Rech Munchase is a handmade script font. Rech Munchase is perfect for logotypes, posters, apparel designs, labels, website headers and much more!

Chandler 42 is an authentic typewriter font. It was designed by Steve Mehallo and published by Monotype. Chandler 42 contains 8 styles.

Meatblock it's modern typeface style. Can be use for modern logo, tees design, logotype, and many more about modern and clean style.

Sabian Valent is unique handwritten font. Very nice if you use it for poster, gig, logotype, cover, book, tees, and many more.

Based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris’ Golden Type.

A handsome, square sanserif, the ultra extended Cavalero is strictly a display design. The typeface was inspired by the Chevy Cavalier logotype.

The Closed Door is a high-contrast and condensed font which can be used for letterings, posters, logotypes. Font supports cyrillic characters.

Font with perspective for names, logotypes, titles, headers, topics etc. Font includes only uppercase letters with two alternative designs for each letter.

Bellanovie is a handwritten font with a chalk texture. It is suitable for promotional designs, labels, packaging, branding, logotypes and much more.

Pluton is a Futuristic Font which has a strong and decisive form, making it very suitable for logotypes, merchandise, especially racing teams

Designed by Daniel Hernández and Paula Nazal. Corrections and review by Alfonso García and Rodrigo Fuenzalida. Trenda is a geometric sans-serif typeface based on the uppercase of Trend —a Latinotype font, released in 2013, that was very well received. This new typeface comes with a wider character set that offers a complete family of uppercase and lowercase in different weights. Trenda is a versatile easy-to-use functional display font with a strong personality, especially its uppercase, which makes the designer’s work easier. Trenda’s lightest and heaviest variants are ideal for display use while its middle weights work well with short and mid-length texts. This typeface has been designed especially for corporate projects, logotypes and publishing. Trenda comes in 8 weights, ranging from Thin to Heavy, and includes matching italics as well as small caps and alternates. The family contains a 634-character set that supports 206 different languages.

De Sandey is a hand brushed font, with natural authentic brush, and also provided some alternate, ligatures and Swashes Extra. Brand new stylish textured fonts and Make it easy for made logotype Handlettering Style. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean Design, Branding Design, Sign, Merchandise and Social Media Posts. This font contain of Uppercase, Lowercase, Number, Symbol, Punctuation, also support multilingual and already PUA encoded.

If you are a graphic designer, magazine editor, fashion stylist, industrial designer, publisher, printer or have a creative business, this font is for you, I believe it is a font that should be in your font folder for all your work.. Make awesome logotypes; When you write any word, it almost gives a logotype effect, I enjoyed working on it very much, I'm sure you will like it too...

Birdrockers is a realistic hand brushed font, with natural authentic brush, and also provided some alternate, ligatures and Swashes Extra. Brand new stylish textured fonts and make it easy for logotype with a hand-lettering Style. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean Design, Branding Design, Sign, Merchandise and Social Media Posts. This font contains Uppercase, Lowercase, Number, Symbol, Punctuation, also support multilingual and already PUA encoded.

Designer RD was created in 1999, at the same time as Just Square and Why Square typefaces, and envisioned to be their rounded alternative. Zoran based the font on the logotype his son Nikola made and its primary purpose is to be used in logotypes, headlines, fliers, websites, etc. that are going for a hard geometric look. Designer RD’s character set supports Western European languages, as well as the Cyrillic script.

Black Finger is a allcaps hand brushed font, with natural authentic brush, and also provided some alternate, ligatures and Swashes Extra. Brand new stylish textured fonts and Make it easy for made logotype Handlettering Style. It will be great for Logotypes, Posters, Digital Lettering Arts, Clean Design, Branding Design, Sign, Merchandise and Social Media Posts. This font contain of Uppercase, Lowercase, Number, Symbol, Punctuation, also support multilingual and already PUA encoded.

The name Old Style No. 7 comes from a time when foundries released a variety of typefaces under one name. Linotype produced Old Style No. 7, which was based on an early 1870s typeface from the Bruce Typefoundry, which had based its design on a type from the Scottish foundry Miller and Richards. Old Style No. 7 is a reliable text type that is serviceable for both books and shorter copy demands, such as magazines.

Roundy was designed by F.K. Sallwey and appeared with Linotype in 1993. This calligraphy font is true to its name with its soft, round characters. The regular strokes give text an easy, relaxed feel. For variation and emphasis, Sallwey included swash capitals in this font. As initials, the swash characters add zest to texts and can be combined with other alphabets. The calligraphic elegance of Roundy is a perfect contrast to constructivist typefaces.

Wedding Text was designed by Morris Fuller Benton in 1901 for American Type Founders (ATF). The face was so popular that its forms soon began appearing with other font foundries under different names, Elite Kanzlei with D. Stempel AG, Comtesse with C.F. Rühl, Linotext with Linotype, etc. Its ornamental forms are not considered very legible by today's standards; therefore it should be used for headlines and short texts in point sizes 12 or larger.

Arnold Boecklin is a true Art Nouveau font, evocative of outdoor cafes in the years prior to World War l. Arnold Boecklin seems to be telling a story, with its decorative curves and varying emphasis of strokes. The Arnold Boecklin font should be used for specific copy as in headlines or advertisements, bearing in mind its strong design. Arnold Boecklin is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

Hello Farmer is a handwritten font in Cute, Bold and Child style. It is suitable for promotional designs, labels, packaging, branding and logotype.

RiptCure is a futuristic, but usable typeface for everything from logotypes to magazine headlines. Several weights are included, including an interesting Ultra Light.

This font is perfect for many projects, such as brands, quotes, invitations, cards, product packaging, headers, logotypes, posters, apparel designs, movies, and etc.

Kerb is a contemporary sans serif font created with wide letterforms and subtle bowed vertical strokes. Fantastic font for logotype and headline use.

Magnold is a modern bold and elegant serif font. Magnold is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design.

Linotype Univers is a completely reworked version of the original Univers typeface family designed by Adrian Frutiger in 1957. After a long process of painstakingly detailed revision, Frutiger and the design staff at Linotype completed this large joint project in 1997. The result: a brilliant and cohesive font family of 63 weights and styles including the 4 monospaced typewriter weights. All the existing weights were completely redrawn, with careful attention paid to making the proportions more consistent with each other and improving fine details such as curves and thick-to-thin stroke ratios. The family was expanded from 27 to 63 weights, providing a much larger framework to graphic designers for choosing just the right style. The bold and condensed weights were reworked for improved legibility and on-screen application. The stroke weights were revised for consistency within each face as well as in relationship to the other weights. By following Frutiger's original designs, the humanist character of the sans serif Univers now comes through more distinctly. The systemized numbering system has also been updated. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. In fact, the strong familial relationships between all the styles and weights make it a serviceable choice for large graphic design projects that require versatility with consistency. Frutiger was successful in staying true to his initial aims; the new Linotype Univers does indeed work in longer texts as well as for display settings. In 2010 the typeface family was extended and renamed into a more logical naming of "Univers Next" to fit better in the Platinum Collection naming.

Linotype Univers is a completely reworked version of the original Univers Univers typeface family designed by Adrian Frutiger in 1957. After a long process of painstakingly detailed revision, Frutiger and the design staff at Linotype completed this large joint project in 1997. The result: a brilliant and cohesive font family of 63 weights and styles including the 4 monospaced typewriter weights. All the existing weights were completely redrawn, with careful attention paid to making the proportions more consistent with each other and improving fine details such as curves and thick-to-thin stroke ratios. The family was expanded from 27 to 63 weights, providing a much larger framework to graphic designers for choosing just the right style. The bold and condensed weights were reworked for improved legibility and on-screen application. The stroke weights were revised for consistency within each face as well as in relationship to the other weights. By following Frutiger's original designs, the humanist character of the sans serif Univers now comes through more distinctly. T he systemized numbering system has also been updated. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. In fact, the strong familial relationships between all the styles and weights make it a serviceable choice for large graphic design projects that require versatility with consistency. Frutiger was successful in staying true to his initial aims; the new Linotype Univers does indeed work in longer texts as well as for display settings. In 2010 the typeface family was extended and renamed into a more logical naming of "Univers Next" to fit better in the Platinum Collection naming.

Oldsman No. 1 is an uppercase font family. It was specially designed for logotypes and experimental editorial design projects. Geometric, rhythmic, modern... Try it!

Rolhausen is a Sans Serif Typeface which is suitable for you who needs a typeface for headline, logotype, apparel, invitation, branding, packaging, advertising etc.

Jack Smith is a signature script font with a natural handwritten feel. This font is a good choice for branding and logotype design projects.

Navigate is an elegant hand made with brush script and is perfect for wedding card designs, logotype, website headers, fashion design and much more.

Jumaplitan font special for retro modern style. Will be good if you use for something like logotype, retro logo, typeface, simple and clean design.

Introducing Manbokun – a typeface that has a unique letterform inspired by Japanese kanji typography. Suitable for headlines, titles, logos, logotypes, posters, brochures, and more!

Ruman is a display typeface suitable for logotypes and posters. It’s a very simple origami font and short words look almost like abstract pictures.

Santica is a beautiful handwritten font. Santica is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, and album covers.

Wildline is a fast logotype font, created to help you designing logotype or lettering that looks just like a hand-painted brush logo. Use it for designing signs, packaging, headlines, or a cool typographic print. Wildline has characteristics such as strength and confidence, while being dynamic, readable and very energic. Containing extensive lingual support, it covers all Latin European and Asian scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

The first typeface developed by Latinotype Team. Corporative is a semi serif font that has a marked personality and distinctive traits, what makes it suitable to be used at large text sizes.Since it is a condensed font, it can also be used in smaller sizes. Corporative and Corporative Sans come with the Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative provides users with a wide range of characters, weights and widths for every project. By combining different variants,designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Latinotype has added new faces to its team. Latinotype Team nowcomprises: Javier Quintana, César Araya, Bruno Jara, Luciano Vergara and DanielHernández. Corporative was created by Latinotype Team and developed by Javier Quintana and César Araya, under the supervision of Luciano Vergara, Miguel Hernández and Daniel Hernández.