Hackbot is a font which is both retro-inspired and amusing to the eye. The gaps between the letterings allows you to feel vintage and travel back to the old times. It’s a font which uses a sans serif style of writing, but uses a retro design to make an overall unique font. It’s flawlessly suitable for promoting games, creating quotes, retro designs and much more.

The inspiration source for Arteaga Borders Three is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Three Guidebook” if you would like to learn a little more.

Proto Mono™ is a modular monospaced font built with rounded shapes, designed with tech industrial taste by Radinal Riki. Created for electronic displays found in our modern techie world such as postal packing slips, airline tickets, informational video displays, ads, and more. Come with 2 styles with 4 weights each. This entire font is capitalized and with a character set that covers over 100 languages.

Brighton Vintage is a stylish font that is both retro and bold font. Its thick curves give a 70s groovy vibe with the serifs bringing it slightly back to traditional. This font is perfectly made to be applied especially in logos, and other various formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, makeup, stationery, novels, labels, or any advertising purpose.

Jump back to the classics with Staluco - A bold sans-serif font inspired by vintage greeting cards and town signs in the 70s 80s era. This font captures the vibes and sense of going-home and childhood-like spirits from your grandparent's house. Perfectly fit for logo, a town sign, branding, poster, clothing, merchandise, music project, books, greeting cards, street, and urban culture concepts, you name it.

PiS Creatinin pro is based on a vintage ABC learning game for kids found in my grandparents attic. The narrow and high hand-drawn letters combine delicacy and chunkyness in a wonderful way, so it can be used both in huge display sizes and in small text sizes. PiS Creatinin pro - Makes you want to go back to school and learn the alphabet all over again!

Swung Note is a groovy and dynamic font, packed with more than three hundred smart interlocking pairs that do their magic powered by OpenType programming. Since the letters assume different shapes in the many different ligatures, the compositions look truly handcrafted. Swung Note is definitely a great – and quite playful – tool for creating amazing custom-lettered looking designs, while keeping the groove going. Swing-along!

Gibswing born based on the reference of old fancy lettering, vintage illustration, and victorian calligraphy. The Gibswing decorative style make it as an instant time machine to the era from 1800-1900 victorian visual style of the products, printed advertising, and signs back in the day. It will be a perfect companion of your classic visual direction for decorative sign, labels, branding, logotype, you name it.

Skyline Hotel is a brand new hand painted font from Dathan Boardman of Open Window. It utilizes Art Deco structures but is greatly amplified by organic paint brush strokes. The font would be best used in designs that require an organic degraded look and feel. Skyline Hotel… optimal for back alley graffiti mural or a poster to begin a political revolution. Geometric essentials betrayed by fluid expression.

Based on William Caslon’s design (c1720) which was itself based on Dutch Baroque typefaces. The old saying “when in doubt, use Caslon.” can now be updated ... “use RM Almanack instead!” Includes: Western European, Central European, Baltic & Turkish sets Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Song Publisher JNL features a design based on the 1945 Art Deco-era hand lettered sheet music title "When the Old Gang's back on the Corner (Singin' Sweet Adeline Again)". It's a good thing sheet music wasn't sold by the word count found in song titles, because this twelve word example would have been more costly than titles such as "Nola", "Tenderly" or "Ciribiribin".

Satiata is fat, single, display font that's full of charm. Tightly spaced, Satiata is designed with condensed proportions which place the font in versatile position – it can be used for posters, titles, outdoor graphics, but equally the same for package, branding or websites. It is recognizable enough to lead every project. Satiata contains extended Latin character map with two stylistic sets and small pack of ligatures.

Tiva is a light and breezy casual script reminiscent of handwriting and packed with contextual and stylistic alternates. This easy and friendly style adds a personal touch to any project. See what’s included! http://bit.ly/2c5Nn4K This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

NuevoLitho is my first successful font design. It was designed for use in the heads and subheads of my first book, “Printing in a Digital World” back in 1994. It’s a very loosened play on Lithos, Carol Twombly’s fashionable font of the period. However, I added a complete lowercase set, several special characters, and all the other fun stuff I do with my fonts.

Mataö is a bold and gorgeous and is great for headlines and elegant designs with a vintage and classic flair. Mataö's contrasting lines and curved terminals give a sleek, elegant look to logos, holiday cards, wedding invitations, quotes, advertisements, and more. Mataö is a versatile typeface that's full of character and one you'll come back to time and again. Make your awesome design layout with Mataö.

Sheldrake JNL is the second in a series of display fonts modeled from actual water-applied decals that were manufactured by the Duro Decal Company of Chicago (now Duro Art Industries). The font's name derives from the actual phone exchange for Duro, back in the days when a telephone listing had a name-number assignment for recognition. In this case, their number began as "SH(eldrake)-3".

Bugleboy started as a digitized version of "Wood Grotesk," a 1970s film typeface by LetterGraphics. It started with a bare bones character set which we added swash alternates for Capitals, Stylistic Alternates for a Unicase look, and crafted a Sans version without serifs. The Sans style lacks swashes but keeps Stylistic Alternate Unicase forms. See the last graphic for a comprehensive character map preview.

Poster compressed is a display font made specifically for editorial and posters. This font has a super compressed character set and super tight kerning to match! This gives you the ability to create large headlines and copy for bold typographic posters and editorial pieces. This font packs punch when it comes to large copy lines and you're going to want it in your font arsenal.

Inspired by mosaic lettering by Heins & LaFarge, architects of the IRT (Interborough Rapid Transit) in New York City. Bedford hints at the station names on platform walls which date back to 1904 but modernize it through a rigid grid system and rounded corners. The family consists of two styles, Bitmap for web usage with a perfect pixel snap, and Rounded for a softer and bolder look.

The inspiration source for Arteaga Borders One is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders One Guidebook” if you would like to learn a little more.

Augustea was designed by Alessandro Butti and Aldo Novarese and is one of the most popular classical, monumental letterforms featureing a stone cut effect. This font is based on the classic proportions of Capitalis, which dates back to the first century AD during the reign of Augustus. It should be set with a widely spaced bias. Augustea is distinguished by its balanced, classic and majestic image.

The inspiration source for Arteaga Borders Two is a collection of the embroidery and beading patterns from a vintage embroidery patterns catalog dating back to 1865. The original collection of patterned sides has been expounded upon to create matching corners that continue the fluidity of the ornate forms. Download and view the “MFC Arteaga Borders Two Guidebook” if you would like to learn a little more.

Billybond is a bold signature font with stunning ligatures and ending alternates. Billybond is suitable for your project that need classy and elegant feels. It's packed with 15 cool ligatures and ending tails alternates for all lowercase, also support standard multilingual characters and already PUA Encoded. FEATURES: - Uppercase - Lowercase - Numeral & Punctuation - Multilingual Support - Ligature - Stylistic Alternates - PUA Encoded Enjoy the font and thank you!

Based on the outline of each character, Divert works by re-directing each outline as a single meandering stroke that moves back and forth to create a quirky yet clean typeface. The typeface contains an uppercase character set plus two lowercase character sets (one standard and one alternate) and two sets of numerals. Plus all punctuation and basic latin European accents. See glyphs for full character set.

'HU Malrang KR' is a font that gives a round and soft feel to its tightly packed modules. This font has a variable function, allowing users to fine-tune the thickness they want. (Available only in Adobe programs.) Six basic weights are provided so that they can be used even in programs that do not apply the variable function. This fonts contain Hangul, Korean.

Constellation started with a simple geometric concept in the manner of Art Deco which gradually developed to a complete typeface, both upright and italic, total of seven weights. The concept allowed the font to be designed from Ultra Light in both very light and quite black styles. This Pro font is packed with all European and Cyrillic alphabets, small caps, variable figure sets and features .

JY&A’s most distinctive calligraphic font, Yan Series 333 is usable at all resolutions and remains legible. Even though it has a strong calligraphic influence, the Yan Series is ideal for text settings that have to appear special. Designed by Jack Yan, the family was developed between 1987 and 1993. Yan studied the effect of a nylon-tip, rather than steel-nib, pen on paper.

Here’s a futuristic face with a neo-retro twist, based on the logotype for the 1990s tank-warfare videogame for the Mac, Spectre. Whether you're going back to the future or resurrecting a blast from the past, this face will get you there in style. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

Something Rounded is a soft version of Something New and has been designed with logo designers and typographers firmly in mind. This feature-packed display font is a perfect addition to your design arsenal, ready for your next logo wordmark, heavy headings, or coffee labels. "A stylish mix of serif and blackletter" Great for; logos, branding materials, business cards, gift cards, t-shirts, prints, posters, quotes, etc.

Franklin Gothic Hand Demi Shadow is another one in my series of hand-drawn fonts from way back in time – before computers changed the way we worked in advertising. This one was especially used for what we called "pork-belly-ads": ads for food-stores! I think it is very useful for all kinds of advertising that demands a lot of bang! Your powerful typedesigner Gert Wiescher

Quida is a display family with three styles; Regular, Italic and script. The personality of the design comes from concave vertical shapes, which are consistent through all styles. This makes them work together seamlessly. Quida Script is packed with opentype goodness such as swash caps, stylistic alternates, ligatures and ending forms for lowercase letters. All styles have an extended language support for most European languages.

The idea for Cambalache was conceived back in 2008 and was to create a geometrical font based on tangential modules into structure. The serif would be arranged, looking to approach to the lettering shapes. The creative concept has a feel from the mid-30s of last century, reaching a taste of retro and vintage style. Includes oldstyle numbers, slashed zero, standard and discretional ligatures.

Archivio is a neutral font family based on the sans-serif typefaces of the early 20th century. Geometric letter forms are combined with some humanist touches creating a clear and legible typeface. Archivio family includes Sans, Slab, Italic, Back-slant and other experimental versions. Manually edited kerning and Opentype features with amazing swashes, alternates and beautiful ornaments, It was designed for display and text usage.

BiteChalk Still with a chalk concepts, This is good for projects like a menuboards it's specially designed cafe or restaurant ,background photoboots wedding, t-shirt, posters, etc and a touch of vector pack theme dessert, that allows you to mix and match pairs of ornaments to fit your design . Above the description of this font, I hope you're satisfied with what I have created. Thank You

Say hello to "The Perfect Match" Font set! 4 lovingly hand-drawn fonts made to complement each other perfectly in your type designs. Perfect for quote designs, quaint logos, clever packaging, sign boards, greeting cards, merchandise designs and so much more! Also included is 2 extra 'Dingbat' fonts - packed full of cute little hand doodle extras - to really make your designs come together beautifully!

HungryChalk Still with a chalk concepts, This is good for projects like a menuboards it's specially designed cafe or restaurant ,background photoboots wedding, t-shirt, posters,etc and a touch of vector pack theme dessert, that allows you to mix and match pairs of ornaments to fit your design . Above the description of this font, I hope you're satisfied with what I have created. Thank You

ITC Mendoza is a serif typeface with old style characteristics. A generous x-height and a lack of contrast between thick and thin strokes, gives the ITC Mendoza Roman font family good legibility and provides a sturdiness which enables the face to withstand low resolution output and less than ideal printing conditions. It is ideal for continuous text use, particularly in small point sizes.

Because of the need for a new condensed serif font family, Jack Yan created this individualistic style of typefaces complete with one of the largest collections of unusual ligatures available at the time of launch in the mid-1990s. As well as the usual selection of double-f and ct, JY&A has provided gr, gt, ty, and other ligatures for JY Integrity Roman and Italic.

The Kolo family was designed by Paul Shaw, inspired by the lettering of Koloman Moser, Gustav Klimt, Alfred Roller and other members of the Secession, Vienna’s turn-of-the-century Art Nouveau movement. Kolo’s family variants—narrow, regular, wide & alternates—serve as stand-alone display styles, or can be used in combination to pack text creatively in the manner characterized by Secession-period graphics.

Pack your bag, Reisebüro is about to take you on a romp to the most wunderbar destinations around the globe. This quirky and playful display font is inspired by hand painted lettering. Pick a city from the list in the travel agency’s window and book your flight—your glass of champagne will be waiting for you in First Class. 4 Styles included: Regular Oblique Thin Thin Italic