Goldie Sans is a clean sans serif that is perfect for logos, quotes, long-form copy, and more. Both uppercase and lowercase are included in light and bold, but I am particularly fond of using it as an all caps font for logos, headlines, and short quotes. INCLUDED uppercase letters lowercase letters numbers & punctuation light and bold fonts foreign language characters

The Flounder is a simple and clean condensed all-caps sans serif font. It is a close relative of the Floz, but has rounded edges and a wider range of glyphs. Furthermore it is equipped with a bunch of ligatures, as well as alternates for the letters j, w, q and z. It comes in three weights with their respective italics.

Hanifah is a great script font. wrapped in subtle strokes with a stunning decoration. This font can be changed as needed, whether the script is normal, bounce, casual, or without tail. because there are many alternatives to this font. suitable for wedding invitations, quotes, labels, logos, social media posts, special events like birthdays, valentines, Christmas and anything else you need.

Vankours is a freestyle brush font, created with expressive brush strokes, keeping the details and give an eye-catchy combination between the uppercase and small caps, also complete with alternates. Vankours is perfect for many themes such as urban, thriller, sporty, vibrant, and youth taste! Good choice to use this font for Logo, Merchandise, Brand imagery, Apparel, Packaging, Simple quotes, and many more!

Gilmore Fahrenheit is a glyphic, sans serif typeface that was inspired from early designs by the renowned English typographer Eric Gill. It was designed in 1992 by A. Pat Hickson (P&P Hickson) and Steve Jackaman (ITF) exclusively for the Red Rooster Collection. It was designed with true small caps, has an italicized geometric look, and possesses legibility reminiscent of Swiss typefaces.

In the late 90’s, there were many German cars coming into Malmö (where I lived at the time). I was blown away by the font on the license plates. So strange, so strong, peculiar – but still macho. I built the uppercase from my own photos. After this I completed the font with my own lowercase, small caps and punctuation.

Forged to be as imposing as a Norse horde ready to stampede into battle, Works great in all caps which it was initially designed to. I designed the lowercase characters to match really well with each other and the uppercase, so it works well in title case. Plus it has a great set of looking numbers and loads of extras.

Fram is an uppercase stencil typeface. It comes with a fine-tuned kerning, its extensive character set ensures multiple languages coverage and the design is adapted to different ranges of size through size-specific optical compensation. Fram L is intended for use at large sizes and Fram S with larger gaps guarantees good performance even when the size is reduced.

Spike was designed as a Latin type family, with the characteristic triangular serifs, but with more character and range of weights than the more common latin faces available. Designed as a display face, it could be used as a flavorful text face in special situations. The complete family consists of four fonts: light, regular, bold and an all-caps incised version.

Farquharson is an all-caps display face, adapted from an early American woodtype, and designed especially for use in the book Charlie Farquharson’s Unyverse. The complete family consists of two fonts: a regular version and a stencil version. Alternate versions with slightly elongated feet are provided for A, H, K, M, N and R. Very eccentric, it is best used in small doses.

Small caps art deco font inspired by the golden age of Hollywood and childhood trips to the Majestic Cinema. Two styles, each with three weights. Picture House One is sharp and crisp, Picture House Two has a slightly 'Out of Focus' look to it. Both come with extended language support and oldstyle numbers, giving a lot of scope for may uses.

Picador Sans is a modern sans serif typeface. Intriguingly condensed. Distinctively eye-catching. Interestingly well-developed. This family covers latin script – every weight has more than 1200 glyphs. The whole family consist of 10 weights and italics, small caps, superscript and subscript letters, oldstyle, tabular figures, ligatures and fractions. Picador Sans is a perfect match for the elegance of serif Praho Pro.

Introducing MIDFIELD DISPLAY. Midfield Family is All Caps display typeface with solid, masculine, urban, sporty, & bold character. Each glyph is very well suited to make an interesting quote, headline & striking poster design. This font is perfect for logos, badges, clothing, signage, posters, and much more! This font includes standard and extended Latin characters as well as numbers and symbols. Multi-language support.

Composed, clean and slightly angular, as its name says. It's organic, warm and round in the right places too. A sanserif typeface family Vinkel is a handsome androgyne with an excellent balance of Neo-grotesque and Humanist DNA. Vinkel comes in eight weights from Thin to Extra Black, all with italics, small caps, several sets of numerals, arrows, alternate characters, and more.

Meet Mindset, an open-minded versatile hand-drawn family. Its regular and slim cuts, both all-caps-with-alternates for that unique feel, fit countless purposes where a touch of hand​-done is welcome. There’s yet a picture font with plenty of stylish graphic elements for added coolness. Give it a try and see for yourself. It's all in the mind, y'know.

Inspired by Edward M. Catich’s seminal thesis on the origins of the Roman inscriptional style, such as that found on Trajan’s column, Richard Lipton’s Canto traces the path from an expressive, preparatory Brush (with Brush Open to preserve gestural details at smaller sizes), through informal Pen, to the formal Roman. Classical capitals are accompanied by Lipton’s own calligraphic lowercase, small caps, and swashes.

Risky Biscuit is wants to go its own ways. It is never too much or too little - just perfect in its awkwardness! You may think surfer, skater, DJ or hand craft - that’s okay, because Risky Biscuit is all that and even more! Comes with contextual alternates - meaning 5 different letters AND small caps for each vowel…and of course multilingual support!

This classically elegant typeface is based on a 1912 design by Johann Vincenz Cissarz for the Ludwig & Mayer Foundry. To add a little more visual interest, alternate letterforms can be found in various positions throughout the font: consult the expanded character map. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

A hand-rendered advertisement for a leather tanner, appearing in a French book from the ’40s, served as inspiration for MVB Bovine. Using its comic sway and slightly exaggerated forms, the typeface delivers bold headlines with a wink and a smile. MVB Bovine is all-caps with a set of discretionary ligatures. It's available in versions with sharp or rounded corners.

Introducing Zatiyan Display Typeface! A bold, modern mixed with some classic letter styles. Zatiyan typeface great for all aspects of graphic design from logos to layouts. Equipped with ink traps for increased legibility and a unique style to help your design stand out amongst the rest! Check the display images for the list of included glyphs. Download now and go get creative!

Flying Sausage. From beyond the stars it comes to take over your designs. Perfect for any science fiction or horror inspired comics, books, event flyers, pulps, rags, movies, logos, shirts… no design is safe, even drive-in theatre menus?!? Includes a textured version for additional layered effects that make it jump off the screen! You’ll scream for Flying Sausage. Available now!

The Grimm family is a blackletter inspired graffiti style built for headline and display. The family includes 3 variants: Grimm Regular & Grimm Curves both utilize traditional upper & lowercase letters while the Grimm Fat variation is an all-caps style. All 3 styles include initial, terminal & isolated letter variations as contextual alternates as well as a number of stylistic alternates, ligatures & other embellishments.

England Script is a romantic typeface, which is elegant, fun and vintage. It can be used for various purposes such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges etc. England Script features 500+ glyphs and extruded font, alternate characters, ligatures, swash and multiple language support: ŠÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏŸŽÐÑÒÓÔÕÖØÙÚÛÜÝßàáâãäåæçèéêëìíîïñòóôõöøùúûêýÿŒœšž To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. How to get access alternate glyphs from open type fonts: http://youtu.be/iptSFA7feQ0 There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Need help? If you need help or advice, please contact me. Thank you!

Larisch is a hand-lettered design by the Austrian calligrapher and teacher, Rudolf von Larisch. The original was used for the title page of the 1903 edition of Beispiele Kunstlerischer Schrift (Examples of Artistic Writing). Larisch is an attractive, casual set of caps of even strokes with rounded terminals. Except for the terminals, it is similar in style to Kunstler Grotesk. The numerals are lining or ranging figures, meaning they line up with the baseline, unlike old-style text figures. All are of equal width for setting up columns of numbers. The letters are well formed and easy to read, as you would expect from a writing master. Ligatures includes CH (123), CK (125), FT (135), LA (137), LO (167), OO (172), CO (177) and TT (181. An alternative O with underscore is provided at position 111. Friendly, but not fancy -- a very useful all-cap font.

Novel Mono Pro is the monospaced typeface family within the largely extended award winning Novel Collection, also containing Novel Pro, Novel Sans Pro, Novel Sans Condensed Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Novel Mono Pro has a carefully attuned character design and a well balanced weight contrast. It combines the feeling of a modern humanist with the technical appearance of a typewriter. Many similarities with the other typeface families within the Novel Collection enable designers to combine the families and reach highest quality in typography. Novel Mono Pro [948 glyphs] comes in 12 styles and contains small caps for the uprights and the italics, ligatures, lining figures, hanging figures, small caps figures, positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Stena is a very functional sans serif typeface with calligraphic feel, especially designed for contemporary typography. This family features deep and sharp ink-traps as part of its design. Thanks to its proportions, solid and balanced forms, combination of straight and curve lines, high x-height and expressive ink-traps, Stena combines readability with a strong personality. This dynamic typeface provides advanced typographical support with features such as ligatures, alternate characters, stylistics sets, fractions, etc. It also comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This carefully designed family consists of 8 weights, ranging from Thin to Black, each with matching true italics. It comes with a set of 566 characters per weight, supporting over 40 different languages using the Latin alphabet. Stena is the ideal choice for editorial, branding, corporate identity, and more.

A Bold Display Family in Three Personalities: ego, id, and alter. Dez Boulder works like a character actor, presenting the author’s lines but not with the deadpan delivery of a news reporter. Boulder develops the role, adding meaning through facial expression, gesture, and body language. The Dez Boulder family of display faces acts in a supporting role to give meaning to message and context to content. It is a very bold face, not understated. Each of its three personalities (and their sub-personalities) have a different timbre to speak the nuance of your message in a bold voice. Dez Boulder averages more than 800 glyphs per style with uppercase, lowercase, small caps, proportional lining figures, small cap figures, superiors, inferiors, fractions, stylistic sets, alternates, ordinals, case specific punctuation, and more. It has a full range of diacritics and covers all European languages using the Latin script.

Rhapson Script is a soft, bold, elegant & fun vintage script font. Can be used for various purposes such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges etc. Rhapson Script features 472 glyphs and 196 alternate characters, ligatures, swash and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. How to get access alternate glyphs from open type fonts: http://youtu.be/iptSFA7feQ0 There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Need help? If you need help or advice, please contact me by e-mail: maximal.fonts@gmail.com Thank you!

Baby Script includes changes to the OpenType language style, binding and international support for most Western languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Baby Script is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the additional characters to paste into your favorite text editor / application. How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, let me know. I'm happy to help :) Thanks & Congratulations on Design!

BeachBar is a modern bold script with a sunny mood. It is inspired by, well, Beach bars, the summer and the sea, the hot afternoons with a cocktail in your hand and the sound of splashing waves. Beachbar turns our love for summer into a dynamic and vivacious font that comes in three different styles to choose from: BeachBar (connecting small letters, disconnected basic caps, ideal for text), BeachBar Alt (all letters are disconnected) and last but not least BeachBar Script (connecting letters, script-like caps and a bold set of swash capitals for more eye-catching designs). All three styles come in six weights making the font versatile and useful both for web and print; think websites, posters, menus, logotypes, cards, signage, packaging and whatnot. BeachBar is friendly, sturdy and it makes a statement, but most of all, it is fun to play with.

Rhapsody is a handwritten script font with varying baseline, which is designed to convey elegance and style. It is smoothline, clean and feminine. Works perfectly for logos, magazines, menus, books, invitations, wedding / greeting cards, packaging, labels, t-shirt etc. All designs you will have a wonderful homemade touch with Rhapsody. Rhapsody features 400+ glyphs and 181 alternate characters. including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. and there are additional ways to access alternates / swashes, using Character Map (Windows). How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Thank you!

Kontrast Grotesk represents a contrast in type design based on a different principle. It was inspired by W. A. Dwiggins and his experiments with the stroke variations. Contrast in this typeface is created not only with the influence of the writing tool (the thickness of horizontal strokes in relation to vertical), but by setting the primary and secondary construction strokes of the characters (e.g. glyph “E”). The grotesque types are usually with no or minimal contrast. Having the contrast has created a new and original look of this typeface without compromising the legibility. The fonts are designed for fluent reading on the screen. A little wider proportions are specially welcome with no need for saving a space as it is in printed media. Kontrast Grotesk family consists of five weights, with italics, small caps and italic small caps. Fonts contains a range of opentype features.

Adoquin is a clean and friendly semi serif family. It comes in seven weights with small caps, wich makes it a versatile typeface. The design is based on geometric sans serif typefaces and the calligraphic features of old school models, making Adoquin a functional and warm font family. Its informal but elegant look makes it the perfect display type fitted for logotypes, book design, packaging or magazines. Its wide range of weights and discreet alternates makes it very enjoyable to read, so its also perfectly fitted for longer texts. Adoquin has an extended character set for Central and Eastern European languages, and shows all its potential wit OpenType-savvy applications. Every font includes small caps, ligatures, old style figures, fractions, numerators and denominators and alternative characters without some calligraphic features suited for smaller or longer texts (in this case, the alternative charecters are less ornamented).

Bufally Script is a soft, bold, elegant and fun vintage script font. Can be used for various purposes such as logos, wedding invitations, t-shirts, letterheads, signage, news, posters, badges, and more. Bufally Script features 373 glyphs and alternate characters, ligatures, swash and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. How to get access alternate glyphs from open type fonts: http://youtu.be/iptSFA7feQ0 There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Need help? If you need help or advice, please contact me by e-mail: Letterfreshstudio@gmail.com Thank you!

Versina is a display typeface with a unique and expressive yet moderate personality resulted from its organic elegant shapes which are inspired by Spanish transitional typefaces from the 18th century. This font is perfectly suitable for both titles and short text. Versina features a flowing organic stroke and asymmetric bracketed serifs, and its shapes convey rhythm and dynamism. The font has a large x-height and its ascenders are shorter than the cap height, making it look more slender and modern. Calligraphic and crescent-like terminals give the design great formal richness. Versina comes in 5 weights with matching italics plus a set of ornaments, in Regular and Black styles, and also includes old style/lining/tabular figures, fractions, superscripts and subscripts as well as a set of small caps, standard ligatures, historical ligatures, symbols and frames. Versina contains a set of 694 characters that support over 200 Latin-based languages.

Hebden is a ‘Northern’ font. Inspired by the town Hebden Bridge in Yorkshire, the family is a mix of a grotesque and an incised serif. The grot is based on Victorian train station signage and the serif is style that can be spotted in and around the Yorkshire Dales region. Hebden has a nostalgic twist and is ideal for labelling, signage and memorable messages. The grotesque face with its robust angles and warm circular curves recalls the style of traditional English sans-serifs like Caslon’s 2-Line Egyptian. The incised face has strong but sophisticated and natural forms and is based on a wood carved style popular in the early 20th century. The weight of the two faces are are drawn to complement each other creating an evenly balanced combination. Both faces come with caps, lower caps across letters and numerals, and have Western, Central and Eastern European language support.

Sellyna Brush is a handwritten script font, based on free-flowing, friendly, and organic signature style expressions. hand painted with love. Sellyna Brush is available with alternative ligatures and characters in the Open Type Feature. Perfect for branding projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm. How to access all alternate characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all the alternate characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Sellyna Brush is coded with Unicode PUA, which allows full access to all additional characters without special design software. Mac users can use Font Book , and Windows users can use the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Thanks a lot for viewing and let me know if you have any questions.

Rahere Roman Display is an elegant design with flared stems and subtle old style features, influenced by Berthold Wolpe’s wonderful Albertus font and (to a lesser extent) fonts based on Roman square capitals. It’s a classic design for the modern age, appealing to serious typographers, graphic designers and anyone looking for a beautiful, multipurpose font that also offers value for money. Originally conceived as a display companion for the Rahere Sans typeface family, Rahere Roman harmonizes perfectly with its sans counterpart: use it for headings, sub-headings or pull-out quotes. Want an eye-catching introduction? The small caps have been sized to optically align with the x-height of Rahere Sans or start a paragraph with a swash drop cap. There are also ornaments and devices on hand to spice things up. Of course, Rahere Roman Display works beautifully as a standalone font too. Although predominantly a display font, with a quick flick of its lowercase switch, Rahere Roman transforms effortlessly into a readable text font. Like a Swiss Army Knife, this is a hugely versatile font, capable of conveying different messages from classic and romantic to historical and modern. It’s suitable for a wide range of applications including: branding, posters, advertising, packaging, labels, signage, wedding stationery, museums, art galleries and book covers. Weighing in at well over 2,000 glyphs, Rahere Roman contains a myriad of alternative characters (mostly capitals) including two sets of small caps that allow certain letter combinations - such as RO, LA, LI, TY, etc. - to mimic ligatures. The advantage of this is that if letter spacing is increased or decreased, the letter combinations aren’t fixed and can move too, which helps the space between letters to remain even. However, for lovers of ligatures there is still a bucketload of goodies to play with, including the obligatory ‘OO’ ligature. If that’s not enough, the font also contains start & end swashes, alternative numerals, seven ampersands, ornaments and devices. .ss01 - Initial swash capitals .ss06 - Superior small capitals (aligned to the cap height) .ss07 - Small capitals (sitting on the baseline)

This all started with a love for Minister. This is a font designed by Carl Albert Fahrenwaldt in 1929. In the specimen booklet there’s a scan from Linotype’s page many years ago. They no longer carry the font. I’ve gone quite a ways from the original. It was dark and a bit heavy. But I loved the look and the readability. This came to a head when I started my first book on all-digital printing written from 1994-1995, and published early in 1996. I needed fonts to show the typography I was talking about. At that point oldstyle figures, true small caps, and discretionary ligatures were rare. More than that text fonts for book design had lining OR oldstyle figures, lowercase OR small caps—never both. So, I designed the Diaconia family (using the Greek word for minister). It was fairly rough. I knew very little. I later redesigned and updated Diaconia into Bergsland Pro —released in 2004. It was still rough (though I impressed myself). In 2006, I found myself needing a readable sans serif. So I went to Bergsland Pro, and eliminated the serifs. I named the font Brinar. I kept a flare in place for the serifs and cupped the ends. I was stunned. People loved it. It’s remained my bestseller until very recently. So, at the end of 2016 I decided that Brinar really needed some help. The flares were basically random. The stem width and modulation variances all needed to be fixed. My old OpenType feature code was quite limited and clumsy. So, I created the 6-font Biblia family. I cleaned up or redesigned all the glyphs. I updated the fonts to the 2017 set of features: small caps, small cap figures, oldstyle figures, fractions, lining figures, ligatures and discretionary ligatures. These are fonts designed for book production and work well for text or heads.

Anglecia Pro is an exquisite and versatile system of three transitional serif typefaces designed to work together in editorial design. Sharing the same skeleton, vertical axis, and trapezoidal uncurved serifs, each of these faces bears different key dimensions and different contrast typical for three different type epochs. Anglecia Pro Text is a typeface designed for general typesetting in average reading sizes. Although it features a vertical axis, its soft skeleton, relatively small x-height and prominent ascenders and descenders give the typesetting a traditional warm texture with a slight contemporary touch. Anglecia Pro Title incorporates proportions of familiar transitional serif typefaces but exposes higher-than-average vertical contrast which makes it useful for setting captions, pull quotes or general purpose text in sizes of 12 pt and above. Anglecia Pro Display, still having non-rectangular serifs and the same soft skeleton as the rest of Anglecia Pro system, features extreme contrast, much thinner serifs and exaggerated ball terminals typical for Didone modern serif families. Its large x-height and tighter letter spacing suggests larger text sizes e.g. in decorative headlines, extra large pull quotes or logos. Altogether these three typefaces form 36 styles – each supporting numerous Latin-based languages as well as major Cyrillic languages. In roman styles the Cyrillic script comes in two flavours accessible via OpenType alternates – to choose either more traditional and curvy (default) or more formal and rigid type texture. In italics this feature affects uppercase and small caps. Also, each style is packed with OpenType features: ligatures, small caps, six sets of digits, superiors and inferiors, fractions, ordinals, and respective punctuation varieties including all-cap punctuation. There are also language-specific alternates for Polish kreska, Romanian Ș/ș, Catalan punt volat, and correct small-cap versions for Turkish/Azerbaijani i/ı. Some of the styles of Anglecia Pro can be found in Mint Type Editorial Bundle together with other fonts which make some great pairs. Check it out!