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  1. Mundial by TipoType, $24.00
    Mundial translates as “Worldwide”, this name is a statement: the idea of synthesizing characteristics from different traditions in a single typographic style. Here and there you can see gestures that are clearly associated with different eras and cultures, but not to be confused: the main characteristic of Mundial is the summary, the cohesion and the sum that results in more than each individual part. Mundial is a typeface for this time in which individual identity marks, are the best aid to build a world together.
  2. Bomber Dreams by Din Studio, $29.00
    Looking for a fun and bold font to captivate your audience, clients or guests? Then we’ve got the font for you! Introducing Bomber Dreams- A Grafiti Font Use this cool and modern graffiti font to breathe a street life vibe into your projects. This font is perfect for logos, printed quotes, cards, packaging, website or social media branding, and many more! Our font always includes Multilingual Support to make your branding reach a global audience. Features: Standart Ligatures Stylistic Set Multilingual Support PUA Encoded Numerals and Punctuation
  3. Teacher's Pet by Scrowleyfonts, $18.00
    So often as a designer I have wanted a handwriting font that is modern, natural and realistic, simple and attractive. I created this font to meet my own need. Teacher's Pet makes full use of the knowledge I have acquired over the years designing school handwriting fonts. It contains many contextual alternates to ensure that the flow of writing is as unartificial as possible. I have been disciplined in its creation, always making and coding a new glyph to ensure this flow rather than compromising.
  4. Balaleen by banfeeltype, $30.00
    Balaleen arabic & latin typeface is a cute layered hand-drawn font designed by Adel Banfeel, Inspired by balloons effects, this font is easy to read, and easy to play with 5 different styles, line, solid with line, solid with effect, line with effect or mix all styles. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique. This font, finely designed for cards, book titles, headlines or any artworks.
  5. Metalizer by Rochart, $49.00
    Metalizer sketched with calligraphy flat pen, then vectorized with Ai & generated with font creator. Inspired by the amazing style from Raghuveer G. Some Metalizer character is composed by broken strokes, adding a handmade feeling to this geometric kind of calligraphy. Metalizer contains some interesting alternates and ligatures that make this type more real. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyph : http://adobe.ly/1m1fn4Y Cheers!
  6. Miarlem by Pen Culture, $15.00
    Miarlem is a modern calligraphy font that perfect for branding, wedding, apparel and many other. This font comes with gorgeous uppercase and lowercase, punctuation, multilingual language. This font also equipped with beautiful beginning and ending tail and ligature which will be perfect for your design project. I really hope you enjoy it - please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don't hesitate to drop me a message if you have any issues or queries. Thank you
  7. Living Legend by Epiclinez, $18.00
    Looking to add a touch of fun and friendliness to your design? Look no further than Living Legend! This playful font is perfect for any project that needs a light-hearted feel. With its casual style, this font is easy to read and will add a fun flair and a strong impact to your work. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. PUA Encoded and fully accessible without additional design software Simple Installations works on PC & Mac Thank You.
  8. Gripewriter by Elemeno, $20.00
    Typewriters are becoming scarce, but fonts designed to look like they came from typewriters aren't. In this case, however, Gripewriter is meant to look as if it were typed on a textured paper and enlarged, emphasizing flaws and lending it a funkier, grungier look than your average typewriter face. This was originally called Hypewriter until it was pointed out that a font already existed with that name. The current name is a better fit, anyway, since Gripewriter looks like it might hold a grudge.
  9. Shine Bubble by HansCo, $15.00
    Shine Bubble font is a simple sans display font with a bubble feel. Use this display font to add that simple modern retro touch to any design idea you can think of. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!
  10. Racoste by HansCo, $15.00
    Racoste is a retro vintage lettering font style. Use this display font to add that special retro touch to any design idea you can think of!. Equipped with all complete characters ranging from uppercase letters, lowercase letters, numbers, punctuation marks and multi-lingual support, this font is ready to be used in any project. Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!
  11. Myster by Serebryakov, $49.00
    Myster is a truly random font — each lowercase letter has three alternatives, that interchange in the set. This makes Myster look alive, hand-crafted, painted for a special occasion, rather than a font selected from a regular type case… Of course, the mystical character of the font defines the scope of its usage — film, gaming and publishing industries. However Myster’s field of application goes beyond them. This font is able to create a desired atmosphere in packaging, children books, magazines, as well as in advertising.
  12. Andrew Typewriter by Andrew Tomson, $10.00
    Greetings, friend. I created this font for personal use on a YouTube themed channel about old things. The comments often ask what font I use, so I decided to share it with the community. You can use it in your commercial projects and for personal use. The font is great for creating a vintage text feel. The font is perfectly readable and scalable because I chose the most comfortable DPI for scaling when creating it. I wish you good luck and enjoy using this font!
  13. RMU Manolo by RMU, $35.00
    Manolo was a Ludwig & Mayer in-house design from the beginning of the 20th century. Though more formal than many others, the design keeps its Art Nouveau air. This beautiful font was completely redrawn and redesigned with giving the numerals more style. Two stippled border elements were added which you can reach by typing [alt] + P and [alt] + p. Like most fonts of this era, RMU Manolo comes with a long s too. RMU Manolo encompasses most European languages, Central and West, plus Turkish.
  14. Burgendry by Majestype, $21.00
    Burgendry is a bold, high-detail brush font. It comes with regular and slanted version, which aim to give a different feel. Equipped with an open-type feature and more than 300 glyphs, which are very useful for today's design needs. This font is perfect for designing t-shirts, stickers, headlines, sports, quotes, logotypes, brandings, and posters. LANGUAGE SUPPORT : Burgendry covers almost all European languages. Check out the supported languages by typing specific letters in the font preview. Please enjoy this font like a beautiful summer.
  15. Rose River by Yahya Type, $14.99
    Rose river – This font has more than 70 unique alternate and ligature to give your logo, business card, and another project a unique vintage look. Rose river – this style works well for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, or whatever project you’re working on. WHAT’S INCLUDED? Uppercase & lowercase letters. numbers. punctuation Ligature & Huge Stylistic alternate. Multilingual support. Still got a question? Send me a message and I’ll be happy to answer! qura.yahya@gmail.com
  16. Kula by Jadugar Design Studio, $20.00
    I am proud to introduce Kula, a fun font. It is bold with three variations: outline, shadow and blur. These 4 fonts are very pleasing to use in your poster design, giving some headings to your text and many more options to play with these set of fonts. Its unique curves with slab look is fantastic choice for your next project. Kula has been crafted with care and I tried to make this some thing special for you. I hope you will enjoy this font family!
  17. Zouk by 38-lineart, $19.00
    “Zouk” is the transformation of the classic blackletter font into the modern world. The blackletter character is very strong and prominent will be the choice for a new style brand. This font consists of 750 glyphs with latin plus diacritics that supports more than 200 languages. We created alternate glyphs in stylistic sets (SS) 01, 02, 03 and 04 for all lowercases including the diacritics. We believe this font style will be a new brand choice that is more prominent and stylish in a classic nostalgic diorama.
  18. Golga by Gassstype, $23.00
    Here comes a New font, Golga is Unique Bold Display Font this is strong Font, that is written casually and quickly amazing. Then crafted carefully drawn into vector format. This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Label, and etc.It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes.this font is great for your creative projects such as watermark on photography, and perfect for logos & branding.
  19. My Hands by Wiescher Design, $49.50
    The hands in this font are the pointing, counting, threatening, signaling, demonstrating and playing hands I use in my own design projects. I have drawn them all with a felt-tip marker, scanned and digitized for use in a font. This picture font is more user-friendly than having single ps-files. I usually convert the letter to paths once I have decided which one to use, because I might want to fill the lines or background with different colors. Yours very handy, Gert Wiescher.
  20. Inklination by Emtype Foundry, $69.00
    Inklination is a new grotesque that goes against the 'genre rules' and has a low x-height. It breathes quite better than larger x-height typefaces, with the sensation of air and more whitespace. This, combined with long ascenders and descenders, makes it look luxurious, elegant and refined. The family has two sets of italics, a regular one with 10º of inclination, and a more brutalist one with 20º. A monospaced version of five weights complete this versatile family. For more info visit emtype website.
  21. Plates Napery by Mans Greback, $59.00
    Thin and elegant typeface design, with several alternate glyphs.
  22. Title Gothic Light by BA Graphics, $45.00
    A very thin light line gothic, great headline face.
  23. Ongunkan Norwegian Futhark by Runic World Tamgacı, $40.00
    THE NORWEGIAN RUNES The oldest runes discovered in Norway date from 400 AD. They were based upon the 24 - rune Elder Futhark of Germanic origin. Two of the runes in the Elder Futhark, Pertra and Eoh, have never been found in any Norwegian rune text. From 550 AD to 700 AD there was a transition period between the older 24-rune Futhark and the newer 16-rune Futharks. By the end of this period, the 24-rune Futhark went completely out of use and the 16-rune Futharks had prevailed. Then, about 900 AD, the Shorttwiggs-runes were introduced from Sweden. Shortly thereafter, from 1000 AD, Futharks with more than 16 runes became more prevalent, as these were more consistent with the Latin alphabet. These types of runes were used in Norway up to 1800 AD.
  24. Gutter Pigeon by PizzaDude.dk, $17.00
    Gutter Pigeon is not your every-day Ransom-kind-of-font! The prices of making it was really simple: I only used my phone and computer. I took pictures of letter from newspapers, magazines, bookcovers, candybars, movieposters, roadsigns, etc. In the beginning, It was easy to find new letters. But as I had the initial letters, it became quite a search for the missing letters. Not a hard job, you may think - but this font has 8 different versions of each letter! That's 26 lowercase glyphs and 26 uppercase glyphs...8 times! That's more than 400 glyphs! And on top of that comes numbers and punctuation! Go crazy with Gutter Pigeon! Actually, that is not very hard, because the font automatically cycles through the 8 different versions of each letter while you type! Upper- and lowercase in a wild mix!
  25. Doobie by Canada Type, $24.95
    One would think the whole hippy thing would have died out after the knighting of Mick Jagger and the selling out of the The Who. Not at Canada Type. We still occasionally read Burroughs and Ginsberg, listen to Dylan and Hendrix, and use the backyard to pretend (um, like run barefoot with the dog). And we're always happy to make another psychedelic font. This one is based on an early 1970s film type that went by the names Hoopla and Scorpio. Doobie is a typical hippy font that uses the simplest elements of the art nouveau genre. Bubbly and wavy, Doobie exudes an almost child-like innocence, the ever laid back, optimistic simplicity of flower power. It is right at home alongside the many other psychedelic fonts that make Canada Type the definite home of the groovy alphabet. Far out!
  26. Caliway by Letteralle, $18.00
    Caliway brings the impression of being simple, elegant, and warm. Caliway is a casual handwritten font that easily complements various types of design needs such as social media, T-shirts, signature logos, branding, merchandising, ads, book titles, packaging, and more. Caliway includes 3 files: - Caliway Regular: The main font with Uppercase, Lowercase, Number, Punctuation, and also multi-lingual support. - Caliway Alternate: Besides accessing the alternative characters from the main font through the OpenType features, you can also install this alternative style. Caliway Alternate will give you other options for a character, which of course will add a natural impression. - Caliway Swashes: A set of 10 swashes, you just have to install it, then type the letters A - J to make swashes. That’s it! Please do let me know what you think, feel free to comment if there are issues or queries. Enjoy Caliway.
  27. Supra Demiserif by Wiescher Design, $29.00
    »Supra Demiserif« is the demi serif addition to the Supra family. I am no fan of slab serif fonts, so I designed this one with half serifs, that makes the serifs less important. Then I found, that the italic does not look nice with slab serifs, so I did only one italic cut for the normal weight. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family for professional typography with an extended character set of over 700 glyphs. It supports more than 40 Central- and Eastern-European as well as many Western languages. Ligatures, different figures, fractions, currency symbols and smallcaps can be found in all cuts. with each other.
  28. FS Alvar by Fontsmith, $80.00
    The classic modernist FS Alvar grew out of a library of pure modular shapes gathered by Fontsmith’s master of the abstract starting point, Mr Phil Garnham. “It was a collection that just had to be explored and brought to life in a typographic voice. “We debated long and hard about this. It was big decision to make a shift away from the typefaces that people knew us for. And we didn’t want to compromise our reputation of well crafted typographic quality”. Modular forms A headline font that’s both graphic and functional, in the modernist tradition, FS Alvar focused Fontsmith’s eyes on the bigger issue of what makes a font show its age. “Looking at those fonts from the 1980s that were supposed to represent the ‘future’,” says Phil, “they looked so dated now. With Alvar, we weren’t concerned with creating future-thinking typography but with exploring form for form’s sake, and how that can evolve to create letterforms. Modular forms with a typographic eye.” Stencilled The concept for Alvar first materialised back in 2001 with some sketches Phil made while still at Middlesex University. Eight years later, something made him dig them out again. “There was something really nice about the proportions of that first design. Working on it again, I thought about it properly, but it still needed something to give it that edge. “Jason stood up in the studio and supplied the missing link: ‘Why don’t we make it stencilled?’ He didn’t mean in an obvious way, but by building a kind of architectural stencil into the form. It worked and the idea of using an architect’s name (Alvar Aalto) to describe the font felt perfect.” Featured in... The three weights of FS Alvar are made for standout headlines in advertising campaigns and magazines. Alvar has had a starring role in campaigns for brands from Nike to Amnesty International, as well as on CD covers, record labels and packaging.
  29. Berganza by Cuchi, qué tipo, $9.95
    "Berganza" is a typeface designed as a tribute to the spanish century called "Siglo de Oro". Embellished with several ornaments and swashes, it quickly reminds an age in which castilian arts & letters were flourished, as well as the fantasy knighty fables adventures of heroes, loved ladies and evil villains. Although the Siglo de Oro cannot be set in specific dates, it is generally considered to have lasted more than a century; between 1492, the year of the discovery of America and 1681, the year in which the writer Pedro Calderón dela Barca died. Lope de Vega, Francisco de Quevedo, or even William Shakespeare (in England) are also famous figures of this time. Berganza typeface takes its name from the main character of the picaresque novel "The Conversation of the Dogs" (Cervantes, 1613). Berganza is able to speak with the other dog Scipio on a big number of social & philosophical topics. Talking about technics, Berganza is a modern typeface but with a humanist flavour. Thanks to its various styles and flourishes, it immediately refers to the culteranism aesthetic of that time, whose aim was to elevate the noble over the vulgar. But also, Berganza takes advantage of the contemporary technology, highlighting in his drawing the contrasted forms and certain broken and unusual strokes in order to give it a brave and different style touch. Berganza includes four weights to be used for continuous reading with great visual richness. However, it is more recommended for large sizes, since its unusual and particular details appear when the letter grows. Finally, the hundreds of glyphs and Opentype features that it has incorporated, allow us to change the aesthetics of the type according to our needs. OPENTYPE FONT 518 CHARACTERS 1113 GLYPHS 4 INSTANCES (Regular, Bold, Italic & Bold Italic) 38 LANGUAGES 28 LAYOUT FEATURES (stylistic sets, ligatures, historical ligatures, swashes, contextual alternates, numerals, etc) DESIGNED BY CARLOS CAMPOS IN 2021 www.cuchiquetipo.com Dummy text from wikisource.org («Rinconete y Cortadillo», by Miguel de Cervantes).
  30. Model by Lián Types, $49.00
    When designing a typeface, one has to be conscious of superfluous details. Although I am always tempted to add little personal touches, experience taught me that the phrase -less is more- is totally true. In Model, the letters (like models do) participated of a contest: An event in which models engage in competition against each other, often for a prize or similar incentive. The prize was staying in the font! yay! Tall, delicate, refined, the right amount of elegancy: These were some of the aspects to be chosen. Typographically speaking, these things were achieved thanks to a tall x-height (which leaded the font to be somehow condensed), a subtle contrast between thicks and thins, and just the right amount of decorative swirls. The result is a nice script that can be used in magazines, invitations, posters, book-covers and works very well when used over photographs. Get Model and let it be the star of the catwalk. STYLES Model Pro and Model Small Pro are the most complete styles of the font. Both have all the ligatures and decorative glyphs seen in posters above (OT programmed). Model Std One, Std Two and Std Three are reduced versions of Pro. This means they have less glyphs inside. TIP If you are planning to print the font in small sizes, it’s highly recommended to purchase Model Small Pro. Its thins are thicker so they will be better printed.
  31. Skeleton Slab by Studio K, $45.00
    Skeleton Slab brings a new elegance to a classic form. I was thinking of calling it Ozymanidias, after Shelley’s poem, because it evokes memories of ancient runic inscriptions, but then I thought that was maybe a bit pretentious, and I decided I'd keep it simple and descriptive. Besides, I wasn't sure how to spell Ozymandias! Skeleton Slab has small caps in place of lower case.
  32. Evening Dress JNL by Jeff Levine, $29.00
    Thin, elegant and thoroughly Art Deco is the thick-and-thin (slightly flared) alphabet found on page 31 of Samuel Welo’s 1930 instructional book “Lettering Practical and Foreign”. Redrawn digitally as Evening Dress JNL, it is available in both regular and oblique versions.
  33. Lino by Kmaz, $10.00
    Lino is a unique typeface with elegant modern edge, designed by Khalid Al-Mazrouei and published by Kmaz. Lino packs a complete set of uppercase and lowercase letters, numbers and punctuation, it comes in 5 weights: Regular, Thin, Extra Thin, Bold and Solid.
  34. Burgues Script by Sudtipos, $99.00
    Burgues Script is an ode to the late 19th century American calligrapher Louis Madarasz, whose legendary pen has inspired schools of penmanship for over 100 years. His talent has caused some people to call him “the most skillful penman the world has ever known.” I use the word ‘ode’ in a colloquially ambitious manner. If I was an actual poet, my words would be about things I desire but cannot attain, objects of utter beauty that make me wallow in humility, or people of enormous talent who look down at me from the clouds of genius. But I don’t write poems. My work consists of letters drawn to fit together, that become an element of someone’s visual poetry. I am the poet’s assistant, so to speak. Once in a while, the assistant persists on what the subject of the poem will be. And occasionally, the poet gives in to the persistence. I hope you, visual poet, find my persistence justified in this case. The two main sources for Burgues were the calligraphy examples shown in Zaner Bloser’s The Secret of the Skill of Madarasz: His Philosophy and Penmanship Masterpieces, and C. W. Jones’s Lessons in Advanced Engraver’s Script Penmanship by L. Madarasz. These two references were the cornerstone for the concept I was trying to work with. I did have to change many of the letters in order to be able to produce digital calligraphy that can flow flexibly and offered the user a variety of options, while maintaining its attractive appearance. To this end, many ligatures and swashes were made, as well as full flourished sets of letters for use at the beginnings or endings of words and sentences. All of this has been tied together with OpenType and tested thoroughly within today’s standard design and desktop publishing software. After working with digital scripts for so long, at one point I thought that Burgues Script would become a bit of a chore to complete. I also thought that, like with most other scripts, the process would regularize itself after a while and be reduced to a mechanical habit. Surprisingly, and fortunately for me, this did not happen. The past holds as many surprises as the future. Madarasz’s method of penmanship was fascinating and challenging to translate into the strict, mathematically oriented language of the computer. It seems that the extremely high contrast of the forms, coupled with the required flow and connectivity of such lettering, will always be hard work for any visual artist to produce, even with the aide of a powerful machine. I can only imagine what steady nerves and discipline Madarasz must have had to be able to produce fully flourished and sublimely connected words and sentences on a whim. When I think of Madarasz producing a flourished calligraphic logotype in a few seconds, and try to reconcile that with the timelines of my or my colleagues’ work in identity and packaging design, the mind reels. Such blinding talent from over a hundred years ago. Burgues is the Spanish word for Bourgeois. In the end, I hope Burgues Script will serve you well when a flourished word or sentence is required for a design project. One of the wonders of the computer age is the ability to visually conjure up the past, serving both the present and the future. With Burgues, you have a piece of “the most skillful penman the world has ever known,” at your service. Burgues received important awards such as a Certificate of Excellence TDC2 2008 and a Certificate of Excellence at the Bienal Tipos Latinos 2008.
  35. AZ Union by Artist of Design, $25.00
    AZ Union font was inspired from an old vintage tin from the early 1900's This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.
  36. Chateau by Wilton Foundry, $29.00
    On the one hand Chateau is almost palatial but at the same time it has a quite earthy personality as represented by the stenciled strokes. However, this stencil effect serves to refine the strokes by creating the illusion of a completed thin stroke. Chateau is more of a hybrid roundhand script with its contrasting ornate capitals. Originally a fortified residence in France was called a Chateau. Today there are many estates with true Chateaux on them in Bordeaux, but it is customary for any wine-producing estate, no matter how humble, to prefix its name with "Chateau". This is true whether the building itself is a magnificent palace or a shack. The distinctive chateau architecture was in inspiration for the name of this script. Chateau is ideal for packaging design, invitations, announcements, headlines, brochures, menus, weddings, scrapbooking, etc. Chateau is available in Opentype, Postscript and Truetype for Macs and PCs.
  37. Red Border Labels JNL by Jeff Levine, $29.00
    In the pre-computer, pre self-adhesive label era of office supplies a number of companies (including Dennison, Maco and Denny-Reyburn) manufactured a wide variety of gummed labels for just about any use or purpose. Blank labels, specialty labels and decorative holiday seals were just a part of this line. One popular style was that of labels with parallel thick-and-thin borders of red lines and corners chamfered, rounded or straight cut. Occasionally, one could find similar labels with blue, green or gold borders but red was the mainstay, hence naming this typeface Red Border Labels JNL. Presented in this font is a collection of twenty-six standard and specialty shape label borders on the capital (A-Z keys) and twenty-six solid panel versions on the lower case (a-z) keys which can be used as backfills for the borders or as stand-alone labels.
  38. Stena by LetterPalette, $35.00
    Stena is a very functional sans serif typeface with calligraphic feel, especially designed for contemporary typography. This family features deep and sharp ink-traps as part of its design. Thanks to its proportions, solid and balanced forms, combination of straight and curve lines, high x-height and expressive ink-traps, Stena combines readability with a strong personality. This dynamic typeface provides advanced typographical support with features such as ligatures, alternate characters, stylistics sets, fractions, etc. It also comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This carefully designed family consists of 8 weights, ranging from Thin to Black, each with matching true italics. It comes with a set of 566 characters per weight, supporting over 40 different languages using the Latin alphabet. Stena is the ideal choice for editorial, branding, corporate identity, and more.
  39. Agile Jewelry by Nathatype, $29.00
    Agile Jewelry a stylish, modern display serif font to give you informal, modern impressions. The characteristics of this font are the extra hooks on the letters’ edges and some of the letters have curvy ending wipes. The thick and thin lines on every letter are clearly visible. For a legibility reason, apply this font for big-sized texts instead of the body texts. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Agile Jewelry fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us if you require more information when you are dealing with a problem. Thank you. Happy designing.
  40. Short Films by Dharma Type, $19.99
    Short Films is an all-new-styled family, which kind of looks like Art Deco Style. Wide opened counters and softly rounded bowls create a new feeling – Retro but futuristic, geometric but humanistic. Exquisite contrast between thin and bold parts of glyphs make mixed feeling – Pop and feminine, formal and casual, strong and soft. The most distinctive feature is a coexistence of decorativeness and Readability. This coexistence expands the range of font usage. You can use this font for not only titling but also body-text. Short Films consists of 6 weights and their matching Italics for a wide range of usages. Further, Short Films supports international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Short Films covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.
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