Honey Rain is a fancy handwritten script font. With regular mono-line stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Honey Rain font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Honey Rain font. Cheers, Maulana Creative

Sofia Hives is a fancy handwritten script font. With bold high contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Sofia Hives font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Sofia Hives font. Cheers, Maulana Creative

Blackbirdy is a super slanted script font. With bold contrast stroke, slanted, fancy and fun character with a bit of ligatures and lowercase alternates. To give you an extra creative work. Blackbirdy font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Blackbirdy font. Cheers, MaulanaCreative

Pure Grapes is a fancy handwritten script font. With bold contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Pure Grapes font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Pure Grapes font. Cheers, Maulana Creative

Bojeria is a Classic modern Blackletter font. With medium high contrast stroke and smooth edges, fun character with a bit of ligatures and alternates. To give you an extra creative work. Bojeria font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Bojeria font. Cheers, Maulana Creative

Anklettes is a fancy handwritten script font. With bold stroke, slant and Unique Upper and lower characters with bit of ligatures and alternate lowercase. To give you an extra creative work. Anklettes font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Anklettes font. Cheers, MaulanaCreative

Just Hopes is an script font. With natural feel brush stroke, slanted and fun character with a bit of ligatures and vector version. To give you an extra creative work. Just Hopes font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Just Hopes font. Cheers, MaulanaCreative

Kasa Green is a fancy handwritten script font. With bold contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Kasa Green font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Kasa Green font. Cheers, Maulana Creative

Rust Crowth is a handwritten brush font. With regular rough brush stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Rust Crowth font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Rust Crowth font. Cheers, Maulana Creative

Another Christmas is an annual Christmas font with slanted style clean mono-line stroke, fun character with a bit of ligatures. To give you an extra creative work. Another Christmas font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Another Christmas font. Cheers, Maulana Creative

Ellisa Snowly is an slanted style script font. With high contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Ellisa Snowly font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Ellisa Snowly font. Cheers, Maulana Creative

Beauty Snowy is an expressive super slanted signature script font. With high contrast contrast stroke, condensed and fun character with a bit of ligatures. To give you an extra creative work. Beauty Snowy font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Beauty Snowy font. Cheers, MaulanaCreative

Gritts Rolly is a slanted expressive signature script font. With medium contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Gritts Rolly font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Gritts Rolly font. Cheers, Maulana Creative

If you want your designs to be prominent, you will need a unique, prominent, yet professional, legible font. However, it may be hard and take some time to find the right one due to a lot of options available causing difficulty to figure out the suitable one you desire. With Mirey, you can easily create a unique identity for your design. Mirey is a display serif font in thick weights with small lines on the letters’ edges to look formal and classic. In addition, it expresses unique, artistic touches from its combinations with display font characters. This display font has thick lines and strong contrasts, so that it is perfect to attract attention and to show strong impressions. Due to its high legibility level, this font is applicable for a variety of text sizes. In addition, you can enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Mirey fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Asherah - Serif font family - Multilingual support, 12 Style - OTF Asherah is a modern serif font family. This font family is multilingual supported and 12 different styles. With different character designs in its structure, it can meet your needs in innovative pursuits. It has a timeless structure where you can create your modern-elegant or classic design alternatives. Well suited for books and magazines, editorials, headlines, websites, logos, branding, advertising and more. Asherah font family can meet your needs in all modern and classic creative projects. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Danish type designer Jan Maack created this slab FontFont in 2013. The family has 8 weights, ranging from Light to Black (including italics) and is ideally suited for advertising, packaging, logo, and branding as well as web and screen design. FF Marselis Slab provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Aktifo is designed with two Flavour which carries a modern and contemporary style, based on elementary geometric shapes and constructed of monolinear lines, it was invented to be functional, leaving behind anything that can be regarded as superfluous. Aktifo comes in 28 styles: there are two types of families Actifo A and Aktifo B from Light to Black, which both have differences in characters and spaces. Developed with powerful opentype features, equipped with extended language support: Cyrillic, Greek (BETA) and fractions, tabular figures, arrows, ligatures and more.

Canciller is an elegant typeface designed by Manuel Corradine and Sergio RamÌrez that will give your projects a very exclusive and fresh appearance. Its style is a mix between the grace of calligraphy and the legibility of typography so Canciller can be used in a wide range of purposes. It’s available in six weights that go from light and delicate to black and powerful to give the designer the possibility of creating hierarchies and great contrasts. Its character set supports Western and Central European languages.

Maine is a modernized book antiqua consisting of six styles and matching italics. Maine's cuts are from Light to Extrabold, of which Regular and Slightly Bolder Book are especially suitable for longer texts. Thanks to its clear features and high x-height, Maine creates a beautiful and legible body text. Maine gives a professional, no-nonsense impression and it’s best used in editorial, books, magazines and everywhere where you can use many different styles and sizes of the same typeface. Go dignified with Maine.

Ethem is a semi-geometric typeface, ideal for posters and flyers. Provides three weights: light, regular, and bold without leaving out the italics of each. The Ethem font family provides six typefaces. If you need a strong, prominent or dominant typeface in your project, Ethem font is the ideal typeface.

Yaa! Type is a hand-sketched headline font. The family contains a light and bold weight; both complement each other perfectly. Created solely by me from sketch by hand and then digitized, yaa! Type makes a perfect font to create the hand-made character look, or to supplement illustrations with typography.

Comic Tantrum is a versatile font – you can use it for headline posters, for infographics, for web pages or other media, when you need an expressive comic font. And you can skew it and squeeze it. It also has many special designed alternates, swash versions and ligatures. Have fun!

This font has been derived from different transformations of the moon transcending into different moods which affect the world. A full moon can cause human beings to be aggressive. While a new moon is a good time for new beginnings. This font can function as headings and subheadings.

short and bold font, cute and looks professional and a nuanced logo font that you can customize with the elegant look you want there are several alternatives that you can use and combine, and there are italics to make it easier for you to work on your design project

Wulf Utility is a heavily degraded font that evokes information in a utilitarian manner without any pretence to elegance, fuss or refinement. Gruff and direct, it is about as basic as a font can be. The Dirty version can be layered over the Rough version for two-tone effects.

Jassime is an elegant serif font with beautifully crafted characters following the trend so you can use them very well. You can use Jassime in graphic designs, magazines, logos, identity branding, fashion brands, clothes, and many others. Thank you for coming to my shop and enjoying other fonts.

Radhistone is a decorated serif font with a natural theme. This font is equipped with OpenType features and there are many choices of shapes and swashes (up to 6 shapes) that can be accessed so that users can make choices according to their creativity to produce amazing works.

Rilderta Hellges feels playfully nostalgic and delivers an incredible vintage aesthetic. Use this serif font to add that special retro touch to any design idea you can think of! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Selected as one of “Our Favorite Typefaces of 2013” by Typographica.org, Dark Angel is the first completely new take in decades on the traditional “blackletter” font style. It began its journey towards the light years ago when this style was born as a sketch for a new logo for the California Angels baseball team (renamed shortly thereafter the Anaheim Angels). The Angels logo never happened, but that sketch has risen from the dead and become the basis for this brand new font design—and was also the source for the name. It’s kind of blackletter in feel, but as a display font it’s so much more. It is far more legible than most “Old English” or “Gothic Script” styles, and incorporates many features never before seen in them, such as swashes, tails and a plethora of ligatures. Dark Angel can be purchased in its regular solid form, or as Dark Angel Underlight—a handtooled font. If these two fonts are purchased together, the Family package will contain a third font—Dark Angel Highlight. With this font layered over the basic font, you can achieve two–color typesetting when the highlight and the base font are assigned two different colors. Dark Angel has enough language support to make the builders of Babel envious—its 1,163 glyphs can be used to set copy in 59 different languages. From A to Z: Afrikaans, Albanian, Basque, Bemba, Bosnian, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, Ganda, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Kamba, Kikuyu, Kinyarwanda, Lithuanian, Luo, Malagasy, Malay, Maltese, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romansh, Sango, Shona, Slovak, Slovenian, Somali, Spanish, Swahili, Swedish, Swiss German, Turkish, Welsh, and last (but not least) Zulu. PLEASE NOTE: Dark Angel is a cross-platform font which depends to some extent on certain advanced OpenType features, therefore it can be used to its full potential only with programs that support those features. ADDITIONALLY: When setting Dark Angel one should ALWAYS select the “Standard Ligatures" and “Contextual Alternates” buttons in your OpenType palette. Please see the “Read–Me–First!” file in the Gallery section.

Useful links: Using the variable font in Illustrator Working with a variable font in Photoshop TT Frantz is an experimental variable font, distinguished by its slimness and lightness. The variation in the font affects the change in the height of the mean line - by moving the axis adjustment slider you can easily raise or lower the mean line of the font. In TT Frantz, you can find small references to the art deco aesthetics, which are expressed in significantly lowered or, conversely, heightened waist of the letters. In addition, depending on the position of the axis adjustment slider, the closedness of the aperture changes for some letters. In order to preserve the main feature of the font—the change in the height of the main line—we made lowercase characters as tall as uppercase ones, but at the same time we kept small kerns. An interesting fact is that in Cyrillic letters з с а е, the variability of the aperture follows a different scenario in comparison with their Latin sisters. When working on TT Frantz, we tried to make it so that when changing the variability, the width of the characters would not change, and the font would remain monospaced. And in order to avoid holes in the set, we made contextual alternates and several ligatures. Frantz consists of 470 glyphs, and in addition to broad language support (Latin and Cyrillic) it can offer standard and old-style figures, including their tubular versions, as well as ligatures. Important clarification regarding variable fonts. At the moment, not all graphic editors, programs and browsers support variable fonts. You can check the status of support for the variability of your software here: v-fonts.com/support/ But do not despair—even if you do not have access to the necessary software, you still have the opportunity to use TT Frantz in your projects. Especially for you, we have prepared three separate non-variable styles (Frantz A, Frantz B, Frantz C), each of which is responsible for a certain location of the mean line of the font and where this line is already fixed in a certain position (high, medium and low).

The different fonts in the Why Square family are an extension of the designs begun in Zoran Kostic's Just Square family. Why Square's lowercase letters are all more condensed versions of Just Square's letters, and in some of the fonts, the uppercase letters are wider. The first five fonts are the different weights of Why Square (UltraThin, UltraLight, Thin, Light, and Regular). Here, all of the characters--both upper and lowercase--are more condensed versions of the geometric letters from the Just Square family. The next five fonts (UltraThin, UltraLight, Thin, Light, and Regular weights) include identical lowercase letters to those from the first five fonts in the family, but their capitals are considerably wider. These may be used as initials, either with the other fonts in the Why Square family, or with the Just Square family.

The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks. - The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good. - The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans. - The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's. The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).

Winner™ and Winner Sans™—Classic athletic aesthetics, finally as a versatile contemporary super family. Just when you thought there was nothing left to add to the classic sports design, we lifted it to a whole new level. Whatever you want to set in whatever space, with seven weights in seven widths both with or without serifs, you’ll definitely find the right proportions for it! Winner supports not only most Latin-based languages but also Greek. Its extensive character set also contains currency signs, arrows, as well as a wide range of numerals from small figures to Roman numerals. Furthermore, its sophisticated OpenType layout features give you access to alternative letter shapes, fractions, tabular figures, and contextual alternates. With more than 24,000 glyphs in 49 fonts, Winner leaves nothing to be desired. Grab Condensed Regular for free and give it a spin!

Introducing a versatile Vintage Sans Serif. Mighty Rooster includes 2 font files with Regular and Rough style. Mighty Rooster is a great font for achieving an authentic vintage aesthetic as seen in the display images or Body text project, it is perfect for headings, flyers, greeting cards, product packaging, book cover, printed quotes, logotype, apparel design, album covers. Mighty Rooster Features: Ligatures Alternate Multi-language Punctuation

Let's get crazy is a font inspired by modern lettering and calligraphy with pronounced swashes, ascending / descending and crazy ear in "r" (btw you have more ordinary alternates) and so on, challenging the boundaries of reasonable. This font is good for titles or short sentences in combo with Let's get crazy sans serif majuscule letters, giving you a nice pairing of the modern lettering.