Prototype is a typeface with a very contemporary identity crisis—is it old or new? uppercase or lowercase? serif or sans-serif? Prototype tries to be all things to all people. There have been many attempts at creating a universal typeface, one that rationalises the alphabet and removes the inconsistencies of upper and lower case, applying an unreasonable logic to something that has grown organically ...and is already perfectly usable! Prototype was the same experiment carried out at a time when design was experiencing an identity crisis of its own—letterforms that try to be all things to all people but end up being something else entirely.

The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. F2F Poison Flowers is a psychedelic trip back in time to the era of peace and love. Who would have ever thought that grunge or techno could be so groovy?

This first font was made as an experimental work for us. learn a alot of typeform from other typeface in the past, bring us to this grace position. We learn about Variable font and all the thing to do some improvement in our work. such a nice time to present this new font to the world as the ground breaking of our mission to scale up our skill and to step up into the next vision as a font designer. We create this font with variable and Open Type features. Some instances including, from thin to black. and on the variable font has and oblique style.

Geometry circle is a heading/display type, built with the intent to illustrate and attract the viewer, not to be used for long text. The inspiration comes from the Futurist movement typefaces, especially from Marinetti’s own workshop on new age typography of that time (Italy 1920). The typeface is composed of only capital letters. The letters are of an unique geometric design taking the basic 64 grid system and subtracting the shape of a circle form each glyph in a unique way to form a letter. There is a full complement of typography symbols as well as a support for Central and Eastern European symbols and characters.

FIFTEEN YEARS! Hundreds of fonts of Unique Design, Thousands of pages of Fine Lettering, Millions of satisfied customers and Elephantmen served! Yes, this month marks Comicraft's fifteenth anniversary and we're celebrating with the relaunch of the COMICRAFT website and the launch of a brand new font... a font that's not just a bunch of letters arranged in alphabetical order... this one's Carefree, Original, Mirthful and Interesting, it's Clever, it's a little bit Raunchy, a little bit Adventurous, Friendly and Tenacious all at the same time -- and if that doesn't spell COMICRAFT, then we just didn't eat enough chocolate today. COMICRAFT: Stimulating the release of endorphins in your system preferences since 1992.

The aim of the project was to create a new type family for corporate and editorial design. The resulting humanist sans serif Weitalic has strict and angular strokes, but at the same time possesses a calligraphic look – an interplay of contrasts. Thanks to the very eye-catching features the result is a distinctive typeface that looks good in both the headline and the area of body text. With its 8 weights with matching italics and numerous OpenType features Weitalic is prepared for professional and complex typographic work. The fonts have an extended character set to support Central and Eastern European as well as Western European languages.

Cullion is a new departure for Greater Albion, being a modern Fraktur, embodying future trends sch as highly stylised glyphs, a single case of lettering and highly evolved letterforms. At the same time it can trace its inspiration back to blackletter traditions, and is inspired by the sort of ironwork to be found in a medieval portcullis. The resulting typeface can sit happily in traditional, modern or futuristic design work. As the gallery images suggest, it does rather lend itself to work with a 'horror' theme, but it could have many other uses too-even in religious work. Cullion is particularly effective in poster headings.

At times, one source of inspiration can generate more than one idea. This was the case with the 1918 sheet music for the song "You're Still an Old Sweetheart of Mine". The cover displays the title in a hand lettered narrow Art Nouveau Sans serif style. A number of characters were revised and the overall font was compressed by 25% to create a whole new look and feel. The end result became Slim Nouveau JNL. This was the same material used to originally model Easy Money JNL, which is truer to the original lettering design. The font is available in both regular and oblique versions.

P22 Slogan is a non-connecting script font that captures the essence of the lettering used in 1950s European advertising. Bold strokes of this brush-drawn face make this design a great choice for both retro design and contemporary work. The font is based on the 1957 design Slogan by Aldo Novarese for the Italian Nebiolo Type Foundry. At the time of its original release, it was touted for "striking publicity work". This new digitization accurately reproduces the outlines of the original not found in previous digital versions of this design. P22 Slogan is a non-Pro Opentype font that includes Central European characters.