Mofid Mahdi is a distinctive, bold Arabic display face, suitable for heading and titling work in Arabic newspaper and magazine composition. In this typeface the rounded internal counters and dots contrast with the angular and more robust outlines of the letterforms to give a decorative, harlequin-like appearance. The design was originally developed for use in dry-transfer format, and was first produced as a digital font by Linotype-Hell Ltd. in the early 1980s. Initially a simplified face, with its inherent limited range of letterforms, Mofid Mahdi was enhanced during the late 1980s by the introduction of medial letterforms to improve character spacing and balance. The recent advent of OpenType has led to the release of Mofid Mahdi. This OpenType font includes Latin glyphs from Memphis Extra Bold, allowing users to set text in both most Western European and Arabic languages without switching between fonts. Mofid Mahdi incorporates the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. The font also includes tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

We live only to discover beauty, all else is a form of waiting. --- Khalil Gibran Wait no more, this beautiful font can be yours right now! This custom made font was specifically designed to fit whatever you need! The curvature of the Casira Script was fully thought out to easily meld inside your designs. These fonts make a good foundation of what you want it to be! Discover the beauty in your own imagination while this font gives you a quick kickstart to what it can be. Everything’s well with cursive! Show your opulence and decadence with this fancy font and blow your audience’s mind away as you put these cursive letters in your projects. Communicate the extent of your mind so that whoever views your designs understand not just what you write, but also the tone and feel of it! The Casira Script makes a perfect addition for your collection of fonts, show love and bring out the true you! Feel free to contact us if you need anything else! If you have a request on what kind of fonts you’d like to see, tell us that too!

Diaconia Old Style is a new rendition of my workhorse body copy font that I originally designed to use for the body copy of "Printing in a Digital World." I became increasingly upset with the lack of lowercase numbers and true small caps. Diaconia started life as a modification of one of the Dutch Bible fonts I traced. It has changed a lot since then (although I have a hard time telling how much because I have lost the original). The plain and italic work especially well when used in very large sizes as display faces. The other four variants (small caps, heavy, heavy italic, and black) are designed for use in book production. Because I format all my own books, I was able to design fonts that met my needs exactly: lowercase numbers, SMALL CAPS font, Mac Command, Option, and Control symbols, ballot box in the section slot, and several other special characters. DiaconiaPro is the OpenType family of my body copy workhorse. This is the first font family I ever created: classic, elegant, easy to read. 583 characters: small caps, oldstyle figures, numerators, denominators, lining figures, accents and a lot more.

“More is better” may have been the motto of Richard Austin of Austin and Son’s Imperial Letter-Foundry on Worship Street at Finsbury Square in London when he designed and cut his Antique typeface. The year it was created is uncertain, but it is known to have appeared in a specimen book produced in 1827. At first glance, the upper case letters of Austin Antique look very much like Figgins Antique. But, upon examination, one will note that the Austin face is much darker. In general, the letters designed and cut by Richard Austin have fatter strokes, larger serifs and smaller counters -- more metal and less daylight. The premise was that the darker the letter, the more attention an ad using the typeface would receive. In old pictures of London and Paris one may see walls crowded with posters and “bills” -- competing for the attention of the passerby. Morris and Updike aside, the early nineteenth century marked the beginning of a commercial as well as industrial revolution. Patterns of commerce were changing. With new methods of marketing came the need for new typefaces to support the new methods. Foundries found the display types were very profitable and competed most energetically and creatively for the trade. There was a lot of trial-and-error. Some ideas faded away. Others, like the Antiques or Egyptians, were refined and developed. From them came the Clarendons that were to prove both popular and long lasting -- because they worked. Their job was to sell goods, not please the aesthetic sensibilities of the critics. They did their job well. Austin Antique has a full Western European character set, plus the following ligatures: ct, st, fi, fl, ff, ffi and ffl. Tabular numbers. Surprisingly readable.

I fell in love at the age of twelve in Wales, recalls Bernard Philpot. "My father brought me to a small graveyard in the Welsh hills to show me two headstones carved by the great Eric Gill. I instantly fell in love with the beauty of the carving and the perfection of the letterforms. I still go back to marvel at these works of art." However, the ITC Bolthole™ design, Philpot's first commercial typographic endeavor, is quite unlike the works of Eric Gill that first captured his heart. Bolthole is a craggy sans serif with a definite grumpy attitude. It's not terribly legible, and, if more than a few words are set in the design, it's not very readable. To round out its cranky personality, Bolthole does not like to be set in small sizes. Like Cheez Whiz® and bullfights, you either love or hate this typeface. But whichever emotion dominates, there is no denying that Bolthole has a personality to be reckoned with - one with ample magnetism to ensure reader attraction. If used to set brief blocks of display copy, the typeface makes a powerful statement. Bolthole was originally designed to complement a whimsical ad for the Royal Society for the Prevention of Cruelty to Animals. As Philpot recalls, "although the ad didn't win any awards, the type attracted some very positive comments for its original look and feel." Philpot studied graphic design and typography at the London School of Printing, and soon after graduation found himself working in a large advertising agency in London. According to Philpot, "After designing type for everything from packaging to ads, I thought it time to convert one of my designs into a complete font - and Bolthole was born." ITC Bolthole could very well be the Shrek™ of typeface design - which might not be such a bad thing."

Based on Transitional Roman forms, this tasteful and well crafted Humanist display face exudes an air of authority along with a subtle playfulness. Narrow proportions allow for space conservation. Alternate letterforms & ligatures give this caps-only font expanded possibilities for any given text setting.

The concept of this letter is a tall, well-dressed man with moderate muscles, decent appearance, and manners. We are always impatient. I miss someone who can give me some space. This letter gives you some leeway that you can rely on for a moment.

Samuel Welo offered the pattern for this font as a titling font for silent movies. Its rustic charm has held up well, some eighty years on. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Nageka is a distorted typeface, ideal for posters, slogans, headlines, particularly for hardcore bands' posters. The additional set of dirt patterns is comfortable to use with subtitles. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Savour Pro's elegant, classic form has a calligraphic touch, almost a hand-written feel. The individual creation of the characters provide additional dynamics and vitality. Savour Pro comes with a complete set of upper case swashes as well as lining and old style figures.

ATC Arquette, is a best-selling geometric sans-serif font created with minimal ornamentation to adhere with accessibility and visibility guidelines, and be as visually legible as possible. Contains 400+ glyphs, full alphabet, ligatures, numberals, accents and punctuation. ATC Arquette was released in 2018.

Inspired by Karl-Heinz Lange’s Publica, Bravura Pro is a versatile humanist sans font family with a slight calligraphic touch which makes it ideal for private correspondence as well as for body texts in magazines and books. All styles contain small caps and oldstyle figures.

Dylan-Copperplate is my newest addition to the ever growing family. The small flicks of the burin add an elegant touch to the solid font-design. Very handsome and useful for all kinds of invitations and business-cards as well as for classy advertising.

Auckland Script is a bold script that contains Uppercase, Lowercase, Numerals, Accents, Punctuation, 5 sets of alternates, Ligatures, Swashes, and also Underline. You can use it to make logos for branding, as well as for apparel design, and quotes. This font also already PUA Encoded.

Mountain Side is a sweet, joyful, and incredibly versatile handwritten font. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive.

German type designer Matthias Jordan created this display FontFont in 2000. The family contains 4 weights and is ideally suited for music and nightlife, poster and billboards as well as software and gaming. It comes with proportional lining, tabular lining, and tabular oldstyle figures.

Semi-condensed sans-serif with expressive curves on the outside and closed on the inside, with diagonal stems to convey modernity and a unique personality. Perfect for titles and headers in graphic and editorial design projects, as well as standing out in digital applications.

Based on William Page’s Skeleton Antique wood type (circa 1865), Local Printer JNL is available in both regular and oblique versions. Primarily used for text passages, the type design also works well in headlines and sub-headlines needing less emphasis and a touch of subtlety.

A package for a swim mask and snorkel was the basis for this decidedly unusual typeface with a wild 1970s-era design. There's no telling how to apply this font to a project, but think black light posters, psychedelic music and some cheap wine!

Carimbo is probably one of the most handy dirty fonts around. It works well with most projects, creating that stamp-like effect, without being too much distressed. It has 2 uppercase variations, so you can combine letters without repeating them in the same word.

Following the success of our LoveHearts, valentine inspired ornaments, we decided to show our love for Christmas. With more than 170 hand drawn unique designs, LoveChristmas is the perfect choice for designing Christmas greeting cards and gift wraps as well as letter signatures and accessories.

Crimson Skyline is a thin brush font. I used a pencil and Chinese ink to paint the letters. Crimson Skyline comes with double letter ligatures for the lower case letters. And the name? Well, it just has a nice ring to it. That’s all!

The Sans serif companion to Astoria. Based heavily on Gill especially in the mid weights and with a consistant series of condensed weights. Designed specifically as a text face it still works very well as a headline font. There are 6 weights with accompanying Italics.

Moderrat Sans Serif Font Family. Features with 7 fonts. The Modern design of typeface will make your design more powerful. The font is suitable for any project like web, signage, corporate as well as for editorial design and many others. Featured : Multilingual Support PUA encoded

Although a sans serif, Colosseum owes its style to the original Trajan Roman form. Borrowing some characteristics from Friz Quadrata, in its san serif form it is more adaptable to text usage whilst still having a modern and original look which works well in headlines.

FG Typical is inspired by typewriting. But the letters got skewed in processing making it look a bit corny, but it looks great at small sizes as well as large. the characters all have the same height except for the i, å, ä etc.

Prego is small family with a lot of charm packed in 3 weights – Light, Regular and Bold. High contrasting design combined with simple and elegant shapes equipped with OpenType features (Swashes, Stylistic and Contextual Alternates, Fractions). Supports extended Latin character set and Cyrillic as well.

Digby is friendly, honest and active. Digby family includes twelve hand-drawn fonts. They work well together, in fact Digby Line Thin fits nicely over Digby Regular. All have a generous set of double letter ligatures and are designed to work great as all-caps.

The unusual hand lettering found on the 1945 sheet music for “Chinese Song” provided not only the design inspiration but the font’s name as well. A hybrid of Asian and Art Deco influences, Chinese Song JNL is available in both regular and oblique versions.

DigiAntiqua was designed by the Hell Design Studio in 1968. Its basic forms were influenced by the slab serif fonts produced at the beginning of the industrial era in England around 1820. Its clear and timeless forms are extremely legible even in small point sizes.

Amoebica font was created during a nasty bout of the flu. If you think it looks weird, well, I must have been hallucinating when I drew the glyphs! Amoebica is a fun, weird, unusual, happy, crazy kind of font which comes with all diacritics.

In 1968 Hildegard Korger’s Typoskript was cut by Typoart in Dresden, Saxony. This freshly redrawn and digitized version was extended to include Central European, Baltic and Turkish letterforms, and possesses various OTF features. It is well suited for invitations, lyrics, poems and related things.

This font is a collection of ornaments related to Halloween, There are a variety of cobwebs, dead trees, witch’s brooms and skulls. Combines well with: PR Bramble Wood 1, PR Bramble Wood 2, PR Hallow Doodles 01, PR Cauldron, PR Swirlies 01, PR Swirlies 05

Is it ironic? Maybe. Is it a propaganda font? Nope. Is it witty? Yes. Is it suitable for selling ice cream? Very much so. Push Ups is a handwritten 3D-font. It’s available in three different styles, combined they will give you almost endless possibilities.

A lovely valentine inspired set of calligraphic ornaments and frames including seamless borders and patterns. With more than 160 hand drawn unique designs LoveHearts is the perfect choice for designing romantic greeting cards and beautiful wedding invitations as well as letter signatures and anniversary accessories.

merlynea is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Meet our new ah-mazing font duo-Adorn Story. You would fell in love, if you are looking for beautiful, refined serif paired with the voguish script. Serif font is rich with 60 ligatures, script font has beginning uppercase, beginning and ending lowercase swashes.