Introducing Dark Kids - A Funny & Playful Sans Font Dark kids is a funny sans typeface. This type is formed with rounded-letter to make it more playful and cute vibes. This type is also designed to be bold yet it still spreads the bubbly vibes which is suitable for kids. This font is meant to attract kids so it is better used for any non-formal kids product such as children-books, baby products, and any writing which related to kids. FEATURES - Stylistic Alternates - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Accia Piano is a quiet, friendly serif typeface. Its relatively short serifs, low contrast and large x-height will make a perfect appearance in newspapers as well as branding projects. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Piano is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

A few nights ago, I was dreaming about making a cute font that the children in the city would love. I only remember some characters of the font but I thought that it was a sign to make a new font. So, here it is, Birly. A new font and I think its cute yet playful for your fun projects. Birly was made with all my heart, I love it, and I hope you like it too. Birly has 2 styles, the regular and solid. You can choose, these all in the package! Please take a look and enjoy the preview pictures of Birly. I made it seriously, so you can see how is Birly looks on some projects.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

This family was created from the set of font faces used in Lima (Peru) by Antonio Ricardo in 1584 for the first publication ever printed in Southern America: a four-page leaflet in Spanish entitled "Pragm·tica sanciÛn" with information about the new Georgian calendar of 1582 which had not yet been communicated to the colonies. In our two styles (Regular & Italic), font faces, kernings and spacing are as close as possible to the original. This Pro font covers Western, Eastern and Central European languages (including Celtic), Baltic and Turkish, with standard and “long s” ligatures in each of the two styles. A,B,D,E,F,M,N,P,R,V,W swashed capitals in the italic style.

Ramovia is a elegant font for giving your designs a handcrafted yet modern feel. This clean handwritten looks great in both modern and classic designs. What’s included: 1. Style in this font include: Regular & Italic 2. Works both on Mac & PC 3. Simple installations 4. Swash & Ligature 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡ 7. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and CorelDraw. More information about how to access alternate glyphs, check out this link (http://goo.gl/ZT7PqK)

Stayblue Script is lovely and sweet calligraphy typeface with characters that dance along the baseline. It has a casual and yet elegant touch. It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, lables, news, posters, badges etc. The fonts include OpenType features with stylistic alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Muvia funky vibe yet retro display typeface. Muvia offers a captivating reverse contrast retro display font, exuding a nostalgic throwback perfect for vintage-themed designs. With its distinctive features including unique glyphs, weights, and styles. Muvia stands out among retro fonts, making it a versatile choice for various creative projects. Muvia super funky vibe makes it an ideal choice for headline fonts, amplifying the visual impact of designs. From posters to merchandise or brand identities seeking a touch of vintage flair, Muvia adds a punch of retro charisma. Take Muvia for a spin today and witness its retro charm elevate your designs. Add this unique font to your collection and unleash its nostalgic magic! Have a Good Day !

A stunning bold script font that is perfect for adding a touch of elegance and sophistication to your designs. With bold and expressive strokes, this font gives a bold impression and attracts attention. Our bold script fonts are carefully crafted to mimic the fluidity and beauty of handwriting. They feature bold, bold lines that create a strong visual impact, yet retain the graceful and flowing nature of traditional script fonts. Whether you're designing wedding invitations, logos, branding materials or other creative projects, our bold script fonts will add a touch of charm and personality. This font is versatile and can be used for both formal and casual designs, making it suitable for a variety of applications.

Graphic designers, meet Angelik: a stylish typeface that you can really put through its paces. This unique font can bring one of its multiple personalities to a wide variety of design challenges. It’s a louder and prouder version of a typical assertive editorial-style bold serif headline font. But it can also really shine as a great choice for logos and branding, spanning a variety of vibes and styles. Works superbly in a high-fashion context, as well as in lowbrow surf-skate-ski-snowboard gear branding, or perhaps as an understated – yet exotic – vacation travel poster font. With its finely-tuned contouring, extensive kerning, and a multilingual character set, Angelik will not let you down.

Gladick is a modern take on a sans style typeface but mixes in the added contrast of serifs to make the font contemporary and memorable. Each letter is crafted with care to make your text unique yet stylish. Soft curves make for a bold type Now with the addition of italics. Great for fashion branding and editorial design. Features: All Uppercase and Lowercase Number & Symbol Supported Languages Alternates and Ligatures PUA Encoded This type of family has become the work of true love, making it as easy and fun as possible.I really hope you enjoy it! if you have any questions or problems please contact email:doratypefoundry@gmail.com Thank you and good job.

Realtime Stencil Rounded is part of the Realtime type family which draws inspiration from information displays. The result is a technical yet friendly design with details that serve function and visual impact alike. As a monospaced typeface it lends itself to tabular designs, sturdy columns and tidy layouts. Nevertheless Realtime Stencil Rounded comes with a feature for setting continuous text — a proportional design employable through OpenType — it further comes in five weights, from light to black, and with a character set that covers over 200 latin languages. Please see the Realtime Stencil Rounded Type Specimen PDF in the gallery. Realtime Stencil Rounded is the soft companion to the standard Realtime Stencil typeface which is available separately.

Pantsy Fance is a fun, yet structured typeface. It means business, but doesn't forget the frills. I use this lettering often on greeting card envelopes and the title section of my class notes. It is great for titling, labels, logos, and signs. This font fully supports the following languages: Bosnian, Bulgarian, Croatian, Czech, Danish, Dutch, English, Estonian, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Spanish, Swedish, Turkish, Ukrainian. If your language is not listed, or if I've missed a character in a language I claim to support, please contact me! I will be happy to add characters as needed, and will consider supporting more languages if there is interest.

Turesco Display is a display typeface with unique letterform. It looks great to be used for modern and minimalistic yet still playful and fun theme. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates & ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Coverto Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Coverto Font would be perfect for branding, headlines, Captions, paragraph, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes four Weights - Regular, Medium, SemiBold, and Bold All offer wide language support Uppercases and Lowercases. Numerals and extended punctuation. Thank you for taking the time to look into the font

Gandia is a true form of elegance and refinement. Curved corners give a soft yet bold impression. Inspired by the fast-growing vintage culture, this typeface can easily blend with modern retro design needs. With low contrast including the Cyrillic alphabet, it is very flexible to pair with other fonts. Gandia is perfect for various design needs such as magazines, posters, branding, clothes, quotes, web ui, social media posts, cover designs, Logo and many more. Comes with 8 Weights: Thin, Extralight, Light, Regular, Medium, Semibold, Bold, Extrabold. Equipped with attractive Opentype features Smallcaps, Discretionary Ligature vertical on Uppercase and Ss01, Ss02, Ligature on Lowercase and each font has more than 1300 glyph.

Are you looking for a sleek, clean, and futuristic font for your projects? Dislope Display is the font for you! Dislope Display is a geometric sans serif typeface with mono-weight strokes and distinctive, fluid diagonals. Futuristic and dystopian films, TV series, and games inspired its minimal yet striking characteristics. Its simplicity makes it easily adaptable to the needs of even the most specialized projects. Dislope Display's carefully adjusted spacing and kerning ensure amazing-looking titles, headings, logotypes, and all other medium to large-form text. Each weight has a complete, comprehensive glyph set of 183 glyphs, and the family has a total of 549 glyphs. Dislope Display can be used in any text-manipulating program once installed.

Introducing “Rapido Racers” - a Quirky Display Speed Font that encapsulates the essence of speed, agility, and dynamism. Crafted meticulously to resonate with the fast-paced world of racing and e-sports, this font is a harmonious blend of pixel perfection and artistic craftsmanship. With 13 unique variations, each tailored to fit the theme of speed and sportiness, Rapido Racers is versatile yet specific in its application. Whether you’re designing logos that stand testament to the electrifying world of racing or branding materials that echo the swift movements of e-sports athletes, this font is your companion. Its strong display characteristics make it ideal for crafting eye-catching titles on posters or headings on web pages.

The Octa fonts are primarily intended for heading, display and decorative use. A close relative to Alert, Octa is angular by its structure but soft-outlined typeface with modern industrial strength expression. The Octa group fonts consist of five families - Octa, Octa Stencil, Octa Mono, Octa UniMono and Octa Tile: Octa and Octa Stencil - each family carry two weights of complete characters. Kerning pairs feature is included in both fonts. Octa Mono - two weights font of upper and lower case monospaced characters. Octa UniMono - two weights font of unicase (caps) monospaced characters. Octa Tile - single weight of capital letters, numbers and ornamental dingbats placed on tile squares with white and black backgrounds.

Takeaway is a hand drawn script family of three weights and ornament set. Takeaway is sketchy but due to its clean features it retains legibility even in small sizes - especially the Light version. Takeaway is packed with OpenType features: Keep Contextual Alternates and Standard ligatures on for smooth flow and for more expressive character try Swash or Titling Alternates in any OpenType savvy program. Takeaway caps work as ALL CAPS - yet there’s also Swash and Titling caps that are more expressive initials. Takeaway is a great organic display type for any project from branding to packaging and from websites to greeting cards. Combine Takeaway Script with Takeaway Extras which is a set of sketchy ornaments, icons and swashes.

Lager is a plump, sympathetic and tasty script family inspired by good old American commercial lettering of mid-1900s – yet there’s more to it than meets the eye. Implemented with an exceptional feature called Intelligent Swash Lager delivers perfected results with an handmade feel. Depending on the choice of letters Intelligent Swash grows and stretches swashes automatically. Accompanied by various ligatures and stylistic alternates, Lager creates beautifully completed words with minimal effort. Just make sure you activate Titling Alternates from your OpenType-menu. The Lager package will be delivered with 5 complete weights, 2 sets of well-groomed numerals and Small Caps as a great companion for the script style. Get high on Lager, it won't leave you short.

Josephine, named for Josephine Baker, the legendary dancer of the 1930s, is a twenty first century sans serif typeface that harks back to the earlier part of last century. Although very modern, it has been greatly influenced by the many art deco fonts produced during the twenties and thirties of the twentieth century.In it I have tried to capture the art deco spirit in a modern humanist font. Josephine is exceptionally readable and yet completely characteristic of the Art Deco period. It can be used for text passages as well as display in posters, advertising, labels and packaging. It is professionally finished and contains all upper and lower case characters as well as all special characters, punctuation and symbols.

Alternate Gothic was designed by Morris Fuller Benton for American Typefounders Company in 1903. All three weights of Alternate Gothic are bold and narrow. In fact, this face is essentially a condensed version of Benton’s other well-known sans serif types, Franklin Gothic and News Gothic. In the early twentieth century, the modern concept of type “families” had not yet been formed — and though Benton designed these sans serifs to harmonize with each other, the foundry gave them different names. Robust, dark, and coolly competent, Alternate Gothic is a good choice when strong typographic statements must fit into tight spaces. As a modern usage, it is currently the font of YouTube’s homepage logo.

Auster, A Sans with Flair! Auster packs sensational personality in its fine-tuned forms. Confident and quirky, yet comfortable to read, this distinctive san serif family stands out from the crowd. The curves cinch and strokes flair in unconventional places making Auster an unashamed rebel sure to turn heads. Originally designed during the TipoBrda Workshop in Slovenia. Resistenza spent 3 years developing this 2 style (roman & Italic), 20 weight family. The subtle reverse contrast characters were first painted with a flat brush, then polished in pencil on tracing paper before being carefully digitized, to include language support and all the opentype features you expect in a quality contemporary font. More About Opentype Features: https://bit.ly/opentype-rsz

A font where "each word that's set approaches becoming its own logo" is how some have described this unique typeface. Originally inspired by an enamel sign he picked up at a Paris flea market, Michael Doret says that the seven letters contained in the sign were enough to suggest to him that here were letterforms put together in a way that he had never seen in a contemporary digital font. Always eager to create something a little out of the ordinary, he took up the challenge to flesh out the forms into a complete font. Orion can be defined as a geometric, connecting script that is at once contemporary, yet classic and timeless.

Introducing Motobreath, the bold typeface that is sure to turn heads. This font is inspired by the energy and power of hard rock music and the thrill of the racing car scene. With Motobreath as your secret weapon, you'll instantly add excitement and attitude to any design project. The simple angles yet energetic lines give this typeface an unmistakable edge that sets it apart from other fonts on the market. Whether you're looking to create a bold headline that demands attention or a logotype that conveys strength and power, Motobreath has got you covered. Motobreath features : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Mortella Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Mortella Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Three Weights - Bold, ExtraBold and Black. Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. Thank you for taking the time to look into the font.

Isidora Sans is a new version of the bestselling font Isidora (released a year ago). The absence of terminals gives this new typeface a cleaner and more geometric look, keeping the essence and structure of the classic sans fonts of the early 20th Century yet with a fresh, clean and contemporary appearance. Isidora Sans consists of two subfamilies of 7 weights, ranging from Thin to Black, with matching italics, giving a total of 28 fonts. Isidora Sans is the perfect font for publishing, titles, books, magazines and corporate design. Its Alt version is ideal for logotypes, branding, packaging, and use on web and Tv. The family contains a set of 416 characters supporting 207 different languages.

Rather Jazzy, Rather Loud: a family of two quite distinct fonts that perform together handsomely well. Both fonts include 2 versions for each letter, easily reachable through keyboard upper and lower keys. They also come packed with Contextual Alternates functionality to instantly cycle the alternates, providing a realistic handcrafted feel: just turn on the feature in any OpenType savvy application and let the music sound. Rather Loud brings yet another cool feature: lots of interlocking pairs that will add that nice extra twist your projects sometimes ask for. Trigger the discretionary ligatures feature button (OpenType savvy applications needed!) or pick up your choices through a glyphs palette or character map. Jazzy? Loud? I'd Rather Both, for sure!

M Razor is so called ""neo Sung-style"" typefaces. Crossbars (橫) and stems (豎) are orthogonal and upright. Their entry and finial points are squarish, parallel without flare. Contrast of strokes is extremely high. This creates sharpness, stiffness in the midst of elegance of Sungti. Even distribution of space, careful positioning, size and proportion of radicals create a slightly expanded, opened and balanced construction. Zhonggong are slightly expanded, its relatively less inter-character spacing makes the line of text better coupled and aligned. Its features and construction create a feel of wholesome, elegance with contrasting sharpness and stiffness. It is best suited for casual, creative display eye-catching text, set upright (non-slanted), non-condensed.

Avantgarde fonts Batory and Batoswash are monoline sansserifs designed by Bo Berndal. The futuristic Batory (think Bladerunner and Total Recall) and the spicier relative Batoswash come in three versions: Narrow, Middle and Wide. The font family is available in Truetype and Postscript for Mac and PC. Bo Berndal, born 1924, has been designing typefaces over 56 years, for Monotype, Linotype and other foundries. “Batory is a monoline reaction to my many calligraphic fonts”, says Bo Berndal. "That is also the reason I did several widths instead of weights. Batory has short stems and high x-height. Batoswash is a Batory gone wild!" The successful Batory has already been used for logotypes, vignettes in magazines and as headline type.

Clearface Gothic first appeared in 1910, designed by Morris Fuller Benton, the world-famously prolific typeface artist. In addition to Clearface Gothic, Benton also designed classics like Franklin Gothic, Century Expanded, and many other types. Clearface Gothic is a sans serif face with light forms displaying the Zeitgeist of the turn of the 20th century. Distinguishing characteristics are the open forms of the a" and "c," the arched "k," and the upward-tilting horizontal stroke of the "e." The relatively narrow typeface, with its open inner white spaces, is extremely legible even in small point sizes. There is no accompanying italic. This digital version of Clearface Gothic was made in 1984 by the Linotype Design Studio."

“The rounded shapes are like Chantilly cream or Italian meringue over a lemon pie,” says designer Xavier Dupré of his FF Sanuk Round typeface. Designed to work alongside the existing members of the FF Sanuk family, this sprightly sans serif offers a more mischievous personality than its counterparts. Angular shapes have been gently softened, to create a playful design that really comes into its own at larger sizes. Set this one on posters and packaging, or anywhere you need to be punchy yet approachable. The FF Sanuk Round family is based on the original FF Sanuk family and offers 5 weights plus from Ultra Light to Black plus italics. It offers OpenType features including stylistic alternates and ligatures.

Introducing Creative Vintage - a modern serif with vintage charm, fashion look and retro yet modern style. Work fast using integrated features. Just add PLUS (+) after any letter and get alternate instantly. This feature works on most applications (Canva, Templett, Corjl and others) Creative Vintage Regular: Opentype Serif font with clean shapes and accurate kerning. It includes ligatures and alternates with total amount 669 PUA encoded glyphs. Creative Vintage Draft: Modern Serif with chunky imperfect edges and shabby appearance. This font is a strict copy of everything from regular version including glyphs names, kerning and ligatures, so you are worry-free to change style on the go. Alternates appears automatically when you type plus after any letter or even ligature.

Sultania is a harmonic synthesis of the old characters’ suppleness and the resolute, clean design of modern typography. The rich in contrast calligraphic approach with thick and thin strokes is still visible and you can almost feel traces of ink on paper while it’s shapes in general, without serifs and any embellishments, proclaim its up-to-dateness swinging between roundness and rigor. Elegant, noble, yet still affected by traces of the handwritten script, Sultania is reminiscent of power, wealth, mind and culture. Sultania’s historical roots and it’s originality remind of oriental colors. A close Orient, at the gates of Europe, in which Latin characters are mixed with distant sounds. The Byzantium of the Sultans.

Ottenburg Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies . Ottenburg Font would be perfect for branding, headlines, Captions, paragraph, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Nine Weights - Regular, Medium, SemiBold, Bold. All offer wide language support numerals and extended punctuation. Thank you for taking the time to look into the font.

I got rhythm, I got music, I got my swirls, who could ask for anything more? Periplus is quite an eccentric type, full of twists and nice oddities here and there. It is an all-caps font with 2 variations for each letter and number, stored at upper- and lower-case slots. For added amusement, every letter got not 1 or 2, but 4 swash variations. One can be reached through the OpenType swash feature: just select the letter and hit the swash button. The other ones you will access through a glyphs palette. All of them are neatly organized with the 'access all alternates' feature. The font is yet equipped with some stylistic alternates and ornaments. Have fun!

Lunation is a versatile script font that marries the charm of script fonts with a contemporary twist. Crafted with a fairly bold weight to command attention. Its slightly reduced contrast ensures that each character stands out clearly, providing optimal readability in various design applications. The defining characteristic of Lunation is its carefully crafted swinging endings. These artistic flourishes gracefully embellish specific letters, lending an air of sophistication to your text. The subtle yet distinctive curves and sweeps add a playful rhythm. Lunation fits in headlines, logos, posters, flyers, invitations, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Basilio Calafati (1800–1878) worked as a magician under the name of Salamucci in the Wiener Prater. Later he obtained the license for a roundabout and other amusement facilities in the Wiener Prater. Calafati typeface family is characterised by little contrast and strong emphasis on the horizontals. It is a robust font that has many applications. Its character shapes are simple and relatively unembellished. With regard to metrics and proportions it combines perfectly with the Wien Pro and the Liebelei Pro. Calafati is available in weights light, regular, medium, bold and black. In 2022, Calafati received a major update. The recent family, Calafati Soft, is an 100% offspring of sharp-edged Original Calafati.