Bellflower is a collection of highly ornamented letters contoured with flourishes and tiny bellflowers. Romantic and classic, this stylized collection looks like something straight out of a fairy tale typography garden and comes with a full set of extended accented characters. Accented characters are also included. This digital format allows colorizing of type and is a perfect font for publications that want to capture the feel of the Victorian and Art Deco eras. Article abstract: Bellflower is a collection of highly ornamented letters contoured with flourishes and tiny bellflowers. Romantic and classic, this stylized collection looks like something straight out of a fairy tale typography garden and comes with a full set of extended accented characters.

jpAlva is a technical and functional sans-serif that consists of 40 typefaces, divided in 2 font families jpAlva and jpAlva Extended. A universal family of typefaces that fits pretty much any purpose. It illustrates a precise balance of modern geometrics, with a functional yet sparing style that effectively communicates without distraction. A straightforward, unadorned appearance with efficient construction. Simple, clean with a technical note and a wide range of styles it is perfectly suitable for a wide range of applications, from identity systems to editorial design, from signage systems to software applications. Designed with powerful OpenType features (e.g. figure sets, fractions, ligatures, case sensitive forms) and extended language support, it is easy and enjoyable to use.

Deca Serif New is a significantly revised version of Deca Serif. It is a pure low contrast serif face with squarish oval shapes and quite narrow proportions. The typeface is nicely readable in small sizes and can be recommended for scientific, legal, official and business documents. Deca Serif New's distinctions from the original Deca Serif are: slight corrections of the letterforms, extended character set (now including Greek and Extended Cyrillic) and a number of styles. Now there are 8 faces: four upright styles of different weight and corresponding italics. Deca Serif New as well as Deca Serif is an ideal companion face for Deca Sans. The typeface was designed by Natalia Vasilyeva and released by Paratype in 2017.

MeeMee is a typeface containing 72 handmade kids doodles and a lovely handwritten kids lettering font. MeeMee typeface comes with 2 fonts: Kids Doodles Font (72 handmade kids Doodles / Symbols / Icons) Kids Lettering Font (Kids Hand-lettering with 598 Glyphs) The typeface is perfect for kid-friendly designs, kids room posters, kids graphics & wallpapers, kids product branding, logotype, decorations, signage, greeting cards, promotional designs, and anything that needs the lovely cute kid-friendly look. Advanced Kerning & Extended Character Sets: We have performed advanced, in-depth kerning to make sure the font looks amazing on all possible letter combinations. The font includes extended language support including Western European & Central European sets with a total of 598 glyphs.

CA Saygon Text is the logic consequence of CA Saygon. It is much calmer and therefore also suitable for reading texts and everyday’s editorial tasks. Basic shapes and proportions were adopted from Saygon and continued in such a way that a font family from Thin to Extrabold resulted. A fundamental inspiration were early static grotesque typefaces such as Akzidenz Grotesk. Nevertheless, the typeface was by no means intended to have a historical look. Thus, a relatively high x-height was chosen, which makes the typeface quite economical in type-setting, since the letters appear visually larger. A relatively small line spacing with good legibility can be achieved due to the small ascenders and the low cap height. Letters like f and t, which otherwise tend to end in curves, were given right angles, which on the one hand meets certain design elements of the original Saygon, but on the other hand also refers to contemporary trends in typeface design. A special feature are the five styles in which CA Saygon Text can be used. The default setting is the Helvetica style, with two-storey a and g. The Futura style has a single-storey a and a two-storey g accordingly. The third style with two-storey a and three-storey g is called the Franklin style. But the real highlight is the Cape style with single-storey a and three-storey g – a real rarity up to now. Let yourself be inspired by this unusual typeface. If you like it even more progressive, you should try the flat style, which continues the right angles in a, g, and y as well. Thanks to the Cyrillic and Latin Extended character sets, a huge linguistic area is covered that even extends to Vietnam! Even the exotic German capital-double-s is available and appears automatically when typed between other capital letters. Numerous OpenType features make life easier for the professional typographer: there are fractions, superscript and subscript numbers, as well as proportional and tabular capitals.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice; instead, I chose to redraw each glyph's skeleton from scratch for the four main subsets of the super family along with their italics. Each glyph across the super family is 'connected at the hip' with each style—each character carries the no frills, simple architecture that endeared so many users to it. The new recut expands the family to an enormous 72 typefaces! The original has spawned Compressed, Condensed and Wide subsets—all with corresponding weights—for complete flexibility. Additionally, all of the original weight variants have all been incorporated within the OpenType shell: Small Caps and Old Style Figures are there along with new tabular figures, numerators and denominators, expanded f-ligatures and a complete Central European character set.

AS Noqta Font is a modern Arabic typeface designed by Ahmed Salllam. The design is inspired by the circle style contemporary tastes with wide open counters and short ascenders and descenders that minimize the hight. And has a high - contrast between the vertical and the horizontal to line up in harmony with Latin. and ligatures set. This makes it suitable for branding, editorial, packaging and advertising. AS Noqta Font consists of 7-weight versions from thin to Heavy.

Preich is a wide rounded sans serif font. With heavy stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Preich font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Preich font. Cheers, Maulana Creative

The common Slavic word Osnova means basis in English and βάση in Greek. This universal but still distinctive typeface can make a good ground for any design project. Osnova has six weights from Thin to Heavy with Italic, Small Caps, Old Style & Tabular Figures, some ligatures, alternatives and letter variations. It supports Central European, Greek and Cyrillic codepages, and will be suited for both display and text use. Look how people use it: http://use.type.org.ua/tagged/osnova

Bearty is a casual handwritten font. With slanted heavy stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Bearty font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Bearty font. Cheers, Maulana Creative

Baraka - in Swahili - a blessing. It is a simple, block-like typeface closed in cuboids. It was created and designed in Tanzania, Africa. It contains 183 gliphs, which due to their simplicity, which consisted in cutting out letters from rectangles using as little light as possible, makes an impression and is in fact a very heavy display typeface. It was created primarily for posters and labels, where thanks to its modularity and form enclosed in a limited geometric figure

Danish type designer Jan Maack created this sans-serif FontFont in 2007. The family has 8 weights, ranging from Light to Heavy (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries as well as web and screen design. FF Speak provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures.

Tomate started in 2006 as a brush lettering exercise for a poster and was later used for the ReType identity. In 2008 its author decided to turn it into a super fat typeface suitable for packaging and mass consumption products. The possibilities of ultra heavy forms are explored in this alphabet; trying to solve the design problems that these sort of forms present. Tomate shows influences from the beautiful Goudy Heavyface Italic which is a design the author admires.

Drumonz is a death metal font made with a touch of darkness, featuring a heavy and death metal feel to compliment your design. Drumonz is very easy to use in any variation or writing combination, also perfect for metal band logos, merchandise, clothing, apparel, or anything else that calls for a metal feel. Here is tutorial how to use it : https://youtu.be/a0uHeXSmsCo Recomended Software to use: Corel Draw Adobe Photoshop Adobe Illustrator Clip Studio Paint

Jugendstil Kunsthand is based on a sample of late 19th century lettering in a style often associated with artists of the Jugendstil Art Nouveau movement in Germany. The characters are done in heavy outline with a rough-hand drawn look. The style is interesting because it shows the influence of the Arts and Crafts movement on Art Nouveau with many of the characters featuring alternate versions that nest together in a manner typical of Arts & Crafts lettering.

Benji Holidas summer display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Benji Holidas summer display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Benji Holidas summer display font. Cheers, Maulana Creative

This font is inspired by the compact, high-impact design aesthetic of the 1990s in Chile, which was defined by the use of very heavy fonts to create eye-catching graphic pieces. With this idea in mind, Zennat Pro was born, a “semi-slab serif” that takes advantage of OpenType features which rotate in alternate characters to best fit the design. Zennat pro comes in 10 weights, and is ideal for magazine design, motion graphics, trademarks, logos, posters, etc. ...

Its open counters and large x height give it excellent performance in small sizes. On the other hand, its curved diagonals, generous width and soft shapes give it a friendly but functional personality for a wide range of messages and voices. We recommend the four most extreme weights (Thin, ExtraLight, Black, and Heavy) for large sizes starting at 18 points, and the five intermediate weights (Light, Book, Regular, Medium, and Bold) for small sizes starting at 7 points.

Freehand 471 is the Bitstream version of Cascade Script by Matthew Carter. Released by Mergenthaler Linotype in 1965, this design is based on an earlier type by the Ludlow foundry. It's a dark, disconnected script with angular forms. It seems written by heavy marker and thus suitable for informal posters and signage and for advertising and display typography as well. Central European, Cyrillic, and Greek Monotonic characters were designed by Oleg Karpinsky. Released by ParaType in 2011.

Introducing DECONDOR Typeface DECONDOR font family consists of 14 families, from Thin to Heavy style fonts. The elegant modern font creates a unique design and is sure to steal the eye of the design target audience. Besides being unique, the DECONDOR font also has a luxury simple character that makes the design charming and classic luxurious. These a fonts are perfect for designs with the concept of elegant, luxury, romance, fashion, classic royal and so on.

Witch Wand halloween display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Witch Wand halloween display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Witch Wand halloween display font. Cheers, Maulana Creative

Robo City mecha display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Robo City mecha display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Robo City mecha display font. Cheers, Maulana Creative

Zhinx is a Square Decorative Display font. Heavy stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Zhinx font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Zhinx font. All CAPS. Cheers, Maulana Creative

»Penta« is a new Sans typeface, designed in the American tradition with contrast between the up- and downstrokes. The contrast is hardly visible on the »thin« cut, but the heavier the weights get, the more contrast becomes visible. That makes this font very useful, almost linear in the lighter weights and very distinct rhythm in the heavier ones. »Penta« is extremly versatile, it can be used for bodycopy in the lighter weights and for heavy headlines.

Magstone is a modern soft sans display font. With heavy wide stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Magstone font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Magstone font. Cheers, Maulana Creative

»Supra-condensed« – designed by Gert Wiescher in 2013 – is the condensed version to this new sans typeface family of eight weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family.

The Pommes font originates from my mid seventies potato punchcuttings at artschool. Since I’m living in a potato republic (NE of the province of Groningen) I got inspired to continue. I prepared this culinary alphabet as a tribute to this wonderful allround vegetable. Belgian and French recipies helped me in selecting and cutting/cooking the 6 styles. The Pommes-Dauphine Ultra Heavy (too much eggs added) can be used as a layer behind the Pommes-Dauphine.

Klashey is a sloppy sans serif Display font. Heavy stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Klashey font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Klashey font. Cheers, Maulana Creative

Archaz Negras strikes a chord with its rough rock band logo aesthetic. Its symmetric and captivating character makes it a fit for movie posters, Halloween invites, or a heavy metal t-shirt that demands attention. Dark, daring, and undeniably striking, Archaz Negras channels the raw energy of death metal and an eerie aura of horror. Designed with precision by Mans Greback, this destroyed font resonates with the rebellious spirit of punk and its haunting allure of the unknown.

Riky is a heavy sans typeface carefully hand-drawn made, with different letter shapes, full of ligatures, and stylistic alternates that will provide great flexibility for your designs. Ricky's typeface is lively, dynamic and energetic. This font has an informal and decorative style. Riky fonts come in 2 versions: Shadow and solid. These fonts are quite perfect for packaging design, posters, children books and many other purposes. Play with them, be creative with them and enjoy them.

Aloritsa Meligos fun display font. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Aloritsa Meligos fun display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Aloritsa Meligos fun display font. Cheers, Maulana Creative

The Brohoney font is inspired by an elegant serif styled font made with elegant swash and limp curves that make any design unique and elegant. Brohoney has many alternative characters that you can choose easily by using an application that supports opentype glyphs, besides that Brohoney also has 14 families from thin to heavy that you can use for body text or header text. Brohoney is very suitable for making designs with elegant, luxurious, modern and simple concepts.

Hemilk Soons funny display typeface. Heavy stroke, fun character with a bit of ligatures. To give you an extra creative work. Hemilk Soons funny display typeface support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Hemilk Soons funny display typeface. Cheers, Maulana Creative

Most Haunted is a western display typeface font. Heavy stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Most Haunted font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Most Haunted font. Cheers, Maulana Creative

Bob Alonso’s Aftershock was designed to resemble woodcut or linocut lettering; its irregular shapes make it stand out from its background. Dominant features of this typeface are its generally square forms and its emphasized horizontal strokes. The strong, heavy alphabet makes an overall regular impression in spite of the idiosyncracies of its individual characters. To emphasize the unique contours of the forms, it is best to use Aftershock in larger point sizes and exclusively in headlines.

GeometricoSlab. Round with strong serifs. Should it express power? Geometric and Slabserifs: a relatively rare combination. GeometricoSlab takes its cue from Herb Lubalin’s typeface family of the same name, and by using optical corrections with restraint, it looks a touch more uncompromising. The flexible, partly asymmetrical arrangement of the serifs avoids an overly heavy effect. The typeface family is suitable for both headlines and small point sizes and is related Geometrico Sans Curious? Try GeometricSlab free of charge.