A practical yet unique display face designed to offer attention-getting headlines and an alternative to the normal wild west faces.

I live in a small hamlet near the Rhine river. It is a sleepy little town and it doesn’t have any facilities. For groceries I need to go to the next town. The only road leading to that town has been closed for half a year, because of ‘maintenance’, so doing groceries got a lot trickier. The fastest way to travel is through yet another hamlet in the forest, on a very narrow road with extremely bumpy shoulders. Yes, you’ve guessed it: it is a Bumpy Ride. Bumpy Ride was made using a so called Brush Pen. It comes with all the accents and a sweet set of alternates for the lower case letters.

It's that time of year again, isn't it? And yes, we're speaking rhetorically, because our true intent is to rouse voters into action, claim a significant gain in support over our nearest rivals and lead the nation, perhaps The World, into a new era of prosperity, one in which our once proud nation can become great yet again! An era of Hope, a time of peace and an end to war! Because never, in the field of human conflict, have so many, given so much and gained so little so that the have nots can reward themselves and those that have and-and... Victory, and Hope, and Greatnessness! Related font: Victory Speech Lower

Inspired by the hand lettering design for a friend’s yacht, this contemporary script style, TheNautiGal is sexy yet formal with beautiful connectors.

Geko is yet another experimental decorative display typeface. I just love experimenting with type I design it with logos, titles in mind.

Hand lettered with a pointed brush, this font strives to be evocative yet remain readable, even for medium length passages of text.

Wisdom Merry is a font with an incredibly sophisticated and classy feel. It has a natural, yet elegant touch and great legibility.

An ever so slightly off kilter sans-serif, Good Grief started as a digitization of a film typeface called Carmel by LetterGraphics. From there, this fun and friendly typeface was taken from its limited character set and fleshed out to a fully functional typeface. With the legibility of a text typeface, yet the personality of a display type, Good Grief - why haven't you gotten this fantastic font yet?

Jiwez Arabic style font is a premium Arabic style font that is a great way to bring a new level of luxury to your designs. The classic, yet modern style of this font is perfect for creating elegant titles and cover pages for your projects. With its classy, yet simple structure and easy-to-read fonts, you can use this font to create the perfect typeface for your projects.

Concinnitas (Latin for 'neatness') is a very neat print handwriting script. It's a light weight very easy to read, yet elegant handwritten font.

Is it Halloween yet? Dead Inside Chilling Font is an adorable hand-made typeface with 13+1 chilling icons, for the upcoming Halloween.

Inspired by classic serif fonts such as (adobe) Garamond, this pencil drawn typeface give your designs a unique and elegant, yet distressed look.

Yet another experimental typeface. I love trying different things I’m very happy with the results here. See the whole presentation here: Behance,net

Anything Okay is a simple, yet classy signature typeface. It includes beautiful swashes, that will add an organic feel to any design project.

Linotype Aroma No.2 appears straightforward in form, completely sans serif, yet with a trace of humanistic features that gives it that extra edge.

Comment is a unique yet still basic sans serif created to provide a consistent, attractive appearance in print, especially in small-to-medium sizes.

Odditype is a font that surely lives up to its name... Odd, quirky, techno...yet not. Its use is as broad as your imagination.

Bold yet distinctive, Capstan is a stand out slab serif ideal for signage, headlines, branding and other applications intended to convey strength and character

FG Petra looks like usual handwriting yet very pretty! It has a large 'K' in lowercase; I think that is what makes it special.

Thistle Borders are yet another "trouvaille". Great borders made out of thistles, teasles and flowers from the meadows of Victorian times by Gert Wiescher

Looking for a big, bold, black typeface? Meet the fat solid curves of Blonk! This type is based on hand-drawn letterforms with basic curves and angles, so it still retains softness and has a handcrafted feel. Yet, its boldness suits poster design, packaging, and other uses that needs to draw attention, in an quirky yet distinctive way. All glyphs are handcrafted by illustrative designer Zeptonn. Prepare to make a Blonk statement!

Cirquela is a new direction in type design for me. This is my first calligraphy font and my first hand drawn. This is a limited character set, but as I continue to explore this space, I hope to expand the character sets of fonts I offer for sale. In the meantime, please enjoy Cirquela. This is a fun font. Eccentric, yet it possesses a subtle formality in spite of itself. Passionate, furious, yet sublime.

Ahoy, me hearties! Are ye lookin’ for a font that’ll make yer message stand out from the rest? Look no further than Draculon, the font that’ll have yer audience shiverin’ in their boots! This historical-themed typeface draws inspiration from the letterforms of William Orcutt’s Humanistic font from 1904, which itself was based on an Italian manuscript from 1485. But don’t be fooled by its classical roots – Draculon is no ordinary font! With its sharp, menacing curves and jagged edges, it’ll give yer text a distinct voice and personality that’s sure to catch the eye of anyone who lays eyes on it. So whether you’re an immortal bloodsucker, or a swashbuckling pirate of the high seas, Draculon is the font for you. Let it convey yer message with the power and authority that only a truly unique font can provide! Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Chalice is a new original Canada Type family inspired by two different engraving eras and locations: Medieval England and 19th century Russia. Chalice's construct is geometric at heart, though the wedge serifs and their contribution to the overall idiosyncrasies of the counterspace give it a spirit entirely different from usual geometric types. Chalice's personality is that of a knowledgeable advisor, clinical yet old-fashioned, aware yet unsurprised, secular yet serene, clear yet artistic, hungry yet redeemable. Chalice comes in 4 weights, light to black, that range in expression from a sobering wise whisper of confidence all the way to the bells and whistles of Judgment Day. Such flexibility in expression among the different weights of the same typeface of this kind is quite rare, and will be appreciated by discriminating graphic artists who require more than just another tombstone type. Chalice's character set comes fully loaded across all 4 weights. Two dozen alternates are built into the map, including unicase variations on the a and e, double-barred alternatives for A, E, F, H and S, and connecting versions of b, d, f, h and t. Such variety gives the user to subtly define the set type without overpowering it. Chalice comes in all popular font formats, and is available in single weights, as well as one complete affordable package.

A usable version of the classic artists’ stencil font, picks up from where Josef Albers left off. Pared down for maximum minimalism, yet remarkably readable.

Ernest is a handmade typeface with an unique yet strong personality. Say it bold with this font. Punk & Wave styles. Ideal for type based designs.

It is a font created with images of space, movies and games in the near future. The font is futuristic yet has a retro vibe.

Fashyon was created as an experiment blending script and calligraphic elements, and with a perfect balance between characters, looks dynamic yet with a classical look.

Mystere is a new, hand-drawn font. This is currently a limited set designed for display usage. The font has a crude, yet stylish feel.

Yeah, Baby! You wanted the World’s Greatest Comic Book Fonts and we gave them to you! They're Sexy DropCaps! They're Saucy Dingbats! GIRLS!GIRLS!GIRLS!

Aye! Verily ‘twould seem ’tis time for thee to speak in the majuscule language of legendary gods! Yea, thou shalt speak most eloquently in the style and manner of many a pseudo-Shakespearian Bard. Forsooth, thine utterances such as “HAVE AT THEE, VILE VILLAIN!” shall cause all ye creatures of evil to begone from the hallowed halls of Asgard (or other otherworldly domains of the gods). Forsooth, Meanwhile Uncial is a Capital Font, suitable for Gods of Thunder, Mischief or e’en Warriors Three! Meanwhile Uncial contains alternate uppercase characters, auto-ligatures for a more natural, hand-drawn appearance, and Comicraft's magical Crossbar I Technology™, to keep that Mighty Character in its proper place. (Artwork from ELEPHANTMEN #32 by Richard Starkings & Axel Medellin, available on Comixology)

Happily-lettered handwriting full of optimism. This handwriting was drawn with a chunky round marker and is bold enough for drawing attention yet still completely legible.

So friendly yet so naughty. A practical font family with 3 weights for all your needs: headlines, body text, signage etc. High legibility at small sizes.

Stay and Shine is a strong and tall display font. Its sharp yet approachable feel makes this font incredibly versatile, fitting a wide range of contexts.

The object of Grover was to join two distinctive typeface designs: the basic European gothic of the late nineteenth century and the ‘rounded’ style found in 1960s America. The result is a clear, friendly face with subtle yet unforgettable features. Named after Grover Washington, Jr., the jazz saxophone player, Grover is geometrically constructed and yet very human in appearance. Sans and slab serif variations, true italic weights, as well as small caps afford Grover versatility and unique display characteristics.

Carte Blanche literally means 'Blank Ticket'. Yeah, yeah, it is also a very 007-ish catchphrase, but I wanted to give this elegant font a 'stylish' name and Carte Blanche popped up. All glyphs were hand drawn on a rather expensive piece of heavy-weight paper and were put into the font in between changing nappies, bouts of the flu and the subsequent wiping of snotty noses. Carte Blanche speaks most Roman-based languages - albeit nasally…

Cern is a family of20 weights of neutral, yet formally nuanced grotesk typefaces that takes inspiration from the original metal types from Switzerland, yet had a slightly larger x-height for more pronounced legibility. Cern is designed to be highly readable in print and on-screen. The italic variations are true italics and have been designed for smooth, fluid reading and text-setting. The Cern family works equally well for text typesetting and for display design work.

The object of Grover was to join two distinctive typeface designs: the basic European gothic of the late nineteenth century and the ‘rounded’ style found in 1960s America. The result is a clear, friendly face with subtle yet unforgettable features. Named after Grover Washington, Jr., the jazz saxophone player, Grover is geometrically constructed and yet very human in appearance. Sans and slab serif variations, true italic weights, as well as small caps afford Grover versatility and unique display characteristics.

Happyfin is a sumptuous font based upon the free nature of a handwritten text, it balances the organic form with the necessary preciseness of a traditional typed font. With a smooth light hearted elegance, this font is perfect for designs involving organic produce and situations where a professional yet fun and friendly typeface is needed. The font has high readability level, and yet conveys a good deal of character and style within the simplest of forms.