Magic Vibes is your perfect font if you need something magical themed. You can use it for anything ranging from t-shirts, kids’ book designs, and greeting cards to stickers and posters, or anything that needs a casual touch. Fall in love with its incredibly versatile style, and use it to create lovely designs!

Designed in 2011 by Olivier Gourvat, this font family has generous proportions with a range of weights make it a versatile family for print and web design work. Kyrial Display Pro is also a practical typographic choice to express strength, elegance, and conceptual clarity. Kyrial offers lots of OpenType goodness and broad language support.

Gladiora Sans serif font family with tapered accents in some of the letters gives it a modern and bold character, even being quite prominent in thin characters. This font aims to give an elegant impression and also looks so luxurious in short wording for a letter-based title and logo. With 20 types and support for multi-languages, this font provides a wider range of exploration, which can be useful also for reading sentences and giving variety to each sentence by combining it with several sizes.

Bessemer is an all-caps sans-serif display font inspired by industrial lettering from the 20th century. On its own, it has a predominantly factory-made feel, but is versatile enough to work well in a variety of settings. In other words, it feels just at home on a series of technical guides as it does on a range of hair styling products. Bessemer comes in 5 weights ranging from Light to Bold and has been designed with chamfered edges. This makes it really easy to customize and create your own custom type. It also includes the following OpenType features: • Proportional Lining Figures • Tabular Lining Figures • Superior & Inferior Figures • Numerators & Denominators • Ordinals • Fractions Perfect for logos, posters, t-shirts, packaging and use in video. Delivered in TTF and OTF format. Supports all Western, Central and South Eastern European languages.

Majora Pro is a slab serif typeface which derives its name from a Portuguese historical toy manufacturer. The font comes in 8 styles, ranging from a delicate Thin to a robust Black, with matching italics and an upright version of stencil fonts, resulting in a total of 24 weights. Majora Pro is well-suited to a wide range of design projects which include packaging, editorial design, screen use, etc. Its humanistic features and moderate contrast between thick and thin strokes make it also suitable for long block of texts while having a high degree of legibility. The font includes a set of alternate glyphs which help give your compositions a different and unique look. The Stencil version was specially designed for use in signage, packaging, titles and headings. Majora Pro contains an extensive set of 750 characters (including small caps, different figure styles, etc.) that support over 200 Latin-based languages. Majora is the previous version of Majora Pro.

Danish type designer Jan Maack created this slab FontFont in 2013. The family has 8 weights, ranging from Light to Black (including italics) and is ideally suited for advertising, packaging, logo, and branding as well as web and screen design. FF Marselis Slab provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

German type designer Hans Reichel created this sans FontFont in 1996. The family has 6 weights, ranging from Light to Black and is ideally suited for advertising and packaging, book text, film and tv, editorial and publishing as well as small text. FF Schmalhans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

German type designer Verena Gerlach created this sans FontFont in 2008. The family has 8 weights, ranging from Regular to Black (including italics) and is ideally suited for festive occasions, editorial and publishing, logo, branding and creative industries as well as sports. FF Chambers Sans provides advanced typographical support with features such as swashes, ligatures, small capitals, alternate characters, case-sensitive forms, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

French type designer Xavier Dupré created this sans FontFont in 2005. The family has 11 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Megano provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Dutch type designer Evert Bloemsma created this sans FontFont in 1993. The family has 8 weights, ranging from Light to Black (including italics) and is ideally suited for editorial and publishing, logo, branding and creative industries as well as small text. FF Balance provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Canadian type designer Nick Shinn created this serif FontFont in 1999. The family has 6 weights, ranging from Regular to Black (including italics) and is ideally suited for advertising and packaging, book text, festive occasions, film and tv as well as poster and billboards. FF Oneleigh provides advanced typographical support with features such as swashes, ligatures, small capitals, alternate characters, case-sensitive forms, and fractions. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Dutch type designer Alex Scholing created this display and sans FontFont in 1995. The family has 6 weights, ranging from Light to Bold (including italics) and is ideally suited for book text, editorial and publishing as well as software and gaming. FF Engine provides advanced typographical support with features such as small capitals, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Introducing Dad Collections, a versatile duo font consisting of a modern script and display font that's perfect for a wide range of design projects. Whether you're designing wedding invitations, postcards, magazines, or any other project, Dad Collections adds a touch of elegance and sophistication to your work. With its clean lines, stylish curves, and legible characters, this font is sure to become a favorite in your design arsenal.

Bambino Font Family is a typography project by Milos Mitrovic and affiliates. Bambino has an influence of 1920s Futura-like fonts and art deco look and feel. Combining its vintage character with clean geometric form and organic flow, Bambino is shaped to fit modern aesthetics. There are 12 fonts (six weights with italics) included in the family. Bambino weight range spreads from almost hairline lightness to extreme bold style.

Fremont This is a beautiful and elegant hand drawn font, will underline your individuality in any project. Its relaxed feel makes this font incredibly versatile, fitting a wide range of designs. You can also use them to create a logo or templates, invitations, blog, branding, marketing, book covers, magazines, advertising, stationery, logo design and much more. This font is easy to use has OpenType features, and supported PUA encoded.

Mattiface is a modern handwritten font, perfect for both formal and non-formal designs. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

Maron American is a sweet unique and natural handwritten font. Its unique and neat style makes it incredibly versatile, fitting a wide range of designs. The only limit is your imagination!

Schwarz is a Black Letter typeface inspired by all that is black. Jagged edges and sharp diagonals make Schwarz a head banging font. Some stylistic alternates and ligatures are also available.

"Disco Pang Pang" is the Korean name for Tagada rides. It is a characteristic typeface that is good to use when you want to make use of a unique and bouncy feeling. Light and Extrabold are made with the thickness of normal typefaces, but Left and Right have strange shapes with stroke thicknesses that are biased to one side. Its unique shape can make a strong impression on people. This font contains Korean.

Conthin - a swiftly flowing handwritten font, where thin, graceful strokes elegantly connect, containing the essence of fluid motion. This font is suitable for a wide range of projects, including headlines, logos, labels, branding, signatures, quotes, posters, and more.

Happy Dinosaur is a sweet and chunky lettered display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Spooky Green is an incredibly unique and quirky display font. Its friendly feel makes this font incredibly versatile, fitting a wide range of contexts. Add it to your creative ideas and notice how it makes them stand out!

Outset is a rough, display font family designed for a wide range of expression. It's all-caps design gives additional variants to make sure that you can create with your desired intention. Each letterform for the Outset font family was drawn by hand to insure natural deviations for it's roughness. These deviations help make this typeface feel authentic and relatable. The boldness of the letterforms makes this typeface an excellent choice for display type for posters, titles, merchandise, and specific marketing opportunities. Outset was originally drawn up for a range of t-shirt designs, and has now been extended into the full typeface you see now. It's rough edges interact perfectly with textures and overlays. Outset's multiple styles and variant letterforms allow for a very versatile range of outputs.

Mixed Silhouettes are inspired by people, animals and various situations. It includes a wide variety of topics and may be used individually or in combination with wide range of design possibilities.

Inspired by the 1947 Weber font Gabriele, Gaby Pro is a freshly designed versatile and everyday cursive font that can be used for a wide range of printed products and for web design as well. The font was carefully extended for multilingual use.

DIGOT is a pixel-style, grid-based, geometric, display typeface. The idea for this font was born while combining lettering and illustrations in a geometric and pixel art style. What was needed was a font built with attention to detail for an interesting and unconventional creation of text and geometric images. The font is designed so that its modules lie on a grid and have their own rhythm and geometric order. So that it gives great editing possibilities and allows you to maintain a unique look. Optimal kerning is important here. The spacing between and within characters is well thought and designed to respect these rules (e.g. full pixel increments). Digot typeface offers a lot of creative possibilities in many types of graphic design and digital art. Posters, t-shirts, apparel printing, as well as website design, brand identity, and much more. The font contains a large range of characters, numbers, punctuation. Although it is an all-caps font, the T character is in two options. Digot includes support for a wide range of languages, e.g. Cyrillic, etc. Enjoy!

Karnchang is a versatile sans-serif typeface that offers a range of 90 styles, spanning from thin to black in weight and condensed to expanded in width. Its adaptability makes it well-suited for a variety of purposes.

Minoris is a Geometric font in the sans serif category with 10 styles or 5 weights with Oblique, this font is also included in the Variable font, so you can adjust the size according to the weight of this font according to a certain variable range using software like Adobe, I made it by drawing geometric shapes in every letter that has a minimalist and simple impression, is perfect for helping you create minimalist-style editorial designs, this font is also suitable for making typography designs, posters, logotypes, and many other designs that you can make with this font

Captain Tall Ship is the clean version of Captain Tall Shipwreck. The font can be used in many project themes, from birthday party invitations to beer labels. The font could be potentially used is a number of design themes including bars, pubs, pirate, navy, seafarer, alcohol products, western/cowboy, card game/gambling, biker gang, tattoos, emblems and crests, old military & hunting to name a few.

Arethusa is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. The standard character set covers many roman-based languages. For extended language support, see Arethusa Pro.

Mersh is a type system that provides a wide range of options for any design project. The typeface comes with 9 weight in both regular and italic styles. Mersh is the result of exploring minimalist design trends and classic typography. Have the ability to be a display font and writing text well. Mers sans serif family is a very versatile font suitable for headlines, posters, logotypes, etc.

SK Sistematica is a unique modular geometric font. It combines the experimental features of the constructivist period and the strict consistency inherent in the grotesques. SK Sistematica is adapted to modern needs and technologies, which allows it to be easily combined with current design trends. The font is suitable for a wide range of applications: from corporate identification to advertising graphics, from web design to typographic design.

Fengo is a beautiful handlettering font inspired by Sino-Japanese and traditional Chinese hieroglyphic characters. As a result the font looks authentic and very friendly. It contains a wide range of features such as initials, finals, swashes, arrows, circled numerals. Fengo can cover all kind of graphic design project from packaging, signage, branding, titles… Fengo was designed in duo by Jean-Claude and Olivier Gourvat.

Asian Sumi is a beautiful and playful sumi brush ink on paper handmade font. You can use it for anything ranging from t-shirts, book designs, and greeting cards to stickers and posters, packaging designs or anything that needs a casual touch, it will be your perfect font to pick. Fall in love with its incredibly versatile style, and use it to create lovely designs!

Introducing “Poolkadot Palooza,” a font that embodies the essence of handcrafted artistry, resulting in a font that’s both natural and uniquely captivating. “Poolkadot Palooza” is your versatile companion for crafting captivating magazine layouts, infusing quotes with a natural and distinctive charm, establishing a memorable brand identity through logos, and addressing a wide range of design needs. If you have any questions, please contact us

Candy coloured clown is a unique and quirky display font created to invoke feelings of fun and carelessness that one might experience while visiting a carnival or circus. The font has a comic strip or cartoon aesthetic with it's thick outline and bubbly appearance. Candy Coloured Clown features a broad range of highly legible characters in both uppercase and lowercase, making it a guaranteed eye catcher.

Being one of the most popular font style; Neo Grotesk, Hando offers a wide range of usage possibilities. It's low x-height and variety of light size options make it a good choice for reading, it's tenuous white spaces in the counter letterforms make it legible enough to be recognized remotely. It's curve tensions on the circular letterforms gave a futuristic impression. It's sleek and simple strokes make it perfect for a broad range design purposes. Hando consist of 10 syles from Hairline to Black with each matching oblique. Contain more than 440 glyphs that support a broad latin languages. Also some Opentype features e.g. stylistic alternates, variation of figures, e.t.c

At first glance, »Angulosa M.8« is one of those fonts that a technician or engineer would probably draw. And yet it differs fundamentally from typefaces constructed in this way. The right angle forms the basic element of the »Angulosa M.8«, but that's about it with the pure mathematics. Serif-like upstrokes and downstrokes on some letters improve readability, and carefully used slants makes the appearance a little friendlier. The proportions are not based on any mathematical principle, but are derived from freehand writing of the letterforms with a broad quill. In terms of style, »Angulosa M.8« belongs most closely to the modernist, constructivist typeface attempts, such as those undertaken at the Bauhaus in the 1930s. The styles of »Angulosa M.8« range from "Condensed" to "Expanded", from "Light" to "Black", plus the respective oblique form, which in this font is slanted to the left. All variants can be adjusted continuously in the variable font: the font width ranges from 50 to 150, font weight from 300 to 900, upright [0] and italic [1]. The »Angulosa M.8« supports all European languages including Eastern and Central European, Turkish, Greek and Cyrillic.

French type designer Albert Boton created this display FontFont in 2002. The font is ideally suited for advertising and packaging, music and nightlife as well as sports. FF Aircraft provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Another addition to the Whiz-Bang Woodtype series, this offering is patterned after a typeface issued by the old Boston firm of Baker & Greele in 1826. Named after a small town in Texas just a hop, skip and a jump from the Red River and Arkansas. Both versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.