some Miles Davis and take the next train out of Squaresville, um, Daddio.

It seeks a stable balance through the pairing of plain contrasts and ink trap interfaces. The ordinary yet sophisticated ink trap digging is designed to minimize the discomfort caused by the change in weight. This stability is consistent no matter what weight or style you choose. So it has a wide coverage area ranging from logo design, editorial design, web UI, and app design.

Searching for the Exceptional Designing Tapir was driven by the search for a display typeface which is doing something different than the rounded and bouncy fun faces – the letterforms should stand out with a slight touch of weirdness, creating attention and recognizabilty. A big character set, optimized spacing & kerning and lots of features make Tapir a good choice for professional usage between games, toys and skateboards.

Codex was designed by Georg Trump and introduced by the font foundry C.E. Weber in 1954. Based on the German Gothic script of the 13th century, this font has the character of handwriting. Its capital letters are extremely big in comparison with the lower case, hence good for contrast in short text, however, this characteristic makes the font better suited to languages which use fewer capital letters.

Aslock is a display serif font that embraces classic modern vibes and look elegant. Its delicate curves and refined details create a sense of sophistication Aslock brings a touch of charm and sophistication to branding, With its versatility and contemporary appeal Uppercase I hope you enjoy this font. If you have any questions please don't hesitate to drop me a message :) Big Thanks ~ Ergibi Studio

Caldicote is a formal and conventional serif typeface, with slightly broadened verticals. The Tab version is the same as the ordinary version, EXCEPT the Tab version has monospaced numerals and zero kerning between numbers - useful where you might like columns of numbers all vertically aligned in a Tabular display. The zip files contain both OTF and TTF versions of the font - install one version only.