Stencil Press JNL was based on just a few existing sample punches from a 1920's stencil machine made by the Diagraph-Bradley company. Thanks to Neal Haynes at Diagraph for the samples and the ability to preserve this design in digital format.

“Corbitt” is one of the many designs found within the pages of the 1907 Inland Type Foundry specimen book. A bold spurred serif with Art Nouveau influences, it is now available digitally as River Terrace JNL in both regular and oblique versions.

Ali SRF is named for Stella's son, and was designed for Stella Roberts by Ray Larabie of Typodermic Fonts. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

The hand lettered title on the cover of the 1932 sheet music for “I Wish We Could Dance Forever” was the inspiration for Dance Routine JNL. This bold Art Deco sans serif design is now available in both regular and oblique versions.

On October 15, 2006 we became proud parents of three babies. To commemorate (and help pay for diapers) I decided to release this baby-themed dingbat set. All proceeds for the next few years goes to pay for lots and lots of diapers.

Muisca, that in its early edition was named as «Muisca Sans», was developed in mid-1997 and based on the graphic concept of pre-Columbian characteristics figures within some of the very few visual elements recovered from the Muisca culture. This ancient pre-Columbian tribe disappeared since the arrival of the Spanish 500 years ago, in what is now the center of Colombia. In fact, the name of the capital Bogotá goes back to Bacatá as primary or village downtown of what was once the imperial capital of the Muisca tribe. This typographic project was submitted as my work for the degree in Graphic Design, obtained in September of that year (at the Universidad Nacional de Colombia), under the creative concept of vindicating the ancient culture and identity through a functional typeface, into a fact without precedent in the country. Muisca was recently edited, arranged and completed, including multilingual diacritic glyphs to be versatile in several languages. Related and inspired by Latin America, Ethnic, Native, Tribal, Mysthical, Handmade, Aboriginal, Pre-Hispanic, Pre-Columbian, Textured, Fantasy. Ideal to be used in logos, display text & titles, games and other design applications that reminds of the Pre-Hispanic art.

FF Nort™ has all the design attributes that make for an exceptionally versatile print and web typeface – and it benefits from a distinct personality. Equally at home in long-form text copy or billboard size headlines, the family knows few boundaries. There is also a handcrafted neo-grotesque quality to the design, giving FF Nort a friendly mien and separating it from other industrial strength sans serif typefaces. Terminals are clipped at 90° angles to the stroke and counters are slightly condensed, saving space with no loss of legibility. The light weights have a subtle elegance, while the bold are commanding. All eight weights, and their italic companions, enjoy a large character set, with support for most Central and several Eastern European languages – including Cyrillic and Greek. Drawn by Jörg Hemker, the inspiration for FF Nort came from Transport, the typeface designed for Britain’s highway signage. Transport is formal, intellectual, and a model for modern street signage, but it was not intended for small sizes or continuous reading. Hemker took the basic structure of Transport and rebuilt it into a design that’s perfect for a wide range of contemporary hardcopy and digital imaging projects.

The basic letterforms for this typeface were found on a 1920s French poster for Les Arts de Feu by an unnamed artist. The stark geometric forms have been dressed up with an outline treatment, a drop-up shadow and a non-traditional small cap arrangement to make it even more striking, in a spooky kind of way. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Decorative, semi-serif fonts with high contrast: - Fogthree-ACL (AllCaps & Ligatures) with lots of unique (92 basic and 144 diacritic) Ligatures. - Fogthree as an accompanying, classic font with delicate feel, ideal for headlines, short text, logos, packaging and advertising. Ligatures gives text a unique, elegant and romantic feel. These Ligatures are PUA encoded and can also be accessed from Glyph Palette or Character Map. It comes in OpenType format with extended language support.

Turbayne is an all caps serif display revival of book cover titling originally drawn by A.A. Turbayne in 1896 London. Expanding upon the original drawings, Turbayne includes basic Latin, western and south eastern European language support, and includes opentype features such as ligatures, stylistic alternates, and even ornaments. Reflecting the refinement of the late Victorian era without being gaudy, it is perfect for designing headlines, labels, logotypes, posters, invitations, t-shirts and so much more.

Juvenile is a hand drawn fresh and playful font family, offered in a variety of weights and special characters, which matches perfectly with 52 decorative elements. It is suitable for different applications such as logos, stationery design, invitations, labels, merchandise products, and much more. Juvenile contains OpenType features such as ligatures, stylistic alternates and swashes. It supports Central, Eastern, Western European, Baltic, Turkish and Greek languages. The fonts are fully unicode-mapped (PUA encoded).

True Gore is an all-caps display font with two bloody options for each letter and numeral. A horrific pick for your dreadful designs, you bet. Just perfect for book and album covers, packaging, t-shirts, apparel, Halloween imagery, anything where you want that horror, disgusting look. Give it a go! Hey, and what about that cool complementary font shown in the posters? It's Runcible, also by PintassilgoPrints, worth checking it out too!

Kidela is an exuberant and eccentric serif typeface reminiscent of hand painted signage. Kidela features tight kerning and spacing, and some interesting effects can be achieved by adjusting the tracking. The typeface includes 64 discretionary ligatures to extend the natural hand painted look, alternates, oldstyle figures and small caps. Please see the sample brochure to see these ligatures in action. Kidela is an excellent choice when you need a fun and interesting serif.

MICAROLINE The Classic Art Deco Font with Alternates & Ligatures Micaroline is a family Sans Serif font designed with carefully handcrafted. Also suitable for branding, T-shirt, Wedding Invitation, Classic Design, Logotype, and any project. Comes with a tons of ligature make your life more than comfortable, easier to design and adjust frustrating space in font. All Caps Fonts. You can access the stars by typing (S+1) and then put it anywhere you want.

Alberta Signature Script is ideal for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any other project that requires a handwritten touch. Alberta Signature Script (Regular, Caps, and Tails) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates Multilingual Support for ä ö ü Ä Ö Ü … Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Javar is an all-caps display font. This font is designed in a colossal Middle Eastern style, with dynamic strokes using a flat pen which produces a magnificent and authoritative letterform. This font has a high historical taste, so it is perfect to be applied to specific themes such as culture, history, religion, kingdom, and battles. Equipped with accented characters, and special characters to boost your design. Thank you for your support!

Roosk is a round, reverse-contrast serif designed for display usages. It bears a 70s influence as well as a subtle western vibe, although it’s more rounded and chunky. The font is a single weight, Caps only and sports a set of 450+ glyphs and some cute symbols such as hearts and floral hearts. Roosk has Cyrillic and All European Languages Support and is best suited for posters, headlines, editorial, merchandise and packaging.

Diploma is a revival of Diplomat, a metal type made by the in-house team of Ludwig & Mayer and first published in 1964. Strong elegant caps with confident serifs make Diploma a great addition to the toolbox of poster and book cover designers. Diploma's character set covers a large range of codepages, including support for Baltic, Central and Eastern European languages, as well as Turkish and Welsh. Comes in all popular font formats.

Introducing, Sirens - Bold Sans with Alternates! Sirens a casual and modern sans. The special things is this font comes with alternates in each lowercase! Every alphabet have alternates up to 3 kinds! This font fits in any project. Strong for your headline. You can use it for a tittle, logo, quotes, or become a pairing in any font. This font also support multi language! Also already PUA Encoded. Caps only Fonts. Foreign Languages Support: ÀÁÂÃÄÅÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïñòóôõöøùúûüýÿ

Thuner is a chunky bold typeface perfect for any fun quirky design work! This font is equipped with ligatures and will be very good for your work such as posters, logos, t-shirt designs, branding, or even large scale artworks. What you get dear, you will get : 1. Thuner- A clean San serif font including Upper & Lowercase characters(ALL CAPS), 2. Ligatures Character (260 characters) 3. Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

EVERY is designed to be the most valuable typography equipment in your repertoire! Rich in visions, a wide range of features have been created to master all your typographic challenges par excellence: Italics, small caps, old-style figures, ligatures & arrows are just some of the many possibilities that EVERY offers. 28 Styles in three optical sizes gives you the opportunity to create fascinating design with the scent of iconic elegance. Be exceptional – EVERY day. www.typethis.studio

Tuscan X Condensed (whose actual name is Gothic Concave Tuscan Extra Condensed) was first produced in wood type by William H. Page & Company around 1872. The design is derived from a Gothic Condensed typeface, but with vertical stokes bowing inwards at the center. We modified the weight of the uppercase characters (since the original wood type has a lowercase much thinner than the caps) to harmonize with the lowercase when used digitally.

In the old Amsterdam neighborhood of 'De Jordaan', you will find a canal called Bloemgracht (Flower Canal). For many years, a coffee store called Schildmeijer could be found here. Their paper coffee bags and advertisements sported a hand made font which I have tried to recreate and the result is Bloemgracht typeface. It is an all caps art deco font, quite angular, but very legible and distinct. Bloemgracht comes with extensive language support.

Futurik is a futuristic look font, designed all Caps with different size. Comes with an unique alternatives for every letter, to create some custom design by single font. This Font is perfect for movie title poster, logo header, magazine header, or such even an invitational poster, or any other project. It includes multilingual language support. Features : Futurik All Character set Numeral and Punctuation Alternates and Ligatures Multilingual Thankyou For downloading The font Regards, Grontype

Marcheile is a display font, inspired by Gatsby & Vintage looks. The All-Caps font which comes from a combination of art deco and retro style. Luxury shapes, clean & solid that very possible to apply in many design project. Marcheile also has some OpenType features to gives you many alternatives in your creative process. There's some ligatures, many alternates, and 18 accents. Great choice for your headline, editorial, logotype, quotes, typography and more!

Buco Nero is a modern sensation brush font. Featuring bold in the dark, it offers All Caps font support and multilingual support, Buco Nero is perfect for Movie titles, thrilling titles, distro shirts, spooky content, media socials, and spooky graphic design. Compatible with such as Photoshop, Affinity Design, Adobe Illustrator or Silhouette design studios. Its makes it great for creative projects, whether it’s an inspiring wall poster or for communicating your brand.

Grotbox is an interesting, if not startling, distressed punk font. There are two varieties: one with upright characters; the other with the characters rotated out of whack for extra informality. Legibility is maintained, despite the wild industrial feel of the typeface, and it's designed to grab the attention. The zip package contains both OTF and TTF versions - install either OTF or TTF, not both versions of a font on the same machine.

Howling Wolf is all caps aggressive dirty brush font special for your Display Design. With a bold aggressive style, it adds a bold touch to your projects and will inspire you to create something bold for your project. Besides that, this font is also equipped with Alternative Characters, Standard Ligatures, and multi-language support. Howling Wolf is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, and album covers.

Introducing Glory Mathilda! An energetic brush stroke fonts. With two sets of all-caps letters, Glory Mathilda can support your creativity on your logo design, brand imagery, quotes, merchandise, product packaging, music projects, social media posts, etc. Glory Mathilda also has ten swashes that you can access in each alternative letter A-J. That's it! I hope you enjoy it. You can also say hello to me on Instagram: https://www.instagram.com/atharuah_ Thank You!

Umbilical Noose is a rather scary typeface. It is quite similar to an older font of mine: Nyctophobia. The name comes from a Nirvana song called Heart Shaped Box, in which Kurt Cobain sings: "throw down your umbilical noose, so I can climb right back". I have always liked that phrase a lot. Umbilical Noose is an all caps font, but upper and lower case are different and you can easily interchange the glyphs.

The collection Oro y Plata (Gold and Silver) is a Mexican style blackletter, dedicated to the three big silver cities – Taxco, Zacatecas and Guanajuato. Taxco is more angular compared to rounded Zacatecas and elaborate Guanajuato. The fonts contain small capitals, ligatures, initial forms, contextual alternates and other OpenType features. The special feature is a stylistic set of superscript caps with possibility to underline them. It supports all the European languages using Latin alphabet.

Maverick, noun, /ˈmæv.ɚ.ɪk/ a person who thinks and acts in an independent way, often behaving differently from the expected or usual way. Mavericks is a condensed small caps serif with focus on strength and power. It comes in two styles, Regular & Vintage, and features a fair amount of alternate characters to make each design a little more unique. It's perfect for logotypes, sports branding, posters, apparel design, magazine headlines, labels and so much more.

Rockzane is a classic stylish font inspired by basic concept of bold serif letters. It looks amazing at display sizes and is easily readable in text size. Rockzane comes with OpenType features, stylistic alternate character for uppercase (A-Z) and Small Caps. This is a display font made mainly for headlines, branding, logotypes, titles, and other short texts and is well-suited for advertising, packaging, titles, editorial design and classic style design.

Morque – Sans Serif Font: Bold and Expressive Boldness in Every Letter: Morque – Sans Serif Font stands out with its all caps design. It’s perfect for impactful titles and displays. This font commands attention in any visual space. Ideal for Titles and Displays: Morque’s bold structure makes it ideal for titles and visual displays. It enhances the readability of headlines. This font is a go-to for designers aiming for a strong statement.

SmokeHaus is a caps-only, reverse-contrast display typeface with flare serifs and bold, rounded letters. In addition to the plain style, the family has shadowed, cracked, and two rough or dimpled versions. It was inspired by a sign on a smoke house in Gustavus, Alaska. The SmokeHausShadowInside style was developed to be used in layers with SmokeHausShadow. It allows lettering with two colors. Also, SmokeHausCracked can be used in a layer above SmokeHaus.

Rockford is a geometrical Sans Serif with subtly rounded edges. Rockford comes in eight weights and matching Italics. With its large x-height and round features it’s both legible and friendly. It’s suited to cover a wide variety of tasks from editorial to brand design, advertising, logos and more. Rockford is equipped with plenty of OpenType features to perform well. Rockford comes with Small Caps, Old Style Figures, superior and inferior figures and fractions.

In 1937, Morris Fuller Benton designed Empire, titling capitals that became the headline style for Vogue magazine. In 1989, David Berlow revived it for Publish magazine, adding an italic and a lowercase, both unavailable in the original. He revisited Empire in 1994 with Kelly Ehrgott Milligan, adding two heavier weights, small caps, and an elegant set of Art Deco–flavored oldstyle figures, ultimately expanding it to a seven-part series; FB 1989–94

Peapod Regular is all-cap and all about hand-drawn patterns. Each letter has two pattern options easily available in upper/lower places and is designed to be used with Peapod Solid for color changing ease. Peapod is inspired by the publishing tradition of an ornate initial at the beginning of a fairytale, but why resist the fun of putting pattern everywhere... Posters also feature Atlantic Font’s Sanderling, Atlantic Doodles, Rowboat, Dinghybats and Quince Designs.

Tassista means taxi in Italian. It suits this typeface well as the source of inspiration is the closing credits from the film Taxi driver, directed by Martin Scorsese in 1976. The typeface is designed to perform especially well in smaller sizes and makes it suitable for various credit copy, footnotes etcetera, nearly always presented in minor sizes. During the designs process it seemed more logical to make small caps instead of traditional lowercases.